Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video

Jeremy Porter and The Tucos elegantly bring grit and glam to their stylish new video for Candy Coated Cannonball’sPut You on Hold” single.

The Detroit rock trio of Jeremy Porter (guitar, vocals), Gabriel Doman (drums, vocals) and Bob Moulton (bass, vocals) seamlessly fuse energetic live performance footage with colorful animation to illustrate “Put You on Hold’s” storyline about a girl becoming captivated with city life.

“I wanted to go for a bit of a throwback to the Aerosmith videos with Alicia Silverstone – sort of a very loose plot about a party girl that maybe worked with the song, but didn’t necessarily follow the song’s lyrics to a tee,” said Porter, who worked with director-photographer David Kellogg on the video.

“There are nods to the lyrics here and there, and in general, like the song, it’s about a crazy night out for a not-so-crazy girl, but the concept and its tie-in to the lyrics aren’t overthought. We glammed the look of the band up a bit for shits ‘n giggles to do something different, get out of our comfort zone and have some fun.”

Porter and The Tucos demonstrate that glamorous fun while dressing head-to-toe in white or black and adorning sunglasses and scarves, thanks to stylist Alessandra Lipman. They proudly sport those hip stage fashions in a darkened gym located at the Plymouth Arts & Recreation Complex (PARC).

“PARC is an old high school here in Plymouth that’s been converted into an art space with studios that local artists can rent and stuff like that. I wanted something big like a high school gym, and it just seemed perfect,” said Porter, who’s partnering with Ghettoblaster Magazine to premiere the video today.

“I also like to keep my money in my community when possible and support the arts when I can. David and I met the manager there, and she showed us around, and we agreed it was our spot. The gym has the feel of the ‘Smells Like Teen Spirit’ video a bit, which I liked.”

In tandem with the band’s live performance footage, the “Put You on Hold” video includes compelling animated characters and background scenery by Jones William. It explores the main character’s social outings with friends as well as her dating life and city adventures.

“(Jones) answered a Craigslist ad and was honestly one of the very few worth following up with. We never talked, just through email, a language barrier was an issue, and I wasn’t sure what I was gonna get. In the end, he delivered, and I was pleased with the work he did,” Porter said.

The band’s “Put You on Hold” video ultimately came together with Kellogg, who brought a “youthful, enthusiastic energy” to the camera.

“I met David through Instagram when we were recording. His work caught my eye, and he ended up doing all of the photography, including the cover, for the record. And even though he’s younger, he still gets the ‘70s/‘80s references we were throwing out – he’s well-traveled, so to speak,” Porter said.

“He didn’t have much to do with the concept or animation part, but he was very involved in scouting and choosing the location and everything that went into the performance part – lighting, setup, direction and all that. He and I also edited it together.”

Continue reading “Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video”

Necessary Nourishment – The Stratton Playlist November 2020 Edition Refuels for Road Ahead

With November’s upcoming arrival, some soulful sonic nourishment is needed to weather and withstand the remainder of 2020.

Fortifying morsels of lo-fi folk, shiny indie pop, fiery classic rock, breezy dance, garage-filled indie rock, heartfelt acoustic ballads and groovy, emotive hip-hop strengthen the mind and spirit for the unknown road ahead.

The latest edition of The Stratton Playlist shares a satiating sonic respite before the chaotic journey resumes. Featured sonic companions include Grooblen, Au Gres, Michael Snyder-Barker and The Mighty Rhythm Bandits, The Kodaks with Jemmi Hazeman and Quells, Lily Talmers, Louis Picasso & The Gallery and more.

Interested in becoming part of The Stratton Playlist on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres welcome.

Jazzy Impressions – Blank Tape Tax Reinvigorates Minor Threat’s Punky ‘Filler’

Blank Tape Tax reinterprets Minor Threat’s “Filler” as a timeless, feverish tribute to modal jazz.

Blank Tape Tax eloquently unearths the jazzy side of hardcore punk.

The Detroit experimental sextet of Ben Yost (drums, vocals), Emily Parrish (vocals), Michael King (upright bass), William Marshall Bennett (piano), Mark Royzenblat (guitar) and Isaac Burgess (guitar) beautifully reinterprets Minor Threat’s “Filler” as a timeless, feverish tribute to modal jazz.

“I was practicing a lot of up-tempo swing and double-time swing, and I was listening to a lot of John Coltrane. The way I was going about practicing involved listening to a song in my mind. I’d hum along to the song, ‘Impressions,’ by Coltrane, and I would play and imagine the song, and every now and then, I would hum ‘Filler’ by Minor Threat. That’s how it started,” Yost said.

That coincidental fusion sparked the melodic, glistening frenzy of Blank Tape Tax’s refreshing rendition of “Filler,” out today via all streaming platforms. Frantic upright bass, thunderous drums, crashing cymbals, sleek piano and swirling electric guitars seamlessly blend two divergent genres into a magnetic, holistic sound.

Backed by lush, intelligent instrumentation throughout “Filler,” Parrish soulfully sings, “Your brain is clay/What’s going on? You picked up a bible/And now you’re gone/You call it religion/You’re full of shit/Filler.”

“I think there are similarities between certain types of hardcore, like 7 Seconds, Minor Threat and Better Than a Thousand, and modal jazz, like Coltrane and Wayne Shorter, especially in up-tempo stuff. The pulse is really similar between the D-beat and up-tempo swing,” Yost said.

“I had written a piano score for it, and I gave it to William, and he read it down. If I write a song, then I’ll bring it to the band, and I’ll just say, ‘This is kind of how it goes.’ And then they’ll kind of just do their own thing, and whatever they come up with is awesome. I’m totally happy with it, and there’s not a whole lot of talking back and forth, like ‘Oh, you should do this,’ or ‘No, you should change that.’ Everyone already knows what to do, and it just falls into place. I’ve never had that in other bands.”

Along with his bandmates, Yost recorded “Filler,” originally a 1984 track written and recorded by Minor Threat, during a live performance for the Hazel Park-based podcast, “Broadcast from Cow Haus,” in March. While the podcast episode’s release has been pushed back, Tom Skill and Joshua Young, co-hosts of “Broadcast from Cow Haus” and members of Detroit ska band CbJ, encouraged Blank Tape Tax to put out the track.

“We did four songs, and there’s a video of all of it. They do their show in season blocks, and they are two episodes short of a season right now. They need to wait to get those two new episodes filmed before they can put everything out,” said Yost, whose band name comes from a levy that was placed on purchasing blank tapes.

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Take Solace – The Stratton Playlist September/October 2020 Edition Provides Everyday Escape

While the world turns to chaos outside, it’s time to search for solace inside.

Throw work, school and virtual commitments aside for some long overdue relaxation. With headphones in hand, adjust the volume and press play to start a new musical journey into uncharted local and regional waters.

The latest edition of The Stratton Playlist serves as a refreshing sonic escape from politics, pandemics and people. Visit country-filled skies, fuzzy lo-fi jams, jazzy hip-hop points, psych rock bangers, vibrant piano pop anthems and other new terrain.

Featured artists include Shawn Butzin, Zilched, Speak Mahogany, VVISIONSS, LoraDale, The Soods, The DayNites, Blank Tape Tax, J.E. Sunde, Major Murphy, Speelburg and more.

Interested in becoming part of The Stratton Playlist on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres welcome.

Free Flow – Alluvial Fans Deposits Raw, Refined Musical Sediments on New ‘Earth to Astronaut’ Album

Alluvial Fans’ new album explores multi-genre peaks and valleys, atypical song structures and varied tempos. Album artwork – Antoine Langenieux-Villard

Detroit’s Alluvial Fans beautifully deposits raw and refined musical sediments on their solid new album, Earth to Astronaut.

Out now via all streaming platforms, Earth to Astronaut freely flows through indie rock mountains, art punk hills and garage jazz canyons to form a new fertile sound. Through these multi-genre peaks and valleys, atypical song structures and varied tempos, Alluvial Fans’ second album deeply explores the spaces between distorted, mosh-worthy cathartic freak-outs and quiet, sentimental and reflective moments.

“Sometimes your mind goes, and you find yourself jumping from place to place. And that’s sort of how my mind was working at the time and how it has been just kind of scattershot, and now I’m more aware of that. I wanted to represent that kind of fragmented or abstract thought in the lyrics, and in sum, I wanted to become more precise,” said Drew Bartosik, Alluvial Fans’ vocalist-guitarist.

“For the past two years, I’ve been practicing meditation and trying to become more self-aware and mindful of my thoughts and how I act in my environment. Things now are becoming more focused and cohesive for song ideas, and I wanted to highlight the vulnerability in that respect.”

Bartosik and his Alluvial Fans bandmates Gilad Granot (bass) and Ollie Elkus (drums) venture deep beneath the Earth to Astronaut surface to examine a juxtaposition of themes, including technology and nature, independence and interdependence, and reflection, solidarity, and devotion, over 10 expansive, metaphysical tracks.

From ‘Blowouts’ to ‘Droves’

Together, they weave an erratic, yet refreshing jazz-punk-garage-rock fusion on their latest single, “Blowout/Future Games,” which starts with light cymbal taps and delicate electric guitar and quickly erupts into a frantic musical cataclysm.

During the “Blowout” section, Bartosik eagerly shouts, “Yeah!/You never look me in the eyes these days/You’re so far gone/You’re so far” and memorably repeats, “Two for my friends/One for myself.” The first half also serves as a scintillating ode to the Detroit-Hamtramck indie rock scene.

Next, “Blowout” seamlessly segues to the mellow, thoughtful “Future Games” section with light drums, calm vocals and easygoing electric guitar strums. Bartosik quietly sings, “If the future’s playing games with me?/Who is the player playing games?/It’s just the future playing games with me/It’s just the future playing games.” Here, Alluvial Fans questions the uncertainty that lies ahead, especially in an unthinkable year like 2020.

Continue reading “Free Flow – Alluvial Fans Deposits Raw, Refined Musical Sediments on New ‘Earth to Astronaut’ Album”