The Detroit singer-songwriter and multi-instrumentalist seamlessly fuses soulful, funky and rocky grooves into his latest single, “Days of Creation,” which pays homage to the Motor City’s musical legacy.
“That was the first thing I wanted to do in that song, and if you notice at the end, there’s a shout-out to Michael Jackson, Marvin Gaye, Stevie Wonder and Parliament. I definitely wanted to keep it as a tribute to Motown,” Behnan said.
“Regardless of what anyone says about this city, I honestly think it has the most timeless and the most iconic music ever. There might be a few exceptions, but I think it would be tough to beat Detroit as a whole when it comes to everything that’s come out of this city.”
Available today via all streaming platforms, “Days of Creation” features funky bass, rhythmic electric guitar, pulsating drums and vintage organ wrapped in 3.5 minutes of groovy sonic bliss. It also spotlights the smooth soulful vocals of Detroit R&B singer-songwriter and longtime Behnan collaborator Kendrick Hardaway.
Throughout the track, Hardaway beautifully sings, “What happened to the good days of creation/Will they ever come back/C’mon give me that funk baby, c’mon give me that soul/Cuz I need some inspiration, real Motown flow/C’mon give me that funk baby, c’mon give me that soul/I don’t want no imitation, straight rock and roll.”
Besides paying tribute to Motown and Detroit’s musical legacy, the track also references the absence of soul and funk from today’s popular music. These days, mainstream artists are less likely to blend several genres into one track – think back to Michael Jackson’s 1984 hit single, “Thriller.”
“New music doesn’t quite have the same soul like Bob Seger says in his song. There are great bands out there, and not to take anything away from them, but on the whole as far as pop music’s concerned, I think it’s lacking in soul,” said Behnan, who plays all the instruments on “Days of Creation.”
The Detroit R&B singer-songwriter pays majestic homage to his “queen” on “The Slave King,” a slow, groove-filled romantic ode released just in time for Valentine’s Day.
Hardaway’s soulful three-minute single dropped Tuesday and features his smooth vocals wrapped in high-tone electric guitars from Nick Behnan – “Eyes burnin’ like fire and a voice that sits in my soul/Sweet as cucumber sugar water with a stare that’s so damn cold/Sweet queen of desire, won’t you call my name/And I’ll come runnin’ to you over and over again.”
Who wouldn’t come running to Hardaway with poetic lyrics like that?
“That song really is kind of a combination of me just wanting to write a tune and actually being about my girl right now. I came across this little lick I was playing around with, and I started writing to it, but nothing was really coming together, and I was getting frustrated,” Hardaway said.
“My girl came down, she sat on the couch, and she actually had a little attitude with me or whatever, and she was giving me this real hard stare, and that’s the line where ‘a stare that’s so damn cold’ came from. Once that line came out, then the rest of it just flowed.”
He also sought creative inspiration for “The Slave King” from Behnan, a Detroit songwriter, guitarist and producer and Hardaway’s former bandmate in The Infatuations. A Motor City mainstay and now a guitarist with The Lows, Behnan collaborates regularly with Hardaway on his solo projects.
“That song was 90 percent finished by the time Nick got to it. I was about to master the song, and I felt like it was missing something, but I knew it was in the way of guitar,” said Hardaway, who’s currently shooting a video for his latest single. “I can tinker around on the guitar, but I’m no Nick Behnan, so I shot it to Nick, and he didn’t waste any time and got it right back to me, and it was full of wonderful things, and we got ‘The Slave King.’”
In December, Hardaway collaborated with Behnan and rapper Saint Diggidy on Behnan’s rock, hip-hop, funk and R&B-fused track, “Right at Home,” which solders pounding drums and roaring guitars with stuck-in-your-head verses and flavorful rhymes. The track started as a stripped-down demo on SoundCloud, but quickly evolved once Hardaway and Saint Diggidy added their own verses.
“He was trying a different little angle when he shot it to me to see what I would think about it, and I put a verse on it, and I said, ‘I got a rapper who I think would set this thing off,’ and we just put it together to see how it would sound,” Hardaway said. “We just collectively decided, ‘Hey, we need to put this out because it’s really hot.’ One thing I said about that track after we made it was, ‘It sounds like it’s going to bring some people or some genres together.’”
As an accomplished songwriter, guitarist and producer, Nick Behnan magically fuses the infectious sounds of the Motor City.
He solders raw urban elements of rock, hip-hop, funk and R&B together on his latest single, “Right at Home,” which dropped today via all streaming platforms.
The three-minute track blends pounding drums and roaring guitars with stuck-in-your-head verses and flavorful rhymes from soul vocalist Kendrick Hardaway and rapper Saint Diggidy – “The bass drum kickin’ and the guitar screamin’/I feel right at home/Nobody talkin’ about what’s the meanin’.”
“The song is inspired by those times when you feel right at home,” said Behnan, who opted to remain in Detroit for his music career. “You’re with the right group of people, you eat the right meal, you listen to the right album, you’ve got the right bottle of whiskey, and everybody feels comfortable in their own skin.”
Behnan invited Hardaway and Saint Diggidy to add a strong hip-hop, funk and R&B feel to the rock-based track, which initially started as a stripped-down demo on SoundCloud. Hardaway and Saint Diggidy added their own verses to elevate and enrich the multi-genre track.
“I wanted to bring more of an old-school feel like Rick Rubin did for the Beastie Boys and bring more of that Run-DMC-approach to their voice,” Behnan said. “It mixes the urban funk sounds with rock because those are both embedded in my ear. I like music that has both of those vibes in there.”