Tag: Vulfpeck

Out of the Blue — Ann Arbor Hip-Hop Group Tree City Makes a Surprise Return With “Pure Levels” Album

Tree City’s Kyle “Silas Green” Hunter, Jacoby “DJ Cataclysmic” Simmons, and Evan “Clavius Crates” Haywood in 2013. Photo by Cy Abdelnour

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

A mature tree blooms every year. Fruit trees can take two to five years to produce. It took Tree City 13 years for Pure Levels to flower.

The Ann Arbor hip-hop group spent that time shaping and defining the album’s tracks before releasing it late last year.

“It’s a time capsule, and it’s a good chunk of our personal evolution as artists and as a group,” said Evan “Clavius Crates” Haywood, a Tree City MC and producer, about the group’s first collection of new songs since 2010’s Thus Far.

“It’s exciting that it’s finally at the point where we’re happy with it and we felt like it was ready. We did not want to release it when it was just good enough. We wanted to release it when we felt it was something really timeless, something that would hold up to repeated listens, and something that would hold people’s interest.”

Pure Levels features Tree City’s four MCs—Clavius Crates, Silas Green, DJ Cataclysmic, and Cheeks—rapping candid rhymes about broken relationships, aging family members, systemic issues, and capitalism alongside fantastical space-themed wordplay over sci-fi-sounding beats by producer Michael Dykehouse and several others.

“Over the years, I feel like we’ve always believed in ourselves as rappers, but working on these songs, we came to the realization that we’re good at what we do,” said Jacoby Simmons, who performs as DJ Cataclysmic. “And who doesn’t want to feel the feeling of accomplishment when you work on something for a long time, and you garner that success?”

And with that success comes a 15-track album that explores living life in another dimension while facing real-world challenges and everyday struggles.

“The theme of the album is—on one level—about space, and it has these space travel themes,” said Kyle Hunter, who performs as Silas Green, and is now based in Houston. “But on the other side of it, space represents growth and expansion and challenging yourself.”

To learn more, I spoke with Tree City’s MCs about the inspiration behind the album.

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Creative Conscience – Chirp Follows Funky Musical Instincts on ‘Solo’

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Chirp pauses during a recording session at Willis Sound. Photo – Joe Sleep

Chirp proudly follows their funky musical instincts.

The Ann Arbor prog-funk-jazz jam quartet of Jay Frydenlund (guitar, vocals), Brian Long (bass, vocals), Sam Naples (guitar, vocals) and Gastón Reggio (drums) listens to their collective creative conscience on their fervent new single, “Solo.”

“Vulfpeck and Cory Wong were a massive influence on the approach to this tune and the rest of the upcoming record. The old school, funky vibe they bring to their songwriting and playing has been a big influence on all of us,” Frydenlund said. “I’m not sure this song would have happened without a steady amount of Vulf in my listening diet. Or at least it would have come out through a very different lens.”

By peering through that groovy “Solo” lens, Chirp fans will encounter a group of lively musicians entrenched in jubilant electric guitars, shimmering keys and synths, pulsating bass, confident drums and ticking cymbals.

In tandem, Frydenlund soulfully sings, “And we all know you can shred the 32nds/But I wanna hear something from your soul/So take your time to find the truth inside you/And let it go.”

“Sam’s melodic lead guitar through the song adds a lot of texture and warms up the tune quite a bit, and he also complements Kevin (Gastonguay’s) solo toward the end of the song really nicely. Brian’s self-written bassline is really catchy throughout, to the point of being singable.” Frydenlund said.

“Both of them killed it on the smooth backup vocals. The different feels Gastón moves throughout are seamless, which is easier said than done on a tune like ‘Solo,’ where we’ve got a lot of dramatic change from section to section feel-wise and tempo-wise.”

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On Course – Madelyn Grant Finds Motown-Inspired ‘Purpose’ on Debut EP

Madelyn Grant’s “Purpose” EP explores the challenges of reaching self-actualization during a personal transformation. Artwork – Sebi White and Quinn Faylor

Madelyn Grant elegantly charts a new creative course.

The Detroit neo-soul singer-songwriter opted for a classic Motown-inspired sound on her debut EP, Purpose, after forging an initial electronic, trip-hop pathway.

“I love the sound of Emancipator and FKJ, but after touring and performing with them, I realized I wanted to capture more of that Amy Winehouse-Sade vibe. At that moment with electronic music, I wanted to go more in an organic direction of being live with everyone in the studio, and I think these songs lend themselves to that,” Grant said.

“I’ve got this combination of songs, and they sound like Motown, Al Green, Bill Withers and Stevie Wonder. They don’t sound like sound like trip-hop, FKJ or Emancipator. The people who helped arrange these songs with me were U-M jazz school alumni, and they added some jazz influences in there.”

Grant beautifully jazzes up her nostalgic, soulful project across five introspective, fervent tracks. Out today via all streaming platforms, Purpose delves beneath the surface and explores the challenges of reaching self-actualization during a personal transformation.

“After listening back to these songs and realizing this intense process I went through creating this EP, I had this image of a butterfly that kept coming into my mind. When moths and butterflies go through this transformation and reach their final stage, they have to go through this intense cycle. It’s not always pretty, but in the end you’re left with something that’s worth waiting and being patient for,” she said.

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