“We have a strong bond, and we enjoy each other’s company,” said Fredrick about her bandmates in the country trio from Washtenaw County.
Fredrick instantly clicked with Lee and Finchum-Sung last year when they performed together during a songwriters in the round show at Ann Arbor’s Moon Winks Cafe.
“We’ve only been together a year,” Lee said. “We had so much fun at that show that we decided to keep doing it and gave ourselves a name.”
They named themselves The Wildflowers after the “Wildflowers” song from the album Trio, which features Dolly Parton, Linda Ronstadt, and Emmylou Harris.
“People love the harmonies, and that’s a draw,” said Finchum-Sung, who also performs with Lee in J. Michael & The Heavy Burden. “It’s a special thing to have this group.”
I recently spoke with The Wildflowers ahead of an April 3 show at Ann Arbor’s Crazy Wisdom Bookstore.
Shannon Lee, Andrew Pfeiffer, Hilary Finchum-Sung, Jeff Brach, Christopher Georges, David Roof, and former bassist Jamie Sass. Not pictured: current bassist Kevin Howard. Courtesy photo.
Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulpblog.
The Ann Arbor-Metro Detroit band provides a cathartic outlet for processing feelings—ranging from hope to heartbreak to euphoria—on its latest album.
“A lot of the music that I write, it all comes from a very emotional place,” said Jeff “J. Michael” Brach, frontman for the Americana-jam rock band, about Where We Belong.
“When I’m at my peak creatively and writing a lot of music, which I’m actually doing more of right now, it’s when I’m going through difficult things.”
Brach examines a spectrum of emotions while rediscovering his purpose—both personally and vicariously—across eight tracks.
“Universally, the music that I love, you can identify with it, even if you’re interpreting it differently,” he said. “We all come from our perspectives, but you can universally tap into certain things that are being said.”
Brach’s relatable songwriting comes to life alongside the spirited instrumentation of The Heavy Burden, which includes lead guitarist Andrew Pfeiffer, drummer Christopher Georges, vocalist Shannon Lee, keyboardist David Roof, vocalist-violinist Hilary Finchum-Sung, and bassist Kevin Howard.
“Once I started listening and focusing on the lyrics, I [don’t] think of us as the heavy burden, but that’s the funny joke part of it,” Georges said.
“A lot of the songs have heavy, emotional tones sometimes, even though they’re light in their presentation and fun and groovy. There’s also this behind-the-scenes bit of toil and heartbreak, and that story-work in there. It’s delivered nicely and sweetly almost to the ear.”
Adam Labeaux’s “Brave Face” features earnest lyrics, soulful vocals and ‘70s-inspired folk-rock instrumentation flavored with improvisational jazz and soul. Photo – Natalia Holtzman
Adam Labeaux searches for the true meaning of courage in himself and others.
The folk-rock singer-songwriter and multi-instrumentalist explores the power of tenacity, vulnerability and authenticity on his new album Brave Face.
“It does have a lot to do with these central themes, and these are things I tend to touch on a lot, including the human condition,” said Labeaux, who resides in Ann Arbor.
“I tend to write dark folk, and I gravitate toward this subject matter and a focal point that maybe people don’t want to look at all the time. But I always have hope, and I always feel there’s positivity to come out.”
That positivity and bravery shine across Brave Face’s dozen candid tracks, which feature earnest lyrics, soulful vocals and ‘70s-inspired folk-rock instrumentation flavored with improvisational jazz and soul. Imagine if Labeaux formed a new supergroup with members of Steely Dan, the E Street Band and Toto.
“I’m the first to admit that sometimes I write songs to give myself words of encouragement that I’m not getting from someone else,” said Labeaux about his fourth album. “If nothing else, I find that when I’m at my lowest and when I’m most manic that usually it means I haven’t been writing enough. I haven’t been expressing it, and I really need to get into that space and have that cathartic moment.”