Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single

Au Gres’ Josh Kemp celebrates a new relationship on “Nervous.”

Au Gres instantly creates the proverbial comfort zone.

The Fenton indie pop singer-songwriter quickly throws anxiety, hesitation and doubt aside in his latest warm, dreamy pro-soulmate single, “Nervous,” which dropped Oct. 16.

“The song was inspired by my girlfriend, and I don’t usually set out to write a song. Instead, I mess around with progressions until I get an idea of what I want it to be about, and the song kind of writes itself. But for this one, I just felt so comfortable with her, like right off the bat, and I wanted to write something that felt that way,” said Josh Kemp, aka Au Gres.

“I sat in my room for a long time, and I wrote that bendy hook and everything else around it because it felt perfect to me. It was just me with my laptop in my room. I think I wrote most of it in an afternoon, and then I came back to it quite some time later and added more and more to it.”

With glistening acoustic strums, whimsical electric guitars, vivid bass, pulsating drums and atmospheric synths, “Nervous” serves as the ideal romantic icebreaker that immediately puts apprehensive partners at ease. It’s the melodic, soaring anthem everyone longs to hear on a magical first date.

Throughout the Mac DeMarco-like track, Kemp reveals, “I think I overstayed my welcome/But I think you want me to/Stick around/To bring you coffee or a cigarette/I don’t think we’re done yet/Not for now.”

“It’s a reminder that the reward is worth it so to speak, and I’m talking about long-lasting, real relationships. It’s tough to make yourself vulnerable with people, and sometimes if you want to have that kind of relationship, then you have to be the one to take the plunge and let your walls come down,” said Kemp, who’s inspired by Passion Pit and Phoenix.

Eight months ago, Kemp shared bedroom laptop demos of “Nervous” with Jake Rye at Adrian’s Social Recording Company. Rye solidified the track’s final version while Noah de Leon (guitars, keys, synth) and Kemp (guitar, keys, synth) handled the arrangements and invited drummer Brodie Glaza.

“Noah and I had most of the arrangements filled out, but Jake would take a look at certain parts and help fill in the gaps a little bit. He gave things a lift where they needed and dove into those melancholic, indie feels. He was really good at drawing that part out,” Kemp said.

“I think it really grew into what I had in my head, like when I was in my bedroom. And to hear it come alive with real drums because I was just using samples, and even now listening to it and thinking about that experience, like COVID, and how strange it is to be back working on music, but also at the same time it felt very right and very good. It finally felt like a slice of something very nice.”

Last week, Kemp shared another slice of “Nervous” through a new lyric video recorded with Darity’s Linsley Hartenstein. The quirky video shows Kemp enthusiastically performing multiple parts on a flashy, portable ‘80s color TV (akin to Lindsey Buckingham’s 1981 “Trouble” video).

“It’s a little silly, and it’s my first go ever using a green screen,” said Kemp with a laugh. “We wanted to have fun with it.”

Continue reading “Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single”

‘Better’ Days – Olivia Dear Releases New TIDAL Single, Headlines March 20 Farmington Civic Theater Show

Olivia Dear is releasing new music through the inaugural TIDAL Unplugged program.

Olivia Dear has never been better.

The Rochester indie pop singer-songwriter has released an inspirational new single, “Better,” introduced a new artist name (from Olivia Millerschin to Olivia Dear) and received a grant from the TIDAL music streaming service.

“This has really given me a shot to do that. I know that what I’m gonna do is gonna always be me. ‘Olivia Dear’ is great because it separates me-the-artist from me-the-person because ‘Olivia Millerschin’ felt like I couldn’t release anything that ‘Olivia Millerschin’ wouldn’t think of or make,” Dear said.

“‘Olivia Dear’ has allowed me to take a step back personally from it. I think in general the music is gonna be the singer-songwriter, pop and indie side of things, but just a little bit more produced than my previous work.”

Dear will share a wealth of new and old favorites from her three-album catalog during her March 20 “LIVE!” headlining set at the Farmington Civic Theater in Farmington. She’ll be joined by longtime bandmates James Pyne (trombone, vocals), Brian Reilly (guitar) and Bob Mervak (keys, vocals) while West Bloomfield singer-songwriter Adam Liebman will open the show.

“For a show with a quartet in a nice, intimate room, we’ll do mostly like broken-down versions of the new music and my last record. The band and I have been working on some new cover stuff, so we might throw one or two of those in there just for fun,” said Dear, who also plays ukulele, piano and guitar.

Continue reading “‘Better’ Days – Olivia Dear Releases New TIDAL Single, Headlines March 20 Farmington Civic Theater Show”

Unplugged – Caleb Peters to Open for Bones Maki and the Blue Water Boys Feb. 21 in Farmington

Livonia’s Caleb Peters will share acoustic renditions of his indie pop music Feb. 21 at the Farmington Civic Theater. Photo courtesy of Caleb Peters

Caleb Peters knows how to beautifully translate catchy indie pop into stripped-down acoustic tunes.

The Livonia singer-songwriter will make his first live appearance at the Farmington Civic Theater Feb. 21 to open for Bones Maki and the Blue Water Boys as part of the “LIVE!” 2020 winter concert series. Special guest Rochelle Clark also will open the show.

“I think I’m doing four of my own songs, one of which is out called ‘Hellbent,’ and ‘Catch You,’ which is a song I haven’t released yet, and another one that’s not released, which is called ‘When You Were Mine,’ and one that is released called ‘Jane Doe,’” said Peters, who will perform solo with just an acoustic guitar. “I’ve been watching videos of people performing there just to get an idea of what it’s like.”

At age 16, Peters has amassed an impressive collection of shimmering indie pop music with five singles and a five-track EP, “Exaggerated Experiences, Part One,” in 2019 alone. He comes from a creative family with both parents as musicians and a father who’s a trained opera singer and vocal coach.

While growing up, Peters played piano and started singing in eighth grade to impress girls. Now a Stevenson High School junior, he writes and records regularly in his home studio with older brother Christian, who’s a music technology sophomore at Wayne State University.

“We basically renovated our basement with the intention of having a studio down there as soon as I started getting into writing music. We basically just made a little booth in the closet with a bunch of blankets, and that’s our setup,” Peters said.

“Parties” single artwork

Peters recently recorded and released his latest single, “Parties,” a groovy synth-filled cautionary tale about growing up too soon – “You can’t wait for college, but that shit ain’t about knowledge/It’s just a way out, this small town feels too crowded/You hate the masses, no one has your back/You drink yourself to madness/What do you want, what do you want?”

“It’s kind of like thinking that everything is OK in the moment when you’re doing a bunch of things off the cuff. It’s like saying it seems fine now, but it might not work out, and you might lose people in the process. It’s like a happy-sounding song, but it’s like a warning from a friend,” said Peters, who’s inspired by singer-songwriter Alec Benjamin.

Peters also released the emotional track, “Hellbent,” which features vibrant acoustic guitar and sparse piano interspersed with dreamy vocals – “Sitting in the basement, wondering where the time went/Thinking about the time spent, I’m old enough to face it/But not enough to forget cuz you know I’m hellbent.”

“It’s more personal about me and stuff that I’ve gone through,” Peters said. “Hellbent is more about feeling betrayed by someone.”

Three other striking tracks, “Six Speed,” “Jane Doe” and “John Doe” nicely showcase Peters’ continued growth as an emerging singer-songwriter and producer. He’s continuing to experiment with different songwriting styles and production techniques to hone his sound for additional single releases as well as another EP or a full-length album.

“Originally, I had a whole album planned out and everything, but I’ve made so many more songs that I’m happy with that I’m kind of figuring out a different track list,” Peters said. “I’m still probably going to have those songs on the album because that was the idea with those singles – ‘Parties,’ ‘Hellbent’ and ‘Six Speed.’ They probably still will. I think I’m going to release one more single and then a project.”

Show details:

Craig “Bones” Maki and the Blue Water Boys with Rochelle Clark and Caleb Peters

Friday, Feb. 21 | Doors 7:30 p.m. | Show 8 p.m.

Farmington Civic Theater, 33332 Grand Rive Ave. in Farmington

Tickets: $16

Bullish Pop – Tauri Grabs Musical Experimentation by the Horns on ‘Time 2 Kill’

Los Angeles’ Tauri delivers an experimental fusion of indie pop and R&B on her latest single, “Time 2 Kill.”

With deep synths, quirky lyrics and funky basslines, Tauri hits an indie pop bullseye on her latest single, “Time 2 Kill.”

The 3.5-minute single eloquently weaves accessible elements of indie pop and R&B with avant-garde electronic rock to forge a growing experimental sound emanating from the West Coast.

It’s akin to combining the mainstream appeal of Lorde with the progressive, industrial sounds of Muse and Nine Inch Nails. Throughout “Time to 2 Kill,” Tauri creates a forward-thinking track devoid of pretense.

“We weren’t afraid to get really weird with this one, and a lot of people are responding really well to it,” said Nicole Orlowski, aka Tauri, who co-wrote the track with Alex Monasterio and Liz Gavillet. “This only encourages us to be super weird.”

Weirdness does run rampant on “Time 2 Kill,” but in a refreshingly lyrical way. The track opens with catchy lyrics – “Pen names/Switch blades/Turn real fast/But you’re driving in the slow lane” – and even references an “Easy Bake Oven.”

“It was kind of nightmare to put together actually because we were trying to put it out a lot faster than it ended up happening. We all sat down and spitballed it, and it came from this loose concept of a love story about a trust fund kid,” Monasterio said. “The idea behind the ‘Easy Bake Oven’ lyric relates to somebody trying to get something without actually doing the proper grownup work for it.”

“Time 2 Kill” also features vocals inspired by Bikini Kill and a heavy industrial synth section, which cleverly anchors the two indie pop sections on both sides.

“For such a period of time, we thought the song wasn’t going to function based on how our previous singles had done,” Monasterio said. “They have their moments definitely, but they’re much more contained. They have their tangents, but they don’t necessarily say ‘fuck it’ quite as much.”

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Audiotree Music Festival Brings Emerging Indie Rock to Kalamazoo Today, Sunday

Local Natives will headline the Audiotree Music Festival in Kalamazoo today.

Indie music lovers will rejoice today with the start of Kalamazoo’s Audiotree Music Festival.

The two-day music festival kicks off at noon in Arcadia Creek Festival Place and features nearly 30 artists on two stages.

Denver psychedelic pop group Flaural will open the festival on the WIDR Discovery Stage while Los Angeles indie rock quintet Local Natives will perform a headlining set on the Main Stage.

New Jersey indie pop quintet Real Estate and Los Angeles indie folk rocker Father John Misty (aka Josh Tillman) will headline on Sunday.

Founded in 2013 by Kalamazoo natives Michael Johnston and Adam Thurston, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

In 2015, Audiotree purchased two Chicago venues, Schubas Tavern and Lincoln Hall, adding a live concert booking, promoting and streaming division to the company. Since 2011, Audiotree’s online following has grown to include more than 350,000 YouTube subscribers. Now, the Audiotree Music Festival is expanding the match the scale of the entire company.

“While this year’s festival is very guitar-driven, we’re really excited about the variety we’ve still been able to cover,” said Patrick Van Wagoner, a talent buyer for the Audiotree Music Festival and Lincoln Hall, in a festival press release. “Attendees will find elements of rock ’n roll, punk, folk, pop, funk and more, while seeing plenty of acts with Audiotree history.”

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No Alarms Hits the Ground Running with New Uplifting Single, ‘The Landing’

With “The Landing,” No Alarms soars hopefully above the indie pop stratosphere before enthusiastically hitting the ground running with both musical feet.

The Detroit indie pop quintet released their new four-minute, uplifting synth-fueled single last week as a follow-up to their vibrant, self-titled debut EP, which dropped in March.

“‘The Landing’ is about taking a leap of faith and having it work out. I had just watched the ‘Black Mirror’ episode, ‘Hang the DJ,’ and was riding high off of optimistic inspiration, and felt compelled to make something purely joyful, purely hopeful,” said Andrew Boles, No Alarms frontman.

“I wrote the verses to climb and climb, leading to a chorus that just exuded optimism, and that made you want to move. Overall, I wanted to capture the feeling of landing on your feet after taking a leap of faith.”

One listen to “The Landing,” and it’s optimistic, inspirational lyrics and spacious indie pop grooves are infectious. It’s the perfect song to help you take flight after long day.

“I hope fans are imbued with the same positive energy that I put into the song,” Boles said. “I think it’s distilled hope and elation captured in song form, and when it comes down to it, makes you want to move.”

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