Due West – Desmond Jones Explores Vibrant Americana Landscape on ‘Why Not?’

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Desmond Jones opts for a cohesive Americana sound on “Why Not?” Photo – Purchase Productions

Desmond Jones boldly explores the sunny, vast terrain of the undiscovered countryside.

The Grand Rapids jam quintet of John Nowak (drums, vocals), Isaac Berkowitz (guitar, vocals), Chris Bota (guitar, vocals), Taylor Watson (bass) and George Falk (sax, vocals) proudly ventures through blazing deserts, rolling hilltops and sprawling mountains on their latest Americana-infused album, Why Not?

“We’re lucky it fell together in a cohesive way because some of the songs were written almost 10 years ago. Others were written two years ago or right before we started recording the album,” Nowak said.

“We tried to collect them in a way that made thematic sense, even though we didn’t write them all together with the intention of releasing a concept album.”

As a refreshing, countrified conceptual immersion and stylistic detour from their funky, glam-jam sound, Desmond Jones’ Why Not? glides through 15 insightful, majestic tracks filled with nomadic adventures, lovelorn moments and bucolic musings.

The addition of warm, folky instrumentation – pedal steel guitars, fiddles, banjos, Dobros and mandolins – and rich four-part harmonies allow the band’s newfangled Americana sound to travel beyond the Midwestern landscape.

“A lot the songs we’ve been performing for over eight years now, and the Americana sound and songwriting style have always been a part of our live show and our catalog. We just never had the opportunity to record a lot of it or package it in that way,” said Nowak about the band’s third album.

“Once we started writing more songs that were a verse-chorus structure and a singer-songwriter style, they started to add up. We realized we had enough material to put it all together in one album, so that it wouldn’t feel as disjointed if we had put some of this stuff together with our funky or more progressive songs.”

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Virtual Migration – Ann Arbor’s Ebird & Friends Holiday Show Lands Online Saturday

Saturday’s show will be streamed on Facebook and YouTube. Artwork courtesy of Erin Zindle

For Erin Zindle, this year’s Ebird & Friends Holiday Show will migrate to a new format.

The Ragbirds frontwoman and multi-instrumentalist will present the beloved Ann Arbor holiday show virtually Saturday through a free, one-night livestream performance via Facebook and YouTube.

“The pandemic has forced creative people to get extra creative if they want to continue making their art and sharing it with a world in isolation. This is the 13th year I’ve produced the Ebird & Friends Holiday Show, but it’s an entirely different experience in this virtual format. I’ve had to rethink it from the ground up with safety as a top priority,” Zindle said.

Formerly presented live at The Ark over four sold-out nights, this year’s online show will feature a mix of pre-recorded videos interspersed with live performances and virtual special guest cameos. To protect artists and crew members, Zindle implemented a number of rigorous safety protocols throughout the show’s development and production.

“We are filming the production in a large warehouse space where we’ve measured plenty of distance between us, and there is a large rolling door that we open regularly to air out the room. All the crew and artists are masked, with the only exception being the lead singers and horn players who remove their masks for the final video takes,” said Zindle, who teamed up with Allen Audio and Birdhouse Productions to record the show’s performances.

“We all isolated ourselves as much as possible prior to the event, and most have taken COVID tests to be extra cautious. I created a schedule where the featured artists show up by appointment to avoid overlap and reduce our exposure to each other. Like everyone else we have had to make a series of hard choices and sacrifices to keep ourselves and each other safe.”

In light this year’s pandemic challenges, the show will still retain its fun variety-style format and holiday setlist with a star-studded Michigan lineup of new and returning acts.

Erin Zindle & The Ragbirds, The Native Howl’s Alex Holycross, The Accidentals, The Sweet Water Warblers, Seth Bernard, Mark Lavengood, The Gasoline Gypsies, Madelyn Grant, The Crane Wives’ Emilee Petersmark, Shake Steady’s Sean Ike, Dave Boutette and Kristi Lynn Davis, Jen Sygit and others will grace the show’s virtual stage. Comedian Shelly Smith will emcee and introduce the artists from a separate stage set.

“When choosing artists I always try to keep diversity and flow in mind to create a dynamic show with a variety of styles represented. This year I chose artists that have already been involved in past shows and decided to repeat a few favorite songs we already knew,” said Zindle, who formed The Ragbirds in 2005.

“I knew we would not have much if any rehearsal time, and I wanted to simplify the amount of songs we had to learn. We did the new song arrangements via Zoom meetings and shared demo iPhone recordings so we could show up ready to roll the camera.”

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Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album

Monte Pride stitches personal, transcendent moments on “Even in Absence. Artwork – Shaina Mahler

For Monte Pride, Michigan’s placid sights, sounds and scents invigorate and soothe the soul.

The Lansing folk singer-songwriter and fingerstyle guitarist beautifully encapsulates the state’s sonic sense of tranquility on his latest album, Even in Absence. With magical, pastoral references to the Grand River, Lake Superior, Pictured Rocks and other Great Lakes gems, Pride paints a seasonal, insightful canvas filled with introspective themes of loss, resilience, growth and change.

“I grew up spending a lot of time outdoors, and I’m still big into camping, fly-fishing, hiking and all that. Northern Michigan has always been a really special place for me, so it just kind of naturally makes its way in. Whether I know it or not, I process these experiences in nature and in different parts of Michigan. I think they just all kind of fall into place, and they relate to each other somehow,” he said.

Pride intricately stitches personal, transcendental moments through 10 serene Even in Absence tracks, including the calming title track. Twirling acoustic strums, glistening piano, peaceful violin and Pride’s warm vocals soothe listeners as they quietly reflect on a still September night, “Even in the ebb/The flow of going I pine/I strive to mend the losing/To know we won’t/Be parting then/Even in the changing/The fraying thread/In the almost lost/A sentiment sought/A golden friend.”

As Pride’s latest single and album title, “Even in Absence” establishes a timeless, acoustic-centered sonic quality that instantly appeals to folk music aficionados across all generations. Think hints of Simon & Garfunkel, The Tallest Man on Earth and Nick Drake fused with special musical seasonings from a Michigan-made singer-songwriter.

“When I wrote the songs and recorded them, I was only listening to old Simon & Garfunkel, Joni Mitchell and Nick Drake albums. I think their songwriting style and instrumentation came through in Even in Absence because I had been listening to them so much during that time,” Pride said.

Pride magically captures his vintage folk aesthetic through a contemplative, poignant “Even in Absence” video directed by Shaina Mahler, who also created the album’s artwork. The thoughtful video reflects Pride’s delicate performance as crystal sea-inspired ornaments and hand-held mirrors depict a quiet, dreamy world beyond the looking glass.

“She has an incredible, amazing eye and style. One day we were sitting outside in our backyard, and she decided to start taking some photos, and I just sang along to the song. She brought so much to the video and the album artwork and embroidered all of the writing on the album cover. It was really special that we were able to collaborate on both of those things,” he said.

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Bluegrass Roots – Mark Lavengood Cultivates Homegrown Dobro Sound Locally, Nationally

Mark Lavengood will perform at “The Ebird & Friends Holiday Show” tonight through Saturday at The Ark.

Mark Lavengood will bring warm down-home holiday sounds to Ann Arbor this weekend.

The Grand Rapids bluegrass roots vocalist and multi-instrumentalist will join a star-studded lineup of Michigan artists and musicians for the 12th annual “The Ebird & Friends Holiday Show” tonight, Friday and Saturday at The Ark.

Hosted by Erin Zindle & The Ragbirds, the variety-style show will also feature Alex Holycross (The Native Howl), Graham Parsons (The Go Rounds), Carolyn Striho, Anne Heaton, Brad Phillips, Jen Sygit, Jessica McCumons (Jessica Delle) and members from The Macpodz, The Appleseed Collective and Jive Colossus.

“I’ve done it two other years. I love Erin so much, that production is one of the most pro things I think I’ve been a part of, and it’s just always a good time, and I’m always honored to be invited back,” Lavengood said. “I get to lead some, and I get to back other people who play the instruments. It’s just a great hang, the community comes out in droves, and there really isn’t a show like it anywhere.”

As an established touring artist and musician, Lavengood regularly shares his resonant energy with spirited crowds from Michigan to Colorado. He eloquently combines folk, bluegrass and Americana with bandmates Justin Avdek (bass), Dutcher Snedeker (keys), Justin Wierenga (guitar) and Loren Kranz (drums) on stage and in the studio for a growing catalog of bluegrass roots singles and albums.

With an expansive musical palate, Lavengood adds delectable instrumental flavors of dobro, steel guitar, mandolin, banjo, ukulele, drums and percussion to assemble an appetizing eclectic sound for fans nationwide.

“I’m fleshing out a lot of songs that I been sitting on over the years, and I love playing the music, but at the same time, I like getting the ideas out and then bringing a band into the studio and tracking it that way,” Lavengood said. “There’s a lot of magic you get when you have a bunch of different minds in one space serving a song together.”

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