Tag: Kate Hinote

The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album

Discipline’s Chris Herin, Mathew Kennedy, Henry Parmenter, and Matthew Parmenter. Photo – Bryant Stuckey

Discipline understands the struggles of navigating the online world.

The prog-rock band weighs the permanency of having a digital footprint with the instant gratification of using new technology on “Breadcrumbs.”

“In my mind, the origin of it was also this notion that when we look at ourselves, we change during our lifetimes,” said Matthew Parmenter, Discipline’s frontman and multi-instrumentalist, about the title track from Breadcrumbs.

“And here we are in this age where so much of what we do is captured, and now, how do we each get to have that luxury that I had as a person growing up, which is to make mistakes and to learn a little from them and to change as we grow. How do we do that when everything we do or utter is recorded forever online?”

Discipline explores that thought as Parmenter sings, “Should we have known / Might we have chosen for ourselves / Now it’s the platform decides / What survives archives our lives.”

“I fear that it leads us to having to become like extreme versions of ourselves, because once you say it, you gotta live up to it,” said Parmenter, who’s based in Metro Detroit. “You can’t let it go. You can’t wake up the next day and say, ‘I probably shouldn’t have said that.’ It’s gone, it’s there. So these were some of the thoughts that generated that particular song.”

In addition to the title track, Parmenter and his Discipline bandmates—guitarist Chris Herin, bassist Mathew Kennedy, and drummer Henry Parmenter—shine on their latest album, Breadcrumbs.

Parmenter’s haunting vocals and philosophical lyrics, along with the band’s spellbinding instrumentation, take listeners on a contemplative journey across five tracks.

To learn more, I spoke with Parmenter about his background, the band, and the album.

Continue reading “The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album” →

From Now On — Detroit’s Mike Ward Looks to the Future on “The Time That Remains” Album

Mike Ward embraces the future on “The Time That Remains” album. Photo – Steven Glynn

Mike Ward lives each day to the fullest.

The Detroit singer-songwriter and guitarist reconciles the past and embraces the future on The Time That Remains.

“I feel like I know these songs the best,” said Ward about his new folk album. “When I released The Darkness and The Light, most of those songs I knew as well as these. I feel like these songs are a lot closer to me than anything I’ve done.”

For his seventh release, Ward gets up close and personal about love, loss, and wisdom across the album’s dozen tracks. He spent considerable time fine-tuning the album’s evocative lyrics, heartfelt vocals, and earnest instrumentation before going into the studio last fall.

“This is unlike any album I’ve done because the songs have been performed out more than any of my other albums,” Ward said.

“When we recorded it, we produced 15 songs, but we trimmed it back because we felt these were the songs that hung together [the best]. At one point, we had a working title called Prayers, Parables, and Pet Peeves, and those are the buckets [the songs] fell into.”

I recently spoke with Ward about The Time That Remains ahead of an August 3 album release show in Ferndale, Michigan.

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Folk Storytellers — Kate Hinote Trio Shares Vivid and Emotional Tales on “Stowaways” Album

Kate Hinote, Matthew Parmenter, and David Johnson of the Kate Hinote Trio. Photo – Greg Aubry of Aubry Photo

Whether fact or fiction, the Kate Hinote Trio uncovers buried emotions on Stowaways.

The Metro Detroit group explores everything from longing to disappointment to grief on its latest indie-folk album.

“These songs came out less like poetry than my typical lyrics because I was very focused on telling a story each time,” said Hinote, the trio’s vocalist and one of its songwriters.

“We wanted each one of these songs to be like a window into another world. We wanted the stories to be clear, and I didn’t want to be too vague about what I was saying.”

The 10 new original tracks featured on Stowaways are anything but vague. Many of the tracks include a vivid storyline about a protagonist examining the purpose of a relationship and the intense feelings that accompany it.

“One of the big differences in writing this record with Matthew is that he’s also a songwriter who’s been composing his own songs on his own for decades,” said Hinote, who co-wrote six of the album’s tracks with violinist Matthew Parmenter and one with guitarist David Johnson.

“The lyrics and story are very important to him, and we always talk about ‘What’s the story here? What does the song mean? What will it mean to others when they hear it?’”

The trio’s lyrics range from fictional to personal and encourage listeners to process their relationships alongside them. Those sonic experiences are further heightened by Hinote’s enchanting vocals and Parmenter and Johnson’s vibrant acoustic instrumentation.

To learn more, I spoke with Hinote about the inspiration behind the trio’s latest album.

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“Darkness on the Edge of Corktown” — Bruce Springsteen Tribute Show Features Detroit Singer-Songwriters and Benefits Motor City Mitten Mission January 17 at Lager House

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In December 2022, a group of Detroit singer-songwriters hosted a Bruce Springsteen tribute show to benefit the homeless.

Billed as Darkness on the Edge of Corktown at Lager House, the show featured local artists performing songs from The Boss’ extensive catalog and collecting donated winter clothing for people in need.

“We did it then for the first time and accepted clothing donations, but we didn’t have a nonprofit partner per se,” said Mike Ward, a folk singer-songwriter who co-organized the show.

“Everybody had a great time at it, and [co-organizer] Nick Juno was the one who said, ‘Hey, we should be doing that again.’ And I said, ‘Yeah, you know what, you’re right, we should.’”

Two years later, Darkness on the Edge of Corktown returns January 17 for a second edition at Lager House.

The Springsteen-themed show includes performances from 25 singer-songwriters and benefits the Motor City Mitten Mission, a St. Clair Shores, Michigan nonprofit that supports the homeless.

“Darkness on the Edge of Town is one of Springsteen’s albums and it’s one of my favorite albums of all time. It works because we’re right at the edge of Corktown where Lager House is,” Ward said.

“For this show, we figured out the logistics of having a benefit for the Motor City Mitten Mission and we talked to executive director Gail Marlow. She’s totally into it because she does a lot of promoting with the Detroit Lions—she’s a tireless worker.”

The show also serves as a collection site to donate winter clothing and outdoor gear for the homeless. Only new donations will be accepted.

Show attendees can donate any of the following items—sweatshirts, sweatpants, long underwear, sleeping bags, backpacks, tarps, hand and toe warmers, and more—and receive a discounted entry fee of $5 that night.

People also can make monetary donations at the show or through the Motor City Mitten Mission’s website. All donations and proceeds from the show will go to the nonprofit.

“The Motor City Mitten Mission is a fantastic organization, so we felt like, ‘OK if we’re gonna do this, let’s do it right and reduce the price of admission with the donation of an item,’” said Ward, who started planning the event with Juno last summer.

“Everybody is volunteering for this event, and we’re working with general manager and talent buyer Katelyn Burkart at Lager House to coordinate it.”

In addition to supporting those in need, the show spotlights a myriad of talent from local artists, including Mark Jewett, Ryan Trager, Annie Bacon, George Montrelle, Audra Kubat, Jackamo, Emily Rose and Kate Hinote, Dave Boutette and Kristi Davis, and others. During the show, each artist will perform a different Springsteen song.

“We liked that format of everybody playing a song and everybody had a great time at the first show,” Ward said. “There’s so much camaraderie in this community, and we have all these different performers joining up with others and doing duets—it’s going to be fun.”

Darkness on the Edge of Corktown is January 17 at Lager House, 1254 Michigan Avenue, Detroit. The show is a benefit for the Motor City Mitten Mission. Admission is $5 with donation or $10 without donation. Doors are 7 p.m. and show is 8 p.m. For tickets, visit Lager House’s website.

Homegrown Talent — Steve Taylor Relaunches Monthly Michigan Songwriter Showcase at 20 Front Street on September 19

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As a local music champion, Steve Taylor is eager to showcase some homegrown talent.

The Lake Orion, Michigan singer-songwriter is relaunching his monthly songwriter series spotlighting Michigan artists at 20 Front Street on September 19.

“I’m excited to have a new home to do this series,” said Taylor, who last hosted the series in late 2023 at the now-closed Berkley Coffee & Oak Park Dry.

“I hope it’s something that people will come out and support and help give some love to our local artists who write their own music.”

Known as the Michigan Songwriter Showcase, the first show in the series features Taylor and Metro Detroit singer-songwriters Rebecca Cameron, Dan Cafferty, and Jacki Daniels.

“I’ve done shows with Dan at Trinity House and Berkley Coffee, and he was just getting started with songwriter rounds at that point. He’s such a great guy and talented guitar player, and his songs are upbeat and funny,” Taylor said.

“Rebecca is really talented, and she’s done other shows that I’ve hosted at Berkley Coffee. Since she’s in Clarkston, I thought this would be close by and be a good show for her as well. Jacki also hosts songwriter rounds and she’s been heavily involved in our music scene.”

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Turn the Page – Fay Burns Revisits Her Love of Indie Pop-Rock on New ‘Full Circle’ EP

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Fay Burns starts a new chapter on “Full Circle.” Photo – Loren Johnson, Sunfire Studios

Fay Burns is ready to turn the page.

That turn starts a new chapter for the Royal Oak, Michigan singer-songwriter and guitarist, who’s embracing a different sound and releasing her debut EP, Full Circle.

“I’ve taken the approach these days that if I’m not making music that I love and it isn’t just 100 percent me, then I don’t want to bother,” Burns said.

“I don’t want to make music that sounds like somebody else, and I don’t want to make music that’s trying to sound like somebody else. I feel like this is the first time I’ve made something of that nature where it says, ‘This is me.’”

Burns’ authenticity permeates all four tracks on Full Circle, which features a turbocharged indie-pop-rock sound in place of the previous folk, bluegrass, and Americana territory she explored as half of the former duo Escaping Pavement.

“This time, it’s all about finding the sound, making the introduction, and putting it out there in the world as a starting point,” she said. “It’s the start of something new.”

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Chronological Order – The Blueflowers Process Pivotal Life Moments on ‘Time Didn’t Matter’ EP

The Blueflowers
The Blueflowers examine past relationships, present circumstances and future possibilities on “Time Didn’t Matter.” Photo – Lisa Folcarelli Jansen

The Blueflowers thoughtfully follow their own timeline.

The Detroit indie-rock sextet of Kate Hinote (vocals, lyrics), Erin Williams (backing vocals, keys, lyrics), Tony Hamera (guitar, synths), David Johnson (guitar), Bryan Talaski (bass) and Jim Faulkner (drums) chronicles pivotal moments of growth, heartbreak and change on their latest cathartic EP, Time Didn’t Matter.

“I certainly hope that people can relate to it and have that feeling,” Hinote said. “Any time you’re making music, you hope that people can react to it in some way, and I am considering that when I’m writing, but I also gotta get stuff out.”

As an emotional outlet, Time Didn’t Matter carefully opens the floodgates of past relationships, present circumstances and future possibilities. Six passionate tracks flow alongside introspective lyrics, fiery goth-rock instrumentation and ethereal shoegaze sensibilities.

“That’s just what kind of comes out … I’ve always written that way and still try to write in a way that can be interpreted,” Hinote said. “It’s a little vague, so that it can be left open to interpretation, and there are certainly some specific relationships that are addressed on this EP.”

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Detroit Songbook – Kate Hinote Trio Celebrates Original Tracks, Local Songwriter Covers on ‘Near’

Kate Hinote Trio-PromoPhoto (credit Kate Hinote Trio)
David Johnson, Kate Hinote and Matthew Parmenter include an exquisite collection of original and cover tracks on the Detroit-inspired “Near” album. Photo courtesy of Kate Hinote Trio

For their debut release, the Kate Hinote Trio beautifully assembles the ideal Detroit songbook.

The Motor City acoustic three-piece of Kate Hinote (vocals), David Johnson (acoustic guitar) and Matthew Parmenter (violin) carefully handpicked an exquisite collection of melodic, mesmerizing tracks from their own catalog as well as from other local songwriters for Near.

“When we were finalizing Near a couple of months ago, I told the guys, ‘One thing that’s going to be compelling about this album is the other songwriters’ contributions.’ Those songs are much different than how I would write or what Matthew Parmenter and I would write together,” said Hinote, who’s previously performed with The Blueflowers, Sound of Eleven and Ether Aura.

Throughout Near, the Kate Hinote Trio features 11 timeless, poignant tracks from The Blueflowers, Don Duprie and Alison Lewis, Emily Rose, Rogue Satellites’ Jaye Allen Thomas, Anthony Retka, Matthew Smith, Duende and Parmenter. Together, these eclectic songs share captivating, emotive tales that deeply explore internal struggles and personal relationships while traveling along a newfound path of self-discovery.

“I knew I wanted to have a Detroit songwriters’ album, and every song is so different because of their contributions. It gave the album some variety, and I’m just drawn to songs that have relationship elements. I think that’s the nature of everybody I included,” Hinote said.

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