Dig Out – The Idiot Kids Mine Past Struggles and Make Room for the Future on ‘Chapels’ Album

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The Idiot Kids’ Nicholas Zambeck, Jon-Mikal Bartee and Andrew Maslowsky search for acceptance on “Chapels.” Photo – Jackleen Diana Eve

For Jon-Mikal Bartee, a new album with The Idiot Kids allows for a deep exploration of the past and a clear pathway for the future.

The lead vocalist-guitarist of the Detroit garage-punk trio mines personal experiences, thoughts and emotions related to sex, identity, addiction and trauma on Chapels. In turn, those excavations create more space for relief and renewal.

“That’s kind of what the whole album is about. Through trauma and addiction and all of that, trying to find acceptance. That’s just what it kind of turned into. It’s not like we sat down and said, ‘I want to write an album about my childhood,’” Bartee said.

“For me, listening to artists like Elliott Smith, Thom Yorke, Bob Dylan and people who talked about very personal things—sometimes in a more abstract way and sometimes a little more literally—that’s what I connected to. Just from hearing people talk about what they’re dealing with didn’t resonate in the same way as like putting it to a melody or a rhythm.”

Alongside bandmates Nicholas Zambeck (bass) and Andrew Maslowsky (drums, vocals), Bartee adopts that refreshing approach on Chapels, which features a dozen tracks filled with candid lyrics, earworm choruses and turbocharged punk-rock instrumentation.

“This is the kind of stuff, as a kid and as a teenager, I didn’t hear anyone talking about. Luckily, the world has come a long way in the last 20 years. But, at the same time, with more visibility, there’s also more hatred, so it’s kind of like this battling force back and forth,” said Bartee, who grew up in a religious family and came out as an adult.

“These are the songs I wish I had heard as a teenager or a young adult, and I was dealing with that internalized homophobia and religious trauma and whatnot. That’s why I ended up calling it Chapels because it all kind of went down to that.”

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Coming Home – Young Ritual Performs Headlining Set Saturday at Sanctuary Detroit

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Young Ritual will perform his first live show in nearly 18 months at Sanctuary Detroit on Saturday. Photo – Kris Herrmann

For Young Ritual, Saturday’s live show at Sanctuary Detroit feels like a long-awaited homecoming.

The Flint indie folk rock singer-songwriter will perform his first headlining set in nearly 18 months at the Hamtramck venue.

“I can’t even express how good it feels to be playing shows again. I really hadn’t considered how vital that type of experience was in my life until it went away. I really had to push it away for a while when we didn’t know a timetable for the return of live music,” said Dylan Grantham, aka Young Ritual.

“Once the show was announced, all of those feelings came flooding back. I just want to make this night a loud and beautiful entry back into the music scene out here for Young Ritual.”

Hosted in partnership with Audiotree Presents, the show will allow Young Ritual to debut several new tracks since releasing his introspective, two-track A/B EP in March. He’ll be joined by Fenton indie pop singer-songwriter Au Gres, aka Josh Kemp, and Detroit indie folk singer-songwriter Emma Guzman.

“They are all pretty driving rock songs because that’s where my intent in writing has been, and the one I’m most excited about is called ‘Julianna.’ The song is kind of Springsteen and The Killers, but absolutely Young Ritual top to bottom,” said Grantham, who will include Au Gres as part of his live band.

“Josh from Au Gres is one of my closest friends, and I adore his band. He writes the sleekest indie pop imaginable and is just a pleasure to have around. I haven’t met Emma yet, but I’m a huge fan of what she’s been doing, so I’m really excited to have her on board.”

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