Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP

The DayNites gather at The Blind Pig in Ann Arbor. Photo – Dimitri Kaf

With moonlit melodies, gravitational grooves and rotational rhythms, The DayNites soulfully shine across the metro Detroit stratosphere.

The Detroit-Ypsilanti R&B-rock sextet of Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar), Erich Friebel (drums, percussion) and Rick Coughlin (guitar) share reflective stories about love, growth, freedom and wisdom on their celestial, self-titled debut EP.

“When I was writing, it was just things that I was going through at that time in my life. It wasn’t like one main theme. It was like, ‘This is how I’m feeling, and these are the words that are coming out right now.’ I would say listen to the words and the instruments, feel the music and let it take you somewhere,” said Bell, who’s the band’s primary lyricist.

“We all have a take on everybody’s liking, and we put a little bit of something from everyone into what we do. For the first album, it was just me writing the words. But for the music, it was all the guys working together and putting their own spin on their instruments to see what worked well together.”

Available through the band’s new website, the EP’s five emotive DayNites tales unearth a deeply personal universe filled with contemplation, consideration and transformation. The lush, dreamy opener, “Cherry Blossom,” provides a welcome, cosmic escape into the relatable thoughts, feelings and concerns of a lost soul.

Palpitating drums, intense hand claps, exuberant bass, glistening intergalactic synth and fervid electric guitar reveal the psyche as Bell sings, “But I know I need to come down/Collect myself somehow/Unconnected from the physical being of my perspective/The only thing I could create was hella questions/Answers too far off to see/Searching for something that would make my soul complete.”

“It’s about trying to find ways to escape realities that I didn’t want to face. The song is pretty upbeat, and people love it, but at first it was my least favorite song because of what it made me think of every time I sang it. Once the song was recorded, it had a different feeling to me, and now I love it. I’m no longer in that place so I can listen to the song from a different perspective,” Bell said.

While Bell experiences an existential crisis on “Cherry Blossom,” she quickly shifts to newfound freedom on the Motown-esque, pro-hooky anthem, “Not Tomorrow.” Throbbing bass, banging tambourine, soulful intricate electric guitar, pounding drums and sizzling cymbals celebrate a much-needed mental health day from work.

“When we wrote that song, we were in the studio, and I had to work at 6 a.m. the next day. I was like, ‘Look, I can’t do this. I’ll be right back.’ I went and called my boss, and I was like, ‘Yeah, I won’t be there tomorrow,’ and I came back in and wrote the song,” Bell said.

Continue reading “Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP”

East Grand – Dirty Ol’ Men Bring Clever Rhymes, Fresh Beats to Detroit-Inspired Hip-Hop Collective Album

Dirty Ol’ Men gather in Detroit to record their latest album, East Grand. Photo by Rod Wallace

With East Grand, Dirty Ol’ Men poetically capture the creativity, camaraderie and connection of the Motor City.

The international collective of hip-hop and soul producers, musicians and curators blends clever rhymes, pulsating beats and introspective narratives into 15 compelling tracks on their latest album, East Grand, which dropped Feb. 29.

“I think everywhere we go, we’re very inspired by where we are. I’m always a huge advocate for what’s happening in Detroit and so that drove a little bit of the inspiration as well as the sounds and what we captured while we were here and being together, too,” said Rod Wallace, East Grand executive producer and a metro Detroit hip-hop producer.

“We’ve all had a really huge effect on each other. All of us have very, very diverse styles. You have producers that have very, very pronounced kind of styles that are very noticeable amongst the group, and we’ve rubbed off on each other.”

Last July, Wallace and 14 other hip-hop producers gathered in a Detroit loft at the corner of East Grand Boulevard and Oakland Avenue for a three-day Scratch Magazine retreat to collaborate on tracks for the new album. Dirty Ol’ Men collaborators arrived from Michigan; Ohio; Illinois; Washington, D.C.; Maryland; Virginia, California; Florida; Pennsylvania; Tennessee; and Japan to participate.

Creating East Grand

Together, the producers, musicians and curators brought initial stems, beats and samples to lay the foundation for their fifth collective project while magically capturing the authentic vibes of the Motor City. They also visited local record stores and dug through crates to find alternative sounds that could inspire music for East Grand.

“I think part of what’s built into the culture of digging and sample-based producing is taking the most obscure music possible and trying to pick something out of it. Customarily, we don’t necessarily look for music based on who’s making it, but we look at the potential vibe and sound that could be involved. It may just be something that we don’t have, like something with church bells,” said Wallace, who’s been part of Dirty Ol’ Men since their formation in 2014.

Continue reading “East Grand – Dirty Ol’ Men Bring Clever Rhymes, Fresh Beats to Detroit-Inspired Hip-Hop Collective Album”

Equinox Party – Grove Studios Hosts Fall-Themed Celebration for Ypsilanti Creative Community

Grove Studios provides a 24/7/365 rehearsal and recording space for local artists and musicians. Photo courtesy of Grove Studios

For Grove Studios, fall’s arrival calls for an annual celebration of music, creativity and community.

The Ypsilanti rehearsal and recording space will host an “Equinox Party” Saturday to bring artists, musicians, creatives and community leaders together for an evening of networking and performances.

“We had a similar event last year, and it’s like an anniversary party for us. It’s also a back-to-school event celebrating the fall intermixed with networking and performances,” said Erich Friebel, Grove Studios partner and director of operations and community. “We’re going to have people from different support organizations and service providers and feature performances from a variety of rock bands, hip-hop artists and DJs.”

The “Equinox Party” will feature presentations from Grove Studios, Alexis Ford from the Music and Arts Guild, Ypsilanti Mayor Beth Bashert, Dan McPherson from Leaders Must Lead, Leo Casares with Issa Wrap Productions, E-Man Bates with Beats and Brews podcast, Rod Wallace from Double Negative People and RW Consulting, and Taylor Greenshields of Fundamental Sound Co.

“I just want people to take away how welcoming and opening the vibe is and how it’s a place where artists can come and they can create, and it’s not just about coming into a studio space with 55 racks on the wall that are never being used,” said Wallace, who serves as the studio’s lead engineer.

“It’s really a place where true collaboration and true artistic freedom can happen, and there’s a great deal of trust that the owners have in allowing people to come into this space 24/7/365.”

The “Equinox Party” also will include performances from Steve Somers and Friends, Painted Friends, Still in Denial, DJ Nitro, Graham Rockwood and Rockwell Music Therapy artists, Louis Picasso and The Gallery, and Wallace as well as live painting from Doradiaspora and Holly Schoenfield.

“These presentations and performances are from people who use our space and patronize our growth. We’re about a year and a half in at the current location, and prior to that, we had been doing events at Riverside Arts Center,” Friebel said. “Before that, when we were at the Michigan Avenue location, Alexis Ford from the Music and Arts Guild was doing a lot of the booking for us for events there.”

Continue reading “Equinox Party – Grove Studios Hosts Fall-Themed Celebration for Ypsilanti Creative Community”

Float On – Honey Monsoon Release Atmospheric New Single ‘Cloud’ from Forthcoming ‘Opal Soul’ Album

Honey Monsoon has released a new single, “Cloud,” from their forthcoming album, “Opal Soul,” due out March 22.

With a vibrant new single and lineup, Honey Monsoon is floating in a new musical stratosphere.

Earlier this week, the metro Detroit jazz-fusion quintet dropped their latest single, “Cloud,” a five-and-a-half-minute peaceful sonic journey filled with funky guitars, bright synths, gentle cymbal crashes and slow grooves.

“It’s a dynamic love song about being in an amazing state, realizing that you’re there, being present and preserving that,” said Ana Gomulka, Honey Monsoon’s vocalist, guitarist and keyboardist. “It’s a complex song where I put myself in a character role and follow a floaty, vibey path that’s immediate and accessible.”

That uplifting musical path soars to the sky-high auditory intersection of jazz, disco, rock, funk, soul and R&B – think Stevie Wonder, Nile Rodgers, George Benson, Sade and Toro y Moi combining their signature styles into an atmospheric sound.

Honey Monsoon will release a new video soon for “Cloud” that features footage from some of their local favorite spots in Detroit, including the Fisher Building and the Renaissance Center. Additional footage was shot at a local church in Ypsilanti.

Cloud single artwork

“Cloud” is the first single from Honey Monsoon’s forthcoming album, “Opal Soul,” a follow-up to their 2017 jazzy, soulful debut, “Rose Gold,” due out March 22. It also features a fresh lineup with new members Sam Naples (guitar, vocals) and Binho “Alex” Manenti (bass, keys) along with Taylor Greenshields (drums), Leo Willer (paintbrushes) and Gomulka.

“We’ve been in the studio collaborating with so many incredible people in the area on horns, keys, strings and vibraphone,” said Gomulka, who started writing songs for “Opal Soul” in September. “We’ve been in the trenches putting together this eclectic production for ‘Opal Soul.’”

Produced, engineered and mixed by Greenshields and Naples at Fundamental Sound Co., “Opal Soul” will feature eight tracks and include former member Andrea Holther-Cruz on two to three songs written with the previous band’s lineup.

“Opal Soul” also will feature a more diverse sound that draws influences from pop, rock, Latin, funk, Afrobeat and world music. For “Rose Gold,” Honey Monsoon intertwined jazzy, soulful sonic textures against a rock-infused backdrop with bright vocals and saxophone solos.

“‘Opal Soul’ is based on a concept of reflection, and I was inspired by that while writing for this album,” Gomulka said. “It highlights the reflection and soulfulness that we put into the creative process.”

Honey Monsoon will celebrate the album’s release with a special show March 22 at The Loving Touch in Ferndale with Kesswa, White Bee and Sara Marie Barron.

“We’re excited to share our new organic sound, feel out the space and celebrate the moment with everyone,” Naples said.

Show Details:

Honey Monsoon “Opal Soul” Release Party with special guests Kesswa, White Bee and Sara Marie Barron

Friday, March 22

The Loving Touch, 22634 Woodward Ave. in Ferndale

Doors: 7 p.m.

Tickets: $10

Buzzworthy — Honey Monsoon Drenches Detroit in Jazz-inspired Indie Rock

Honey Monsoon at Ann Arbor’s Om of Medicine in February. Top row from left: Taylor Greenhields, Ana Gomulka and Ian Griffiths. Bottom row from left: Andrea Holther-Cruz and Leo James Willer.

For Honey Monsoon, the sweet sounds of jazz-inspired indie rock, neo soul and funk are dripping heavily throughout metro Detroit’s music scene.

The Detroit-based quintet are spreading the nectar of the Motor City’s burgeoning jazz indie rock scene at clubs like The Blind Pig and Om of Medicine in Ann Arbor, The Loving Touch in Ferndale, the Plymouth Roc in Plymouth, the Tangent Gallery in Detroit and The Loft in Lansing.

Together, Ana Gomulka (music, lyrics, vocals, guitar and keys), Taylor Greenshields (drums and percussion), Ian Griffiths (bass and vocals), Andrea Holther-Cruz (keys and vocals) and Leo James Willer (live painting) are introducing their talents to a growing Motor City audience.

Gomulka attributes the band’s smooth sound to their longtime love of past and present jazz, soul and funk singers and musicians, including Esperanza Spalding, Sharon Jones, Kneebody and Hiatus Kaiyote.

“When we first started this band, I don’t think any of us were like let’s make jazzy music. When I was young, I grew up listening to Ella Fitzgerald and Sarah Vaughan because that’s what my parents played,” she said. “So when I sang people would be like, ‘Oh you sound like Sarah Vaughan or something like that.’ I was like, ‘Oh, I wasn’t even trying to sound like her.’ I think that’s where our jazzy sound comes from. It’s just what comes out.”

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Fantastic Four — Adventures with Vultures, 3 Other Motor City Acts Showcase Musical Prowess at The Blind Pig

Adventures with Vultures, aka Matt Sauter, headlines his first show at The Blind Pig in Ann Arbor, Mich.

A new “Fantastic Four” demonstrated their musical prowess Jan. 20 at The Blind Pig.

The “Fantastic Four” – Adventures with Vultures, Brother Elsey, Great Expectations and Honey Monsoon – represented some of southeast Michigan’s emerging musical talent during a 3.5-hour show filled with folk, roots, pop and jazz rock at the iconic Ann Arbor, Mich., 400-person venue.

It also served as the first headlining show for Plymouth, Mich.-based folk rocker Adventures with Vultures, also known as Matt Sauter, who released his debut EP, “Junction,” in October on Original 1265 Recordings.

Sauter’s down-home and fun-loving stage presence instantly connected with the crowd during his 45-minute set, which included the folk rock gems “Okay Guy,” “Skies of Gold” and “I Found a Dreamer” as well as a new track, “Hell or High Water.”

“So many of you f*ckers came to the show tonight. I can’t believe it,” said Sauter, who’s also a student at the Detroit Institute of Music Education (DIME). “We used to play at coffee shops in Plymouth, Michigan, and all you guys came here, and we really appreciate it.”

Continue reading “Fantastic Four — Adventures with Vultures, 3 Other Motor City Acts Showcase Musical Prowess at The Blind Pig”