Tale from the Crypt – Melanie Pierce Buries Painful Past on ‘Your Grave’

Melanie Pierce entombs her past on “Your Grave.”

With an eye on the present, Melanie Pierce wants to leave the past dead and buried.

The Ann Arbor pop-rock singer-songwriter beautifully entombs former relationships, painful experiences and destructive thoughts into a secret crypt on “Your Grave,” a heartfelt, courageous anthem about moving forward.

“It was several situations that were not ideal and that happened at the same time. When the song was originally written, I had a lot of rage because it felt like so much was going wrong,” said Pierce, who released the track Oct. 30 via all streaming platforms.

“My mindset when I was younger was more angsty and negatively focused, and I was in a band at the time, and they were breaking up and a relationship was failing. It felt like too much at the time, and this song was born out of it.” 

Throughout “Your Grave,” murky, alternating synths ping-pong between yesterday and today while pulsating drums, calm bass and intermittent piano ultimately lower Pierce’s past six feet underground.

She bravely sings, “Turn left because I ran out of rights/Done pretending to be so nice/So formal like we’re supposed to/Keepin’ tabs on people livin’ my dream/I’m livin’ with the ghost you left for me/Remember when you said this was just a dream/And that’s all it will ever be/I’ve been pickin’ up the pieces slowly.”

“It’s taking the next step and acknowledging things aren’t going your way and have ended. I’m literally speaking through the lyrics that I’m throwing this in a grave, moving on and seeing the other side of the bad situation and stepping into a positive, new beginning,” Pierce said.

“I think everybody has the ability to change in all aspects of life, and I feel like I’ve shifted toward a much healthier perspective. Being able to cope with change also comes with time as you grow and learn more about yourself and the world around you. I was put on this planet to make music, write songs and perform. I’ve really stepped into the artist that I’ve always wanted to become and learned how to navigate this musical journey.”

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July ‘Stratton Playlist’ Spotlight – Melanie Pierce Uncovers ‘Illusions’ of Misunderstood Life Moments

Melanie Pierce reflects inward on her latest single, “Illusions.” Artwork – Jenya Po

Melanie Pierce magically travels to the other side of the mirror.

The Ann Arbor pop-rock singer-songwriter ventures beyond the looking glass and reflects on misunderstood life moments in “Illusions,” a spellbinding glimpse into vivid realizations and intense ruminations.

“I was in this relationship for a long time and had felt misunderstood on so many levels throughout that period of time. And not just by that person, but also by my family because they were not super on-board with music. I also lost some friends in a short amount of time due to music and that relationship,” Pierce said.

“I was really reflecting on that time, and I remember exactly what I was doing when that song came out of me. The first line that actually came out was, ‘Painted words on paper-thin walls,’ and I was watching this TV show, and I paused it and went to the piano. That song was written in like 40 minutes, and it was written very easily and clearly, like I knew in me what I wanted to say and what I wanted to get out.”

Featured as part of this month’s “The Stratton Playlist,” “Illusions” blends somber synths, sorrowful piano, shimming electric guitars, soaring electronic drums and throaty bass into a hypnotic, sonic head-trip.

Akin to Vanessa Carlton, Pierce’s soulful vocals implode her romantic mirage as she ponders, “I thought I’d figured it out/Wide-eyed, I mapped it out/But you say I’m too difficult/Honey I know, honey I know/I try to pull back/Quiet the noise inside my head/But you say it’s too difficult/Honey I know, honey I know/I’ll never let this go.”

Pierce recorded “Illusions” earlier this year with producer Jake Rye at Adrian’s Social Recording Company. He helped Pierce crystallize the track’s vision and added majestic arrangements to quickly transform it in the studio.

“We would go back and forth like, ‘What do you hear for this part?’ and he had a good direction of where the production was headed. He came up with an awesome, meaty bassline, and I can’t really say enough positive things about him,” said Pierce, who learned about Rye through his collaborations with Michigander.

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Take Heart – Becky Crosby Chronicles Her Emotional Journey on ‘I Know,’ ‘Ghost’ Singles

Becky Crosby will release her debut EP later this year.

Becky Crosby poetically follows her heart.

The Purchase, N.Y., pop-rock singer-songwriter intuitively chronicles her emotional journey through young adulthood on two poignant, propulsive singles – “I Know” and “Ghost” – which dropped last year.

With vivid, frenzied guitar strums, radiating bass and intermittent drums, “I Know” beautifully captures a young woman’s unrequited love for someone who’s already taken. Crosby’s fiery vocals highlight that escalating intensity, “I’ll be here when you see that girl is nothing but trouble/Trouble for you and me/I’ll keep my mouth shut/Keep my eyes closed/Pretend this doesn’t hurt, baby.”

While “I Know” resembles a sudden emotional outburst, the melodic track actually simmered beneath the surface before erupting and lingering in listeners’ minds last fall. Crosby teamed up with New York guitarist Ethan Johnson to co-produce “I Know” in 2019.

“What I tend to do is write a song, and then I’ll leave it on my computer for a bit until I have an idea of how I want to pursue it,” said Crosby, 19, who attends the State University of New York (SUNY) at Purchase. “Now that I’m in college, I have a lot of friends who do production, and Ethan helped me with the writing music-wise on ‘I Know.’”

“I Know” single artwork by Lenore Hernandez

I Know” also appears on F**K THE CORONAVIRUS, a 15-track various artist project compiled by Joey Affatato, vocalist-guitarist for The Carousers, a New Jersey punk rock trio that also features Crosby’s older sister Cassidy.

Available on Bandcamp, all proceeds from the album will go directly to GlobalGiving, a large global crowdfunding community that connects nonprofits, donors and companies.

Before writing “I Know” and adding it to compilation album, Crosby penned the heartfelt, angst-filled “Ghost” as a young teen. The soaring track blends sorrowful acoustic strums with pounding percussion, vibrant electric guitars and rhythmic bass.

Again, Crosby beautifully sings about looking at life from the outside, “Part of me wishes we can turn back time/Back to when everything seemed just fine/And the leaves were falling down on the cold, soft grass/Everything was good then, but that’s why it’s the past.”

“I wrote that song when I was 14 or 15. I was going through changes that were happening in my life while starting high school,” said Crosby, who started writing songs at age 10. “When you’re that young, you’re going through changes friend-wise, and I think a lot of it was based on that.”

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