Carpe Diem — Absentees Emit Powerhouse Punk Sound on “All the Hertz: Volume 1” EP

Brandon Manoyian, Tony Dunn, Matt Gawne, and John Quillen of Absentees. Courtesy photo.

Absentees pack a large sonic punch on All the Hertz: Volume 1.

The Detroit band features turbocharged instrumentation and explosive vocals on its latest EP.

“We just left it at that,” said Matt Gawne, a vocalist-guitarist for Absentees.

“We did it live. We recorded a second guitar, and then we recorded the vocals. [Engineer-producer] Jon-Mikal [Bartee] came over to my place with a bunch of microphones, and he just set up where we were. It was awesome for him and awesome for us.”

All the Hertz: Volume 1 is an awesome experience for listeners as well. While it’s only 16 minutes long, the punk EP’s scorching electric guitars, thumping bass, and thunderous drums energize fans across seven tracks.

“It all came out great, thanks to Jon-Mikal [Bartee], too,” said John Quillen, the band’s drummer. “He put a nice touch on it, and he knew what we wanted to go with. He gave us a sound with a more modern recording.”

In addition to its edgy sound, All the Hertz: Volume 1 covers a variety of themes, ranging from trauma to toxic jobs to new relationships.

“The most emotional song I’ve ever written is ‘Sensational,’ said Tony Dunn, a vocalist-guitarist for Absentees.

“It’s about somebody close to me who tried taking their own life, and fortunately, is still here. I’ve never written anything that personal … and I think it really shows on that song. Usually, I make up stories, but every now and then, I give a little piece of [me].

Now, Absentees continue to evolve their punk sound with Brandon Manoyian, the band’s new bassist.

“I play on a five-string bass, and I come from another band that plays in a lower tuning,” he said. “Playing with John and playing with everybody else, it’s been a different, but phenomenal experience, and everything flows and goes together.”

I recently spoke with Absentees about their latest EP ahead of a December 6 show at The Rex Theater in Morenci, Michigan.

Continue reading “Carpe Diem — Absentees Emit Powerhouse Punk Sound on “All the Hertz: Volume 1” EP” →

From Lyric to Lore — Metro Detroit’s Nick Juno Finds His Folk Through Timeless Stories and Songs

Nick Juno stands in front of a Wayne Kramer mural at Detroit’s Lager House. Mural by Eric Patrick Kelly.

Nick Juno knows how to tell a powerful story.

The folk singer-songwriter, historian, and storyteller is driven by curiosity and a desire to understand, express, and connect with listeners.

“I want to know something,” said Juno, who lives in Metro Detroit. “I want to say something; I want to feel something. And I want the listener to feel something, too.”

Whether he’s writing and singing about women working in cigar factories or calling for the release of a wrongly imprisoned activist, Juno’s songs hit an emotional and thoughtful mark.

“I’m a topical folk singer with songs often inspired by front-page headlines, historical events, museums, or personal stories shared by everyday people,” he said.

“My music, whether personal or historical, aims to honor the power of storytelling and connect people to both the past and present.”

His engaging stories and songs are best heard in intimate settings, like coffeehouses, taverns, small theaters, and house concerts.

“House concerts are a favorite setting at this stage of my career,” said Juno, who hails from Flint and has been writing and performing since the early ‘80s.

“Intimate and conversational spaces allow me to set up songs, tell their stories, and create memorable, meaningful events with listeners up close.”

I recently spoke with Juno about select songs from his catalog and his upcoming plans.

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True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single

Jon-Mikal Bartee of The Idiot Kids. Courtesy photo

Jon-Mikal Bartee refuses to adopt a dichotomous mindset.

The Detroit vocalist, multi-instrumentalist, and producer dismisses society’s “us-versus-them” ideology and embraces their authentic self on “Zeroes & Ones.”

“I think there are people who can relate to this feeling,” said Bartee, who performs as The Idiot Kids, about their new garage-punk single. “I mean, releasing it during Pride Month definitely was not an accident. I know many other queer people who feel similar. Ultimately, I hope this track might act as a conduit for others to express how they may be feeling.”

While it’s an empowering queer anthem, “Zeroes & Ones” also takes inspiration from binary code and features defiant vocals and fiery instrumentation.

Bartee sings, “I’m not the either or / Not neither nor / Rigid dichotomy’s a bore / Or in other words / I’m not the this or that / I am a winding path / I write my odyssey / My score.”

“I liked the imagery of binary code and the fact that we use it every day in our digital lives,” they said. “Without realizing that we need both to communicate anything, I’ve always been frustrated by the lack of nuance in modern-day discourse. People seem to pick sides, stick to their guns, and do not want to engage with anything that may challenge what they already believe. Whether that’s politically, socially, or dealing with our own identities.”

I recently spoke with Bartee about The Idiot Kids’ single ahead of a June 7 show at Bell’s Back Room Kalamazoo, Michigan.

Continue reading “True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single” →

“Darkness on the Edge of Corktown” — Bruce Springsteen Tribute Show Features Detroit Singer-Songwriters and Benefits Motor City Mitten Mission January 17 at Lager House

darkness-poster-1

In December 2022, a group of Detroit singer-songwriters hosted a Bruce Springsteen tribute show to benefit the homeless.

Billed as Darkness on the Edge of Corktown at Lager House, the show featured local artists performing songs from The Boss’ extensive catalog and collecting donated winter clothing for people in need.

“We did it then for the first time and accepted clothing donations, but we didn’t have a nonprofit partner per se,” said Mike Ward, a folk singer-songwriter who co-organized the show.

“Everybody had a great time at it, and [co-organizer] Nick Juno was the one who said, ‘Hey, we should be doing that again.’ And I said, ‘Yeah, you know what, you’re right, we should.’”

Two years later, Darkness on the Edge of Corktown returns January 17 for a second edition at Lager House.

The Springsteen-themed show includes performances from 25 singer-songwriters and benefits the Motor City Mitten Mission, a St. Clair Shores, Michigan nonprofit that supports the homeless.

“Darkness on the Edge of Town is one of Springsteen’s albums and it’s one of my favorite albums of all time. It works because we’re right at the edge of Corktown where Lager House is,” Ward said.

“For this show, we figured out the logistics of having a benefit for the Motor City Mitten Mission and we talked to executive director Gail Marlow. She’s totally into it because she does a lot of promoting with the Detroit Lions—she’s a tireless worker.”

The show also serves as a collection site to donate winter clothing and outdoor gear for the homeless. Only new donations will be accepted.

Show attendees can donate any of the following items—sweatshirts, sweatpants, long underwear, sleeping bags, backpacks, tarps, hand and toe warmers, and more—and receive a discounted entry fee of $5 that night.

People also can make monetary donations at the show or through the Motor City Mitten Mission’s website. All donations and proceeds from the show will go to the nonprofit.

“The Motor City Mitten Mission is a fantastic organization, so we felt like, ‘OK if we’re gonna do this, let’s do it right and reduce the price of admission with the donation of an item,’” said Ward, who started planning the event with Juno last summer.

“Everybody is volunteering for this event, and we’re working with general manager and talent buyer Katelyn Burkart at Lager House to coordinate it.”

In addition to supporting those in need, the show spotlights a myriad of talent from local artists, including Mark Jewett, Ryan Trager, Annie Bacon, George Montrelle, Audra Kubat, Jackamo, Emily Rose and Kate Hinote, Dave Boutette and Kristi Davis, and others. During the show, each artist will perform a different Springsteen song.

“We liked that format of everybody playing a song and everybody had a great time at the first show,” Ward said. “There’s so much camaraderie in this community, and we have all these different performers joining up with others and doing duets—it’s going to be fun.”

Darkness on the Edge of Corktown is January 17 at Lager House, 1254 Michigan Avenue, Detroit. The show is a benefit for the Motor City Mitten Mission. Admission is $5 with donation or $10 without donation. Doors are 7 p.m. and show is 8 p.m. For tickets, visit Lager House’s website.

Looking Ahead – Painted Friends Finds Peace and Forgiveness on New ‘Gomnia: Volume 2 (Indimindi) Album’

image_123650291 (3) — Painted Friends features philosophical lyrics and emotive indie-pop and pop-rock instrumentation on “Gomnia: Volume 2 (Indimindi).” Photo – Hannah McWhorter

Painted Friends boldly embarks on a path to spiritual enlightenment.

Along the way, the Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) finds peace and forgiveness on “Better Bones,” the honest opener from their latest album, Gomnia: Volume 2 (Indimindi).

“This song has been on my mind for a very long time—longer than any others I’ve written,” McWhorter said. “I have changed the lyrics a few times throughout the whole process, but the message of it has pretty much stayed the same. It’s the same message that is expressed throughout all of Gomnia—the idea to love our enemies or Sermon-on-the-Mount-type-stuff.”

Surrounded by hopeful synth, pounding drums, and thoughtful electric guitar, McWhorter sings, “I heard a pretty word / And fell to my knees / I took time to pray for a way / To have a better life / And now I’ve no one to hate / No reason to shake / The truth is the light / That gives me a better life.”

“Love—by definition—must be freely given; it’s a choice,” McWhorter said. “I’m not referring to romantic feelings. I’m talking about choosing not to attack someone you disagree with out of love for them and their humanity.”

That plea for love, humanity, and truth flows throughout the 10 tracks on Gomnia: Volume 2 (Indimindi). Painted Friends deeply examines those notions through philosophical lyrics and emotive indie-pop and pop-rock instrumentation.

To learn more, I spoke to McWhorter about the Gomnia album series, select tracks, a recent album release show, and plans for releasing new material.

Continue reading “Looking Ahead – Painted Friends Finds Peace and Forgiveness on New ‘Gomnia: Volume 2 (Indimindi) Album’” →

The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single

painted-friends-1 — Painted Friends’ Jeremiah McWhorter and Mitch Crosby examine the power of negative emotions on “Cain Complex.” Photo – Hannah McWhorter

Painted Friends vicariously explores the powerful, destructive forces of jealousy and envy on “Cain Complex.”

The Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) examines those fierce emotions through the biblical perspective of Cain on their dark new single.

“The Cain and Abel story is one of the deepest stories in all of literature, no matter what belief system you hold. Putting myself in Cain’s shoes for a song made me realize how easy it was, especially in the music scene today,” McWhorter said.

“It is very easy to feel jealous toward other musicians who appear to have ‘made it’ and here I am still struggling to make a dime with my songs, yet I put so much work and passion toward it.”

That passion comes alive as McWhorter sings alongside fiery electric guitar, bass and drums, “I was the first man / The oldest of sons / What I give away is much better than blood / The envy that filled me was sent from above / And the reason I’m standing is not due to love.”

“Jealousy and envy are similar to drugs in my opinion. They almost become like an addiction that once it takes hold, [it] can literally bring you to the point of murdering another person,” he said.

“It is a song that is toeing the line between being appropriate and inappropriate, but I wanted to allow myself to do that for at least one song. It felt and still feels necessary.”

I recently spoke to McWhorter and Crosby about their backgrounds, previous releases, passionate new single, Feb. 9 live show in Detroit and plans for 2024.

Continue reading “The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single” →

Uncharted Waters – Rob Zinck & The Collaborators Channel the Past and Navigate the Future on ‘Swim or Sink’ Album

Rob Zinck & The Collaborators boldly channel the past while navigating the future on Swim or Sink.

That refreshing mindset flows through the Detroit power trio’s new album, which features 11 tracks that aim to wipe the slate clean and search for internal peace in an iron-fisted world.

“The first nine songs loosely tell the story of finding myself in a particular place, examining how I got here and then fixing my eyes on the path I want to take in the future,” said Zinck, the band’s vocalist, guitarist and songwriter.

“It travels through different times and places in my life trying to figure out how I can be the best version of myself possible and a positive force in the lives of people I care about. The last two tracks deal with the fact that finding yourself doesn’t change the world, which is uncertain and oppressive and doesn’t afford all people the same privileges.”

Alongside bandmates Dan Radlick (bass) and Phil Giannotta (drums), Zinck embarks on an introspective journey that runs from childhood in Alaska to fatherhood in Michigan to thirtysomething life in the future.

“I think most of us experience a similar sense of uncertainty when our 20s start to wane and our 30s approach. We start to feel like we’re supposed to be whatever our vision of an adult is, but we’re afraid we’ll lose the passion that defines our youth,” said Zinck, who shares those thoughts against a backdrop of punk, alt-rock and indie-rock instrumentation.

“Reconciling that feeling is definitely a theme of this record. We’re all searching for ourselves in an uncertain world, and I don’t think that searching should ever fully end. By the time track nine [‘You Then Me’] fades out, I’ve found enough of the person I want to be that can move on with a life that feels meaningful rather than stagnant.”

I recently spoke with Zinck about growing up in Alaska, moving to Michigan, meeting his bandmates, dissecting songs from Swim or Sink, using field recordings, writing and recording the album, preparing for a Nov. 18 album release show and winding down this winter.

Continue reading “Uncharted Waters – Rob Zinck & The Collaborators Channel the Past and Navigate the Future on ‘Swim or Sink’ Album” →

Right Now – pia the band Feels Grateful for Today on ‘I Have Everything’ Single

pia the band is right where she needs to be.

The Detroit indie-rock singer-songwriter shares that realization on her hopeful new single, “I Have Everything.”

“I think at first glance over and maybe with intention when I first wrote it, you can look at the song as definitely being inspired by loss. Maybe bigger than that … that sadness or loss you feel when things don’t really pan out the way you expect them or hope at the time,” said Pia-Allison Roa, aka pia the band.

“As everyone knows, life doesn’t always go as planned, and usually it goes in a way better than you could have imagined. That realization and affirmation that you have everything you need at this moment in time are what I hope people can reflect on to move forward and let go of what their expectations were.”

Backed by soft drums, thoughtful bass and determined electric guitar, pia the band sheds those past expectations and embraces the present as she sings, “I’m trying not to bum you all out / But every time I open my mouth / I convince myself believe / I have everything I need.”

“By the end of the song and after the huge instrumental, I repeat that phrase [‘I have everything I need’] again a couple of times, and to me, it’s a confirmation of ‘Yes, I actually do believe that I do have everything I need,’” Roa said.

“I find myself so many times being in situations with good friends, or being at the beach on a nice day, or even as silly as eating a good burger and being like, ‘Whoa, yup, I have everything I need right now.’”

Continue reading “Right Now – pia the band Feels Grateful for Today on ‘I Have Everything’ Single” →

Upward and Onward – Patrick Sheufelt Records with Pandemic Pat & The Murder Hornets and Versus Versus, Runs I/O Detroit Studio

Regardless of whatever life throws at them, Pandemic Pat & The Murder Hornets quickly rise to the occasion.

The punk-rock solo project of Ferndale vocalist, multi-instrumentalist and producer Patrick Sheufelt captures this fearless sentiment on their confident new single, “Rise,” out March 17.

“A lot of my family and friends have been falling on tough times in the post-pandemic era—lots of heartbreak, financial hardship and just general gloom going around. And I thought I’d write a song to try and fight back some of that darkness a little bit,” he said.

“It’s similar to what I said about ‘Firelight’ on the first record [2020’s Not Dead Yet], where I saw stuff happening (at that point it was the protests and the madmen running the country), and it prompted an emotional response and subsequently a pretty cool song from me.”

Throughout “Rise,” turbocharged electric guitar, bass and drums urge people to seize the day as Sheufelt’s raspy vocals proclaim:

“You danced with me under the snow and said / ‘They’ve got me on the ropes, this time I don’t think I can find my way out,’ / But here you are on your feet again, fighting to the bitter end, leaving these demons so far behind.”

“When I was writing it, one of my traveling friends, Xavier O’Luain, was staying here at the studio. He was a bit of a sounding board for some of the melodies and whatnot. As far as the recording, no one else was on this one; I just wrote all the parts as I picked up the instruments,” said Sheufelt, who started Pandemic Pat & The Murder Hornets in 2020.

“Of course, it started on vocals/acoustic [guitar], then drums, bass and guitars. I always do lead guitar last as sort of the cherry on top of the song. And on this note, I’m looking for band members for this project. If anyone wants to learn some relatively easy parts and go on tour, hit me up!”

Continue reading “Upward and Onward – Patrick Sheufelt Records with Pandemic Pat & The Murder Hornets and Versus Versus, Runs I/O Detroit Studio” →

The Stratton Setlist

Catch the opener. Stay for the encore.

Tag: Lager House