“How’d You Write That?” — Bill Edwards and Mike Green Explore the Craft of Songwriting During January 10 Show at Trinity House Theatre

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Bill Edwards and Mike Green will include a mixture of performance and conversation for their show.

Bill Edwards and Mike Green want to demystify the songwriting process.

The Ann Arbor, Michigan singer-songwriters plan to explore the craft and share creative insights during a January 10 show—known as How’d You Write That?— at Trinity House Theatre.  

The show includes a mixture of performance and conversation: Edwards and Green will perform songs from their catalogs, interview each other about songwriting, and take questions from the audience.

“People don’t really talk about the process and talk about the nuts and bolts of how this song came to be or how a song comes to be,” said Edwards about the show’s format at the Livonia, Michigan listening room. “I think this will dig more into that.”

To prepare for the event, the duo sought inspiration from a songwriting group called Song Salon and a past TV show called Inside the Actors Studio.

“We bring in songs in any form and critique them … We just dig in, and we get really deep into the weeds of saying, ‘That word doesn’t work.’ We make suggestions, and my songs are all better as a result of being part of [Song Salon],” said Green, who also works as a booking agent.

“But it came out of that work, and I thought about Inside the Actors Studio and realized people would be interested in this. Trinity House is small enough that we can get a good-sized group of people in there, and it’s a home for many singer-songwriters in Southeastern Michigan.”

During the show, Edwards and Green will each perform 10 to 11 songs, including a mix of new material and past favorites. In 2023, Edwards released his latest album, So Far, and Green released his debut album, Listening for the Bell.

“Mike and I write differently,” Edwards said. “I tend to repeat a lot of the choruses in my songs, and Mike doesn’t so much. I’m interested to hear what influenced him to take that path and why he writes like that.”

The show also serves as a “pilot” for How’d You Write That? and allows the duo to test the waters before launching a regular series in the fall. They would curate the series and include singer-songwriters who are willing to interview each other.

“There’s not that many moving parts to it. It’s just something that we’re both interested in, and we think many people that we know will be interested,” Green said.

“Hopefully, there will be more than the people that we know. Based on the early social media stuff we’ve been doing, many people have said they’re interested.”

Bill Edwards and Mike Green perform January 10 for “How’d You Write That?” at Trinity House Theatre, 38840 Six Mile Road, Livonia, Michigan. For tickets, visit Trinity House Theatre’s website.

Rocky Mountain High — Detroit’s Jeremy Porter Longs for a Snowy Holiday Out West on “Colorado Christmas” Single

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Detroit’s Jeremy Porter offers a fresh take on Nitty Gritty Dirt Band’s “Colorado Christmas.” Photo – Noreen Porter

Two years ago, Jeremy Porter discovered a hidden Christmas classic in a collection of 7-inch vinyl singles.

The Detroit singer-songwriter and guitarist flipped over a “Mr. Bojangles” single for the Nitty Gritty Dirty Band and found “Colorado Christmas” on the B-side.

“Their version is solid, of course, but it was the B-side, ‘Colorado Christmas,’ that really caught my ear,” said Porter, who also fronts The Tucos. “I’m always looking for a good Christmas song to cover. I actually spent a Christmas in Colorado as a kid, so it just seemed like a natural choice.”

Porter decided to record a rendition of Nitty Gritty Dirt Band’s “Colorado Christmas” during the studio sessions for his latest alt-country album, Dynamite Alley, via GTG Records.

On “Colorado Christmas,” the protagonist longs to escape Los Angeles for a snow-filled Christmas in Colorado.

Surrounded by somber banjo and pedal steel, Porter sings, “Now the sun is setting in the California sky / And I can’t find the spirit anywhere / So I think it’s time for me to tell Los Angeles goodbye / I’m going back home to look for Christmas there.”

“The lyrics exploring the contradiction between winter in the Colorado Rockies and Los Angeles traffic and palm trees was the icing on the cake,” Porter said.

Continue reading “Rocky Mountain High — Detroit’s Jeremy Porter Longs for a Snowy Holiday Out West on “Colorado Christmas” Single”

All Ears — Detroit Prog Rockers Belling The Tiger Share Empathetic and Cathartic Tales on “Listen” EP

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Belling The Tiger members Nick Geiersbach, Andrew Harvey, Ani Balalau, Michael Allen Moore, and Duane Harvey. Photo – John Willems

Michael Allen Moore advocates being an active listener.

The frontman for Belling The Tiger applied that skill after reading The Lost Art of Listening many years ago.

“I was shocked and embarrassed about how many mistakes I made in listening to others,” said Moore, the band’s vocalist, keyboardist, and guitarist.

“However, I was truly flabbergasted at how badly everybody else I was around at the time was. It helped immensely and allowed me to be a more empathetic human being.”

He also embraced that mindset while writing the title track for the Detroit prog-rock quintet’s latest five-track EP, Listen.

“I think writing music and lyrics is cathartic,” Moore said. “I’m happy to sneak in my self-expression as therapy with the music, and if people don’t pick up on the details, then I’m at peace with that. I have a Buddhist sensibility when it comes to the goals of making music.”

On the title track, Belling The Tiger attempts to help someone who’s on a destructive path before it’s too late.

Alongside Moore, bandmates Duane Harvey (drums, percussion), Andrew Harvey (bass), Ani Balalau (vocals, various instruments), and Nick Geiersbach (keys, trumpet, flugelhorn, various instruments) provide a melodic mix of serene and fearless instrumentation.

Moore sings, “Follow me if you can linear / Thoughts unforgiving and twisting / Speak to me if you can honestly / Unafraid of what we are.”

“The song is about a particular person—however—that person turns out to be a stereotype,” he said. “Therefore, it can have a universal application to others.”

I recently spoke to Belling The Tiger about its EP ahead of two Metro Detroit shows this week.

Continue reading “All Ears — Detroit Prog Rockers Belling The Tiger Share Empathetic and Cathartic Tales on “Listen” EP”

Changing Course — The Steve Taylor Three Ponders New Beginnings and Closed Chapters on “Temporary Heart” Album

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Bryan Frink, Steve Taylor, and Carey Weaver of The Steve Taylor Three. Photo courtesy of Steve Taylor

The passage of time weighs heavily on Steve Taylor’s mind.

The Metro Detroit singer-songwriter and multi-instrumentalist ponders new beginnings and closed chapters on The Steve Taylor Three’s new album, Temporary Heart.

“The songs were all written in the same period, so there were certain themes that were on my mind—certainly aging,” Taylor said. “I’m 51 now, so turning 50 was a big deal from an age standpoint.”

Alongside bandmates Bryan Frink (bass, guitars, keys, vocals) and Carey Weaver (drums, percussion, vocals), Taylor explores changing family dynamics, fluctuating relationships, and childhood memories on the trio’s fifth release.

“A good friend of mine that I grew up with got married very young and then got divorced,” Taylor said. “That’s what the song, ‘Anymore,’ is about and love comes with age. I keep saying that the topics that are most on my mind right now are aging and the weather.”

On Temporary Heart, The Steve Taylor Three features a dozen heartfelt tracks bursting with rich harmonies, ruminative lyrics, and vibrant Midwest Americana instrumentation.

While the songs reflect on the fleeting nature of change, the album’s universal themes and infectious soundscapes remain deeply embedded in our hearts and minds.

To learn more, I spoke with Taylor about Temporary Heart ahead of the band’s November 29 album release show.

Continue reading “Changing Course — The Steve Taylor Three Ponders New Beginnings and Closed Chapters on “Temporary Heart” Album”

Sounds Like Michigan — Michigan Music Alliance Celebrates Relaunch With November 23 Fundraiser Show at Grand Rapids’ Wealthy Theatre

Editor’s note as of November 23, 2024: Frontier Ruckus is unable to perform at tonight’s Sounds Like Michigan show due to COVID.

The Michigan Music Alliance is ready to take center stage and shine a spotlight on the state’s music community.

The statewide nonprofit is marking its official relaunch with Sounds Like Michigan, a live music fundraiser taking place November 23 at the Wealthy Theatre in Grand Rapids, Michigan.

“We’ve spent the last year working behind the scenes to set the organization up for long-term success, especially when it comes to the educational programming we provide to Michigan musicians,” said Nicholas James Thomasma, interim executive director of the Michigan Music Alliance. “Now, it’s time to celebrate, and Sounds Like Michigan is a celebration of Michigan music.”

Detroit-Ypsilanti indie-folk-rock trio Frontier Ruckus is headlining the event, which also includes Detroit R&B artist ARI B, Grand Rapids alt-Latin band Cabildo, and Grand Rapids indie-rock band The American Hotel System.

“It’s an eclectic bill with a mix of well-known and up-and-coming artists from both sides of the state,” Thomasma said. “It’s bridging the gap between the two communities and showcasing the collaborative spirit of the Michigan music scene.”

During the show, the Michigan Music Alliance will unveil its programming for 2025 and acknowledge grants awarded for more than $23,000 from the Michigan Arts and Culture Council and the Great Lakes Energy People Fund.

It also will feature a Sounds of the Zoo-hosted silent auction for attendees to bid on exclusive items, including:

In addition, attendees can purchase 50/50 raffle tickets and limited-edition merchandise. Meanwhile, VIP ticket holders will receive a private performance and meet-and-greet with Frontier Ruckus before doors open. All proceeds from the show will go to the Michigan Music Alliance.

Local Spins editor and publisher John Sinkevics will emcee Sounds Like Michigan, which features the West Michigan music website as an event partner along with WYCE (88.1-FM) and Triumph Music Academy. Event sponsors include Our Family, Founders Brewing Co., Studio C, and Tee See Tee.

Tickets for Sounds Like Michigan are on sale now via the Grand Rapids Community Media website. VIP tickets are $100 and general admission tickets are $35.

The Michigan Music Alliance’s Sounds Like Michigan fundraiser show is November 23 at the Wealthy Theatre, 1130 Wealthy St. SE in Grand Rapids, Michigan. Doors are at 6 p.m. and the show starts at 7 p.m. For details, visit the Michigan Music Alliance’s website.

My One and Only — Jeff Adams and 11:21 Pay Homage to Soulmates on “Everything … A Love Song”

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Jeff Adams celebrates finding true love on his latest single, “Everything … A Love Song,” with 11:21. Photo courtesy of Jeff Adams

Jeff Adams doesn’t mind stepping outside his comfort zone.

The St. Clair Shores, Michigan singer-songwriter and multi-instrumentalist entered unexpected musical territory while penning his latest single, “Everything … A Love Song.”

“I don’t usually write love songs. It’s not my forte, but I’m usually writing about the human condition and believing in yourself,” said Adams, who fronts the prog-rock collective 11:21 and plays guitar, keys, and piano.

“The first line that came to me was ‘You’re my everything,’ and I thought, ‘Oh no, this is a love song!’ And when a song takes over, it takes over like a monster. Until I record it and let it go, it has me completely consumed.”

What resulted is an inspirational ode to true love on “Everything … A Love Song,” which features personal lyrics and soaring prog-rock and Americana instrumentation.

Surrounded by grateful pedal steel and cello, Adams sings, “We walk side by side / ‘Cause you’re my everything / When you need me for support / I will do anything / When I let you deep inside / You handle my scary things / Together we can fly / And that’s the very thing / That keeps me coming back to you / It was always meant to be.”

“I am with a partner here, and I went and spent two years with her in LA during COVID. And then we bought a house and moved back here with three dogs, seven cats, and a bunny,” he said.

“Every time I got to the part, ‘You’re my everything,’ I couldn’t get it out of my head, so I was stuck … and I had to back-engineer it. Then I started to think about my partner, and I thought, ‘Yeah if you need me for support, I’ll do anything—don’t even think twice. When I let you deep inside, you handle my scary things—that’s trust.’”

Continue reading “My One and Only — Jeff Adams and 11:21 Pay Homage to Soulmates on “Everything … A Love Song””

State of the Art — GIG Conference Celebrates Michigan Art and Music November 8-10 at Jackson’s ART 634

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The weekend-long conference spotlights Michigan visual artists who specialize in concert photography, show posters, T-shirt designs, and album artwork.

Editor’s Note: The Stratton Setlist is a sponsor of GIG – The Art of Michigan Music.

Eight years ago, Chuck Marshall attended ArtPrize in Grand Rapids, Michigan, and left with a new idea.

The Life in Michigan blogger/co-publisher and Fans With Bands podcaster wanted to curate an art exhibit called GIG – The Art of Michigan Music, which focuses on the visual aspects of music.

“I’d met some great photographers and graphic artists in the local Michigan music scene and wanted to call attention to their work,” said Marshall, who’s from Ann Arbor and is a concert photographer.

“The Ann Arbor Art Center at the time accepted applications for people to curate an exhibit. I thought, ‘Why not?’ I contacted them and they were very helpful and receptive.”

Then Marshall contacted several artists and asked them to join the inaugural GIG – The Art of Michigan Music art show. It spotlighted artists who specialize in concert photography, show posters, T-shirt designs, and album artwork.

“That first show went over really well,” he said. “Over time, folks have asked if I’d do it again, and with work and other projects, I didn’t have time. Last year, my friends at Manchester Underground Music and Art—Steve Girbach and John Mooneyham—said, ‘Hey, you should do GIG again and we will help.’ So I said, ‘OK, let’s do it!’”

The trio quickly expanded GIG – The Art of Michigan Music into more than an art show and assembled a team of local musicians and music supporters to plan the event.

What resulted is a three-day conference packed with art exhibits, educational sessions, a mixer with Jennifer Westwood, live music, and a music market with local vendors.

“It was the rebirth of GIG – The Art of Michigan Music—bigger, better, stronger!” Marshall said. “It is The Six Million Dollar Man of art and music events if you will.”

Now, Marshall will realize his vision for GIG – The Art of Michigan Music November 8-10 at ART 634 in Jackson, Michigan.

I spoke with Marshall about GIG – The Art of Michigan Music ahead of next weekend’s event.

Continue reading “State of the Art — GIG Conference Celebrates Michigan Art and Music November 8-10 at Jackson’s ART 634”

Getting Personal — Elroy Meltzer Examines Death and Grief on “And The Elderly Midnight” Album

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Elroy Meltzer’s Matt Noordhoff, Steven Meltzer, Pat Kargl, and Drake Fierge. Photo courtesy of Elroy Meltzer

Steven Meltzer takes a more personalized approach to songwriting on And The Elderly Midnight.

The Elroy Meltzer frontman examines internal struggles with death and grief on the indie-rock collective’s latest album via Midwest Gold Records.

“I wanted to go down that [path] and be more relatable. Not to say I’m a dark person by any means, but sadness and death are something that everyone has experienced and dealt with,” said Meltzer, the vocalist-guitarist of the Grand Rapids, Michigan collective.

“In our music scene, we’ve lost great people due to suicide or drug use. I’ve also had friends who have recently lost parents to cancer or are dealing with that currently. It’s heartbreaking, and it’s hard to maneuver through, but it’s happening.”

The album’s seven tracks uncover the emotional toll those experiences take on Meltzer, the people he knows, and the world around him. His perceptive lyrics and the collective’s earnest instrumentation invite listeners to explore their challenges alongside them.

“It’s the feeling of getting older and the idea that I’m getting close to death even though I’m not. It’s also that feeling of thinking, ‘Am I at a point where it’s too late? Have I missed any opportunities? Am I too old now?’” said Meltzer, who founded the collective in 2010 and performs with The Soods.

“It seems like everyone is married, everyone has kids, and everyone is happy. I’m wondering if I’m missing out on those things. It’s also the helpful acceptance of making this life work because you only get one.”

To learn more, I spoke with Meltzer about the inspiration behind And The Elderly Midnight.

Continue reading “Getting Personal — Elroy Meltzer Examines Death and Grief on “And The Elderly Midnight” Album”

Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP

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Kylee Phillips offers heartfelt tales of resilience and acceptance on “The Good Parts.” Photo – Misty Lyn Bergeron

Kylee Phillips doesn’t need to give herself daily pep talks anymore.

After some deep introspection, the Ypsilanti, Michigan singer-songwriter/keyboardist gained a fresh perspective and wanted to share “the good parts” of her journey on a new EP.

“I feel like the pep talks worked,” said Phillips about The Good Parts, her sophomore release. “It’s encouraging because it’s hard to see yourself grow when it’s happening, and it’s not until you look back that you say, ‘Oh, I made it to the other side.’”

Coming out the other side, Phillips offers heartfelt tales of resilience and acceptance across four honest tracks on her indie-folk-pop EP.

“The songs are about saying, ‘Maybe I need to try a different path,’ but they’re also saying, ‘These are the things I’ve noticed about myself that are not going to change—that I’m not letting go of,’” she said.

“It’s this funny combination of ‘I’m going to have to make some different choices, but I also know better who I actually am now.’”

That authenticity quickly resonates with listeners on The Good Parts, which features reflective lyrics and lush instrumentation.

“I had a friend reach out to me and say, ‘I feel like you wrote this song for me.’ And I said, ‘I wrote it for myself, and now I feel like you need it more than I do,’” she said. “I always write the stuff that I need to hear, but when it’s also what other people need to hear, it feels special.”

Continue reading “Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP”

Look and Learn — The Soods Search for Clarity and Purpose on Self-Titled EP

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Jason Roy of The Soods plays piano at Amber Lit Audio in Grand Rapids, Michigan. Photo – Matt Ten Clay

In a post-pandemic and pre-election era, The Soods search for clarity and purpose.

The Grand Rapids, Michigan collective explores those aspirations while having an existential crisis on its latest self-titled EP.

“I think we’re all at a point in our lives where we came out of this situation and we’re all trying to put the pieces back together,” said Jason Roy, frontman and co-producer for The Soods. “But at the same time, we’re trying to hang on to the big pieces that we had before.”

As part of that exploration, the collective of multi-instrumentalists Matt Ten Clay, Shane Tripp, Chris Coble, Patrick Wieland, Steven Meltzer, and Roy addresses the disappointment, longing, and regret that comes with the passage of time.

“We’re all on the same page, the same wavelength, and the same vibe. I attribute that to the idea that we’re all going through stuff on earth all the time,” said Roy about The Soods’ bedroom-pop EP, which features vivid instrumentation and contemplative lyrics.

“We hit a nice rhythm where everybody had the same premonitions or existential questions. It’s like, ‘How did I end up here?’”

Continue reading “Look and Learn — The Soods Search for Clarity and Purpose on Self-Titled EP”