Highly Combustible – Heavy Metal Supergroup Spirits of Fire Releases Searing Self-titled Debut Album

Spirits of Fire’s Chris Caffery, Steve DiGiorgio, Tim “Ripper” Owens and Mark Zonder

Spirits of Fire knows how to rekindle a heavy metal flame.

The heavy metal supergroup is reigniting fans with the release of their highly combustible self-titled debut album today on Frontiers Music.

Together, Tim “Ripper” Owens (vocals), Chris Caffery (guitar), Steve DiGiorgio (bass) and Mark Zonder (drums) fuse 11 scorching tracks that blaze an invigorating musical trail heavily influenced by Judas Priest, Savatage, Testament and Fates Warning.

“To get a chance to do this record was really special to me, and to work with somebody like Roy Z., who I have always considered to be one of the good, really modern minds of heavy metal, it was just a win-win thing all the way around to have this going and to get a chance to make these songs,” Caffery said.

With the help of Frontiers Music, Caffery teamed up with longtime pal Owens and new friends DiGiorgio and Zonder to form Spirits of Fire in August 2016 and recorded their debut album with renowned Los Angeles-based producer Roy Z.

“I’d say there was about a year in the writing process before we went into the full recording process of it. Then, just because everybody’s on different schedules, it took about another six months to get everything finished, to get the guitars, bass and vocals and everything done, it was finished completely by the beginning of April 2018,” Caffery said.

Spirits of Fire album artwork

In November, Spirits of Fire released their first single, “Light Speed Marching,” a turbocharged heavy metal anthem featuring electrifying guitar solos, pounding drums and surging bass lines. The band also met in downtown Los Angeles last summer to film the video, which features a fast-paced performance in a hot industrial underground setting.

“I was the one who put my foot down to have ‘Light Speed’ as the one that was going to get the video because it’s got a longer guitar solo,” laughed Caffery, who also performs as a solo artist as well as with Savatage and Trans-Siberian Orchestra. “I thought it mixed together the instrumental music a little bit better, and it went through Ripper’s voice a little bit better.”

In response to the success of “Light Speed Marching” Spirits of Fire also has released two explosive follow-up singles, the victorious, ready-for-battle masterpiece, “Stand and Fight,” and the personal ode to darkness, “It’s Everywhere,” to spark attention from the heavy metal music community. The band also plans to release a video for “It’s Everywhere” soon.

“There’s a lot of different metal and a lot of different tones in the music on this record,” Caffery said. “I really like ‘Temple of the Soul’ because it comes together in way that I really enjoy the band musically, or when you look at something like ‘Light Speed Marching’ and listen to Ripper just using his full range, there’s a lot of different things that I like for a lot of different reasons.”

In addition to their three powerhouse singles, Caffery admits the band’s signature and self-titled track, “Spirits of Fire,” best captures the feeling, inspiration and approach behind their music. It beautifully weaves the album’s 11 tracks together and provides an intimate look into the band’s musical soul.

“I remember when I first wrote the ‘Spirits of Fire’ song, I took something and added a short description of a character into a thing that was talking about something in a positive way,” Caffery said. “The spirit of fire is the most powerful of the good spirits, so when people would be looking to summon spirits to get rid of evil, they would call for the spirits of fire. That was the most badass, powerful good spirit.”

Luckily, the band remains in good spirits with the release of their debut album and hopes to play festivals later this year to support it.

“I’m hoping this develops as a band so people will want to hear us more and turn around and say, ‘Hey, there’s a week of shows that this guy wants you to do in Brazil with Spirits of Fire,’” Caffery said. “That’s the type of thing I’m looking for, the main things I’m gonna find out or what’s going to happen once it gets out there.”

‘The New Normal’ – Kane Roberts Steps Out of the Dark with Latest Cinematic Heavy Metal Solo Album

Kane Roberts — Photo by Mike Goedecke

For Kane Roberts, writing and recording “The New Normal,” his first new solo album in seven years, felt like taking a step in the dark.

“It was one of those situations where I’ve been off the grid for quite a while. I hadn’t been in the public jet stream of rock and roll and recording and playing live. I played it for my friend Kip Winger, and he said, ‘I can run this by Frontiers to see if they’re interested,’ and Serafino and Mario agreed to it,” Roberts said.

“It was like walking into a completely dark room because I hadn’t been in the studio and doing this exact type of thing, writing, guitar, making a record and singing so that I had to do stuff that was up to the proper standard.”

Out today on Frontiers Music, “The New Normal” more than surpasses the heavy metal standard with a bold cinematic, atmospheric sound filled with electrifying guitar solos, majestic drum beats and mesmerizing bass lines. In a sense, it’s akin to hearing Roberts’ personal soundtrack as his life plays out before listeners’ eyes.

Roberts, an iconic heavy metal singer and guitarist who’s worked with Alice Cooper, KISS, Guns N’ Roses, Rod Stewart and a host of other renowned artists, spent three years writing and recording 10 tracks for “The New Normal” with producer Alex Track. He opted to record “The New Normal” at Track’s studio and bust out of his comfort zone after releasing “Unsung Radio” in 2012.

“I ended up recording at his place from about 9 a.m. to four or five in the morning, five nights a week. It was a matter of discovery, I wasn’t sure how it would go, I knew that I wouldn’t quit until I got it done properly,” said Roberts, who’s also famous for his ‘80s machine-gun guitar and body-builder image.

“As time went on, the writing was really good, we started recording, and it sounded all great and everything. I would reinspect a vocal, and I would go, ‘I’m singing better now, so I should do some different choices with my guitar playing,’ even though I never stopped, it started to get more focused, and we started developing the cinematic approach to this whole project.”

Roberts built his robust cinematic sound with the help of several powerhouse heavy metal artists and musicians, including Alice Cooper, Kip Winger, Arch Enemy’s Alissa White-Gluz, Paul Taylor, Ken Mary, Nita Strauss, Babymetal’s Aoyama Hidecki, Shinedown’s Brent Smith and Halestorm’s Lzzy Hale.

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Cap Off – Stormy Chromer Hosts New Year’s Eve Show with Chirp, Biomassive at The Blind Pig  

This is the first installment of a three-part series profiling Michigan bands hosting a New Year’s Eve show at The Blind Pig in Ann Arbor.

Three Michigan bands will bring an eclectic array of improvisational rock, jazz, funk and electronica to Ann Arbor Monday night.

Stormy Chromer, Chirp and Biomassive will host a turbo-charged, fluid night of live music at The Blind Pig, 208 S. First St., for New Year’s Eve. It’s the third year Stormy Chromer has organized a New Year’s Eve show in Tree Town, and the second year they’ve held the event at The Blind Pig.

“We’re going with all live bands this year, and it’s a three-band night. Chirp and Stormy Chromer have a long and awesome relationship, and we’re all from Ann Arbor. Biomassive is a band that we just really hit it off with when we played with them two years ago,” said Amin Lanseur, Stormy Chromer’s drummer and vocalist.

“Chirp’s Jay (Frydenlund) and I decided to go with a three-band bill because we want to see how much we’ve grown as far as what we can do. It’s going to be an awesome feeling to look out there and see all these people who are here to see my buddies and me do what we love to do.”

The New Year’s Eve show will include a ball drop set with Stormy Chromer improvising on stage and counting down with the crowd to 2019. Members of Chirp and Biomassive will join the band to ring in the new year.

“We’ll pick a song that has a tendency to have an upbeat, dancy jam, and then I’ll get us as close to 120 beats per minute as possible so that every two beats is a second,” Lanseur said. “Then, we’ll just have a timer up there, and we’ll be doing our thing.”

Stormy Chromer also will share some covers and feature a new song to keep the show fresh well after midnight. “We’re going to be debuting a new song that I’m really excited about and that’s been conceptualized for a really long time now,” Lanseur said. “I think people can look forward to a handful of new material that they’ve never gotten out of us before.”

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