Adam Kennedy unexpectedly became a globetrotter during the pandemic.
The Newcastle upon Tyne, U.K. music photojournalist ventured to Finland, the U.S., Australia, Russia, Israel, Italy, Japan and other far-flung locations to shoot established and emerging artists – all from the comfort of his own home.
In fact, Kennedy’s international photographic jaunts have occurred online as part of a successful virtual photo shoot project he launched in April 2020. To date, he’s conducted more than 570 virtual photo shoots with rock, metal, jazz and blues artists over Facebook, Zoom, Skype, WhatsApp, FaceTime and other online platforms.
“It’s just to create a feel of coming together online and being in the moment. After an hour, you usually have something cool. Every session has been completely different, and every artist brings something different to the table,” he said.
“Every environment is different because I’m not working in a studio. I’m predominantly working out of someone’s home, or a person takes me out on location. I’ve been in Los Angeles on the strip, in Sochi overlooking the Black Sea, in Jerusalem at a park and in Victoria near the Great Ocean Road.”
Last spring, Skywerth watched a bewildered nation quickly unravel before his stunned eyes.
The Detroit multi-instrumentalist, producer and songwriter felt overwhelmed by the social, economic and political upheaval arising from the COVID-19 pandemic.
“I had just watched Ahmaud Arbery getting shot down in his own neighborhood and the music industry crumbling overnight all while looking at the incredible divide and conspiracy theories being pushed on social media,” he said.
That lingering frustration, disappointment and anger prompted Skywerth to pen his latest striking multi-genre, emotional-fueled single, “Waves,” featuring Hamtramck indie folk duo Jackamo.
“It was so apocalyptic, so I just wrote exactly what I was observing. Social media is tailored for you, so if anything pops up on your feed that is outside of your belief system, it’s going to stick out like a sore thumb, and your friends are going to say it’s wrong, too. No matter what it is, you are constantly being told that you’re right.” he said.
Now available on all streaming platforms, “Waves” elegantly rises with the genre-bending tides of metal, psych rock, industrial, prog and hip-hop into a symphonic tsunami. Thumping drums, tingling cymbals, swirling electric guitars, crawling bass and expansive synths quickly engulf listeners in a welcoming sense of relief and escape.
Skywerth reflects, “Alone in the waves with your eyes open wide, living in a paradise/Stare into the light/Hands upon the shore, eyes are getting sore/Here we are, caught in the eye of the storm/As the rain starts to fall, as the rain starts.”
“Lyrically, it’s a bit of a pessimistic song. If the song can make two people put their phones down and reconnect with one another in real life for two days, then it would make the year for me,” he said.
Skywerth also forges a beautiful musical connection with Jackamo’s Alison and Tessa Wiercioch, who provide somber, thoughtful harmonies on “Waves.”
“I fell in love with Jackamo the moment I heard them. We have mutual friends, and they also work with Steve (Lehane) at Rustbelt Studios. After writing the lyrics, I knew Ali, Tessa and I could do something pretty cool,” he said.
Along with Jackamo, Skywerth collaborated with Eric Hoegemeyer (soundscapes, synths), Matt Voss (drums) and co-producer Steve Lehane (bass, drum machines, production) on “Waves,” which initially started as an instrumental track.
“After the pandemic hit and I wrote the lyrics, I had this sort of organized chaos. Instead of being consumed by this confusion surrounding me, I had all my thoughts and observations laid out on something that was familiar and felt like home to me,” said Skywerth, who recorded the track at Royal Oak’s Rustbelt Studios and credited Lehane with transforming “Waves” into a vocal track.
“It wasn’t a conscious decision to weave all of these (multi-genre) elements together. I’ve got a bit of ADD, so when something sounds the same for several minutes I get bored. I need to change things a bit to keep me interested. I think the dynamics of the tune help outline the emotions felt from the pandemic.”
Skywerth brings those heavy emotions to life in his wistful new video for “Waves” as he ponders the pandemic’s ongoing impact with Alison Wiercioch in Hamtramck. Filmed and edited by Sara Showers and Cheyenne Comerford, the video also features footage of Skywerth performing live inside a vacant Magic Bag in Ferndale.
“We started tossing around ideas for a video in late 2020, and we shot at The Magic Bag in February. It was quite unsettling being in the venue during the pandemic. We also shot in Hamtramck back in the spring, and it was a group of friends running around with a camera,” he said.
With November’s upcoming arrival, some soulful sonic nourishment is needed to weather and withstand the remainder of 2020.
Fortifying morsels of lo-fi folk, shiny indie pop, fiery classic rock, breezy dance, garage-filled indie rock, heartfelt acoustic ballads and groovy, emotive hip-hop strengthen the mind and spirit for the unknown road ahead.
“When I was first offered the opportunity to be in Swizzille Trip, I thought, ‘Psych rock and jam rock, that must be like rock and roll, right?’ The deeper I dig into it I realize the structure, philosophy and approach are totally different,” said Mikolajczyk, who also plays guitar and bass for several Detroit bands.
“Right now, I’m still studying it very deeply and getting into The Grateful Dead, Phish and Dead & Company. It’s very much a learning process I’m going through with Swizzille Trip. The entire project is very open-minded. We just let it flow, and it’s natural.”
Mikolajczyk recently added psychedelic rock to his extensive repertoire when he joined Swizzille Trip last year. He teamed up with Michael Kalb (guitar, vocals) and Preston Preiss (drums, vocals) after they performed at a release party for Detroit alt rock band Black Feather (another Mikolajczyk project).
“They were in search of a new bassist, and I’m always open-minded to new endeavors,” he said. “I very much see eye-to-eye with Michael Kalb.”
That strong musical partnership has manifested into a series of far-out singles from Swizzille Trip’s latest album, “Interstellar Wonderlove,” which carries themes of peace and unity. The band’s latest single, “Water,” serves as a heartfelt acoustic rock anthem while “Sand” provides an intergalactic, bass-fueled cover of the 2000 Phish classic.
Swizzille Trip will continue to record and release tracks from “Interstellar Wonderlove” in the coming months. In September, they’ll return to Tempermill Studio in Ferndale to hammer out additional songs, including the holiday-tinged “Zombie Snowman” for a November release.