Heal Over – Cameron Blake Explores Forgiveness and Finds Renewal on ‘Mercy for the Gentle Kind’ EP

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Cameron Blake embarks on healing journey of self-discovery on “Mercy for the Gentle Kind.” Photo – Eric Bouwens

For Cameron Blake, time and tenderness heal deeply buried wounds on Mercy for the Gentle Kind.

The Grand Rapids, Michigan chamber-pop vocalist, composer and multi-instrumentalist embarks on a cathartic journey to explore forgiveness and find renewal on his latest EP.

“That’s when the process began, and I thought, ‘OK, what are these three songs, ‘Blue Note,’ ‘Mercy for the Gentle Kind’ and ‘Cricket’s Waltz,’ about?’ I had to go back and piece it all together, but I was doing that simultaneously while preparing for my Return to the Violin recital,” said Blake, who’s also a classically trained violinist.

“Then I realized it was a very subconscious thing that I was making this record about the healing process and how the only way to heal something is not to harden up, but to show tenderness.”

Blake thoughtfully examines that concept throughout Mercy for the Gentle Kind’s six poignant tracks, which feature poetic lyrics and cinematic instrumentation mixed with indie-folk, chamber-pop and classical music sensibilities.

“And then I found the John Berger audio, which was in an interview with him talking about how we can judge systems and we can judge actions, but we can’t judge the human soul,” he said.

“I said to myself, ‘Wow, what a profoundly beautiful and incredibly difficult idea,’ but it sort of struck me because that’s exactly what I did with that past teacher of mine and that’s what healed me. It simply brought together the whole project.”

To learn more about Blake’s journey, I chatted with him about his background, a past traumatic experience that impacted his ability to play the violin, his “debut” album and latest EP, the Music in the Heights concert series and his upcoming plans.

Continue reading “Heal Over – Cameron Blake Explores Forgiveness and Finds Renewal on ‘Mercy for the Gentle Kind’ EP”

Authentic Self – Chain of Lakes Experiences Personal Growth on ‘Songs That Didn’t Make the Record’ Album

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Chain of Lakes shares candid stories on “Songs That Didn’t Make the Record.” Photo courtesy of Kyle Rasche

Chain of Lakes doesn’t hesitate to show his authentic self.

The Alto, Michigan indie-folk singer-songwriter candidly shares honest stories about self-acceptance, familial love and the passage of time on his latest album, Songs That Didn’t Make the Record.

“I’ve consciously been trying to not worry about how a song is gonna come off. The second I stopped trying to be cool, audiences started responding,” said Kyle Rasche, aka Chain of Lakes.

“When I play my ‘Worm’ song from the [upcoming] kids’ record because that’s the last one I finished, people wanna see who you are—good, bad, ugly. You’re just more interesting that way when you’re yourself.”

The album’s 10 tender tracks showcase Rasche’s increasing growth and strength over different points in time. Whether it’s his last day on earth or his ideal day at the beach, his wise lyrics, sentimental stories, and earnest instrumentation reflect his evolutionary mindset.

“I do write a lot, so these were all from that same season of writing. I think it makes sense there’s a theme throughout because I have been writing a lot about my family. I have been writing a lot about discontent on not being able to fully dive into art,” Rasche said.

“I use a lot of imagery … sunsets on a chapter, day or period. I didn’t consciously make these songs to be a batch that comes out like this by any stretch of the imagination, but I think it makes sense if they sound like that because they were all made in the same time period of a writer that was writing a lot.”

A prolific songwriter, Rasche’s Songs That Didn’t Make the Record serves as his second full-length Chain of Lakes release in over six months. In May, he dropped Catch, an introspective album that recounts personal tales of heartwarming comfort and raw vulnerability.

“Thematically, Catch was more cohesive as it was than if we had just thrown a random ‘Sunset’ song on there or a very sweet love song that wouldn’t really fit,” Rasche said. “Catch is about coming of age and nostalgia and finding reconciliation with parts of yourself.”

Amidst that reconciliation, Rasche compiled a timeless gem of an album with producer Josh Kaufman for Songs That Didn’t Make the Record. However, don’t let the album’s title fool you—there’s nothing ephemeral about any of its tracks.

“I put this record out because I love these songs too much to not have them on a record. I’m very, very proud of them, and now I have a little bit of regret on that name. If it sounds like these are reject songs … that last record was made to be that record, and this means those weren’t for it. I think this one is a little lighter,” he said.

“Calling this Songs That Didn’t Make the Record took so much pressure off of having it be a cohesive album because everybody just gives me liberties of it being the next songs.”

Continue reading “Authentic Self – Chain of Lakes Experiences Personal Growth on ‘Songs That Didn’t Make the Record’ Album”