Farewell AF – Wilson Hosts ‘Thank You, Goodnight’ Shows Saturday at The Crofoot

Wilson will perform their final three shows Saturday night at The Crofoot.

Wilson will take their final bow of fuckery Saturday night in Pontiac.

The Detroit multi-genre quartet will host three farewell banger shows filled with debauchery and shenanigans for longtime, hardcore fans at The Crofoot.

“The shows will be closure for us and everyone who’s been involved. It will be emotional, but relieving at the same time,” said Jason Spencer, Wilson’s co-founder and guitarist. “We’ve always been transparent with our fans, that’s always been important to me, but all in all, the fans have been polite and supportive.”

Along with bandmates Chad Nicefield (vocals), James Lascu (bass) and Matt Puhy (drums), Spencer announced Wilson’s indefinite hiatus and “Thank You, Goodnight” farewell shows Nov. 6 via the band’s Facebook page. After a decade filled with in-your-face rock, hip-hop and all things ‘90s, the band will celebrate an explosive era three different ways:

1.  A “Wilson’s House of Fuckery” 4:30 p.m. pre-party in The Crofoot’s Vernors Room with band conversations and a past, present and future walk-through as well as a silent auction with proceeds benefiting the Lighthouse of Oakland County and MusiCares.

2. A 6 p.m. performance of “Tasty Nasty” and “Right to Rise” in their entirety on The Crofoot Ballroom stage. The Messenger Birds, Red Stone Souls and Ladysse will provide support.

3. A 10 p.m. performance of “Full Blast Fuckery” in its entirety on The Pike Room stage. Strange Magic will provide support.

Each show will encompass part of Wilson’s history at their “hometown” venue and allow devoted fans to engage one last time with these genre-bending titans. In a sense, it will be like viewing the exhilarating and exhausting journey through each band member’s eyes.

“The Vernors Room pre-party will consist of props/outfits from old videos, stage props and a bunch of visual aspects. Our fans have always loved the gimmicky parts of the band, so we figured this could be a fun way to obtain items for their Wilson collections … no joke, we have fans who have made entire rooms out of Wilson items,” Spencer said.

“The Ballroom will be a standard Wilson headliner with some visual aspects. But the final show in The Pike Room will be the most intense show because it’s the type of room that has played a big part in our history. You know, punk-rock club style … just wild.”

Continue reading “Farewell AF – Wilson Hosts ‘Thank You, Goodnight’ Shows Saturday at The Crofoot”

Right at Home – Nick Behnan Releases New Rock, Hip-Hop Single to Celebrate Motor City

Nick Behnan combines rock, hip-hop, funk and R&B on his latest solo single, “Right at Home.”

As an accomplished songwriter, guitarist and producer, Nick Behnan magically fuses the infectious sounds of the Motor City.

He solders raw urban elements of rock, hip-hop, funk and R&B together on his latest single, “Right at Home,” which dropped today via all streaming platforms.

The three-minute track blends pounding drums and roaring guitars with stuck-in-your-head verses and flavorful rhymes from soul vocalist Kendrick Hardaway and rapper Saint Diggidy – “The bass drum kickin’ and the guitar screamin’/I feel right at home/Nobody talkin’ about what’s the meanin’.”

“The song is inspired by those times when you feel right at home,” said Behnan, who opted to remain in Detroit for his music career. “You’re with the right group of people, you eat the right meal, you listen to the right album, you’ve got the right bottle of whiskey, and everybody feels comfortable in their own skin.”

Behnan invited Hardaway and Saint Diggidy to add a strong hip-hop, funk and R&B feel to the rock-based track, which initially started as a stripped-down demo on SoundCloud. Hardaway and Saint Diggidy added their own verses to elevate and enrich the multi-genre track.

“I wanted to bring more of an old-school feel like Rick Rubin did for the Beastie Boys and bring more of that Run-DMC-approach to their voice,” Behnan said. “It mixes the urban funk sounds with rock because those are both embedded in my ear. I like music that has both of those vibes in there.”

Continue reading “Right at Home – Nick Behnan Releases New Rock, Hip-Hop Single to Celebrate Motor City”

The Plugin – Dirty Thirty Producers, Beatmakers Showcase Their Creativity Tonight at Ypsilanti’s 734 Brewing Company

Tonight’s Plugin will showcase local producer-beatmakers and sets from other artists at 734 Brewing Company.

A fresh array of beats and rhythms will electrify Ypsilanti’s 734 Brewing Company tonight.

Known as The Plugin, the producer-beatmaker showcase and competition will spotlight “The Dirty Thirty,” a 30-minute sample chopping contest with catchy creations from emerging hip-hop artists.

During the contest, artists will have a half-hour to make beats from a previously chosen sample they can download. After the 30-minute time limit is up, they will showcase their beats and be rated on a point system for their mix, creativity and arrangement by a panel of three judges. The winning artist with the most points will receive money or another prize from Plugin event sponsors.

“After we do the competition, then we allow the winner to do a beat set, and they can play some of their instrumentals,” said Rod Wallace, a metro Detroit hip-hop producer and beatmaker who oversees The Plugin. “We also may have people there who are seeking things to do with sync licensing, and then they get a chance to hear from the artists. It’s always been a great party.”

The former high school administrator and teacher launched The Plugin in May after running a student music education program. He teamed up with Grove Studios, an Ypsilanti-based rehearsal and recording space, Double Negative People, a Detroit record label, and Mic Moseley to host and sponsor the monthly event.

“As I had the opportunity to come back to Eastern to direct a program here, I also began working on my PhD, and I was focusing around how music technology can be used to teach kids transferrable skills,” said Wallace, who’s also a lead engineer for Grove Studios and a second-year doctoral student at Eastern Michigan University. “What I found in doing some early research was producers are very adept are teaching themselves how to use software. They’re very adept at teaching themselves skills using YouTube and using video.”

Rod Wallace oversees monthly Plugin events.

Wallace also noticed how music technology education connects directly to STEM-based curricula and teaches student producers and beatmakers transferrable skills. The goal is to provide laptop musicians with a productive, creative and educational outlet for developing and sharing their own music.

“Another thing that came up in the research is the fact that there isn’t a lot of collaboration. People are kind of like mad scientists, they stay to themselves and do what they do,” Wallace said. “They might work with an artist, and they might not work with an artist. I wanted to create a venue where not only could they work together and show off their skills, but it was also an environment that catered itself toward networking and connecting with artists.”

Those connections start with other producers and beatmakers who perform at The Plugin each month. Tonight’s event will feature sets from Brooklyn Beatz (aka Josh Johnson), Josh Hype, Tru Klassick (aka Taylor Michael) and DJ Buff as well as classic hip-hop trivia and a 50-50 raffle to benefit local nonprofits.

“We’ve spent our time trying to gather more sponsorships and trying to make some more connections with producers who can really come through and show people what to do as well,” Wallace said. “It’s always a really fun time, and I just look forward to continuing to do it.”

Show details:

The Plugin – “The Dirty Thirty” featuring local producers and beatmakers and sets from Brooklyn Beatz, Josh Hype, Tru Klassick and DJ Buff

7 p.m. tonight

734 Brewing Company, 15 E. Cross St. in Ypsilanti

$10 entry fee for producers and beatmakers

Donations welcome from attendees

Shining Through – Trey Simon Drops Hopeful New Single ‘When the Lights Turn On’

Trey Simon has released his latest single, “When the Lights Turn On,” today via all streaming platforms.

Trey Simon knows how to deliver the ultimate ray of hope in the darkest hour.

The soulful Rochester singer-songwriter sheds sonic messages of optimism and growth on his passionate new single, “When the Lights Turn On,” which dropped earlier today.

The brilliant single opens with emotionally intense guitars while pounding drums echo a nervous heartbeat and reflect an initial hesitation about a new road ahead. It’s reminiscent of mid-80s pop-rock with Phil Collins-inspired lyrics and Michael McDonald-esque vocals.

“For me, it’s a reflection song. It’s realizing that I have so much to give, and I have so much to love for somebody. Overall, it’s about waking up and realizing you’re not where you want to be yet,” Simon said. “I think that song was birthed out of places like, ‘Dang, I just want to be better than what I am right now, and I want to be better for that person I meet down the road.’”

The single also eloquently showcases “the dirt” Simon personally experiences as an artist and individual overcoming internal challenges while heading down a new spiritual path. For listeners, it’s fighting chance to escape their fears and use Simon’s new single as an emotional shield against uncertainty.

“I think the greatest thing about being an artist is really putting it on display because it’s a healing process for you, but in the same time, you can really help people in giving them the courage to go after the things they have going on, too,” Simon said.

Simon started crafting his latest single on stage a few years ago and later transformed it into a recordable version, thanks to a friend’s encouragement. He teamed up with Rochester producer and musician Josh Colyer to record “When the Lights Turn On” at Kensington Church’s studio in Troy.

“It was a changeup from the music I’ve recorded in the past, and it’s a little bit more of a rock direction since my stuff has been a little bit more of an R&B, sultry vibe. I was really ready to showcase more of myself musically, too,” he said.

“I’ve got so much that inspires me, and I feel like there are different parts of me. I’ve only been showcasing one side of what I really do, and I’m ready to give a clearer vision of who I am as an artist and who I am as a person.”

Simon will drop a new video for his latest single Oct. 9 and allow the track to speak for itself visually. Filmed by a Chicago-based director, the video features Simon sitting on a stool in a large room giving a powerful performance of his latest single.

“We ended up getting a whole crew to come out, and we got all the lighting and everything,” Simon said. “It was my first big budget video with five crew members, and we used a film studio to cut it all in Troy. We were able to finish the whole thing in a day.”

Continue reading “Shining Through – Trey Simon Drops Hopeful New Single ‘When the Lights Turn On’”

Multi-Dimensional – Detroit’s Carter Erickson Straddles 2 Creative Worlds on New ‘Columbia’ EP

Carter Erickson performs at a MusicTown Detroit open mic night.

As an emerging hip-hop artist, Carter Erickson travels between two different creative dimensions – Detroit and Columbia.

In Detroit, he combines catchy beats, raps and melodies with personal experiences to share with growing crowds at open mic nights and DIY shows.

In Columbia, Erickson becomes the main character, Booker DeWitt, from the “BioShock Infinite” video game and battles racism and elitism in the namesake fictional dystopian society.

Together, those two creative dimensions lay the foundation for Erickson’s latest EP, “Columbia,” an immersive six-track hip-hop, role-playing game-like (RPG) experience that dropped last week on all major streaming platforms.

“These songs are based on real-life experiences that I’ve had, but they also coincide with certain elements of the game,” said Erickson, aka Eric Carter. “When you play the game, you don’t know what the character looks like because it’s first-person. For me, this EP is more about how I felt playing this character.”

Downloading ‘Columbia’

Columbia EP

Immersed in his musical RPG world, Erickson takes Booker DeWitt to another level on “Vanishing Point,” the first sci-fi, synth-filled single from “Columbia.” He combines Booker DeWitt’s persona with Kowalski, the main character from the 1971 cult car film, “Vanishing Point.”

“They both feature two guys who have nothing to lose and are working toward this goal. All in all, they both don’t get there,” he said. “At the end of ‘Vanishing Point,’ the main character needs to get to California by 3 p.m., and he’s got this beautiful 1970 Dodge Challenger. In ‘BioShock Infinite,’ a guy has  been tasked with trying to find a woman’s father. He eventually learns he’s her father, but in a different universe.”

Erickson’s sonic travels continue through “The Handbook” and “Cha$e” and allow listeners to draw deeper parallels between his personal experiences and “BioShock Infinite.”

On “The Handbook,” Erickson introduces a slow, introspective jam about how actions have consequences, whether good or bad. “I thought it was something everyone could relate to cause as humans we all have run ‘what-if’ scenarios through our heads regarding one thing or another, and sometimes the perpetual regret we live with and/or die with no matter the outcome we choose.”

For the “Cha$e,” Erickson opens the EP’s closing drack with deep synth beats reminiscent of early ‘80s Atari music. The track was influenced by an earlier portion of the “BioShock” video game series that intersected with Erickson’s life.

“When I first played it, it was almost like a ‘blink and you’ll miss it’ kind of moment, which is wherein it intersects with life. You know, one day you’re eating cereal watching Saturday morning cartoons, and the next thing you know, you’re graduating high school and/or college, and then life pretty much happens,” he said.

“When I wrote ‘Cha$e,’ I wanted to define this same approach with the harsh instrumental, but the lyrics sort of glide over it, and this is like a metaphor for life and people. Meaning, life can be tough, but as long as you keep a positive outlook, everything will be OK.”

Continue reading “Multi-Dimensional – Detroit’s Carter Erickson Straddles 2 Creative Worlds on New ‘Columbia’ EP”

Cap Off – Stormy Chromer Hosts New Year’s Eve Show with Chirp, Biomassive at The Blind Pig  

This is the first installment of a three-part series profiling Michigan bands hosting a New Year’s Eve show at The Blind Pig in Ann Arbor.

Three Michigan bands will bring an eclectic array of improvisational rock, jazz, funk and electronica to Ann Arbor Monday night.

Stormy Chromer, Chirp and Biomassive will host a turbo-charged, fluid night of live music at The Blind Pig, 208 S. First St., for New Year’s Eve. It’s the third year Stormy Chromer has organized a New Year’s Eve show in Tree Town, and the second year they’ve held the event at The Blind Pig.

“We’re going with all live bands this year, and it’s a three-band night. Chirp and Stormy Chromer have a long and awesome relationship, and we’re all from Ann Arbor. Biomassive is a band that we just really hit it off with when we played with them two years ago,” said Amin Lanseur, Stormy Chromer’s drummer and vocalist.

“Chirp’s Jay (Frydenlund) and I decided to go with a three-band bill because we want to see how much we’ve grown as far as what we can do. It’s going to be an awesome feeling to look out there and see all these people who are here to see my buddies and me do what we love to do.”

The New Year’s Eve show will include a ball drop set with Stormy Chromer improvising on stage and counting down with the crowd to 2019. Members of Chirp and Biomassive will join the band to ring in the new year.

“We’ll pick a song that has a tendency to have an upbeat, dancy jam, and then I’ll get us as close to 120 beats per minute as possible so that every two beats is a second,” Lanseur said. “Then, we’ll just have a timer up there, and we’ll be doing our thing.”

Stormy Chromer also will share some covers and feature a new song to keep the show fresh well after midnight. “We’re going to be debuting a new song that I’m really excited about and that’s been conceptualized for a really long time now,” Lanseur said. “I think people can look forward to a handful of new material that they’ve never gotten out of us before.”

Continue reading “Cap Off – Stormy Chromer Hosts New Year’s Eve Show with Chirp, Biomassive at The Blind Pig  “

Saturday’s Detroit LIVE at The Heidelberg Celebrates Motor City Music

For three Detroit-based artists, the Motor City brings a promising musical future backed by a powerful legacy.

Clear Soul Forces, John Jammin Collins and Rah the Son will represent some of the city’s best musical talent and lead the inaugural Detroit LIVE at The Heidelberg Project Saturday.

Together, they’ll showcase emerging and established hip-hop, techno and other music during the free block party hosted by POWER Entertainment and The Heidelberg Project.

From noon to 8 p.m. Saturday at 3600 Heidelberg St. in Detroit’s McDougall-Hunt community, attendees will hear seven other rising musical acts as part of the Detroit LIVE. There also will be an open mic session for other performers interested in demonstrating their talents.

“We want to build a sense of community while featuring Detroit talent and celebrating The Heidelberg Project’s 30th anniversary,” said Donna Kassab, a POWER Entertainment owner and Detroit LIVE creator.

Kassab is hosting the event in conjunction with Jenenne Whitfield, CEO of The Heidelberg Project, near the city’s iconic outdoor art installation. Detroit LIVE is part of Thirty Months of Heidelberg, a series of special programming in conjunction with the 30th anniversary of The Heidelberg Project.

The Stratton Setlist recently spoke with Clear Soul Forces, John Jammin Collins and Rah the Son to learn more about their music and upcoming performances at Detroit LIVE.

Continue reading “Saturday’s Detroit LIVE at The Heidelberg Celebrates Motor City Music”