Tag: Jackson

Doomgaze into the Abyss — VAZUM Explores the Darker Side of Life on “Western Violence”

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Zach Pliska and Emily Sturm of VAZUM. Photo courtesy of VAZUM

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

VAZUM didn’t expect a Western film to inspire the title of its latest album.

The Jackson duo of Zach Pliska (vocals, guitars, drums) and Emily Sturm (vocals, bass) stumbled upon the phrase “Western violence” while watching The Quick and the Dead.

“We had some of the songs fleshed out and usually we go with a ‘V’ in the name for our albums. We were watching [the 1995 film] by Sam Raimi and the rating was ‘R,’ and it said two words: ‘Western violence,’” said Sturm about the duo’s doomgaze album, Western Violence.

“We said, ‘Oh my god, that’s what we’re writing about,’ and it just summed it up. And then we said, ‘That’s what we’re living in … This is how our society expresses itself now.’”

On Western Violence, VAZUM reflects on the disintegration and disillusionment of our country and provides a social commentary on the personal, cultural, and political events that impact it.

The album’s dozen tracks explore topics ranging from the opioid epidemic to gun violence to a dystopian future to toxic relationships. It also takes inspiration from VAZUM’s past tours through the southern U.S., the U.K., and France.

“We were driving through Georgia and we went through some areas with houses falling apart,” said Pliska, who’s a University of Michigan alum.

“To see the extent of the poverty and those places you’re driving through, it’s still shocking. Our tours in the U.K. and France were eye-opening with just seeing how different the countries are.”

As part of that perspective, VAZUM brings Western Violence’s themes to life through vigilant lyrics, ethereal vocals, and spellbinding instrumentation filled with goth-rock, post-punk, and shoegaze elements.

To learn more, I spoke with the duo about the album ahead of an August 10 set at Ogma Brewing Co.’s Art Pop ‘24 festival in Jackson.

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DIY Approach – Manchester Underground Music and Art Supports Local Artists Through Monthly Live Shows

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“Pistol” Pete Midtgard performs with The Twistin’ Tarantulas in July 2023 at River Raisin Distillery for a Manchester Underground Music and Art show. Photo – Chuck Marshall of Life in Michigan

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Back in 1977, high school friends Steve Girbach and John Mooneyham bonded over listening to Rush, Judas Priest, and AC/DC albums after school.

Those listening sessions at Mooneyham’s house in Manchester, Mchigan eventually turned into serious discussions about forming a band and playing live shows.

It wasn’t until a few years after graduating from Manchester High School that Girbach and Mooneyham put their musical plan into action.

“Steve and I were talking and we said, ‘Why don’t we get some gear and we’ll put on shows and festivals?’ We had all these grand ideas people in their early 20s come up with,” said Mooneyham, who now co-runs the Manchester Underground Music and Art monthly concert series with Girbach.

“About a month later, Steve said, ‘I invited some guys over to your house to play some music and you’re gonna play bass.’”

Together, guitarist Girbach and bassist Mooneyham played in two cover bands, Allister and The DTs, and later hosted a music festival featuring 13 acts at a former amusement park in the Irish Hills.

Not long after that, The DTs called it quits and everyday life took over for Girbach and Mooneyham. What they didn’t realize at the time was that initial music festival helped lay the groundwork for what would become Manchester Underground Music and Art in 2019.

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A Shore Thing – Greg Hurley Makes Tidal Impact with Blues-drenched Debut Album ‘Seafoam’

Greg Hurley

For Greg Hurley, a little “Seafoam” can make big waves in established musical waters.

The Jackson singer-songwriter, multi-instrumentalist and producer has turned the blues rock tide with his debut album, “Seafoam,” a beautiful, introspective sonic journey filled with hope, gratitude and self-reflection. Think Eric Clapton, Jeff Lynne, Steely Dan and The Beatles crashing together into a clean, organic sound wave of oceanic proportions.

“This is my debut, and it’s late in life, but I wanted the first one to be good. The Beatles’ ‘Abbey Road’ was so clean and pristine, while Donald Fagen and Walter Becker of Steely Dan were very careful and meticulous in their work,” Hurley said. “That’s kind of what I’ve done here with ‘Seafoam.’ I intentionally keep things simple because I want my music to have a good groove.”

Behind Hurley’s simple musical approach is complex creative vision filled with eight years of writing, recording, producing, mixing and mastering 10 insightful tracks for “Seafoam” in his home studio. On his debut, Hurley played most of the instruments himself, but partnered with musicians Derek Cornett, David Friend and Chris Yochens for exquisite guitar leads on “Be With You,” “Wiggle Room,” “Where You’re At” and “You’re You.”

“I could have played all the lead parts, but I wanted a little bit of a different flavor,” Hurley said. “I wanted the songs to have all the same consistency and quality similar to the way Jeff Lynne collaborates with other musicians.”

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