Rewind Button – Jordan Silver Processes Past Relationship on Cinematic ‘Momentary Thrill’ Single

Jordan Silver revisits the untimely demise of a relationship on “Momentary Thrill.”

Jordan Silver openly reflects on past lives, loves and lessons.

The Brooklyn indie rock singer-songwriter revisits the untimely demise of a promising romantic relationship on his latest cinematic, introspective single, “Momentary Thrill,” now available via all streaming platforms.

“I was in a relationship where we jumped in really quickly, and I basically decided to trust my emotions to guide me through this relationship. Normally, I’m very held back, and maybe I’m typically more of the blocked one you could say emotionally, but at the time I felt very open, like I was diving in,” Silver said.

“It seemed like on the receiving end there were more walls that I was struggling to break through, and eventually when it ended, I just wanted to write a song to recap what had just happened.”

Silver magically tears down those “Momentary Thrill” walls as hypnotic, dreamy electric guitars, delicate cymbal taps, intermittent bass drum kicks, smooth bass and lo-fi, poignant vocals transport listeners to a pivotal break-up scene in a critically-acclaimed romantic dramedy.

He emotionally sings, “Well you’re running for the hills/But you put on quite a show of it/And everybody knows it/You chose it/Well the summer ended early/For the lover losing track of time/Without a reason why.”

“The lyrics are very straightforward; they’re not spiteful, hateful or disrespectful. It’s just very much a recounting of this happened, this happened, that happened. Typically, as an artist and as a person, I like to get the facts of the matter of things,” said Silver, who wrote “Momentary Thrill” last year.

Silver worked with Toledo, the Boston beach goth duo of Dan Alvarez and Jordan Dunn-Pilz, to record, arrange and produce the track in late 2019 as a follow-up to the wistful, yacht rock-esque love anthem, “After a Response Like That.”

“I’ll just come to them with a basic melody, lyric and chord, and then Dan will go, ‘Oh, so like this?’ He’ll play exactly what I was hearing and better. He brings arrangements to the table, where he’ll ask, ‘Do you want it to sound more like this or more like that?’” Silver said.

“He does it all; he does the drums, the bass and the guitar. He really forms all the music with what I brought to him, and sometimes he’ll workshop certain lyrics and verses. They’re definitely a big part of the process and the development of the songwriting.”

In June, Silver released a companion lyric video for “Momentary Thrill” featuring a series of animated, meaningful Polaroids depicting personal experiences and encounters in a simple beige scrapbook. Directed by Shannen Bamford, the video nicely complements the romantic, thoughtful aesthetic of Silver’s latest track.

Continue reading “Rewind Button – Jordan Silver Processes Past Relationship on Cinematic ‘Momentary Thrill’ Single”

Groovin’ for Good – New Ann Arbor Charitable Organization Hosts Inaugural Benefit Show Friday to End Domestic Violence

Tetra Music Project will perform at the inaugural Groovin’ for Good benefit show Friday at The Blind Pig.

A new Ann Arbor charitable organization is ready to groove from the heart.

Known as Groovin’ for Good, the organization hosts benefit shows and creative events to raise funds for local people in need. It will host its inaugural event, “Break the Cycle: A Benefit to End Domestic Violence,” Friday at The Blind Pig with The Funk Factory, ZZvava, Ma Baker and the Tetra Music Project.

“We developed this concept to throw these benefit shows and have the shows go to a good cause. We found out October is domestic violence awareness month, and we were planning it in April and thinking a fall show would be good,” said Erika Ratliff, who co-founded Groovin’ for Good in April with Sara Adas, MSW and LLMSW, and Stormy Chromer drummer Amin Lanseur.

“We had the concept, and then we had the cause, and we started calling around. We made a list of different area nonprofits that focus on domestic violence and sexual assault, and we settled on First Step. We’re really excited that they’re involved, and they’re going to be at the event, too.”

All ticket sales from Friday’s show will go directly to First Step, a Wayne County nonprofit based in Plymouth that provides comprehensive services for victims of domestic and sexual assault. Services include a 24-hour help line, information and referrals, community education, transitional housing, temporary emergency housing, assault response, and children’s advocacy and prevention programs.

In addition, Friday’s show will feature a silent auction with creative items and services donated by visual artists and local vendors. All proceeds from the silent auction will go directly to First Step.

Continue reading “Groovin’ for Good – New Ann Arbor Charitable Organization Hosts Inaugural Benefit Show Friday to End Domestic Violence”

Sonic Bloom – Tree No Leaves Plants Timeless Sound on ‘Prophet Holographic’ Vinyl Release

Bowling Green’s Tree No Leaves fuses eloquent rock, funk, world and jazz sounds on their latest album, “Prophet Holographic.”

Tree No Leaves is firmly rooted in the blossoming Bowling Green, Ohio music scene.

For more than a decade, the heavy psychedelic soul sextet has planted a series of studio and live album online releases for fans. Throughout their extensive digital catalog, Tree No Leaves fuses eloquent rock, funk, world and jazz sounds while maintaining a melodic and lyrical based center.

Last September, the band branched out with their first vinyl release of their latest studio album, “Prophet Holographic,” a retro seven-track album filled with vibrant, eclectic sonic foliage spanning multiple genres and approaches.

“This record was supposed to be a throwback to more of a live sound and have a bare minimum of post-production. The reverb on the record itself is the reverb from the recording studio. It was recorded at The Mohawk Studio, which is a beautiful 185-year-old church in Sandusky,” said Dustin Galish, the band’s vocalist, pianist, organist, synthesist and guitarist who initially started Tree No Leaves as a duo with wife Sarah Galish.

“All the real sounds you’re hearing were done there, so it’s not post-production echo or reverb. For us, that was kind of cool, especially because we were going to vinyl, and we had never done that before. We didn’t want to get too tricky with what we were doing for the mixing and mastering, so there’s a lot of traditional old school layering to get effects.”

Along with longtime bandmate, guitarist and organist Calvin Cordy, Galish wrote and arranged eight to 10 tracks for “Prophet Holographic” centered around rhythm and double percussion.

Continue reading “Sonic Bloom – Tree No Leaves Plants Timeless Sound on ‘Prophet Holographic’ Vinyl Release”

Musical Conversations – Talking Ear Speaks Progressive Jazz to Midwestern Audiences

Talking Ear plays progressive jazz to Midwestern audiences. From left: Ben Rolston, Ben Maloney, Dan Palmer, Estar Cohen and Travis Aukerman.

As a jazz quintet, Talking Ear blends original compositions with improvisation to musically converse with a growing Midwestern audience.

Their progressive jazz speaks volumes through the band’s live performances and their self-titled debut album, which features eight beautiful tracks draped in smooth vocals, soft pianos, crashing cymbals, rhythmic basslines and breakout guitar solos.

“Talking Ear was formed as a way to push each other because we all felt that connection of wanting to become better musicians and break through personal barriers together,” said vocalist Estar Cohen. “I think the way we carry along some of the jazz tradition is by continuously trying to be creative and finding our own voices.”

Along with Cohen, the band’s other four members, Travis Aukerman (drums), Dan Palmer (guitar), Ben Maloney (piano) and Ben Rolston (bass), have found their own musical voices through years of academic study, professional training, composing and performance.

As accomplished jazz musicians, they communicate mainly through improvisation. Collectively, they’ve taken a “Talking Ear” approach to their music – listening is how they ultimately share ideas and respond to one another.

Continue reading “Musical Conversations – Talking Ear Speaks Progressive Jazz to Midwestern Audiences”