Groovin’ for Good – New Ann Arbor Charitable Organization Hosts Inaugural Benefit Show Friday to End Domestic Violence

Tetra Music Project will perform at the inaugural Groovin’ for Good benefit show Friday at The Blind Pig.

A new Ann Arbor charitable organization is ready to groove from the heart.

Known as Groovin’ for Good, the organization hosts benefit shows and creative events to raise funds for local people in need. It will host its inaugural event, “Break the Cycle: A Benefit to End Domestic Violence,” Friday at The Blind Pig with The Funk Factory, ZZvava, Ma Baker and the Tetra Music Project.

“We developed this concept to throw these benefit shows and have the shows go to a good cause. We found out October is domestic violence awareness month, and we were planning it in April and thinking a fall show would be good,” said Erika Ratliff, who co-founded Groovin’ for Good in April with Sara Adas, MSW and LLMSW, and Stormy Chromer drummer Amin Lanseur.

“We had the concept, and then we had the cause, and we started calling around. We made a list of different area nonprofits that focus on domestic violence and sexual assault, and we settled on First Step. We’re really excited that they’re involved, and they’re going to be at the event, too.”

All ticket sales from Friday’s show will go directly to First Step, a Wayne County nonprofit based in Plymouth that provides comprehensive services for victims of domestic and sexual assault. Services include a 24-hour help line, information and referrals, community education, transitional housing, temporary emergency housing, assault response, and children’s advocacy and prevention programs.

In addition, Friday’s show will feature a silent auction with creative items and services donated by visual artists and local vendors. All proceeds from the silent auction will go directly to First Step.

Continue reading “Groovin’ for Good – New Ann Arbor Charitable Organization Hosts Inaugural Benefit Show Friday to End Domestic Violence”

Groove On – Stormy Chromer Hosts Jam-tastic Blind Pig Show Tonight with Biomassive, RADO

Stormy Chromer will host a fall hometown show tonight in Ann Arbor.

Ann Arbor will groove three times over tonight with Stormy Chromer at the musical helm.

The Ypsilanti progressive jam quartet will host a fall hometown show at The Blind Pig with Biomassive and RADO filled with danceable improvisational rock, jazz, funk and electronica.

“We have a long list of covers that’s somewhere near 80 or 100 total. Every time we perform one, we log it into an Excel sheet. We’ve been going back over this past summer and looking at it to see which ones we can let fall by the wayside, so we have a few things up our sleeve in terms of things you haven’t heard us play in a long time,” said Ryan King, Stormy Chromer’s bassist.

“In terms of originals, we might have some new stuff for you. We’re not entirely sure if we’re going to be playing some of it live yet, but we have new material in the works.”

Along with bandmates Brendan Collins (lead guitar), Spencer Hanson (lead guitar) and Amin Lanseur (drums), King has grown his improvisational chops during a month-long mini-residency at the Tip Top Deluxe Bar & Grill in Grand Rapids as well as several Michigan-based festivals and a tour out west.

“The goal for a long time was just to be comfortable enough doing it in front of a crowd and to be not doing it where they don’t stop moving,” said King, who’s racked up more than 30 original songs with Stormy Chromer. “I think that’s going to be the direction the band is headed in right now and trying to do something live that’s really unique and special at every show in terms of creating something that’s only gonna be there for that night.”

Together, Stormy Chromer started cutting their improvisational teeth after forming in 2014. Named after an accidental tribute to the legendary Michigan cap company, the band blends complex songwriting with real-time compositions to create a unique live experience. In true jam-style fashion, Stormy Chromer has performed a growing roster of live shows locally and nationally with unique nightly setlists for a dedicated fan base.

Continue reading “Groove On – Stormy Chromer Hosts Jam-tastic Blind Pig Show Tonight with Biomassive, RADO”

Running Down a Dream – Nashville’s Jeremy Ivey Makes Blind Pig Debut Saturday

Jeremy Ivey will open for Ian Noe at The Blind Pig tomorrow night. Photo by Cal & Aly

As the everyday person’s troubadour, Jeremy Ivey will share thoughtful tales of the nation’s turbulent political climate mixed with personal diaspora and societal struggles at The Blind Pig tomorrow night.

The Nashville, Tenn., singer-songwriter will make his live debut at the legendary Ann Arbor rock club and open for Ian Noe, a Beattyville, Ky., singer-songwriter.

“It will be me and a harmonica and a guitar, and I’m looking forward to it. I’ve been on enough hectic production tours that I’m ready to be by myself for a little bit,” said Ivey, who kicked off his tour Sept. 12 at Nashville’s AMERICANAFEST. “I’ll definitely play some songs from the record, but I’ve already recorded a second record and have the third one already written.”

Interpreting ‘The Dream and the Dreamer’

For his intimate Saturday night set, the prolific Ivey will feature homespun, deeply introspective tracks from his brilliant nine-track debut, “The Dream and the Dreamer,” which dropped earlier this month on Anti-Records.

Recorded in a small Nashville home studio with producer and wife Margo Price, Ivey’s album beautifully weaves elements of classic folk and gently-frayed psychedelia with Southern rock and Americana pop-tinged sensibilities. Price encouraged Ivey to write and record a batch of his own songs during a brief tour break.

“I co-write a lot with her, but I had been writing stuff that I was pretty sure she wasn’t going to sing. It only took me a couple of weeks, maybe a month tops, to write the whole thing,” said Ivey, who initially played with Price in the country-soul group Buffalo Cover as well as Secret Handshake.

“Everyone always says you take your whole life to write your first album, and I’ve been writing since I was 15, so that’s not necessarily true for me. I went in to record, it was supposed be demos, and it turned out pretty good. Anti had heard them, and then it all started to happen. I never really planned for it to be a record.”

Continue reading “Running Down a Dream – Nashville’s Jeremy Ivey Makes Blind Pig Debut Saturday”

Jam-packed – Desmond Jones Mixes Multiples Genres for Latest ‘Hello, Helou’ Album

Desmond Jones’ “Hello, Helou” album features longtime friend and fan Antoine Helou on the cover.

For their latest release, Desmond Jones has fans at “Hello, Helou.”

The Grand Rapids funk-rock-jazz fusion quintet masterfully mixes multiple genres across seven tracks on their second full-length and latest album, “Hello, Helou,” which dropped in July. It includes an eclectic batch of captivating tracks from Desmond Jones’ expansive catalog of more than 40 original songs.

“These songs were already written before we went into the studio, so it wasn’t a collective effort to write all of the music for an album,” said John Nowak, drummer, guitarist and vocalist for Desmond Jones. “Since all of the songs already existed, it was really a matter of choosing which ones we wanted to go on the next album.”

Nowak and bandmates Chris Bota (guitar, vocals), George Falk (saxophone, vocals), Isaac Berkowitz (guitar, drums, vocals) and John Loria (bass, vocals) spent eight months recording “Hello, Helou’s” tracks with manager Kevin McKay of Innovative Music Solutions in Webberville. The band also recorded a few tracks in the band room at East Grand Rapids High School where Nowak and Berkowitz attended.

In typical Desmond Jones fashion, all the tracks from “Hello, Helou” received initial live improvisational treatment before being reimagined as studio versions. With a fun, upbeat sound, the album features a collection of shorter songs compared to tracks from the band’s 2017 self-titled, full-length debut.

Four of the five band members also penned tracks for the album, which include spatial, culinary, relational, existential and fantastical themes. Listeners encounter a dynamic sonic journey while venturing from one track to another.

“In our live shows, we definitely take the liberty to extend songs as long as we want. Some songs are a better platform for that, but songs like ‘Split Again,’ ‘Sylvia’ or ‘Instructional Dance Song’ are similar to how we play them live,” said Nowak, who formed the band in 2012 while attending Michigan State University. “With streaming and attention spans, we want songs that are easily digestible for people to listen to before they come see us.”

Continue reading “Jam-packed – Desmond Jones Mixes Multiples Genres for Latest ‘Hello, Helou’ Album”

Adventures with Vultures Embraces Duality on Latest Single, ‘Youth & Danger’

Adventures with Vultures latest single, “Youth & Danger,” seamlessly blends two songs into one.

Adventures with Vultures wishes he could thank Freddie Mercury.

The Plymouth indie folk-rock singer-songwriter credits the late Queen frontman with inspiring his new single, “Youth & Danger,” which blows past the traditional 3.5-minute mark.

“I recently watched the ‘Bohemian Rhapsody’ movie, and they were telling Freddie Mercury how the song, ‘Bohemian Rhapsody,’ was way too long to be a single,” said Matt Sauter, aka Adventures with Vultures. “He’s like, ‘Fuck you, if I want a 15-minute single, then I’m going to put a 15-minute single out.’ Then, I was thinking about ‘Youth & Danger,’ and I said I’m just going to make it one long song.”

Adventures with Vultures’ latest single, the alt rock, indie folk-tinged “Youth & Danger,” clocks in at 7.5 minutes and originally started as two separate songs. During live shows, Sauter and his bandmates brother Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar) would merge both songs since they’re in the same key.

“The first part of the song, ‘Youth,’ is about my grandma. I wrote that song about a week after she passed away, and it was one of those songs that took me not even 30 minutes to write,” Sauter said. “I also decided to write a song, ‘Danger,’ about how I was growing up with drinking, smoking, partying and girls. My brother is in the band, and he was like, ‘Blend the two together, man,’ and the name stuck.”

A gorgeous track, “Youth & Danger” opens with a quiet acoustic guitar solo while a slide guitar echoes in the background. This complementary guitar work sets the stage for a quiet, reflective tune as Sauter sings in a raspy voice, “Well, heaven’s gates won’t let me in/When I die I’ll guarantee they’ll sing so they can come down.”

A set of quiet, delicate cymbals crash in response to Sauter’s solemn tone – “They married young and they raised their kin/They had two young daughters and my mother Kim/And a son named Joseph/But oh I cry every time I sing this song.”

Continue reading “Adventures with Vultures Embraces Duality on Latest Single, ‘Youth & Danger’”

High Times – Stormy Chromer Celebrates ‘420’ Blind Pig Show with Pajamas, Earth Radio

Stormy Chromer performs at The Blind Pig during a New Year’s Eve 2018 show in Ann Arbor. Photo by Evan Greig

Ann Arbor area music fans will inhale good tunes and times Saturday night at The Blind Pig.

Ypsilanti’s Stormy Chromer will host a “420” show with Pajamas and Earth Radio to celebrate a fluid night of live music on the infamous Mary Jane-centric holiday.

“We have a fun lineup, and we haven’t played with Pajamas in Ann Arbor in a couple of years. We’re really happy with how they’ve been progressing as well, and every time we see them, we want to share a bill with them,” said Amin Lanseur, Stormy Chromer’s drummer and vocalist.

“As for Earth Radio, we found them through Purchase Productions, who manage our friends Chirp. They brought Earth Radio to Club Above six months ago, and they really made an impression on some friends of mine.”

It will be the homegrown progressive jam band’s first appearance at The Blind Pig since their New Year’s Eve show. Together, Stormy Chromer will mix elements of rock, jazz, heavy metal, ska and hip hop to perform a danceable set with Pajamas, a Tree Town improvisational rock, funk and fusion trio, and Earth Radio, a Grand Rapids future soul quintet.

“The energy in the room is very loving and fun, and we’re blessed to have the people who come out and see us,” Lanseur said. “We’re striving for that same type of energy for ‘420’ as well, so obviously it will be the whole pot thing.”

Continue reading “High Times – Stormy Chromer Celebrates ‘420’ Blind Pig Show with Pajamas, Earth Radio”

Spring Migration – Chirp Moves from Stage to Studio for Self-titled Debut Album, Hosts Release Party Tonight at The Blind Pig

Chirp has released their self-titled, full-length studio debut album today.

On their melodic self-titled, full-length debut studio album, Chirp knows how to magically capture and beautifully deliver the sweet, groovy sounds of spring.

Today’s release of “Chirp” celebrates the Ann Arbor funk, prog rock and jazz fusion quartet’s creative migration from improvising on the stage to nesting in the studio.

“Those songs turned out how we really envisioned them because we were able to take a long time to plan everything out as well as record and mix,” said John Gorine, Chirp’s drummer. “When we play those songs live, we know what we want to do, but it’s different when we have a lot more time to plan certain things out and just get what we want out of those songs.”

As a follow-up to last year’s “Live at Ann Arbor Summer Festival” release, the new studio album’s nine genre-hopping tracks take listeners on fleeting sonic journey filled with upbeat, danceable mind trips to “Dickerville,” “Greener,” “Planet Groove,” “Cozy,” “Pig Beach” and other joyful auditory destinations.

Chirp does their share of genre-hopping by blending catching progressive rock, funk and jazz originals with majestic reinterpretations during their high-energy, dynamic shows. Though their music incorporates many technical, well-crafted elements, they’re committed to grooving with a solid, dedicated fan base.

For dedicated Chirp fans, the album is a direct sonic flight through their eclectic catalog without any layovers or turbulence. While hearing “Chirp,” listeners travel smoothly through a series of glistening grooves, riffs and beats eloquently condensed into a brilliant studio package.

“You want to trim the fat a little bit, even though most of the songs are on the longer side of what people are used to hearing. I’d say the average song length on the album is five and a half minutes while our average live song length is between eight and 10 minutes,” said Jay Frydenlund, Chirp’s guitarist and vocalist. “As a songwriter, for me, it’s always difficult figuring out what we want to cut down and how we want to cut down the length of a solo section or maybe take parts out.”

Continue reading “Spring Migration – Chirp Moves from Stage to Studio for Self-titled Debut Album, Hosts Release Party Tonight at The Blind Pig”