Symphonic Tsunami – Skywerth Turns Pandemic Tide with Refreshing ‘Waves’ Single

Skywerth
Skywerth blends metal, psych rock, industrial, prog and hip-hop on “Waves.” Courtesy photo

Last spring, Skywerth watched a bewildered nation quickly unravel before his stunned eyes.

The Detroit multi-instrumentalist, producer and songwriter felt overwhelmed by the social, economic and political upheaval arising from the COVID-19 pandemic.

“I had just watched Ahmaud Arbery getting shot down in his own neighborhood and the music industry crumbling overnight all while looking at the incredible divide and conspiracy theories being pushed on social media,” he said.

That lingering frustration, disappointment and anger prompted Skywerth to pen his latest striking multi-genre, emotional-fueled single, “Waves,” featuring Hamtramck indie folk duo Jackamo.

“It was so apocalyptic, so I just wrote exactly what I was observing. Social media is tailored for you, so if anything pops up on your feed that is outside of your belief system, it’s going to stick out like a sore thumb, and your friends are going to say it’s wrong, too. No matter what it is, you are constantly being told that you’re right.” he said.

Now available on all streaming platforms, “Waves” elegantly rises with the genre-bending tides of metal, psych rock, industrial, prog and hip-hop into a symphonic tsunami. Thumping drums, tingling cymbals, swirling electric guitars, crawling bass and expansive synths quickly engulf listeners in a welcoming sense of relief and escape.

Skywerth reflects, “Alone in the waves with your eyes open wide, living in a paradise/Stare into the light/Hands upon the shore, eyes are getting sore/Here we are, caught in the eye of the storm/As the rain starts to fall, as the rain starts.”

“Lyrically, it’s a bit of a pessimistic song. If the song can make two people put their phones down and reconnect with one another in real life for two days, then it would make the year for me,” he said.

Skywerth also forges a beautiful musical connection with Jackamo’s Alison and Tessa Wiercioch, who provide somber, thoughtful harmonies on “Waves.”

“I fell in love with Jackamo the moment I heard them. We have mutual friends, and they also work with Steve (Lehane) at Rustbelt Studios. After writing the lyrics, I knew Ali, Tessa and I could do something pretty cool,” he said.

Along with Jackamo, Skywerth collaborated with Eric Hoegemeyer (soundscapes, synths), Matt Voss (drums) and co-producer Steve Lehane (bass, drum machines, production) on “Waves,” which initially started as an instrumental track.

“After the pandemic hit and I wrote the lyrics, I had this sort of organized chaos. Instead of being consumed by this confusion surrounding me, I had all my thoughts and observations laid out on something that was familiar and felt like home to me,” said Skywerth, who recorded the track at Royal Oak’s Rustbelt Studios and credited Lehane with transforming “Waves” into a vocal track.

“It wasn’t a conscious decision to weave all of these (multi-genre) elements together. I’ve got a bit of ADD, so when something sounds the same for several minutes I get bored. I need to change things a bit to keep me interested. I think the dynamics of the tune help outline the emotions felt from the pandemic.”

Skywerth brings those heavy emotions to life in his wistful new video for “Waves” as he ponders the pandemic’s ongoing impact with Alison Wiercioch in Hamtramck. Filmed and edited by Sara Showers and Cheyenne Comerford, the video also features footage of Skywerth performing live inside a vacant Magic Bag in Ferndale.  

“We started tossing around ideas for a video in late 2020, and we shot at The Magic Bag in February. It was quite unsettling being in the venue during the pandemic. We also shot in Hamtramck back in the spring, and it was a group of friends running around with a camera,” he said.

Continue reading “Symphonic Tsunami – Skywerth Turns Pandemic Tide with Refreshing ‘Waves’ Single”

Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP

The Future
Dani Darling transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes on “The Future.”

Drenched in psychedelic sensibilities, space-age rhythms and funky prog-jazz fusions, Dani Darling vividly constructs an insightful time machine that revisits past reflections and welcomes future possibilities.

The Ann Arbor chanteuse-guitarist instantly transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes and never-ending stories on The Future EP, which dropped June 25.

“The kind of energy we need is that kind of New Year’s Eve vibe, like having a fresh start, feeling adventurous and wanting to see what’s out there. When it comes to these current times, I think it’s about being hopeful for the future and the energy that people have when they’re anticipating it and feeling positive about it,” said Danielle Davis, aka Dani Darling.

“That’s why New Year’s Eve is my favorite holiday; that whole energy is unmatched when everyone is hoping for something greater and looking forward to letting go of what’s in the past.”

Darling initially envisioned The Future during a winter solstice 2020 recording session at Ypsilanti’s Grove Studios. At the time, she recorded the album’s astral, improvisational jam, “The Age,” and embraced the hypnotic, psychedelic sound that emerged.

“After we all finished playing it, we stopped and looked at each other and said, ‘Whoa that was exactly it.’ Then we were like, ‘Let’s do it again,’ and the New Year’s Eve session was the one heard around the whole project. It was a seven-hour lock-in, and most of it came out of that,” said Davis about her third release and follow-up to 2020’s mystical Mage EP.

“I was also thinking about the next phase of Dani Darling coming from a very lo-fi, toned-down sound where I’m pretty limited with my resources to suddenly having this ability to bring my friends and people I really respect in musically. That really changed the game.”

Continue reading “Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP”

Funky Vibes – Grove Studios Hosts Saturday Livestream Show with Sabbatical Bob & The DayNites

SB-54
Sabbatical Bob will share groovy jazz-funk fusion during Saturday’s Grove Sessions livestream show. Photo – Kyla McGrath & Mural – Joanna Farben

The DayNites
The DayNites will bring blues, neo-soul and psychedelic rock to Saturday’s livestream show. Photo courtesy of The DayNites

Two local bands will funkify the livestream universe from Grove Studios Saturday.

Sabbatical Bob and The DayNites will share soulful grooves throughout their energetic, danceable sets for Grove Sessions from the Ypsilanti rehearsal and recording space’s newly renovated Deluxe Studio.

“Sabbatical Bob comes from more of a jazz-funk fusion realm with some killer jazz-trained musicianship. The DayNites speak more of a blues, neo-soul and psychedelic language to get their vibe across. Regardless, we imagine our virtual audience will be bobbin’ their heads and shakin’ it a bit at home,” said Erich Friebel, Grove Studios co-founder/director of community engagement and drummer for The DayNites.

As Grove Studios’ second in-studio livestream performance, viewers will experience a jam-tastic show filled with bouncy wah-wah guitars, hypnotic bass, pulsating drums, upbeat horns and shiny keys.

Sabbatical Bob’s Ben Green (trumpet, vocals), Ian Eylanbekov (guitar), Ben Wood (bass) and David Ward (drums, vocals) will perform tracks from their dynamic, rhythmic 2019 debut EP, Sabbatical Bob: Live and in Person. (Keyboardist Jordan Anderson won’t be able to join the band for the show.)

“We plan on doing what we always do, bringing the exciting loud funk. We are playing some oldies from the EP, a cover or two, and some music that is soon to be released on our next record, On the Run,” Ward said. “We have never been able to share the stage with The DayNites, but they are friends, and we’ve all got to hear them play before.”

In December, Sabbatical Bob released a colorful, inspiring video for “Alright,” their peppy, spirited instrumental that defeats corporate drudgery with enthusiastic, bouncy funk. Created by Filmic Productions, it’s a much-needed cure from being trapped inside lifeless, institutional walls.

“‘Alright’ was super fun because we had a team work up the idea and present it to us. The people at Filmic are really dope and had it all ready to go. We kinda got to be super stars – even the idea for the video was intuited by the team just by listening to the music. They ran it by us once, and we were sold,” Ward said.

In tandem with Sabbatical Bob, The DayNites will bring moonlit melodies, gravitational grooves and rotational rhythms to a virtual audience. Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar) and Friebel (drums) will share tracks from their R&B-rock flavored self-titled debut EP, which dropped in October.

“We’ll be playing the entire self-titled EP along with some of our own renditions of classic soul and R&B jams. We’ll also be debuting a new original written with Ryan Greene, the keyboardist from Violet Sol, who became an official DayNite last July,” Friebel said.

Viewers can purchase $10 tickets for Saturday’s livestream show via Grove Studios’ website and Facebook page. Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, in March 2020. The sessions spotlight a range of emerging and established artists in Washtenaw County and metro Detroit.

Show details:

Grove Sessions livestream with Sabbatical Bob & The DayNites

7 p.m. | Saturday, April 3

Tickets: $10

Gold Mine – The Soods Uncover Rich Collaborations, Treasured Tracks on ‘Ornaments of Affection’

The Soods’ latest album, “Ornaments of Affection,” features collaborations with Grand Rapids artists, songwriters and musicians. Album artwork – Dominic Ryan Photography

Jason Roy thoroughly mines for Michigan music gold.

The Soods frontman uncovers rich collaborations and treasured tracks with a growing collective of scintillating local artists, songwriters and musicians on his latest indie folk-psych rock musical gem, Ornaments of Affection.

“I pared it down from a list of 36 songs; those were the ones to get vocals on, and from there I followed through with 22 of those. Some of those are the newer singles that I’ve been putting out. It was a fun thing like, ‘Well, I haven’t put any music out in a while,’” said Roy, who released the album in October via GTG Records.

“For ‘Morning Harold!’ and ‘Nomadic Marine Biologist,’ I’ve had those two instrumentals for eight months. I just hadn’t gotten vocals on them yet, and then when it came time to make that list of 36, I was like, ‘Ooh, I like that title,’ and I remember liking this track. It was like, ‘Two check marks, you’re in,’ and then figuring out from there who fits best.”

Throughout Ornaments of Affection, Roy beautifully melds 13 priceless Soods folky, trippy tracks with a talented array of Grand Rapids collaborators, including Steven Meltzer, Matt Ten Clay, Shane Tripp, Patrick Wieland, Drinking Mercury’s Timmy Rodriguez and others.

“These guys have their own ways with words, and weirdly somehow it all does sound like a band if I keep the thematic elements constant. Like having Matt Ten Clay sing the backing vocals on a track strengthens the foundation of that illusion of like, ‘These guys got together in the studio for a week and pounded these songs out.’ If you only saw all our emails and Google drives, it’s very different,” said Roy with a laugh.

“It’s a great compliment when people are like, ‘Oh yeah, I like that band.’ That’s what I want; I don’t necessarily need it to be a Jason Roy brainchild thing. I enjoy collaborating with these guys.”

Continue reading “Gold Mine – The Soods Uncover Rich Collaborations, Treasured Tracks on ‘Ornaments of Affection’”

Take Solace – The Stratton Playlist September/October 2020 Edition Provides Everyday Escape

While the world turns to chaos outside, it’s time to search for solace inside.

Throw work, school and virtual commitments aside for some long overdue relaxation. With headphones in hand, adjust the volume and press play to start a new musical journey into uncharted local and regional waters.

The latest edition of The Stratton Playlist serves as a refreshing sonic escape from politics, pandemics and people. Visit country-filled skies, fuzzy lo-fi jams, jazzy hip-hop points, psych rock bangers, vibrant piano pop anthems and other new terrain.

Featured artists include Shawn Butzin, Zilched, Speak Mahogany, VVISIONSS, LoraDale, The Soods, The DayNites, Blank Tape Tax, J.E. Sunde, Major Murphy, Speelburg and more.

Interested in becoming part of The Stratton Playlist on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres welcome.

A Prelude to Fall – The Stratton Playlist August 2020 Edition Shares Crisp Sounds

The crisp sights, scents and sounds of autumn linger in the late August air. The days are still long, but the nights slowly steal precious sunlight a few minutes at a time.

This month’s edition of The Stratton Playlist captures those final summer moments and simultaneously serves as a welcome, refreshing sonic prelude to fall.

Soulful pop, groovy psych rock, thoughtful piano ballads, fiery dance, reflective post-rock, introspective folk, fresh hip-hop and timeless country soar across 35 hypnotic, multifarious tracks.

Featured artists include Angela Predhomme, Asphalt Flowers, Brian Perrone, Madelyn Grant, Monte Pride, Al’Exist, Tauri, Jakob Leventhal, TREASVRE and more.

Interested in becoming part of The Stratton Playlist on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres are welcome.

Pieces of the Puzzle – Marcio Hendrik Makes Sonic Connections for Film Scores, Soundtracks

As a longtime musician, Marcio Hendrik composes film scores and soundtracks through Artigo Audio in Rio. Photo courtesy of Marcio Hendrik

Marcio Hendrik relishes solving complex sonic puzzles.

The Rio de Janeiro guitarist-bassist-producer strategically connects discrete audio pieces to create captivating film scores and soundtracks through Artigo Audio.

Together, those emerging instrumentals unfold a hidden classic-meets-alt-rock world filled with enticing people, places and experiences. With limitless possibilities and choose-your-own-adventure storylines, listeners travel to an undiscovered, intergalactic dimension, a drug-infested Edinburgh and a nocturnal-inspired Hollywood.

“I like to dismantle all the pieces that I put together, like a puzzle, and then dismantle them again to make the music neat and clear,” Hendrik said.

For his latest score, the forceful, driving “Russian Dance” jumps to hyperspace as charging, vibrant electric guitars, booming drums, throbbing bass and crashing cymbals provide a Black Sabbath-esque space jam.

Next, listeners instantly shift to Scotland as “Skag Boys” propels into an alt-punk rock frenzy with swift, crunchy electric guitars, pounding drums, banging cymbals and driving bass in an Irvine Welsh-like heroine culture.

After sonically leaving the U.K., a third Hendrik stop includes a late-night stroll down Sunset Boulevard on “Hollywood Moon” as bluesy, fuzzy electric guitars, shimmering cymbals, delicate drums and thoughtful bass echo along the concrete jungle.

“I have an inclination for making soundtracks, especially because Hollywood has this feel of a classic place. If you see the buildings, it looks like you’re in the ‘50s, and the people you see on the street are totally different. It’s like you’re in a time warp,” said Hendrik, who studied audio engineering abroad at Los Angeles’ Musicians Institute in 2016.

“I put myself in the shoes of somebody who’s delusional walking around Hollywood searching for something that may fulfill their delusion. Sometimes I would go to Jameson’s Irish Pub, and if I got loaded, I would leave the whiskey bar and start walking around Hollywood to talk to everybody.”

Hollywood Moon” also features Hendrik’s mesmerizing instrumental collaboration with Ania, a Los Angeles heavy metal singer-songwriter and guitar virtuoso, who beautifully shreds throughout the haunting psych rock track.

“I found her online during social isolation. I was building my website for my production company, and I started reaching out to people saying, ‘Hey, do you want to produce or record something?’” he said.

“I was on Facebook, and I added Ania because I saw she attended the same school I that did in Hollywood. After we had a conversation, I realized she was just like me, a musician who wanted to record. It was amazing because she brought me results within a week.”

Continue reading “Pieces of the Puzzle – Marcio Hendrik Makes Sonic Connections for Film Scores, Soundtracks”

The Nonconformists – Mike & Joe Poetically Expand Folk Rock Boundaries on ‘What About You?’

Mike & Joe blend folk and rock influences on their latest album, “What About You?” Photo by Brandon Fecteau

As modern beat poets, Mike & Joe distinctly carve new pathways to folk rock.

The Detroit-Ann Arbor first-cousin duo of Mike Benoit and Joe Provenzano etches experimental elements of dreamy psych pop soundscapes, rich retro textures and deep mystical lyricism into traditional harmonized folk rock on their second and latest album, What About You?

“Our little tagline is ‘folk rock and beyond,’ and there’s a lot of folk rock on that first record, but when you get to the second record, you hear my crazy ass solos on ‘One Trick Pony?’ We’re able to do that because we trust each other so much as songwriters, and through doing that, we arrive at what we feel is an original, seamless collaboration that’s something special,” said Provenzano, co-lead vocalist and multi-instrumentalist.

“If that trust and expansive, multi-genre appreciation didn’t exist in both of us, then it would be extremely stifling to our collaborative process, so that’s why we just trust each other and rock on.”

Throughout What About You?, Mike & Joe rock beyond typical folk genre boundaries and jam into new territories draped in jazzy prog, baroque pop and singer-songwriter sensibilities. They seamlessly weave a broad spectrum of folk and rock influences, including The Beatles, The Beach Boys, Simon & Garfunkel, Fleet Foxes, Father John Misty and My Morning Jacket, into 10 captivating, nonconformist tracks.

“They were making this music that was informed by their own enthusiastic study of history and filtering it through their own modern, original minds. It was like finding out this whole army of like-minded people existed, and they were acting, and they were doing so with power. It’s the extra torch-bearing, energizing thing that made us demand even more of ourselves and feel even more of a kindred association with those acts,” Provenzano said.

Provenzano and Benoit share this kindred association thematically through several internal struggles – heartbreak, inauthenticity, disillusionment, desensitization of violence and self-doubt – while externally chronicling their creative growth as songwriters, lyricists and musicians. Track by track, they share different emotional challenges, unearth hidden meanings and reflect poignantly on their newfound growth on What About You?

Continue reading “The Nonconformists – Mike & Joe Poetically Expand Folk Rock Boundaries on ‘What About You?’”