Throwaway knows how to easily extract the spirit of “Evil Cooper.”
The Detroit art rock/no wave vocalist-guitarist musically summons the demonic alter ego of Dale Cooper from “Twin Peaks” in “Julep,” a brilliant six-minute track filled with raw guitars, deep distortions and dark feedback.
“I’ve always had this affinity for it because it has a very dramatic arc itself, and it’s oblique, enigmatic and strange. The affinity for that particular recording came out because I wanted to bring some guitar feedback to the end of the track, and we were recording it right in the middle of ‘Twin Peaks: The Return,’” said Kirsten Carey, aka Throwaway.
“You know those scenes where it’s just Evil Cooper driving in the car, the camera is focused on his face and you hear all these uncomfortable bumpy drones? When I was recording that feedback, I thought, ‘Oh my God, it sounds like Evil Coop.’”
In a sense, Evil Coop is the artistic and musical spirit animal of Throwaway, Carey’s alter ego who dons a paper bag. “Julep” is one of eight standout experimental rock tracks featured on Throwaway’s debut album “WHAT?” out tomorrow.
For Calum Galt, Ann Arbor represents a bittersweet homecoming.
The former After Hours Radio vocalist will reunite with his old bandmates for Saturday’s show at Club Above. It will be his first appearance with the Ypsilanti progressive groove-heavy indie rock trio of Greg Hughes (bass), Nate Erickson (vocals, guitar) and Mark Dunne (drums) in nearly three years.
“It was actually Greg’s idea to have a reunion show. He reached out to me when he found out I was returning home for the first time in years to see if I was interested, and I agreed right away,” said Galt, who moved from Ann Arbor to Japan in 2014. “I’m really looking forward to having the opportunity to play with the band again after so long, and I hope we can recreate some of the same energy our shows had back then.”
Along with Hughes and Erickson, Galt honed his musicianship while attending open mic nights at the University of Michigan’s Nakamura and Luther Buchele co-ops. Together, they formed After Hours Radio and became synonymous with Ann Arbor’s burgeoning underground, do-it-yourself (DIY) music community.
“Forming the band was equal parts exciting and nerve-wracking – I had never really written or performed my own music, which I think is an inherently intimate and scary thing to do,” said Galt, who’s inspired by of Montreal, The Strokes and Radiohead. “I was lucky to be surrounded by supportive friends and be involved in the co-op community, which has always been a fertile environment for budding musicians.”
As After Hours Radio, they recorded their self-titled, six-track debut EP in 2015 before Galt moved to Japan. Four years later, Galt is ready to revisit the EP with his old bandmates through an older, wiser and fresher perspective.
“There are a lot of memories tied up in those songs so revisiting them has been an interesting experience,” said Galt, who graduated from U-M with a bachelor’s degree in East Asian languages and cultures. “I’ve changed a lot in the intervening time so it’s strange to hear those songs, which really encapsulate the weird head-space I was in at the time.”