Root System – Tree No Leaves Plants Lush Conceptual World on ‘The Eyes of Xylem’ Album

Tree No Leaves plants a vivid, lush conceptual world that challenges widely held notions about the cycle of life on “The Eyes of Xylem.” Artwork – Andy Thomas of Ando Illustration

Last year, Dustin Galish instantly took root in a new adventure.

The Bowling Green, Ohio-based Tree No Leaves vocalist and multi-instrumentalist planted a vivid, lush conceptual world that challenges widely held notions about the cycle of life.

“I had a dream one night, and there was a narrative that showed up and made sense. I wrote it down in the morning and went into work that day, but continued to scribble on this piece of paper that was very small and kept cramming everything on it,” he said.

Galish showed his initial scribbles to artist Andy Thomas of Ando Illustration, and the two carefully cultivated an alternate universe for Tree No Leaves’ new thought-provoking concept album, graphic novel and multimedia experience, The Eyes of Xylem.

“The real raw theme is perception and the cycle of life. At the end of the day, all of us have a very different perception of what that cycle of life is, and it can be religious, spiritual or atheistic. We all deal with that cycle of life, and we’re all trying to come to terms with what it is. Some of us have a very cool explanation for it while others have a sad, barbaric or magical one,” Galish said.

Along with Tree No Leaves bandmates Steven Guerrero (bass, f/x, EBow), Garrett Tanner (sax, recorder), J.P. Stebal IV (drums, electronics) and Billy Gruber (congas, percussion), Galish magically chronicles a condensed life cycle across eight compelling, multi-genre tracks on The Eyes of Xylem, which is now available via all streaming platforms.

Also available as a four-track, clear 7-inch vinyl on Bandcamp, the insightful concept album lyrically and visually depicts the story of anthropomorphic tree characters, Willow and Elder, who rapidly experience a series of life-changing situations in a haunted town. Each track features an accompanying mystical illustration by Thomas that sets the scene for listeners as they join The Eyes of Xylem journey.

“My goal is to have two characters that experience the full cycle of life and death in a short period of time, but in an amazing way. They’re both experiencing things simultaneously while their perspectives of what they’re experiencing are different,” Galish said.

“I researched symbolism relative to trees and what they represented in different cultures. Willow and Elder represent the duality of the world in any place and in anything that exists. I think it’s important to understand people’s perspectives and how we’re all different, but we’re experiencing things together as part of the same cycle. ”

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Sonic Bloom – Tree No Leaves Plants Timeless Sound on ‘Prophet Holographic’ Vinyl Release

Bowling Green’s Tree No Leaves fuses eloquent rock, funk, world and jazz sounds on their latest album, “Prophet Holographic.”

Tree No Leaves is firmly rooted in the blossoming Bowling Green, Ohio music scene.

For more than a decade, the heavy psychedelic soul sextet has planted a series of studio and live album online releases for fans. Throughout their extensive digital catalog, Tree No Leaves fuses eloquent rock, funk, world and jazz sounds while maintaining a melodic and lyrical based center.

Last September, the band branched out with their first vinyl release of their latest studio album, “Prophet Holographic,” a retro seven-track album filled with vibrant, eclectic sonic foliage spanning multiple genres and approaches.

“This record was supposed to be a throwback to more of a live sound and have a bare minimum of post-production. The reverb on the record itself is the reverb from the recording studio. It was recorded at The Mohawk Studio, which is a beautiful 185-year-old church in Sandusky,” said Dustin Galish, the band’s vocalist, pianist, organist, synthesist and guitarist who initially started Tree No Leaves as a duo with wife Sarah Galish.

“All the real sounds you’re hearing were done there, so it’s not post-production echo or reverb. For us, that was kind of cool, especially because we were going to vinyl, and we had never done that before. We didn’t want to get too tricky with what we were doing for the mixing and mastering, so there’s a lot of traditional old school layering to get effects.”

Along with longtime bandmate, guitarist and organist Calvin Cordy, Galish wrote and arranged eight to 10 tracks for “Prophet Holographic” centered around rhythm and double percussion.

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