Tag: Indiana

Nostalgic Christmas — Olivia Van Goor Celebrates Holiday Music Past and Present on “Waiting for Santa” Album

Olivia Van Goor with her family’s dog, Murphy. Photo – Matt Ryan

This holiday season, Olivia Van Goor is stepping back in time.

The jazz vocalist-composer reimagines Christmas songs from TV specials and movies she loved as a child on her latest album, Waiting for Santa.

“I thought it would be fun to pick some of those songs that you forget about, that aren’t overplayed, or that aren’t overdone,” said Van Goor, who’s based in Royal Oak, Michigan.

“And speaking of Santa Claus Is Comin’ to Town, if you listen to the full version of ‘Put One Foot in Front of the Other’ at the very end, they go into a section that’s in seven instead of in four. That’s what I did in my recording at the end. I thought, ‘This is so hip [that it’s in] an odd meter. I don’t even remember that when I was a kid.’”

Waiting for Santa also includes Van Goor’s soaring renditions of “Silver and Gold” and “There’s Always Tomorrow” from Rudolph the Red-Nosed Reindeer and “Believe” from The Polar Express.

“It was really fun to think about those songs, and they just so easily are turned into a very standard feel in the jazz world,” she said.

“And then going from that, it was really fun to reimagine more stories from those things and write the song, ‘Hermey’s Blues,’ with Mike [Harrison]. Hermey the Elf [from Rudolph the Red-Nosed Reindeer] didn’t ever get a song. I loved playing along with those ideas and feeling like I was accessing that part of my childhood.”

While the album’s six covers sparkle, Van Goor truly shines on the seven originals, which include a combination of songs she composed or co-composed with others. There’s also a track composed by bandmate Mike Harrison called “Mrs. Mistletoe.”

“I started coming up with ideas, and I had a bunch of ideas for songs that I thought were missing from the Christmas repertoire,” Van Goor said. “And then I was thinking, ‘I don’t have to do this all alone; I can co-compose with some of my friends,’ and that’s how the album came to be.”

Along with bandmates Reuben Stump (bass, vocals), Dave Zwolinski (drums), and Mike Harrison (piano), Van Goor presents a refreshing Christmas album featuring soulful vocals, nostalgic and festive lyrics, and enchanting instrumentation.

I recently spoke with Van Goor about Waiting for Santa ahead of several live shows in December.

Continue reading “Nostalgic Christmas — Olivia Van Goor Celebrates Holiday Music Past and Present on “Waiting for Santa” Album” →

Hitting the Road — The Soods Embark on Midwest Fall Tour This Week

Jason Roy of The Soods. Photo – Matt Ten Clay

The Soods are ready to hit the road.

The indie-rock collective is embarking on a short Midwest tour, which runs October 11 to 16.

The tour includes shows in Grand Rapids and Lansing, Michigan, as well as Chicago; Davenport, Iowa; and Fort Wayne, Indiana. It will also celebrate a milestone for one of The Soods’ side projects—Elroy Meltzer.

“This one will just be Steven [Meltzer] and me,” said Jason Roy, frontman and co-producer for The Soods, who’s based in Grand Rapids.

“It actually marks 10 years this year since we started Elroy Meltzer together, so we actually will be doing some songs off those first two albums. Steven still actively writes, records, and performs as Elroy Meltzer and has an album coming out on October 10 called 9 Out of 10 Ain’t Bad that people should check out as well.”

For its tour, The Soods have prepared an extensive setlist filled with new songs, old favorites, and covers.

“I think we have rehearsed about 25 or 26 songs, five covers ranging from Bruce Springsteen to Gorillaz, and then a pretty even split of Soods songs and the aforementioned Elroy stuff,” Roy said. “We’re pretty excited to play five unreleased ones as it’ll be the first time we played a few of them.”

I recently spoke with Roy about the collective’s tour and recent releases.

Continue reading “Hitting the Road — The Soods Embark on Midwest Fall Tour This Week” →

After the “Fallout” — Major Murphy Processes Past Struggles on New Indie-Rock Album

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Major Murphy’s Chad Houseman, Jacob Bullard, and Jacki Warren. Photo – Brett Carlson

For Major Murphy, the best life lessons come in retrospect.

The Grand Rapids, Michigan trio of Jacob Bullard (vocals, guitar), Jacki Warren (bass, vocals), and Chad Houseman (guitar, keys, drums, percussion) learns from past struggles and finds a way forward on Fallout.

“I think that was a conscious goal or intention of mine to create something realistic but wasn’t wallowing in despair,” said Bullard about the band’s new indie-rock album released via Winspear.

“There’s a quote in ‘The Water’ from the Tao Te Ching, and it says, ‘Nothing in the world is as soft and yielding as water. Yet for dissolving the hard and inflexible, nothing can surpass it.’ I read that when I couldn’t see a way out, and it was a difficult time and I didn’t know what to do.”

As part of that introspection, Major Murphy discovers a renewed sense of purpose and seeks clarity for the future.

“Thinking about that softness also being something that could dissolve rock was an idea for me that I found incredibly empowering in the sense that you don’t always need to meet resistance with more resistance,” Bullard said. “Sometimes you have to soften and flow.”

On Fallout, Bullard and his bandmates process change, uncertainty, and growth across eight reflective tracks. The album’s philosophical lyrics, soaring harmonies, and emotive instrumentation provide a cathartic and impactful listening experience.

“The album came together organically from a writing perspective, but at a certain point, those themes became evident to me as well. There are more songs than what ended up on this album, and I curated the selection to be super cohesive,” Bullard said.

“It’s a bit more stylized from a lyrical perspective, and it’s less prose and more poetry from my vantage point. I thought of the music, too, as being more contemporary compared to stuff we’ve done in the past. I wanted the lyrics to be more minimal.”

To learn more about Fallout, I spoke to Bullard about the album’s thematic elements and creative process.

Continue reading “After the “Fallout” — Major Murphy Processes Past Struggles on New Indie-Rock Album” →

Sonic Journey – Gastón Reggio Ventures From ‘Michigan’ to North Carolina on New Jazz-Fusion Album

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Gastón Reggio chronicles an inspirational sonic journey on his new jazz-fusion album, “Michigan.” Photo courtesy of Gastón Reggio

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Gastón Reggio, Michigan represents the ideal name for his second full-length album.

The Uruguayan jazz composer and multi-instrumentalist penned most of the album’s tracks while living in Ann Arbor and wanted to capture those experiences from 2019 to 2021.

“Each song has and [strives] to tell a story about things that happened during that time. Particularly, I was looking for an [album] name that worked well in English and Spanish,” said Reggio, who previously drummed with Chirp and is now based in Durham, North Carolina.

“My producer Rodrigo [Cotelo] … mentioned naming the album after the song ‘Michigan’ because it summarized my [time] here and served as the basis for some of the stories that are [sonically] told through my songs.”

On Michigan, Reggio chronicles an inspirational sonic journey filled with jazz, prog rock, and world music influences. The album starts in the Great Lakes state and whisks listeners across the Appalachians to find new musical adventures in North Carolina.

“I just let the ideas for the songs come without any restrictions, and I like to combine all of my influences to create a [personal] way to express myself through music,” he said. “I hope listeners realize the depth and honesty of this music; it’s a part of me, and if you listen to it, you will get to know me a little bit more.”

To learn more about Reggio, I recently spoke with him about growing up in Uruguay, studying music and jazz drums in Brazil, coming to Ann Arbor and joining Chirp, relocating to North Carolina, working on Michigan, and preparing for several upcoming live shows.

Continue reading “Sonic Journey – Gastón Reggio Ventures From ‘Michigan’ to North Carolina on New Jazz-Fusion Album” →

Days of Future Past – Major Murphy Reaches Personal Crossroads on New ‘Access’ Album

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Major Murphy’s Jacki Warren, Brian Voortman, Chad Houseman and Jacob Bullard revisit personal struggles and explore newfound intrinsic possibilities on “Access.” Photo – New Archive

With Access, Major Murphy beautifully arrives at the emotive intersection of the past and the future.

The Grand Rapids indie rock quartet of Jacob Bullard (vocals, guitar), Jacki Warren (bass, vocals), Brian Voortman (drums) and Chad Houseman (guitar, keys, percussion) seamlessly navigates undiscovered internal roads filled with uncertainty, contemplation and growth on their boundless sophomore album.

“You have to go rock bottom to be able to adequately move forward. At times, it can be a little dark, scary or intense, but ultimately if you don’t face some of those things, then you’ll be missing the point. Anxiety and stress are definitely fused into the record, but it’s for the purpose of being able to identify things and put them to rest,” Bullard said.

Major Murphy deeply revisits personal struggles and explores newfound intrinsic possibilities across nine introspective, cinematic and experimental tracks on Access, which arrived April 2 via Winspear on all streaming platforms.

Each thoughtful, captivating track weaves a reflective, relatable tale about arriving at an unexpected crossroads and grappling with the amount of control one has in life. Layered with choose-your-own-adventure insights, Access prompts listeners to decide the direction of their next fateful turn.

“I was going through a lot of big changes, and I started writing songs in 2017. Part of the optimism is saying even when everything around you shifts and you don’t really recognize it, the old way of being doesn’t need to hold precedent. You have the find the strength within yourself to accept the new reality and adapt,” Bullard said.

Continue reading “Days of Future Past – Major Murphy Reaches Personal Crossroads on New ‘Access’ Album” →

Glimmer of Hope – Rags and Riches Shares Newfound Strength on ‘Tension of the Season’ Single

Rags and Riches’ Tanner Whitt and Peyton Whitt inspire listeners to overcome the “Tension of the Season.” Photo – Christian Campbell

Backed by resilience and gratitude, Rags and Riches beautifully infuses hope into the darkest of times.

The Lexington, Kentucky EDM pop-rock duo of brothers Tanner Whitt (vocals, guitar) and Peyton Whitt (drums) shares a newfound sense of personal strength on their powerful, uplifting latest single, “Tension of the Season,” now available on all streaming platforms. It’s the fifth track they’ve dropped this year in a series of refreshing, spirited singles designed to inspire and rejuvenate a growing fan base.

“‘Tension of the Season’ was actually inspired when our grandfather experienced a nearly fatal stroke. With COVID-19 striking, no one could be with him in the hospital during this period. There were so many unknowns in our life. That’s when we knew it was time to write,” Tanner Whitt said.

The glistening, illuminative track blends echoey, wailing synths, shiny piano, upbeat acoustic strums, soft and steady drums, bouncy bass and reflective electric guitars as Tanner Whitt hopefully sings, “Oh, what a time to be alive/A mad world, another sleepless night/Hold your breath/When the tide pulls you under/Never give up, never give up/No never.”

“The words, ‘Tomorrow’s a brand new day, any second is bound to change,’ was more relevant than ever. Originally, the doctor’s prognosis wasn’t the news we wanted to hear. But day by day, he beat the odds stacked against him. Family before everything and everyone else,” said Tanner Whitt.

“There is nothing more vital and important in your life than family. We have been continuously working and perfecting everything we’re doing as a band, but also as human beings. Our love for people and human interaction has grown tremendously.”

“Tension of the Season” also features a fitting, socially-distanced video denoting the isolation, hopelessness and depravity people, businesses and communities face during the ongoing pandemic. Filmed in Elkhart, Indiana by director Christian Campbell, Rags and Riches strolls through empty high school football fields, vacant shopping malls and hidden parking lots while keeping a positive outlook.

“We started writing ‘Tension of the Season’ back in April when the stroke happened. We hope that everyone who hears this song will feel hopeful for the future, but also be inspired. Things can and will be rough at times, but tomorrow is the start of something brand new,” said Tanner Whitt, who worked with Peyton Whitt and Campbell to shoot the video.

“Christian is someone we’ve known for a few years now, and we knew he was the right person for this song. He actually took the full reigns and control of the concept and direction for this song. Right when he heard it, he knew where to go with it, and we loved the simplicity of it all.”

Continue reading “Glimmer of Hope – Rags and Riches Shares Newfound Strength on ‘Tension of the Season’ Single” →

‘The Color Yellow’ – New Indy Trio Drops Sparkling Debut Single from Forthcoming ‘Just Like the Sun’ EP

With their vibrant debut single, “The Color Yellow,” From Elsewhere is illuminating the Indianapolis indie rock scene.

The newly formed indie rock trio dropped the first track from their forthcoming EP, “Just Like the Sun,” last week, and it’s an eclectic mix of shoegaze and alternative rock – think remnants of Smashing Pumpkins, Slowdive, Snail Mail and Death Cab for Cutie rolled into one.

With its shimmering guitars, solid bass lines and pulsating drumbeats, “The Color Yellow” provides a gorgeous splatter of upbeat rhythms, but includes a dark lyrical layer hidden below.

“It’s about Vincent Van Gogh, and the whole idea of the troubled artist. He tried to eat yellow paint because he was ready to do anything to make himself happy,” said Nikhil Ramani, the From Elsewhere frontman and guitarist who originally hails from Chennai, India. “We see mental health awareness becoming a big thing now, but we still see so many suicides. The song is also about how we can bring that number down.”

As a senior studying psychology at the University of Indianapolis, Ramani wrote the band’s debut single after trying to understand the correlation between successful artists and their depression. “The Color Yellow” serves as a budding piece of musical research to further address and explore the issue.

“Is art just an escape, or is the gene the same?” asked Ramani, who learned how to play guitar at age eight and counts Red Hot Chili Peppers, Pink Floyd and Death Cab among his major influences. “Yellow is such a happy color, but it has a bit of melancholy feel to it in this song.”

Despite the delicate subject matter, Ramani and his bandmates, Travis Lee (bass) and Luke Duckworth (drums), are eager to see where their new musical journey is headed. Together, the trio formed From Elsewhere in June after meeting up with Ramani.

“Back in the summer, I was just working at the front desk at school, and there were a lot of hours where I didn’t have much to do, so I would go on Craigslist, and I made this ad for an indie rock band,” Ramani said. “I had these songs, so I wanted to see if anyone was out there.”

After forming the band, Ramani, Lee and Duckworth recorded six songs, including “The Color Yellow,” at Russian Recording in Bloomington, Ind., for “Just Like the Sun,” which will drop in December. They also plan to release a follow-up single to “The Color Yellow” soon.

Since August, From Elsewhere has played several Indy shows to growing audiences with Ongoing Story, The Latin for Maple and Dopplepopolis. They’ll play next with Heart Attack Man and Juice Nov. 4 at the Hoosier Dome, 1627 Prospect St., in Indy.

“We really want to go on tour and play out-of-town shows,” Ramani said. “When we do go on tour, it will be cool to say, ‘Hey, we’re From Elsewhere.’”