Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single

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Carolyn Striho and Scott Dailey focus on the journey ahead on their latest single.

For Carolyn Striho, the road of life is full of unexpected twists and turns.

But those challenges don’t prevent the Detroit singer-songwriter from moving forward.

That perseverance fuels some of the inspiration behind her latest blues-rock single, “14 Miles of Bad Road,” with husband/guitarist Scott Dailey.

“If you say you’ve been on 14 miles of bad road, it sounds far. When I wrote it, I was thinking more of being up north with roads all over the place,” Striho said. “When you think about it, it could be anywhere—a city or a town.”

Determined to reach their next destination, she sings alongside propulsive electric guitar, bass, organ, and drums, “I wish all the world could see you and me again / I wish all the world could feel like a friend again / I wish all the world could be like a kid again / I wish all the world … / I tried, my friend / You lied again / I tried again / You lied …”

“Scott came up with the lyrics, ‘I tried, my friend / You lied again,’ and it makes sense, meaning, ‘You thought there was a rosy picture of life, and when you’re young, everything seems so good,’” said Striho, who shares counterpoint vocals with Dailey on the track’s chorus.

“You also might think someone’s going to swoop in and make everything better if life’s not going well. That doesn’t always happen, though.”

Continue reading “Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single”

Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution

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Ash Can Van Gogh’s Billy Brandt, JC Whitelaw and Mary McGuire pause between performances. Photo – Ash Can Van Gogh’s Facebook page

Back in 1986, Billy Brandt and JC Whitelaw placed an ad in the Metro Times looking for a female vocalist and instrumentalist.

The two Metro Detroit singer-songwriters envisioned forming a folk-rock band—now known as Ash Can Van Gogh—that specialized in three-part harmonies.

It wasn’t long until Mary McGuire saw the ad and called Brandt from a payphone at the Inn Season Café in Royal Oak. The Lansing singer-songwriter was working at the vegetarian-vegan restaurant at the time.

“I’m standing there holding the Metro Times, and I put a dime in the phone. Billy answers the phone, and I’m like, ‘Hey, I’m calling about your ad in the Metro Times, and my name is Mary,’ and he’s like, ‘What’s your sign?’” McGuire said.

“That was the first thing he said to me, and I was like, ‘Scorpio,’ and he’s like, ‘Oh, that’s cool; I’m a Capricorn.’ And I’m like, ‘Oh, we’ll get along. I have a moon in Capricorn,’ so then we chatted about our influences and found we were big fans of Crosby, Stills, Nash & Young.”

That first conversation quickly led to Brandt and Whitelaw seeing McGuire perform at Sir Charles Pub in Royal Oak and then singing with her at her house later that night.

Continue reading “Then and Now – Metro Detroit’s Ash Can Van Gogh Looks Backward and Forward on the Band’s Evolution”