Tag: Washington DC

Carnival of Lost Souls – KDC Guild Confronts Hype Culture on ‘Cise Pavilion’ Concept Album

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KDC Guild’s David Brescia-Weiler and Kristopher Charles “KC” Malone spent two years bringing their “Cise Pavilion” album to life. Photo – Kenneth Walker

Two years ago, Kristopher Charles “KC” Malone experienced a transformative dream.

The Washington, D.C. producer entered a spooky carnival pavilion filled with existential challenges and lessons. After waking up, he shared the lucid dream with longtime friend and collaborator David Brescia-Weiler.

“It was a crazy, trippy dream. I was in this carnival, and people didn’t recognize me. I wanted to express what it was like, so I called David, and said ‘Hey man, would you want to make an album?’” Malone said. “I had never done anything like that and neither had David. It was a broad ambition that came from COVID and being inside … this was super lockdown time.”

Despite being in lockdown, Malone and Brescia-Weiler turned that life-changing dream into a vivid, musical reality. The duo formed a new creative collaboration called KDC Guild and embarked on an ambitious journey to develop and executive produce Cise Pavilion, a hip-hop, audio-narrative concept album filled with a global cast of 60-plus artists, musicians, audio engineers, actors and comedians.

“We weren’t necessarily trying to start a company; we just wanted to work on a project together. We were like, ‘We need to do this,’ because everybody was jumping on board and getting excited,” said Brescia-Weiler, who’s also based in D.C.

“We couldn’t have predicted people from Vegas, Berlin and LA would have suddenly said, ‘Yeah, I’ll go. Send me the contract, and I’ll do it.’ We grew with the process as well.”

KDC Guild’s Cise Pavilion vision quickly grew into a classic hero’s journey brimming with 11 valuable lessons (or tracks) along the way. The insightful album thoughtfully explores the concept of “cise,” a D.C.-based term for “hype,” through protagonist Malone’s personal experiences and interactions with others in a carnival-themed world.

Compelling “cise” metaphors for jealousy, greed, peer pressure, hyperbole and vanity sprout from the digital sphere and overflow into everyday life. With Cise Pavilion, KDC Guild advocates abandoning these toxic behaviors and creating a harmonious environment that promotes acceptance and authenticity.

“Part of the point of Cise Pavilion as a project and something we all grapple with is … that temptation (of ‘cise’) is always there. As much as I’d like to say I don’t need other people’s validations, I might get excited when I get a lot of Instagram likes versus more than I normally do,” said Brescia-Weiler.

“I think that’s an internal struggle that we all have, and it’s been a fun exploration, not just for KC and me, but we get to have an ongoing discussion with each person that’s part of the project. It’s given us a lot of time to think about it … because we’re in a social media age where do you have to puff out your chest and hype yourself up a little bit or try to get on the latest TikTok trend to be seen.”

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Present Tense – Meredith Shock Starts Anew on ‘Maybe This Isn’t Home’ Single

Meredith Shock recalls vivid memories of her hometown on “Maybe This Isn’t Home.” Artwork – Savannah Harden

Meredith Shock prefers to live in the present.

The Nashville country-pop singer-songwriter candidly reflects on outgrowing her hometown, cherishing childhood memories and finding a renewed sense of purpose on “Maybe This Isn’t Home,” a poignant, cinematic ode to new beginnings, now available on all streaming platforms.

“I went home for a long weekend for a wedding, and one of my best friends was getting married. I remember staying in my parents’ home, and I was in my shared bedroom with my sister. Everything had changed, and I was like, ‘I feel like a stranger,’ and I felt like I was a guest visiting. Nothing felt like it was mine anymore; I had to live out of my suitcase in my own bedroom,” said Shock about that memorable trip home in August 2019.

“I love my family, and I love that town, but I was missing Nashville. I felt like I was missing out on things that were happening in Nashville. I had made new friends and had new experiences here in a new environment where I now call home. I’ve created a space here that feels a lot more like home.”

Throughout “Maybe This Isn’t Home,” Shock elegantly strolls down memory lane as submerged alternating synths, shiny twirling electric guitars, intermittent electronic drums, glistening keys and calm bass recall vivid loving memories of growing up outside Washington, D.C.

She nostalgically sings, “There’s this painting in the closet that my sister did/In the bedroom that we shared since we were kids/Down the street I still remember where I had my first kiss/Holding hands under the pillows in my basement/And I walked to school until I learned how to drive/I was cheering on a team under those Friday night lights/I swear those times were golden and I can’t forget/But it’s time for me to move on and start again.”

“For me, it’s creating new memories here. When I’m singing ‘Maybe This Isn’t Home,’ all my memories have to do with that town I grew up in. Two or three of my brothers played on the football team, and I always went to the football games to support them,” Shock said.

“Those are the memories that are so my hometown; whereas here in Nashville I’ve never been to a high school football game. It’s like creating a different memory completely and having those special moments that make you feel like home. It didn’t start to feel like Nashville was home until I was here for almost two years.”

Shock started working on her latest track a year ago with Nashville producers James Robertson and Jay Tooke. Together, they spent several months recording “Maybe This Isn’t Home” and finalized it before the start of spring quarantine.

“It was really cool to work with them in the studio while they were trying to think of the best way to produce it. Normally, I just write my songs with me and my guitar, so it’s cool to hear a full track. They did a good job at making it feel nostalgic, and it doesn’t have a slow super sad song kind of vibe. You can bop your head to it,” she said.

Continue reading “Present Tense – Meredith Shock Starts Anew on ‘Maybe This Isn’t Home’ Single” →