My One and Only — Jeff Adams and 11:21 Pay Homage to Soulmates on “Everything … A Love Song”

Jeff Adams doesn’t mind stepping outside his comfort zone.

The St. Clair Shores, Michigan singer-songwriter and multi-instrumentalist entered unexpected musical territory while penning his latest single, “Everything … A Love Song.”

“I don’t usually write love songs. It’s not my forte, but I’m usually writing about the human condition and believing in yourself,” said Adams, who fronts the prog-rock collective 11:21 and plays guitar, keys, and piano.

“The first line that came to me was ‘You’re my everything,’ and I thought, ‘Oh no, this is a love song!’ And when a song takes over, it takes over like a monster. Until I record it and let it go, it has me completely consumed.”

What resulted is an inspirational ode to true love on “Everything … A Love Song,” which features personal lyrics and soaring prog-rock and Americana instrumentation.

Surrounded by grateful pedal steel and cello, Adams sings, “We walk side by side / ‘Cause you’re my everything / When you need me for support / I will do anything / When I let you deep inside / You handle my scary things / Together we can fly / And that’s the very thing / That keeps me coming back to you / It was always meant to be.”

“I am with a partner here, and I went and spent two years with her in LA during COVID. And then we bought a house and moved back here with three dogs, seven cats, and a bunny,” he said.

“Every time I got to the part, ‘You’re my everything,’ I couldn’t get it out of my head, so I was stuck … and I had to back-engineer it. Then I started to think about my partner, and I thought, ‘Yeah if you need me for support, I’ll do anything—don’t even think twice. When I let you deep inside, you handle my scary things—that’s trust.’”

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State of the Art — GIG Conference Celebrates Michigan Art and Music November 8-10 at Jackson’s ART 634

gig — The weekend-long conference spotlights Michigan visual artists who specialize in concert photography, show posters, T-shirt designs, and album artwork.

Editor’s Note: The Stratton Setlist is a sponsor of GIG – The Art of Michigan Music.

Eight years ago, Chuck Marshall attended ArtPrize in Grand Rapids, Michigan, and left with a new idea.

The Life in Michigan blogger/co-publisher and Fans With Bands podcaster wanted to curate an art exhibit called GIG – The Art of Michigan Music, which focuses on the visual aspects of music.

“I’d met some great photographers and graphic artists in the local Michigan music scene and wanted to call attention to their work,” said Marshall, who’s from Ann Arbor and is a concert photographer.

“The Ann Arbor Art Center at the time accepted applications for people to curate an exhibit. I thought, ‘Why not?’ I contacted them and they were very helpful and receptive.”

Then Marshall contacted several artists and asked them to join the inaugural GIG – The Art of Michigan Music art show. It spotlighted artists who specialize in concert photography, show posters, T-shirt designs, and album artwork.

“That first show went over really well,” he said. “Over time, folks have asked if I’d do it again, and with work and other projects, I didn’t have time. Last year, my friends at Manchester Underground Music and Art—Steve Girbach and John Mooneyham—said, ‘Hey, you should do GIG again and we will help.’ So I said, ‘OK, let’s do it!’”

The trio quickly expanded GIG – The Art of Michigan Music into more than an art show and assembled a team of local musicians and music supporters to plan the event.

What resulted is a three-day conference packed with art exhibits, educational sessions, a mixer with Jennifer Westwood, live music, and a music market with local vendors.

“It was the rebirth of GIG – The Art of Michigan Music—bigger, better, stronger!” Marshall said. “It is The Six Million Dollar Man of art and music events if you will.”

Now, Marshall will realize his vision for GIG – The Art of Michigan Music November 8-10 at ART 634 in Jackson, Michigan.

I spoke with Marshall about GIG – The Art of Michigan Music ahead of next weekend’s event.

Continue reading “State of the Art — GIG Conference Celebrates Michigan Art and Music November 8-10 at Jackson’s ART 634” →

Getting Personal — Elroy Meltzer Examines Death and Grief on “And The Elderly Midnight” Album

elroy-meltzer-2 — Elroy Meltzer’s Matt Noordhoff, Steven Meltzer, Pat Kargl, and Drake Fierge. Photo courtesy of Elroy Meltzer

Steven Meltzer takes a more personalized approach to songwriting on And The Elderly Midnight.

The Elroy Meltzer frontman examines internal struggles with death and grief on the indie-rock collective’s latest album via Midwest Gold Records.

“I wanted to go down that [path] and be more relatable. Not to say I’m a dark person by any means, but sadness and death are something that everyone has experienced and dealt with,” said Meltzer, the vocalist-guitarist of the Grand Rapids, Michigan collective.

“In our music scene, we’ve lost great people due to suicide or drug use. I’ve also had friends who have recently lost parents to cancer or are dealing with that currently. It’s heartbreaking, and it’s hard to maneuver through, but it’s happening.”

The album’s seven tracks uncover the emotional toll those experiences take on Meltzer, the people he knows, and the world around him. His perceptive lyrics and the collective’s earnest instrumentation invite listeners to explore their challenges alongside them.

“It’s the feeling of getting older and the idea that I’m getting close to death even though I’m not. It’s also that feeling of thinking, ‘Am I at a point where it’s too late? Have I missed any opportunities? Am I too old now?’” said Meltzer, who founded the collective in 2010 and performs with The Soods.

“It seems like everyone is married, everyone has kids, and everyone is happy. I’m wondering if I’m missing out on those things. It’s also the helpful acceptance of making this life work because you only get one.”

To learn more, I spoke with Meltzer about the inspiration behind And The Elderly Midnight.

Continue reading “Getting Personal — Elroy Meltzer Examines Death and Grief on “And The Elderly Midnight” Album” →

Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP

kylee-phillips-2024 — Kylee Phillips offers heartfelt tales of resilience and acceptance on “The Good Parts.” Photo – Misty Lyn Bergeron

Kylee Phillips doesn’t need to give herself daily pep talks anymore.

After some deep introspection, the Ypsilanti, Michigan singer-songwriter/keyboardist gained a fresh perspective and wanted to share “the good parts” of her journey on a new EP.

“I feel like the pep talks worked,” said Phillips about The Good Parts, her sophomore release. “It’s encouraging because it’s hard to see yourself grow when it’s happening, and it’s not until you look back that you say, ‘Oh, I made it to the other side.’”

Coming out the other side, Phillips offers heartfelt tales of resilience and acceptance across four honest tracks on her indie-folk-pop EP.

“The songs are about saying, ‘Maybe I need to try a different path,’ but they’re also saying, ‘These are the things I’ve noticed about myself that are not going to change—that I’m not letting go of,’” she said.

“It’s this funny combination of ‘I’m going to have to make some different choices, but I also know better who I actually am now.’”

That authenticity quickly resonates with listeners on The Good Parts, which features reflective lyrics and lush instrumentation.

“I had a friend reach out to me and say, ‘I feel like you wrote this song for me.’ And I said, ‘I wrote it for myself, and now I feel like you need it more than I do,’” she said. “I always write the stuff that I need to hear, but when it’s also what other people need to hear, it feels special.”

Continue reading “Best Practices — Kylee Phillips Shares “The Good Parts” of Her Personal Journey on New EP” →

Look and Learn — The Soods Search for Clarity and Purpose on Self-Titled EP

6316628242183124044 — Jason Roy of The Soods plays piano at Amber Lit Audio in Grand Rapids, Michigan. Photo – Matt Ten Clay

In a post-pandemic and pre-election era, The Soods search for clarity and purpose.

The Grand Rapids, Michigan collective explores those aspirations while having an existential crisis on its latest self-titled EP.

“I think we’re all at a point in our lives where we came out of this situation and we’re all trying to put the pieces back together,” said Jason Roy, frontman and co-producer for The Soods. “But at the same time, we’re trying to hang on to the big pieces that we had before.”

As part of that exploration, the collective of multi-instrumentalists Matt Ten Clay, Shane Tripp, Chris Coble, Patrick Wieland, Steven Meltzer, and Roy addresses the disappointment, longing, and regret that comes with the passage of time.

“We’re all on the same page, the same wavelength, and the same vibe. I attribute that to the idea that we’re all going through stuff on earth all the time,” said Roy about The Soods’ bedroom-pop EP, which features vivid instrumentation and contemplative lyrics.

“We hit a nice rhythm where everybody had the same premonitions or existential questions. It’s like, ‘How did I end up here?’”

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The Power of Goodbye — Melanie Pierce Finds Closure From a Past Relationship on “Enough” Single

melanie-pierce-2024 — Melanie Pierce shares messages of self-empowerment and resilience on “Enough.” Photo courtesy of Melanie Pierce

Melanie Pierce boldly reclaims her power on “Enough.”

The Detroit singer-songwriter asserts her true feelings and finds closure from a past relationship on her new emo-pop single.

“‘Enough’ is a song that I’m very proud of, and I’m really thankful to have had music to lean on when the events behind the song were taking place,” Pierce said.

“The song is a reflection of events that hurt or things that at the time I looked at through rose-colored glasses. Then I pulled them off and said, ‘This sucked … and it’s enough for me to get over this and move on.’’”

Surrounded by fearless acoustic guitar, electric guitar, bass, and drums, she sings: “I poured my heart out and I wrote you songs / You felt awkward, said it’s like someone’s singing happy birthday to you / Someday, I’m gonna find someone who actually deserves all I do / So I reclaim every song I sent you and the magic you had access to / And the girl that would have done anything for you.”

“It’s a song that screams, ‘I don’t deserve this,’” Pierce said. “I hope the takeaway for listeners is exactly that. You don’t deserve the shit you’ve put up with and you’re stronger than this.”

I spoke with Pierce about her latest single ahead of an October 11 show at 20 Front Street in Lake Orion, Michigan.

Continue reading “The Power of Goodbye — Melanie Pierce Finds Closure From a Past Relationship on “Enough” Single” →

Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single

Brian Raleigh reminisces about a special moment in the not-too-distant past.

The Television City frontman reflects on a chance encounter with a woman in the U.P. and relishes that random connection on the band’s latest alt-country-rock single, “Lost in Arkansas.”

“It was a very innocent sort of meeting where we talked, we got to know each other, and we felt a very strong connection. That’s all there was,” said Raleigh, the Detroit band’s vocalist, guitarist, and keyboardist.

Backed by nostalgic electric guitar, pedal steel, and drums, Raleigh sings, “And in the blink of an eye / She was gone as quick as she came / Back to the wind, the Great Lakes / The trees and the rain / And I don’t think I’m ever gonna be the same again / As I was before / But I can remember when.”

“It’s about being lost in that moment,” he said. “It was a few years ago [when I met her] … and we’ve kept in touch a little bit.”

Raleigh wrote the track shortly after that encounter and shared it with his Television City bandmates.

“I might have written the song the day after that occurred or not too long after. And I put it away, and I thought, ‘I don’t even know if this song is any good or not,’” he said.

“And then I brought it out when we were looking for songs to record this next batch, and [guitarist] Garret [Bielaniec] said, ‘That’s the one.’”

Now, Raleigh is celebrating the release of “Lost in Arkansas” with Television City during a September 28 show with Jim Roll, Mike Galbraith, and Courtney Hurley at Ghost Light in Hamtramck, Michigan.

To learn more, I spoke with Raleigh about the band and single ahead of the show.

Continue reading “Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single” →

Homegrown Talent — Steve Taylor Relaunches Monthly Michigan Songwriter Showcase at 20 Front Street on September 19

michigan-songwriter-showcase

As a local music champion, Steve Taylor is eager to showcase some homegrown talent.

The Lake Orion, Michigan singer-songwriter is relaunching his monthly songwriter series spotlighting Michigan artists at 20 Front Street on September 19.

“I’m excited to have a new home to do this series,” said Taylor, who last hosted the series in late 2023 at the now-closed Berkley Coffee & Oak Park Dry.

“I hope it’s something that people will come out and support and help give some love to our local artists who write their own music.”

Known as the Michigan Songwriter Showcase, the first show in the series features Taylor and Metro Detroit singer-songwriters Rebecca Cameron, Dan Cafferty, and Jacki Daniels.

“I’ve done shows with Dan at Trinity House and Berkley Coffee, and he was just getting started with songwriter rounds at that point. He’s such a great guy and talented guitar player, and his songs are upbeat and funny,” Taylor said.

“Rebecca is really talented, and she’s done other shows that I’ve hosted at Berkley Coffee. Since she’s in Clarkston, I thought this would be close by and be a good show for her as well. Jacki also hosts songwriter rounds and she’s been heavily involved in our music scene.”

Continue reading “Homegrown Talent — Steve Taylor Relaunches Monthly Michigan Songwriter Showcase at 20 Front Street on September 19” →

Tale From the Darkside — Blockhouse Valley Shares Bewitching Rendition of “In the Pines” Traditional Folk Song

blockhouse-valley-band — Blockhouse Valley’s Danny Steinkopf, Cody Cooper, Ashleigh Glass, and Jon Howard. Photo courtesy of Blockhouse Valley

Blockhouse Valley fully embraces the dark side on “In the Pines.”

The Metro Detroit quartet of Ashleigh Glass (vocals), Cody Cooper (mandolin, guitar), Jon Howard (guitar), and Danny Steinkopf (upright bass) explores a wicked tale about a sinister woman and her late husband on its bewitching rendition of the traditional folk song.

“This song contains a lot of imagery in the lyrics that’s unapologetic in its darkness,” Glass said. “You don’t always see that in traditional tunes that have survived through generations of public sensibilities.”

Surrounded by vigilant acoustic guitar, mandolin, and bass, Glass sings, “Her husband was a hardworking man / Just about a mile from here / His head was found in a driving wheel / But his body was never found.”

“We wanted to highlight that darkness in this recording and the sense that the woman in this song is not a person that should be taken lightly,” she said.

To learn more, I spoke with Glass about the Americana group’s latest single ahead of a September 21 live set at Adrian’s Artalicious Fine Arts Fair.

Continue reading “Tale From the Darkside — Blockhouse Valley Shares Bewitching Rendition of “In the Pines” Traditional Folk Song” →

The Last Hurrah — Riley Bean Hosts Final Groove On Up Festival September 13-15 in South Lyon

20210619_221232 — Riley Bean performs as Beanstalk and hosts the Groove On Up music festival. Photo courtesy of Riley Bean

Six years ago, Riley Bean decided to bring a groove-filled music festival to Southeast Michigan.

The producer, drummer, and DJ launched the Groove On Up festival to spotlight local jam, soul, funk, hip-hop, DJ, and electronic acts on his South Lyon, Michigan farm.

“My personal music taste has always been groove-based as have many of the bands that I’ve been a part of over the years,” said Bean, who hails from Ann Arbor and performs under the artist moniker Beanstalk.

“I was just thinking about the amount of talent that Michigan has to offer and trying to have an accessible camping festival experience that folks can attend locally and not have to drive hundreds of miles for.”

This year’s Groove On Up festival, which runs September 13-15 at Bean’s 14-acre farm, features a mix of returning and new acts on three indoor and outdoor stages, including the new Portal stage. Local visual artists, food vendors, and flow artists/fire performers will also be featured.

The music lineup includes Act Casual, Selyna Alvarez, Al Bettis, Beretta Shells, Chill Place, Chirp, Liquid Thickness, Ma Baker, Rik Strange, The Rupple Brothers, Stormy Chromer, Violet Sol, and others.

Continue reading “The Last Hurrah — Riley Bean Hosts Final Groove On Up Festival September 13-15 in South Lyon” →

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Tag: Michigan