Float On – Honey Monsoon Release Atmospheric New Single ‘Cloud’ from Forthcoming ‘Opal Soul’ Album

Honey Monsoon has released a new single, “Cloud,” from their forthcoming album, “Opal Soul,” due out March 22.

With a vibrant new single and lineup, Honey Monsoon is floating in a new musical stratosphere.

Earlier this week, the metro Detroit jazz-fusion quintet dropped their latest single, “Cloud,” a five-and-a-half-minute peaceful sonic journey filled with funky guitars, bright synths, gentle cymbal crashes and slow grooves.

“It’s a dynamic love song about being in an amazing state, realizing that you’re there, being present and preserving that,” said Ana Gomulka, Honey Monsoon’s vocalist, guitarist and keyboardist. “It’s a complex song where I put myself in a character role and follow a floaty, vibey path that’s immediate and accessible.”

That uplifting musical path soars to the sky-high auditory intersection of jazz, disco, rock, funk, soul and R&B – think Stevie Wonder, Nile Rodgers, George Benson, Sade and Toro y Moi combining their signature styles into an atmospheric sound.

Honey Monsoon will release a new video soon for “Cloud” that features footage from some of their local favorite spots in Detroit, including the Fisher Building and the Renaissance Center. Additional footage was shot at a local church in Ypsilanti.

Cloud single artwork

“Cloud” is the first single from Honey Monsoon’s forthcoming album, “Opal Soul,” a follow-up to their 2017 jazzy, soulful debut, “Rose Gold,” due out March 22. It also features a fresh lineup with new members Sam Naples (guitar, vocals) and Binho “Alex” Manenti (bass, keys) along with Taylor Greenshields (drums), Leo Willer (paintbrushes) and Gomulka.

“We’ve been in the studio collaborating with so many incredible people in the area on horns, keys, strings and vibraphone,” said Gomulka, who started writing songs for “Opal Soul” in September. “We’ve been in the trenches putting together this eclectic production for ‘Opal Soul.’”

Produced, engineered and mixed by Greenshields and Naples at Fundamental Sound Co., “Opal Soul” will feature eight tracks and include former member Andrea Holther-Cruz on two to three songs written with the previous band’s lineup.

“Opal Soul” also will feature a more diverse sound that draws influences from pop, rock, Latin, funk, Afrobeat and world music. For “Rose Gold,” Honey Monsoon intertwined jazzy, soulful sonic textures against a rock-infused backdrop with bright vocals and saxophone solos.

“‘Opal Soul’ is based on a concept of reflection, and I was inspired by that while writing for this album,” Gomulka said. “It highlights the reflection and soulfulness that we put into the creative process.”

Honey Monsoon will celebrate the album’s release with a special show March 22 at The Loving Touch in Ferndale with Kesswa, White Bee and Sara Marie Barron.

“We’re excited to share our new organic sound, feel out the space and celebrate the moment with everyone,” Naples said.

Show Details:

Honey Monsoon “Opal Soul” Release Party with special guests Kesswa, White Bee and Sara Marie Barron

Friday, March 22

The Loving Touch, 22634 Woodward Ave. in Ferndale

Doors: 7 p.m.

Tickets: $10

Buzzworthy — Honey Monsoon Drenches Detroit in Jazz-inspired Indie Rock

Honey Monsoon at Ann Arbor’s Om of Medicine in February. Top row from left: Taylor Greenhields, Ana Gomulka and Ian Griffiths. Bottom row from left: Andrea Holther-Cruz and Leo James Willer.
For Honey Monsoon, the sweet sounds of jazz-inspired indie rock, neo soul and funk are dripping heavily throughout metro Detroit’s music scene.

The Detroit-based quintet are spreading the nectar of the Motor City’s burgeoning jazz indie rock scene at clubs like The Blind Pig and Om of Medicine in Ann Arbor, The Loving Touch in Ferndale, the Plymouth Roc in Plymouth, the Tangent Gallery in Detroit and The Loft in Lansing.

Together, Ana Gomulka (music, lyrics, vocals, guitar and keys), Taylor Greenshields (drums and percussion), Ian Griffiths (bass and vocals), Andrea Holther-Cruz (keys and vocals) and Leo James Willer (live painting) are introducing their talents to a growing Motor City audience.

Gomulka attributes the band’s smooth sound to their longtime love of past and present jazz, soul and funk singers and musicians, including Esperanza Spalding, Sharon Jones, Kneebody and Hiatus Kaiyote.

“When we first started this band, I don’t think any of us were like let’s make jazzy music. When I was young, I grew up listening to Ella Fitzgerald and Sarah Vaughan because that’s what my parents played,” she said. “So when I sang people would be like, ‘Oh you sound like Sarah Vaughan or something like that.’ I was like, ‘Oh, I wasn’t even trying to sound like her.’ I think that’s where our jazzy sound comes from. It’s just what comes out.”

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