High Level – Jackamo Adds Solid Layer to New ‘Foundations’ Video

A new contemplative video beautifully takes Jackamo’sFoundations” to the next level.

Released today, the video adds an emotive, solid layer to the Hamtramck indie folk sibling duo’s wistful debut single, which dropped Feb. 19. It features sisters Alison Wiercioch and Tessa Wiercioch firmly planted in the middle of a sparsely furnished living room while people and objects move around them.

“We’re going to give our roommate Molly a shout-out. We were sitting together back in October, and we said, ‘Gosh, we really want to do a video for this song, but we have no idea what we should do.’ We were shooting off ideas, and Molly said, ‘How cool would it be if you two were in a room and things were moving around you, but you remained at a standstill,” said Alison Wiercioch.

With an initial video blueprint in mind, Jackamo contacted high school friend and director Zach Noonan to bring the “Foundations” concept to life. The Wiercioch sisters developed the video’s storyline and creative approach with Noonan over multiple Zoom calls until he emerged with a script.

“Zach drove around listening to the song, and that’s how he found his creative juices. The song really resonated with him, and when we got his script idea, we were enamored. Zach was the one who had the idea of having different sets,” said Tessa Wiercioch.

Throughout the “Foundations” video, Jackamo and Noonan seamlessly showcase three visual scenes to bring the track’s raw vulnerability to life. The initial living room scene features the Wiercioch sisters singing next to each other as a large stone fireplace provides additional emotional support.

Next, it quickly transitions to the gallery scene as Jackamo kneels together singing on the floor while extras move pieces of their mother’s artwork in and out of the room. The camera continues to circle around the duo into the “nothing scene” as they strongly embrace one another while the extras struggle to pry them apart.

“Zach brought his friend Liam Adams in as the videographer. The entire video is one shot, and they made that light themselves. We told Zach we wanted it to look like the golden hour, and he said, ‘I can definitely make that happen.’ They had their lights fixed up, and that’s the light that’s showing in the camera,” said Alison Wiercioch.

Along with Noonan, Adams and a cast of extras, the Wiercioch sisters filmed the “Foundations” video inside their Howell childhood home. One of the video’s most eye-catching objects includes a white two-story birdhouse that’s shifted throughout the living room. In a sense, the birdhouse captures the structural spirit of the larger home and encapsulates the essence of the track.

“That was Zach’s idea, and he clung on to the fact that we want our song to be taken however the listener takes it. The birdhouse was another object that we could move, but the table it sits on is still there. Somebody moves the table at one point, and that spoke to me. The house is already gone, but the table or the foundation is still there,” said Tessa Wiercioch.

Jackamo keeps their “Foundations” intact as they lie together on the home’s hardwood floor at the video’s close. It’s a subtle reminder the Wiercioch sisters are ready to build additional levels throughout their evolving musical framework.

“We hope it doesn’t make anybody think too much of what they’re supposed to feel in the song. We’ve had a couple of people who have said and thought different things about the video. It’s fun and exciting for us to hear people’s new perspectives,” said Tessa Wiercioch.

Best of Both Worlds – Border Patrol Bridges American, Canadian Folk on ‘The Worst Excuses’ Album

Border Patrol’s new album, “The Worst Excuses,” poignantly and irreverently addresses a spectrum of inner hurdles and identifies novel ways to overcome them.

Border Patrol masterfully builds a lasting sonic bridge between Detroit and Windsor.

As musical architects, the American-Canadian “folk-everything” duo of Dave Toennies (guitar, vocals) and Cody Howard (banjo, vocals) creates a timeless infrastructure supported by candid lyrics, robust string instrumentation and impassioned vocals on The Worst Excuses.

Released last week, Border Patrol’s second, soul-stirring album spans eight raw tracks layered with shared stories of self-doubt and second guesses wrapped in daily struggles and victories of incremental growth, minor adjustments and hopeful moments. Each Worst Excuses track poignantly and irreverently addresses a spectrum of inner hurdles and identifies novel ways to overcome them.

“It started from my personal experience, and that’s the only way that I’ve managed to make real progress growing in recent years. I’m easily overwhelmed sometimes at the prospect of self-improvement and all the things that have to come with it,” said Toennies, who lives in Hamtramck.

“Because I tend to get real busy and involved in things and overwhelm myself, I try to focus on just the one little thing in front of me that I have to do, get that one done and then move on to the next. Once I started trying to scale that up and applying it to a much more broad growth thing, it’s been the only thing that’s really worked for me.”

Uncovering ‘The Worst Excuses’

With Toennies and Howard at the storytelling helm, Border Patrol invites listeners into a raw, recognizable head trip that crosses international waters and lands directly in the midst of relatable chaos. Their internal journey begins with “A Little Bit Better (Still Bad)” as a tight-knit fusion of folky acoustic guitar, banjo and drums quickly launches into an ongoing tale of feeling stuck personally and professionally.

Despite the track’s initial, dark mood, Toennies eloquently finds a small silver lining, “But there was nothing that could hurt me in that moment/And there was nothing for me in the life I knew/In that moment something unexpected happened/Out of nothing, something grew.” Occasionally, an optimistic, hopeful thought briefly wins over an anxious, weary mind on the toughest of days.

“I hope it’s a positive thing, and there are just a lot of running jokes that we perpetuate, too. It can be sort of depressing music, but I think that it’s depressing in the way that it’s trying to be frank and talk about things that we have a hard time talking about sometimes,” Toennies said.

“We’ve always tried to take these serious topics, and rather than having it sound super serious, maybe make it a little fun, bouncy and upbeat. I hope that it’s relatable and positive in spite of all the things that are wrong.”

Continue reading “Best of Both Worlds – Border Patrol Bridges American, Canadian Folk on ‘The Worst Excuses’ Album”

Remnose Hosts ‘Waiting on the Wind’ Record Release Party Tonight at Hamtramck’s Ant Hall

Remnose will perform tonight at Ant Hall in Hamtramck with Kubat, Finlay, and Rose and the Drinkard Sisters.

Remnose will host an album release show tonight at Hamtramck’s Ant Hall.

The Ferndale indie folk-rock quartet will team up with the Drinkard Sisters and Kubat, Finlay, and Rose to celebrate the release of “Waiting on the Wind,” a beautiful 13-track album filled with rich harmonies, jangling pianos, somber lap steel guitars, massive swells of synths and gentle sweeps of cello and violin.

“I think we’re going to play as many of those new songs as we can, I just don’t know if we’ll be able to do all 13 of them. If people want to stick around, and they want to hear an old song or two at the end, then we’re always willing to play for them,” said Marlon Morton, Remnose’s vocalist and rhythm guitarist.

“We have Kubat, Finlay, and Rose opening, and they’re amazing. I want as many people to see them because they’re like a Crosby, Stills & Nash female edition, and all three independently are super talented, but together, it’s really a super group. The Drinkard Sisters are our best friends, and we love them so much, and we’re honoring they’re playing.”

Remnose’s Waiting on the Wind album

For Remnose, “Waiting on the Wind” is the most complete and complex piece of work they’ve released. As the band’s fifth release, it begins on the open sea with the title track bouncing the listener softly and slowly from wave to wave, while the mourning lap steel intimates the sounds of seabirds flying nearby.

From there, the album takes listeners on a highly personalized journey. Themes of helplessness and hopefulness coupled with unwavering optimism and conquerable pessimism serve as mental destinations along the band’s musical sea-faring voyage.

Give Remnose’s newest album, “Waiting on the Wind,” a spin:

Show details:

Remnose Record Release | Drinkard Sisters; Kubat, Finlay, and Rose

Doors 7 p.m.

Ant Hall, 2320 Canniff Ave. in Hamtramck

Tickets: $7 advance | $10 door

Active Duty – Major Murphy Plays Easter Weekend Shows to Grow Eastside Musical Troops

Major Murphy’s Jacki Warren, Jacob Bullard and Brian “Bud” Voortman will play shows Friday and Sunday in Hamtramck and Lansing.

For Major Murphy, Easter weekend means active duty on Michigan’s east side.

The Grand Rapids nostalgic rock trio will perform eastside shows Friday and Sunday to grow their musical troops in Hamtramck and Lansing.

Friday’s show will take place at Ghost Light Hamtramck with Carriers and Katy Kirby while Sunday’s show will occur as part of the Capital City Film Festival at Mac’s Bar with Lily Talmers & Monte Pride and Composetheway.

“We haven’t played at Ghost Light before, but we’re excited to play there and in Hamtramck for the first time. We’ll be able to get some new ‘Lafayette’ EP stuff into our set as well as songs from our ‘No. 1’ album,” said Jacob Bullard, Major Murphy’s vocalist and guitarist. “In Lansing, there’s going to be bands playing all weekend, and it’s in conjunction with the film fest.”

Bullard will join bandmates Jacki Warren (bass) and Brian “Bud” Voortman (drums) to share their 1970s-inspired radio rock with Hamtramck and Lansing crowds. They’ll perform hypnotic, mellow tracks from their latest EP, “Lafayette,” which dropped in February on Winspear, and last year’s full-length debut, “No. 1” as well as a cover of The Beatles “Revolver” classic, “She Said She Said.”

Recorded as demos in Bullard’s Grand Rapids-based house on Lafayette Avenue, the “Lafayette” EP features six songs that chronicle the creative evolution of Major Murphy from a stripped-down solo project to a three-piece rock band.

“I think it’s an extension or a companion to ‘No. 1,’ and we wanted to share stuff that we felt was interesting,” said Bullard, who formed Major Murphy with Warren and Voortman in 2015. “If people listened to ‘No. 1,’ then they might find ‘Lafayette’ extra fun because it’s where the songs started, and it gives them a behind-the-scenes perspective.”

Lafayette EP

For three tracks on “Lafayette,” each band member plants a promising sonic seed for the growth of “No. 1.” Bullard writes about an open-hearted expression that’s nostalgic and forward-thinking on “Come By Sunday” while Warren provides enchanting harmonies on “When I Go Out.” Meanwhile, Voortman jams for the first time on the initial demo for “No. 1.”

“They were recorded well before we went to Russian Recording, and they were mostly for my own benefit of being able to sketch the songs out,” said Bullard, who’s inspired by The Beatles, Paul McCartney and Wings, and Patti Smith. “I anticipated being able to record them again since they were very lo-fi, and the production was done in my bedroom.”

By 2017, Major Murphy ventured to Russian Recording in Bloomington, Ind., to record 10 nostalgic tracks for “No. 1.” The album’s jangly guitars, shimmering riffs, synth grooves, and dreamy, commanding vocals gently hook and draw listeners into a vintage, yacht rock world.

Together, Major Murphy hones a retro sound filled with harmonic structures, melodic progressions and emotional shifts that rely heavily on concert-like, energetic recordings. A year after “No 1.’s” release, the album stills sounds as refreshing and inspiring as its initial spin.

“I feel really proud of that record, and that’s never happened before. When I’ve made music in the past, I think about how we could have done this differently,” Bullard said. “I think this album is different because we were collaborative by working with Mike Bridavsky at Russian, and we brought in Ben and Aaron in addition to Bud and Jackie.”

With “No. 1” and “Lafayette” under their belt, Major Murphy will return to Russian Recording in July to record their next album. They also plan to release a new single soon.

“I’m super excited to put this next record together and share it with people,” Bullard said. “I’ve written the new songs precisely with all of us in mind and with the knowledge of what a dynamic life is like along with the strengths and weaknesses of that. It feels like it’s been a long time since we’ve been able to put out some new music.”

Show Details:

Major Murphy with Carriers and Katy Kirby

9 p.m. Friday

Ghost Light Hamtramck

2314 Caniff in Hamtramck

Tickets: $8

Major Murphy with Lily Talmers & Monte Pride and Composetheway

7 p.m. Sunday

Mac’s Bar

2700 E. Michigan Ave. in Lansing

Tickets: $10

Ypsilanti’s Foster Records Supports Local Music Scene, Hosts Friday Ch’i Machines and Baby Fangs Show at Hamtramck’s Korner Bar

Foster Records’ Nate Zuellig, Griffin Schultz, Jerry Heiss and Matt Wagner at 734 Brewing Co. in Ypsilanti.

Four Ypsilanti friends are fostering creativity and collaboration in metro Detroit’s burgeoning music scene.

Known as Foster Records, Nate Zuellig (Ch’i Machines), Griffin Schultz (Baby Fangs), Jerry Heiss (Jeremiah Mack & the Shark Attack) and Matt Wagner (promotion) bring an eclectic mix of groovy rocktronica, experimental pop and acoustic alternative rock to Washtenaw County and the Motor City through their own record label.

In early 2017, they formed the homegrown Ypsilanti-based label to focus on artist development and management, music, multimedia production and promotion. While working together, Zuellig, Schultz, Heiss and Wagner realized the collective value of combining their music, artistry and industry expertise.

“Foster Records was born over cups of coffee when we realized the path to success was spreading us too thin, and we started the label because we were booking shows by ourselves,” said Zuellig, Foster Records co-founder. “We started combining our talents and then recruiting the talented among us. Together, we elevate each other’s musical vision and know that no one creates alone.”

As a unit, the group recently released their first “Foster Records” sampler album, which includes two tracks by Zuellig, two tracks by Schultz, a collaboration between Zuellig and Schultz, and two tracks by Heiss. The album serves as a strong example of Foster Records’ emerging diverse artistry and musical approach.

“We have a team now with Griffin doing graphic design and communications, including posters and promos, he’s got the eye,” said Zuellig, who hails from Ypsilanti and shares a home studio with Schultz. “Jerry does video and web design while I’m doing the booking now, and Matt oversees public relations and promotion for us as artists.”

Continue reading “Ypsilanti’s Foster Records Supports Local Music Scene, Hosts Friday Ch’i Machines and Baby Fangs Show at Hamtramck’s Korner Bar”