Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP

The DayNites gather at The Blind Pig in Ann Arbor. Photo – Dimitri Kaf

With moonlit melodies, gravitational grooves and rotational rhythms, The DayNites soulfully shine across the metro Detroit stratosphere.

The Detroit-Ypsilanti R&B-rock sextet of Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar), Erich Friebel (drums, percussion) and Rick Coughlin (guitar) share reflective stories about love, growth, freedom and wisdom on their celestial, self-titled debut EP.

“When I was writing, it was just things that I was going through at that time in my life. It wasn’t like one main theme. It was like, ‘This is how I’m feeling, and these are the words that are coming out right now.’ I would say listen to the words and the instruments, feel the music and let it take you somewhere,” said Bell, who’s the band’s primary lyricist.

“We all have a take on everybody’s liking, and we put a little bit of something from everyone into what we do. For the first album, it was just me writing the words. But for the music, it was all the guys working together and putting their own spin on their instruments to see what worked well together.”

Available through the band’s new website, the EP’s five emotive DayNites tales unearth a deeply personal universe filled with contemplation, consideration and transformation. The lush, dreamy opener, “Cherry Blossom,” provides a welcome, cosmic escape into the relatable thoughts, feelings and concerns of a lost soul.

Palpitating drums, intense hand claps, exuberant bass, glistening intergalactic synth and fervid electric guitar reveal the psyche as Bell sings, “But I know I need to come down/Collect myself somehow/Unconnected from the physical being of my perspective/The only thing I could create was hella questions/Answers too far off to see/Searching for something that would make my soul complete.”

“It’s about trying to find ways to escape realities that I didn’t want to face. The song is pretty upbeat, and people love it, but at first it was my least favorite song because of what it made me think of every time I sang it. Once the song was recorded, it had a different feeling to me, and now I love it. I’m no longer in that place so I can listen to the song from a different perspective,” Bell said.

While Bell experiences an existential crisis on “Cherry Blossom,” she quickly shifts to newfound freedom on the Motown-esque, pro-hooky anthem, “Not Tomorrow.” Throbbing bass, banging tambourine, soulful intricate electric guitar, pounding drums and sizzling cymbals celebrate a much-needed mental health day from work.

“When we wrote that song, we were in the studio, and I had to work at 6 a.m. the next day. I was like, ‘Look, I can’t do this. I’ll be right back.’ I went and called my boss, and I was like, ‘Yeah, I won’t be there tomorrow,’ and I came back in and wrote the song,” Bell said.

Continue reading “Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP”

Take Solace – The Stratton Playlist September/October 2020 Edition Provides Everyday Escape

While the world turns to chaos outside, it’s time to search for solace inside.

Throw work, school and virtual commitments aside for some long overdue relaxation. With headphones in hand, adjust the volume and press play to start a new musical journey into uncharted local and regional waters.

The latest edition of The Stratton Playlist serves as a refreshing sonic escape from politics, pandemics and people. Visit country-filled skies, fuzzy lo-fi jams, jazzy hip-hop points, psych rock bangers, vibrant piano pop anthems and other new terrain.

Featured artists include Shawn Butzin, Zilched, Speak Mahogany, VVISIONSS, LoraDale, The Soods, The DayNites, Blank Tape Tax, J.E. Sunde, Major Murphy, Speelburg and more.

Interested in becoming part of The Stratton Playlist on Spotify? Send your submissions to strattonsetlist@yahoo.com. All artists and genres welcome.

Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album

Bourgeoisie Paper Jam infuses timeless, addictive funk across 15 rhythmic tracks on “Sugar Fit.”

Bourgeoisie Paper Jam delectably satisfies longtime funky cravings.

The Belleville soulful funk duo of Bruce Henderson (bass, guitar, vocals) and Victoria “Vox” Henderson (vocals) sprinkles delicious basslines, tasty grooves and flavorful harmonies throughout their new album, Sugar Fit, now available via Bandcamp.

“We just took all the things that we thought were centered on funk and put them together because we were seeing a gap. People say funk is dead, and we don’t believe that. We just believe they haven’t heard something new,” said Victoria Henderson, who serves as the duo’s primary lyricist.

“Whenever we would join those funk groups, they would put old songs in there, and we were tired of hearing the same songs over and over. We can take all our different funk songs, put them together, and for somebody who likes that older funk, they might actually like this. That’s a different approach for us.”

Throughout Sugar Fit, Bourgeoisie Paper infuses timeless, addictive funk across 15 rhythmic tracks about authenticity, self-actualization, balance, lifelong love, and political and social unrest. The husband-and-wife duo eloquently adds refreshing layers of R&B, soul, disco and rock to their solid foundation of funk on their 11th release, which was written and recorded last year in their home studio.

The album’s infectious title track blends bright, bouncy electric guitars with thumping bass, buzzy and dancey synths and honeyed harmonies for five jam-filled minutes. Together, the Hendersons reveal in Prince-like fashion, “Wanting to lose/This weight that’s holding me down/Shaking this blues/And repping my space now/It takes a challenge/For me to roar into action/But I’m just not that savage/Soooo prone to distraction.”

“The idea behind the title is that we’re all kind of having a little bit of a fit in this pandemic. We’re locked in and wearing masks and then not wearing masks and then there’s the civil unrest. We’re all having some kind of fit,” said Victoria Henderson.

Continue reading “Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album”

Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’

Angela Predhomme applauds long-term relationships on her latest single, “Changeless Sky.”

Angela Predhomme brilliantly shines in the late summer night sky.

The metro Detroit soulful pop singer-songwriter serves as an inspirational North Star for lifelong love on her latest poignant single, “Changeless Sky,” which dropped Aug. 28 via all streaming platforms.

“I’ve been married for a lot of years, and it’s really different than people who are popping in and out of relationships. If you’re in a long-term thing, then it’s the ups and downs of being there and sticking it out and growing together. Everything else changes around you, but you’re there for each other,” she said.

Throughout the glistening, peaceful monogamous track, Predhomme weaves soft piano with passionate, uplifting vocals as she sings, “No matter the sun and shade passing by/The world might be twisting, thrashing right outside/But I am your changeless sky.”

“I had the idea for the title and thought those were cool words, and it’s about this enduring, never-changing thing. I took that title and just made it a love song,” said Predomme, whose latest single is the lead track on The Stratton Playlist.

Predhomme wrote and recorded “Changeless Sky” late last year in her home studio after releasing her eloquent fifth album, Love. The tender track is the second in a series of new monthly singles from Predhomme’s uplifting, expansive multi-genre catalog, which dates back to her 2008 self-titled debut.

Finding Freedom

In July, Predhomme dropped her luminous, laid-back ode to authenticity, “So Good to Be Free,” which fuses jubilant acoustic strums, upbeat maracas, rhythmic bongos and vibrant electric guitars into an infectious Bo Diddley-inspired beat.

The shimmery single also beautifully showcases Predhomme’s signature optimistic outlook as she sings, “I don’t need the look or the trend/I’ll be the least cool of my friends/You can have all that/I won’t please the pack/‘Cause I’m free/To be whatever I choose to be.”

“It’s probably more ‘me’ than a lot of the other songs I’ve released. I used to worry about how I looked even when I went to the grocery store, and now I go in sweats and no makeup. It’s good to be free and not worry anymore about what people think,” said Predhomme, who collaborated with Nashville guitarist Cheyenne Medders on the track.

“It’s also freeing about the way I write music now. When I started, I was trying to send songs to Nashville, and I thought I was too old when I was in my 30s. I was sending songs thinking maybe some major artists would sing my songs, and I got no bites. When I started singing and releasing them myself, people started picking them up for licensing.”

Continue reading “Written in the Stars – Angela Predhomme Celebrates Everlasting Love on ‘Changeless Sky’”

The Funky Beats Go On – Valerie Barrymore & Foundation of Funk Host Livestream Show Saturday

Valerie Barrymore & Foundation of Funk will livestream a show Saturday at Ypsilanti’s Grove Studios as part of Arts, Beats & Eats’ “The Beats Go On” virtual and drive-in live music series. Photo courtesy of Valerie Barrymore

Valerie Barrymore & Foundation of Funk will bring sparkling, soulful grooves and delectable, dancy R&B to an Arts, Beats & Eats livestream performance Saturday at Ypsilanti’s Grove Studios.

“This will be the first Foundation of Funk virtual show, and we’ll be doing a few covers and originals. With the virus, we haven’t been able to incorporate any of our new material yet, but hopefully we’ll be able to add some new things soon. The guys are so talented; we just want to have a funky, good time,” Barrymore said.

Thankfully, Barrymore and her bandmates will return to a metro Detroit stage, an online one albeit, after going on hiatus due to the COVID-19 pandemic. They’re one of 400 local acts performing virtual shows and drive-in concerts Aug. 27 to Sept. 3 as part of a new Arts, Beats & Eats socially-distanced festival called “The Beats Go On.”

“The Beats Go On” aims to raise $500,000 for artists placed out of work due to the pandemic, which has shuttered live music venues nationwide since March. Viewers will be able to donate individually to different artists and contribute to “The Beats Go On” Musicians Fund, a broader public fundraising campaign to provide donated funds to artists who receive over 50 percent of their income from music.

Despite the ongoing challenges with live music, many artists, including Barrymore, continue to write, record and release new material. In April, Barrymore released her latest single, “I’m Here for You,” a groovy, romantic ode to long-term relationships and lifelong love.

Glistening retro synths, pulsating electronic drums, vibrant acoustic guitars and funky bass surround Barrymore as she soulfully sings, “You came home and you talked to me/Tellin’ me how bad things might be/Askin’ if I’d still love you if things messed up financially/Money’s not what attracted me, no, no/Money cannot control me/You took my heart, and it’s yours, boy/So everything else is noise, boy.”

“‘I’m Here for You’ is a song about my love for my husband (Steve Somers), and regardless, I’ll be there for him. The music for the track was written by a friend of mine, Tobias Smith, and I wrote the lyrics. We actually did 10 or more songs for an album called L.O.V.E., but today they say to release singles and not albums. We recorded a while ago, and it took me a little to start letting them go,” Barrymore said.

Barrymore also collaborated with Smith last year on “Do It for The Kids,” an upbeat, bouncy social justice anthem about putting children first. Shimmering electric guitars, rhythmic percussion, whirring synths and humming bass propel Barrymore as she optimistically sings, “One plus one and now you are three/You are a family, what a blessing/Commit to love and commitment/Let no one in and destroy it/Grow and love/Do it for the kids/You got to do it/Do it for the children.”

“Children are so precious and should be treated as such. You see horrible things happen to the beautiful children, and it just hurts. Children should be loved and protected,” she said.

Continue reading “The Funky Beats Go On – Valerie Barrymore & Foundation of Funk Host Livestream Show Saturday”

Days of Creation – New Nick Behnan Single Pays Tribute to Detroit’s Musical Legacy

Nick Behnan and Kendrick Hardaway celebrate the eclectic sounds of Detroit on “Days of Creation.”

Nick Behnan knows what’s good for the musical soul.

The Detroit singer-songwriter and multi-instrumentalist seamlessly fuses soulful, funky and rocky grooves into his latest single, “Days of Creation,” which pays homage to the Motor City’s musical legacy.

“That was the first thing I wanted to do in that song, and if you notice at the end, there’s a shout-out to Michael Jackson, Marvin Gaye, Stevie Wonder and Parliament. I definitely wanted to keep it as a tribute to Motown,” Behnan said.

“Regardless of what anyone says about this city, I honestly think it has the most timeless and the most iconic music ever. There might be a few exceptions, but I think it would be tough to beat Detroit as a whole when it comes to everything that’s come out of this city.”

Available today via all streaming platforms, “Days of Creation” features funky bass, rhythmic electric guitar, pulsating drums and vintage organ wrapped in 3.5 minutes of groovy sonic bliss. It also spotlights the smooth soulful vocals of Detroit R&B singer-songwriter and longtime Behnan collaborator Kendrick Hardaway.

Throughout the track, Hardaway beautifully sings, “What happened to the good days of creation/Will they ever come back/C’mon give me that funk baby, c’mon give me that soul/Cuz I need some inspiration, real Motown flow/C’mon give me that funk baby, c’mon give me that soul/I don’t want no imitation, straight rock and roll.”

Besides paying tribute to Motown and Detroit’s musical legacy, the track also references the absence of soul and funk from today’s popular music. These days, mainstream artists are less likely to blend several genres into one track – think back to Michael Jackson’s 1984 hit single, “Thriller.”

“New music doesn’t quite have the same soul like Bob Seger says in his song. There are great bands out there, and not to take anything away from them, but on the whole as far as pop music’s concerned, I think it’s lacking in soul,” said Behnan, who plays all the instruments on “Days of Creation.”

Continue reading “Days of Creation – New Nick Behnan Single Pays Tribute to Detroit’s Musical Legacy”

World-Class – Tracy Kash Creates ‘Fierce’ Global Sounds on DMA-Nominated Album

Tracy Kash blends eclectic sounds to create a world music feel on “Fierce.” Photo by Aly Darin Photography

Tracy Kash fiercely brings world-class sounds and styles to the Motor City.

The Detroit world music vocalist, flutist, pianist, composer and arranger delightfully blends classic elements of jazz, soul, pop and theater into a dramatic center-stage sound on Fierce, her fourth and latest album that’s currently nominated for Outstanding World Music Recording in the 2020 Detroit Music Awards (DMA).

“It’s a tricky thing because I am kind of all over the place stylistically. When people go, ‘What kind of music do you play?’ I just say, ‘Um, yes, I don’t know what to say,’” Kash laughed. “Some of them are older tunes. I was never sure if I was going to record them. The rest of it came organically over the course of about eight years because I hadn’t released anything since 2010.”

For 2019’s Fierce, Kash assembled a star-studded cast of musicians called the Bro’ Fos, including Pat Shanley (guitars, mandolin, backing vocals), Chuck Bartels (bass) and Van Hunsberger (drums), to bring the album’s 11 sensational tracks to life. They spent six months recording the tracks with producer Tom Rice at Eastpointe’s Audio Café Studio and Eric Morgeson at Dearborn’s Studio A Recording.

“Most of it is just mastery of their instruments. When I put together rehearsals, performances or recordings, unless there’s something really specific I’m looking for, I won’t arrange each part. They’re such great musicians, and because of that, it gives them the freedom to bring something that’s more natural to them to the recording or the performance,” Kash said.

Getting ‘Fierce’

“Fierce” album artwork

With a troupe of A-list collaborators, Kash launches her eclectic Fierce sound with “Face Time,” a jazzy opener featuring swift piano, vibrating electric guitars, deep bass and pounding drums.

Her soulful vocals warn lovers to eradicate the ghosts of past relationships in favor of new ones – “I’m the one you run to/To unload a heavy heart/I’m happy knowing I can do the same/Well maybe it’s because I’m naïve/I assume that I’m the one you need/But the doubt comes when you call me by her name.”

Continue reading “World-Class – Tracy Kash Creates ‘Fierce’ Global Sounds on DMA-Nominated Album”

East Grand – Dirty Ol’ Men Bring Clever Rhymes, Fresh Beats to Detroit-Inspired Hip-Hop Collective Album

Dirty Ol’ Men gather in Detroit to record their latest album, East Grand. Photo by Rod Wallace

With East Grand, Dirty Ol’ Men poetically capture the creativity, camaraderie and connection of the Motor City.

The international collective of hip-hop and soul producers, musicians and curators blends clever rhymes, pulsating beats and introspective narratives into 15 compelling tracks on their latest album, East Grand, which dropped Feb. 29.

“I think everywhere we go, we’re very inspired by where we are. I’m always a huge advocate for what’s happening in Detroit and so that drove a little bit of the inspiration as well as the sounds and what we captured while we were here and being together, too,” said Rod Wallace, East Grand executive producer and a metro Detroit hip-hop producer.

“We’ve all had a really huge effect on each other. All of us have very, very diverse styles. You have producers that have very, very pronounced kind of styles that are very noticeable amongst the group, and we’ve rubbed off on each other.”

Last July, Wallace and 14 other hip-hop producers gathered in a Detroit loft at the corner of East Grand Boulevard and Oakland Avenue for a three-day Scratch Magazine retreat to collaborate on tracks for the new album. Dirty Ol’ Men collaborators arrived from Michigan; Ohio; Illinois; Washington, D.C.; Maryland; Virginia, California; Florida; Pennsylvania; Tennessee; and Japan to participate.

Creating East Grand

Together, the producers, musicians and curators brought initial stems, beats and samples to lay the foundation for their fifth collective project while magically capturing the authentic vibes of the Motor City. They also visited local record stores and dug through crates to find alternative sounds that could inspire music for East Grand.

“I think part of what’s built into the culture of digging and sample-based producing is taking the most obscure music possible and trying to pick something out of it. Customarily, we don’t necessarily look for music based on who’s making it, but we look at the potential vibe and sound that could be involved. It may just be something that we don’t have, like something with church bells,” said Wallace, who’s been part of Dirty Ol’ Men since their formation in 2014.

Continue reading “East Grand – Dirty Ol’ Men Bring Clever Rhymes, Fresh Beats to Detroit-Inspired Hip-Hop Collective Album”

Soulful Sovereign – Kendrick Hardaway Celebrates Chivalry on ‘The Slave King’ Single

Kendrick Hardaway has released his latest soulful single, “The Slave King,” with guitarist Nick Behnan.

Kendrick Hardaway knows how to give the royal treatment.

The Detroit R&B singer-songwriter pays majestic homage to his “queen” on “The Slave King,” a slow, groove-filled romantic ode released just in time for Valentine’s Day.

Hardaway’s soulful three-minute single dropped Tuesday and features his smooth vocals wrapped in high-tone electric guitars from Nick Behnan – “Eyes burnin’ like fire and a voice that sits in my soul/Sweet as cucumber sugar water with a stare that’s so damn cold/Sweet queen of desire, won’t you call my name/And I’ll come runnin’ to you over and over again.”

Who wouldn’t come running to Hardaway with poetic lyrics like that?

“That song really is kind of a combination of me just wanting to write a tune and actually being about my girl right now. I came across this little lick I was playing around with, and I started writing to it, but nothing was really coming together, and I was getting frustrated,” Hardaway said.

“My girl came down, she sat on the couch, and she actually had a little attitude with me or whatever, and she was giving me this real hard stare, and that’s the line where ‘a stare that’s so damn cold’ came from. Once that line came out, then the rest of it just flowed.”

He also sought creative inspiration for “The Slave King” from Behnan, a Detroit songwriter, guitarist and producer and Hardaway’s former bandmate in The Infatuations. A Motor City mainstay and now a guitarist with The Lows, Behnan collaborates regularly with Hardaway on his solo projects.

“That song was 90 percent finished by the time Nick got to it. I was about to master the song, and I felt like it was missing something, but I knew it was in the way of guitar,” said Hardaway, who’s currently shooting a video for his latest single. “I can tinker around on the guitar, but I’m no Nick Behnan, so I shot it to Nick, and he didn’t waste any time and got it right back to me, and it was full of wonderful things, and we got ‘The Slave King.’”

In December, Hardaway collaborated with Behnan and rapper Saint Diggidy on Behnan’s rock, hip-hop, funk and R&B-fused track, “Right at Home,” which solders pounding drums and roaring guitars with stuck-in-your-head verses and flavorful rhymes. The track started as a stripped-down demo on SoundCloud, but quickly evolved once Hardaway and Saint Diggidy added their own verses.

“He was trying a different little angle when he shot it to me to see what I would think about it, and I put a verse on it, and I said, ‘I got a rapper who I think would set this thing off,’ and we just put it together to see how it would sound,” Hardaway said. “We just collectively decided, ‘Hey, we need to put this out because it’s really hot.’ One thing I said about that track after we made it was, ‘It sounds like it’s going to bring some people or some genres together.’”

Continue reading “Soulful Sovereign – Kendrick Hardaway Celebrates Chivalry on ‘The Slave King’ Single”

The Interpreter – Bettye LaVette Shares Career Favorites, Dylan Cuts at 43rd Ann Arbor Folk Festival

Bettye LaVette will perform Saturday at the 43rd Ann Arbor Folk Festival. Photo by Mark Seliger

Bettye LaVette brings a magical soulfulness to her 60-year career, including Bob Dylan’s legendary songbook.

The iconic soul songstress and Michigan native beautifully interprets an era of treasures ranging from ‘60s R&B to British rock to deep Dylan cuts. Her latest release, “Things Have Changed (2018),” unearths Dylan’s extensive catalog from 1979 to 1989 as well as other cherished favorites.

“Well, there isn’t a ‘like’ to it, it’s just the way I hear the songs, and that’s the way I sing it. But as I said, I’m really not that much of a music enthusiast, so there are not a great many songs that sat around that I wanted to sing for a long time,” said LaVette, who was born in Muskegon and grew up in Detroit as Betty Jo Haskins.

“It’s the songs that appeal to me most, that’s why the Bob Dylan album worked so well for me because the lyrics have to be absolutely solid and be there. I’m almost 75 years old, and I can’t look my audience in the face, and people who are sitting close, I look at them even more intently, so I can’t have a whole bunch of gibberish coming out. It has to say something because I’m holding a conversation with them.”

LaVette will hold an engaging conversation with Ann Arbor audiences Saturday at the 43rd Ann Arbor Folk Festival, which also will include Nathaniel Rateliff, Mandolin Orange and Cold Tone Harvest. In her first-ever Folk Festival appearance, LaVette will share her career highlights and interpretations with a nearly sold-out crowd of 3,500 at Hill Auditorium.

“Most of those (Dylan) songs, I think there were 10 or 12 tunes on that album, I only knew four of them before I sung them. It’s interesting having almost a clean slate because I didn’t grow up listening. Many of these things didn’t make it to black radio, but ‘Blowin’ in the Wind’ did and ‘Knockin’ on Heaven’s Door.’ I certainly know who he is,” she said.

Continue reading “The Interpreter – Bettye LaVette Shares Career Favorites, Dylan Cuts at 43rd Ann Arbor Folk Festival”