Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

I remember the moment I fell in love with hip-hop.

It was 1985, and my older brother had rented VHS copies of the films Breakin’ and Breakin’ 2: Electric Boogaloo from our local video store.

Seeing the breakdancing prowess of Kelly, Ozone, and Turbo in the films instantly captured my attention and spurred nine-year-old me to experiment with some moves of my own.

While I couldn’t quite emulate the popping, up-rocking, down-rocking, or power moves of the films’ heroes, I embraced a love of dancing and developed my own quirky style over the years.

As I grew up, I danced to the music of Run-D.M.C., Beastie Boys, Salt-N-Pepa, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, Rob Base & DJ E-Z Rock, Young MC, MC Hammer, and others.

By high school, I had started learning about three of the five elements of hip-hop—rapping, DJing, and breakdancing—and would encounter the other two—graffiti and historical knowledge—as an adult.

Today, these five elements provide the foundation for a hip-hop history exhibit curated by the University of Michigan’s Department of Afroamerican and African Studies and on display at Haven Hall’s GalleryDAAS through September 4.

Known as Hip Hop @ 50: Defs, Dates, Divas, Detroit & Dilla, the exhibit celebrates the 50th anniversary of the culture and explores its evolution across music, society, fashion, language, entertainment, and politics.

Continue reading “Hip-Hop Hooray — New U-M Exhibit Looks Back at 50 Years of the Music and Culture” →