‘Steady’ Climb – Ohly Headlines Friday’s Show at The Loving Touch

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Pia Roa and Christian Ohly will perform as part of Ohly’s first headlining show Friday at The Loving Touch. Photo – AC Backus Photography

Editor’s Note: Proof of full vaccination is required for attending Ohly’s Friday headlining show at The Loving Touch.

For Ohly, Friday’s headlining show is bucket-list worthy.

The Ferndale indie folk rocker will relish performing his growing catalog of vivid, thoughtful tracks with Tom Mihalis (guitar), Matt Jones (keys), Brodie Glaza (drums), Pia Roa (bass, vocals) and Ian Lukas (trombone) at The Loving Touch.

“I’ve been doing music for eight or nine years now, and I started playing at coffee shops when I was 15 or 16. I think this is the first-ever proper headlining show that Ohly has ever done. We’re super excited and trying to invite all of our friends out,” said Christian Ohly, aka Ohly.

As part of Audiotree Presents, Friday’s show will allow Ohly to debut his latest contemplative single, “Steady,” and spotlight songs from his current seven-track EP, Landlines, before a metro Detroit audience.

“There are some songs that I’ve never really played live and definitely haven’t played them live with the ability that we’re at now. I’m really looking forward to playing them with a few years of experience. The more people I have up there, the livelier and more organic it will sound,” Ohly said.

Ohly also will share the stage with three emerging local acts, including Kimball, Jackamo and The Michigan Ordinary.

“These are three bands that I’ve looked up to for years. My childhood friend used to be the bassist for Kimball, so he introduced me to them years ago before I was doing original music. I saw them live a couple of times and being on the same bill as them is pretty surreal,” he said.

“Two years ago, Jackamo opened up for Remnose. I heard their set and had to run up to them right afterward. I was like, ‘You guys took my breath away.’ The Michigan Ordinary’s Steve Davis used to be in a band called The Fragile, and I saw him at the coffee shop I used to play when I was 15 or 16. My brother and I grabbed his CD, and we were like, ‘Wow, how is this guy playing in a little coffee shop?’”

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Coming Home – Young Ritual Performs Headlining Set Saturday at Sanctuary Detroit

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Young Ritual will perform his first live show in nearly 18 months at Sanctuary Detroit on Saturday. Photo – Kris Herrmann

For Young Ritual, Saturday’s live show at Sanctuary Detroit feels like a long-awaited homecoming.

The Flint indie folk rock singer-songwriter will perform his first headlining set in nearly 18 months at the Hamtramck venue.

“I can’t even express how good it feels to be playing shows again. I really hadn’t considered how vital that type of experience was in my life until it went away. I really had to push it away for a while when we didn’t know a timetable for the return of live music,” said Dylan Grantham, aka Young Ritual.

“Once the show was announced, all of those feelings came flooding back. I just want to make this night a loud and beautiful entry back into the music scene out here for Young Ritual.”

Hosted in partnership with Audiotree Presents, the show will allow Young Ritual to debut several new tracks since releasing his introspective, two-track A/B EP in March. He’ll be joined by Fenton indie pop singer-songwriter Au Gres, aka Josh Kemp, and Detroit indie folk singer-songwriter Emma Guzman.

“They are all pretty driving rock songs because that’s where my intent in writing has been, and the one I’m most excited about is called ‘Julianna.’ The song is kind of Springsteen and The Killers, but absolutely Young Ritual top to bottom,” said Grantham, who will include Au Gres as part of his live band.

“Josh from Au Gres is one of my closest friends, and I adore his band. He writes the sleekest indie pop imaginable and is just a pleasure to have around. I haven’t met Emma yet, but I’m a huge fan of what she’s been doing, so I’m really excited to have her on board.”

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The Getaway – Adventures with Vultures Brings Cinematic Feel to New ‘Speaking French’ Single

Adventures with Vultures escapes the doldrums of everyday working life on “Speaking French.”

Adventures with Vultures makes the perfect musical getaway.

The Plymouth indie folk-rock singer-songwriter quickly escapes the doldrums of everyday working life on his latest audacious single, “Speaking French,” which dropped today via all streaming platforms.

“This is one of the first songs I’ve ever co-written. I usually write everything alone, but I went over to Jimmy Showers’ house one night for band practice, and I said, ‘I’ve got this little new tune.’ This was in December maybe, and I had the hook already done. The verses were empty, but I had a melody, and we were spitballing random stuff,” said Matt Sauter, aka Adventures with Vultures.

“It was gonna be about a drunk dude who got everything ripped away from him, and then once the girl started chiming in, it became more of a love song about two people down on their luck, but together they can get through it.”

For the cinema-inspired track, Sauter collaborated with Jackamo’s Ali Wiercioch and Tess Wiercioch (harmony vocals), Dalton Thomas (drums), brother Dan Sauter (bass) and Showers (guitar) at Plymouth Rock Recording Company. As a 3.5-minute sonic road trip, “Speaking French” beautifully blends swift acoustic strums, deep electric guitar, pounding kick drum and rattling cymbals.

In turn, Sauter gravelly sings in Springsteen-esque vocals, “We joined the circus, and we both changed our names/Sold that ’57 Chevy, starting jumping trains/And we flew to Paris and started speaking French/Till she found a corner out there to help pay the rent.”

Throughout “Speaking French,” Sauter chronicles the high-flying adventures of working-class fictional couple who follow the open road. Together, they represent a spontaneous road-trip relationship akin to Christian Slater and Patricia Arquette (minus the violence) in 1993’s “True Romance.” The track also references several pop culture gems, including “Billie Jean,” “River Jordan” and Credence Clearwater Revival’s 1971 Top 10 single, “Have You Ever Seen the Rain?”

“I was strumming that riff over at their house, and while we were taking a break, I was picking at it, and Ali kept going, ‘I wanna know have you ever seen the rain?’ We thought it would be cool to tie that into the bridge without stealing it. We made it sound like the girl in her bare feet saying that little part,” Sauter said.

“When I write songs, I don’t really have any structure. I just started humming, and I kept humming ‘River Jordan’ and ‘Billie Jean.’ I was just saying that in the hook, and I’m like, ‘Oh, OK.’”

Continue reading “The Getaway – Adventures with Vultures Brings Cinematic Feel to New ‘Speaking French’ Single”

Guiding Light – Mason Summit Illuminates Dark Wintry Days with Latest ‘Round January’ Single

Mason Summit will release his fifth album, “Negative Space,” on April 3. Photo by Spencer Shapeero

Mason Summit brilliantly shines on the darkest January days.

The Los Angeles indie folk rock singer-songwriter thaws the winter blues with his latest magical single, “‘Round January,” which drops today via all streaming platforms.

Summit’s track fuses sorrowful acoustic guitar strums and delicate drum taps with vibrant electric and slide guitars – “I hope one day I can tell you this won’t last/And be right/Cuz I know how you get when the sun sets early/But there’s a better way/There must be surely/But maybe you’ll make it out alive/Maybe you’ll just survive.” It’s also ideally suited for a fruitful collaboration with Wilco’s Jeff Tweedy and Nels Cline.

“‘Round January” single artwork – Cover by Spencer Shapeero

In a sense, Summit’s exquisite combination of acoustic, electric and slide guitars represent the warring emotional factions within us. Deep inside, there’s a hope that wants burst through, but the darkness fights back with a vengeance.

“It’s specifically the month my dad died, and it’s also when I introduce the song now, and what makes it more broadly applicable to different people’s lives is seasonal depression. I probably experienced that unknowingly since before my dad died, you know the melancholy of those months, especially like the line, ‘when the sun sets early,’” said Summit, who also struggles with the lack of daylight in winter.

“It was just instant depression for me. It made me tired all the time, and I didn’t want to get out of bed. I don’t have it as bad as a lot of people, but it definitely influences my mood in a disproportionate way.”

Two years ago, Summit penned “‘Round January” as a response to a songwriting class prompt at the University of Southern California (USC).  The prompt required students to write a song to their eighth-grade selves.

“And that was a week when a lot of people brought in some heavy stuff,” said Summit, a songwriting senior who will graduate in May. “It was just so provocative, and so I was thinking back to eighth grade, and middle school in general is when people tend to be struggling and trying to find out who they are.”

For Summit, the track also advocates the importance of therapy in tackling seasonal depression and other mental health challenges. He came from a family that believed in its long-term healing power.

“When I got to school, I met a lot of people who didn’t come from that and ended up having a lot of undiagnosed issues. They just didn’t know how to deal with it, and it took them so long to have the courage to go to therapy or go to a psychiatrist and start treating their illness with therapy and medication,” Summit said. “Whereas I had already started to sort that out by that time, there were actually specific people in my life I was writing it for as well as myself.”

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Remnose to Open for Josiah Johnson at Detroit’s Creaky House Sunday

Marlon Morton and Remnose will open for Josiah Johnson at Detroit’s Creaky House Sunday.

Remnose will share their haunting indie folk with an intimate Detroit crowd Sunday night.

The Motor City indie folk-rock quartet will perform an opening set for Josiah Johnson, co-founder and former member of The Head and the Heart, at Creaky House, a Woodbridge neighborhood do-it-yourself (DIY) music space.

“It’s a really cool old house with a beautiful backyard and an old fireplace. We played a release show there when we put out our EP, ‘What We See in Our Sleep,’ so it’s been one of our favorite DIY venues in Detroit,” said Marlon Morton, Remnose’s vocalist and rhythm guitarist. “It’s really nice for Sunday nights because you don’t have to ask everybody to go out to a bar.”

During their Sunday night set, Remnose will include introspective tracks from their latest album, “Waiting on the Wind,” which dropped in June, as well as past gems from previous releases.

“We’ll do a full band show because the majority of our sets are pretty laid back, and they suit that sort of setting like a backyard show. There will be a sound system there, too,” Morton said. “They bring over a pretty nice sound system, at least they have for shows we’ve played there in the past. It gives it a real venue sound in a backyard, so you get the best of both worlds.”

Remnose has played a growing roster of local, regional and national shows since forming in 2013. Led by Morton and his older brother Carson Morton (drums, banjo, backup vocals), the band includes Sam Sparling (lap steel guitar, synth, keys) and Alex Wildner (bass, cello, violin, piano) and features a breathtaking sound built around inspirational melodies and highly-personal lyrics.

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Adventures with Vultures Embraces Duality on Latest Single, ‘Youth & Danger’

Adventures with Vultures latest single, “Youth & Danger,” seamlessly blends two songs into one.

Adventures with Vultures wishes he could thank Freddie Mercury.

The Plymouth indie folk-rock singer-songwriter credits the late Queen frontman with inspiring his new single, “Youth & Danger,” which blows past the traditional 3.5-minute mark.

“I recently watched the ‘Bohemian Rhapsody’ movie, and they were telling Freddie Mercury how the song, ‘Bohemian Rhapsody,’ was way too long to be a single,” said Matt Sauter, aka Adventures with Vultures. “He’s like, ‘Fuck you, if I want a 15-minute single, then I’m going to put a 15-minute single out.’ Then, I was thinking about ‘Youth & Danger,’ and I said I’m just going to make it one long song.”

Adventures with Vultures’ latest single, the alt rock, indie folk-tinged “Youth & Danger,” clocks in at 7.5 minutes and originally started as two separate songs. During live shows, Sauter and his bandmates brother Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar) would merge both songs since they’re in the same key.

“The first part of the song, ‘Youth,’ is about my grandma. I wrote that song about a week after she passed away, and it was one of those songs that took me not even 30 minutes to write,” Sauter said. “I also decided to write a song, ‘Danger,’ about how I was growing up with drinking, smoking, partying and girls. My brother is in the band, and he was like, ‘Blend the two together, man,’ and the name stuck.”

A gorgeous track, “Youth & Danger” opens with a quiet acoustic guitar solo while a slide guitar echoes in the background. This complementary guitar work sets the stage for a quiet, reflective tune as Sauter sings in a raspy voice, “Well, heaven’s gates won’t let me in/When I die I’ll guarantee they’ll sing so they can come down.”

A set of quiet, delicate cymbals crash in response to Sauter’s solemn tone – “They married young and they raised their kin/They had two young daughters and my mother Kim/And a son named Joseph/But oh I cry every time I sing this song.”

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Remnose Hosts ‘Waiting on the Wind’ Record Release Party Tonight at Hamtramck’s Ant Hall

Remnose will perform tonight at Ant Hall in Hamtramck with Kubat, Finlay, and Rose and the Drinkard Sisters.

Remnose will host an album release show tonight at Hamtramck’s Ant Hall.

The Ferndale indie folk-rock quartet will team up with the Drinkard Sisters and Kubat, Finlay, and Rose to celebrate the release of “Waiting on the Wind,” a beautiful 13-track album filled with rich harmonies, jangling pianos, somber lap steel guitars, massive swells of synths and gentle sweeps of cello and violin.

“I think we’re going to play as many of those new songs as we can, I just don’t know if we’ll be able to do all 13 of them. If people want to stick around, and they want to hear an old song or two at the end, then we’re always willing to play for them,” said Marlon Morton, Remnose’s vocalist and rhythm guitarist.

“We have Kubat, Finlay, and Rose opening, and they’re amazing. I want as many people to see them because they’re like a Crosby, Stills & Nash female edition, and all three independently are super talented, but together, it’s really a super group. The Drinkard Sisters are our best friends, and we love them so much, and we’re honoring they’re playing.”

Remnose’s Waiting on the Wind album

For Remnose, “Waiting on the Wind” is the most complete and complex piece of work they’ve released. As the band’s fifth release, it begins on the open sea with the title track bouncing the listener softly and slowly from wave to wave, while the mourning lap steel intimates the sounds of seabirds flying nearby.

From there, the album takes listeners on a highly personalized journey. Themes of helplessness and hopefulness coupled with unwavering optimism and conquerable pessimism serve as mental destinations along the band’s musical sea-faring voyage.

Give Remnose’s newest album, “Waiting on the Wind,” a spin:

Show details:

Remnose Record Release | Drinkard Sisters; Kubat, Finlay, and Rose

Doors 7 p.m.

Ant Hall, 2320 Canniff Ave. in Hamtramck

Tickets: $7 advance | $10 door

Audiotree Music Festival Brings Emerging Indie Rock to Kalamazoo Today, Sunday

Local Natives will headline the Audiotree Music Festival in Kalamazoo today.

Indie music lovers will rejoice today with the start of Kalamazoo’s Audiotree Music Festival.

The two-day music festival kicks off at noon in Arcadia Creek Festival Place and features nearly 30 artists on two stages.

Denver psychedelic pop group Flaural will open the festival on the WIDR Discovery Stage while Los Angeles indie rock quintet Local Natives will perform a headlining set on the Main Stage.

New Jersey indie pop quintet Real Estate and Los Angeles indie folk rocker Father John Misty (aka Josh Tillman) will headline on Sunday.

Founded in 2013 by Kalamazoo natives Michael Johnston and Adam Thurston, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

In 2015, Audiotree purchased two Chicago venues, Schubas Tavern and Lincoln Hall, adding a live concert booking, promoting and streaming division to the company. Since 2011, Audiotree’s online following has grown to include more than 350,000 YouTube subscribers. Now, the Audiotree Music Festival is expanding the match the scale of the entire company.

“While this year’s festival is very guitar-driven, we’re really excited about the variety we’ve still been able to cover,” said Patrick Van Wagoner, a talent buyer for the Audiotree Music Festival and Lincoln Hall, in a festival press release. “Attendees will find elements of rock ’n roll, punk, folk, pop, funk and more, while seeing plenty of acts with Audiotree history.”

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