Mission Possible — Amanda Chaudhary Explores Experimental Sounds and Styles on Meow Meow Band’s “January Suborbital Denomination” Album

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Amanda Chaudhary explores a diversity of sounds and styles on her latest Meow Meow Band album.

As a sonic explorer, Amanda Chaudhary ventures into uncharted musical territory.

The San Francisco keyboardist-composer embarks on a genre-bending adventure through experimental sounds and styles on January Suborbital Denomination.

“There are a lot of different styles on this album, and I always want to try new things,” said Chaudhary about her latest Meow Meow Band album.

“I wanted to try the psychedelic ones and the older jazz forms in addition to the funk and experimental electronics that I traditionally do.”

Filled with avant-garde instrumentation and snappy, curious, and playful lyrics, January Suborbital Denomination encompasses big band, jingle, soul, jazz, funk, electronic, experimental, and psychedelic music across nine imaginative tracks.

The album also invites listeners to experience the album’s subject matter—ranging from radio broadcasts to chocolate oak milk to bridges to cats.

“There is a symmetry in the way they are arranged on there. The bygone era ones are at the two ends of [the album] and then it’s big, small, big, small in between there,” said Chaudhary, who also runs CatSynth TV, a YouTube channel that focuses on electronic instruments.

“It became clear once I knew what was going to be on the album and what wasn’t. A sonic adventure is a good way of putting it, and it’s a sonic adventure for me making these songs. I like the fact that it is that way for other people who are listening to it. It’s filled with puzzles.”

I recently spoke with Chaudhary to decode and digest her second Meow Meow Band album.

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The New Avant-Garde – Nubdug Ensemble and Amanda Chaudhary Share Cerebral Prog-Jazz-Funk Fusion

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Two avant-garde San Francisco musicians boldly push the sonic boundaries of prog, jazz and funk.

Nubdug Ensemble’s Jason Berry and Amanda Chaudhary seamlessly fuse esoteric lyrics with experimental synths and cerebral instrumentation on their latest ingenious albums, Volume 2: Blame and Meow Meow Band, respectively.

“These albums have both really been connecting with a lot of people. They really inspire both of us to keep going … and things have been improving the past couple of months. Hopefully, we’ll be moving in a more positive place,” Berry said.

“With my music, I’m not looking for acclaim or huge financial sales. These things would be wonderful, but I just want to connect with people. If it makes somebody happy … then it’s like, ‘Mission accomplished.’”

Both Nubdug Ensemble and Chaudhary whisk listeners along genre-bending adventures filled with precious metals, mechanical wonders, white wine and public transportation. Each Volume 2: Blame and Meow Meow Band track instantly brings a welcome element of surprise and enthrallment and repeatedly plays inside appreciative minds.

“I wanted to try these individual sounds, and if you listen back to something like The Residents, I thought, ‘How did they make those sounds and what could I do with that?’ It’s very late ‘70s things with different kinds of technology to get that sort of raw thing, and they use different instruments here … or use this process or that process,” said Chaudhary, who also collaborates with Berry in Nubdug Ensemble.

“I thought, ‘What if I work with this drummer and this synthesizer player and see what happens?’ It turned out to be great, and that’s the genesis of some of the things like ‘North Berkeley BART’ and ‘White Wine.’ Once I started working with Calvin Weston in 2020, it was like this perfect vehicle for recording some of this music.”

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