The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single

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Painted Friends’ Jeremiah McWhorter and Mitch Crosby examine the power of negative emotions on “Cain Complex.” Photo – Hannah McWhorter

Painted Friends vicariously explores the powerful, destructive forces of jealousy and envy on “Cain Complex.”

The Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) examines those fierce emotions through the biblical perspective of Cain on their dark new single.

“The Cain and Abel story is one of the deepest stories in all of literature, no matter what belief system you hold. Putting myself in Cain’s shoes for a song made me realize how easy it was, especially in the music scene today,” McWhorter said.

“It is very easy to feel jealous toward other musicians who appear to have ‘made it’ and here I am still struggling to make a dime with my songs, yet I put so much work and passion toward it.”

That passion comes alive as McWhorter sings alongside fiery electric guitar, bass and drums, “I was the first man / The oldest of sons / What I give away is much better than blood / The envy that filled me was sent from above / And the reason I’m standing is not due to love.”

“Jealousy and envy are similar to drugs in my opinion. They almost become like an addiction that once it takes hold, [it] can literally bring you to the point of murdering another person,” he said.

“It is a song that is toeing the line between being appropriate and inappropriate, but I wanted to allow myself to do that for at least one song. It felt and still feels necessary.”

I recently spoke to McWhorter and Crosby about their backgrounds, previous releases, passionate new single, Feb. 9 live show in Detroit and plans for 2024.

Continue reading “The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single”

The Soundcheck – Soundslikeotto, Ohly, Tom Alter

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“The Soundcheck” celebrates newly released singles, EPs and albums each month. Photo – C D-X

It’s been nearly eight years since I started The Stratton Setlist, and I’ve heard a barrage of wonderful new music from independent artists during that time. While I’ve written hundreds of features on different artists across multiple genres, I wanted to find a way to showcase more people through a new monthly series called “The Soundcheck.”

And welcome to “The Soundcheck.” Each month, I’ll compile a roundup of newly released singles, EPs and albums from local artists inside (and outside) Michigan. I’m proud to share the inaugural edition, which features electropop from Soundslikeotto and indie-folk from Ohly and Tom Alter. Plus, this edition celebrates my favorite season of spring.

Sit back, breathe in the spring air and enjoy these refreshing sounds.

Soundslikeotto, “So High”

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Soundslikeotto’s Jonny Walker, Austin Howard, Connor Maggio, Chesney Walters, Nate Dornfried and Ryan Freitas get addicted to love on “So High.”

Soundslikeotto delivers an infectious helping of ‘80s electropop on their latest single, “So High.” The Detroit indie-pop sextet of Chesney Walters (vocals), Jonny Walker (guitar), Nate Dornfried (keys), Ryan Freitas (bass), Connor Maggio (guitar) and Austin Howard (drums) dropped their addictive new single in March after releasing their debut EP Still Picture You last summer. (It’s especially effervescent on cassette.)

On “So High,” the band fuses hyperactive synth, electric guitar, bass and drums with a bold storyline about being in an intoxicating relationship. Walters sings, “No control / You tighten your chemical hold / So hot and so cold / And I can’t get enough, get enough, get enough.”

Honestly, I can’t get enough of this single and its instant adrenaline rush each time I play it. Soundslikeotto’s confessional single belongs on a clear Memorex mixtape alongside Phil Collins’ “Sussudio” and “Don’t Lose My Number.” Dust off that boombox, insert mixtape and let the addiction begin!

Continue reading “The Soundcheck – Soundslikeotto, Ohly, Tom Alter”