Back Home – Marty E. Relocates to Upper Peninsula and Releases ‘Benevolent Criminal’ Debut EP

Marty E 1 — Marty E. stands near the waters of Lake Superior. Photo – Virginia @lostinthewoodsmichigan

Marty E. relishes returning to his old childhood stomping grounds in the Upper Midwest.

The Bessemer, Michigan garage-rock singer-songwriter and guitarist-drummer recently relocated to the western Upper Peninsula near Ironwood after living in New York City for more than 20 years.

“Everybody asks me, ‘Why did you move from New York City to goddamn Ironwood?’ The reason is I grew up in northern Minnesota, and my parents and grandparents all grew up in this area, like Ironwood, Michigan and the Hurley, Wisconsin area,” said Marty E., who’s also known as Marty Erspamer and hails from Grand Rapids, Minnesota.

“My great-grandfather had emigrated from Tyrol in Austria, and he went to Cleveland, but had heard the mining business was booming up here. Along with his brother and his cousin, he jumped a train, hitchhiked and somehow got here. The three of them started building houses up here, so I have deep roots here.”

Those deep, familial roots inspired some of the raw, honest tracks on Marty E.’s debut solo EP, Benevolent Criminal, which is now available on vinyl. The six-track EP features a seamless blend of gritty, lo-fi alt-rock, punk-rock and garage-rock instrumentation fused with introspective lyrics about change, loss and renewal.

“When I was singing, Jaime [Hansen] and Keith [Killoren] both really helped pull workable performances out of me and [taught me] how to think about it and how not to freak yourself out and have a whiskey or have a beer,” said Marty E., who’s inspired by The Replacements, the New York Dolls and The Velvet Underground.

“You want it to come out how you hear it in your head. Hindsight is always 20/20 when you’re recording, and you’re like, ‘I could have done this better, and I could have done that better.’ What it is … is a snapshot of the time, and I’m just really happy that I was able to come up with a recording that what you hear reflects what was here.”

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Cautionary Tale – Edison Hollow Combats Destructive Forces on New ‘Body’s Guest’ Single and Video

Edison Hollow sternly warns about a pending demise on “Body’s Guest.”

The Detroit hard-rock quartet of Tyler Chernoff (vocals, guitar), Jordon Stockdale (lead guitar), David Vida (bass) and Aaryn Lindow (drums) confronts a friend about destructive behaviors on their new cautionary single and video.

An impenetrable force of steadfast electric guitars, bass and drums protect Chernoff as he sings, “Your pride will be what kills you / You just can’t let it go / Oh no time left to convince you / You got nothing to show / So much time spent / Your body’s guest.”

We recently chatted with Edison Hollow about their new release as well as their background, previous album and singles, live shows and upcoming plans.

New Single and Video

TSS: Your new single, “Body’s Guest,” chronicles a person’s unwillingness to face the consequences of their actions. What initially inspired this track for you sonically and thematically?

Edison Hollow: Musically, “Body’s Guest” was a step forward for us as a band and as songwriters. We had a riff from Jordon [Stockdale], and we built the rest of it together, just doing what felt right to us. Lyrically, the melodies flow with the dynamics of the music, the verses are very remorseful and express feelings of pity and regret, and the choruses are defiant and strongly proclaimed like the music that lies beneath those sections.

From the get-go, we wanted a Halloween-adjacent release for this [track] since we recorded it. It just has that feel to us, and we had a clear idea of how we wanted the release to go and the video that accompanies it.

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Uprooted – treesreach Grows from ‘The Great Resignation’ on ‘How It Seems’

For treesreach’s Dillon Rairdin, it was time to branch out in life.

The Cedar Rapids, Iowa indie rock vocalist and multi-instrumentalist left his humdrum day job in September 2020 and opted to pursue music full-time.

“The only turmoil that was going on in that job was in me. The people I worked with for the most part were really great. It was a good company, but what was going on was this feeling of complete discontentment,” said Rairdin, who previously worked for a law firm.

“It was the weirdest spot to be in because it wasn’t so bad that it was obvious I needed to quit, but it also wasn’t fulfilling in any way. And in the middle of that, I was trying to find contentment with where I was.”

Rairdin and his treesreach bandmates, guitarist Riley Thurm and drummer Luke Long, deeply explore that mindset on their latest contemplative single, “How It Seems.”

Throughout “How It Seems,” ticking cymbals, trotting drums, vibrant electric guitar, humming bass and tender acoustic guitar beckon Rairdin to uproot his professional life and grow in a new direction.

He sings, “But that song that you’ve been making/Gets stuck in my head from time to time/Like a dream/I’ll follow where it takes me/‘Cause if I stay I’m wasting time/At least that’s how it seems.”

“It was in a really awkward kind of spot that I think a lot of people were in with their jobs,” said Rairdin about the band’s “Great Resignation-themed” track.

“From what I’ve heard, it wasn’t so bad that you wanted to quit, but it was like, ‘Man, I know that I’m meant for something better,’ whether that was in a destiny sense or being in a place that utilized your strengths. I think taking a step away from that job was the right thing to do.”

Once Rairdin embarked on his new “Great Resignation” journey, treesreach started recording drums for “How It Seems” last winter in Rairdin’s parents’ basement and later finalized it in their new home studio.

Mixed by Grammy Award-winning producer Ryan Freeland, the track provides a refreshing sonic growth spurt for the band, who traded their previous lush sound for a new indie rock approach.

“Ryan just seemed really gung-ho about the song, and he really dug it. Usually, we mix all of our own stuff, but we knew with ‘How It Seems’ that we had potential for some success beyond what we’ve seen before,” Rairdin said. “The song is way more pop-accessible than anything else we’ve written, and we just really felt better handing it off to a Grammy Award winner.”

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Eaux Claires Day 2 Celebrates Music of Wilco, Paul Simon

Jeff Tweedy performs with Wilco at Eaux Claires.

Eaux Claires attendees battled intermittent heavy showers and the looming threat of severe weather to see Wilco, Paul Simon, Feist and other artists at day 2 of Eaux Claires.

Wilco played for nearly two hours despite Eaux Claires organizers moving the band’s set up in anticipation of severe thunderstorms. Main stage artists continued to perform while side stage acts were cancelled.

The distant lightning served as the perfect backdrop for one of Wilco’s most ominous songs, “Via Chicago,” which starts with a dark lyric, “I dreamed about killing you against last night.”

“We’re usually playing outside when it’s sunny, and this song really bums people out, but this is f**king perfect,” said Jeff Tweedy, Wilco’s frontman, regarding “Via Chicago,” from the band’s 1999 album, “Summerteeth.”

Wilco guitarist Nels Cline played an exquisite extended guitar solo during “Impossible Germany,” while fans relished singing along with the band to “Jesus, Etc.” and “I Am Trying to Break Your Heart.”

Before Wilco took the stage as the night’s headliner, Paul Simon played a 60-minute set with yMusic, a New York City-based chamber ensemble.

Paul Simon reimagines Simon & Garfunkel classics with yMusic.

Together, Simon and yMusic put a refreshing classical spin on “America,” “Mrs. Robinson,” The Boxer” and “Sound of Silence.” Their show was worth the wait after heavy rains delayed Simon and yMusic’s new set time by about 30 minutes.

“It’s really a good omen when the crowd is wet and shivering, but the performers are dry,” Simon said to a drenched Eaux Claires crowd.

Before Simon took the stage, Feist played her new album, “Pleasure,” in its entirety for festival attendees earlier that evening. Wearing a bright pink dress with ruffles and strumming her guitar in front of an electronic fan, Feist made her live performance a pleasurable one for fans.

“For two years now, I’ve heard about you guys, and so today, we would like to do something special just for us to share this moment together in honor of these incredible clouds,” Feist said.

In the afternoon, attendees danced to the party rap and club music of Baltimore-based Spank Rock, who traded jabs on stage with Amanda Blank and opened and closed his set with the Midnite Express, a Native American musical troupe.

Other day 2 festival highlights included Appalachian-style folk music from Mountain Man, which features Sylvan Esso’s Amelia Meath, Molly Sarle and Alexandra Sauser-Monnig, and the indie pop of Perfume Genius.

Eaux Claires Day 1 Shines with Tributes, Headliners and Side Projects

Justin Vernon, left, and Phil Cook pay tribute to John Prine at Eaux Claires.

A heavy summer rain pelted Eaux Claires festival goers Friday evening as they watched Justin Vernon pay tribute to country/folk singer-songwriter John Prine.

Vernon, festival co-curator and frontman of Bon Iver, led a “Great American Songbook” a 90-minute set featuring Phil Cook, The Staves and other Artists-In-Residence and didn’t let it dampen the mood in Eau Claire, Wis.

“On a personal note, there is no more important music to me or my family than the music of Mr. John Prine,” he said. “He’s the greatest teacher I ever had, and I only met the man yesterday, but this is all for him.”

Prine joined Vernon and the others toward the end of the set and played “Hello in There” as well as few other favorites.

Outside of the Prine tribute, attendees watched Chance the Rapper give an energetic, danceable performance as the night’s headliner. “This festival is not like any other festival,” said the Grammy-winning artist.

A performance highlight included a collaboration between Chance the Rapper and Francis & The Lights called “May I Have This Dance,” which sounds like it was inspired by Peter Gabriel.

Friday also served as Wilco side project day with The Autumn Defense, Tweedy, Cup and S. Carey and Glenn Kotche.

Comprised of Wilco bassist John Stirratt and multi-instrumentalist Pat Sansone, the duo performed at a new Eaux Claires stage called Oxbeaux situated in the surrounding woods. The Autumn Defense played a haunting acoustic cover of the Bob Welch and Fleetwood Mac classic, “Sentimental Lady.”

Later in the day, Jeff Tweedy and his son, Spencer Tweedy, played the Tweedy favorite, “Summer Noon,” on the Flambeaux stage, while Wilco guitarist Nels Cline and his wife, Yuka Honda, performed their ambient music as Cup at the intimate Sparreaux stage.

At nightfall, attendees grooved on the lawn to Durham, N.C.-based indie pop duo Sylvan Esso, who drew their energy from the wet, but enthusiastic crowd. Songs like “Coffee,” “Hey Mami,” “Die Young” and “Radio” were crowd favorites as Amelia Meath and Nick Sanborn performed their 60-minute set.

“Thank you for buying a ticket to one of the only festivals that’s a true celebration of music,” Sanborn said.

Return to the River – Eaux Claires Festival ‘Troix’ Starts Today

The National’s Matt Berninger performs during a Day of the Dead tribute at Eaux Claires in August 2016.

The third installment of Eaux Claires kicks off today with Chance the Rapper, John Prine, Sylvan Esso and others.

Known as “Troix,” Justin Vernon’s and Aaron Dessner’s annual two-day music festival in Eau Claires, Wis. returns with more chances to see the entire lineup.

Situated along the Chippewa River, the festival boats some of the most talented emerging music artists in the indie rock world as well as several legendary acts.

“In year three of Eaux Claires, we’re reconfiguring the grounds and reducing the amount of stages. You might notice this change reflected in our lineup,” according to the Eaux Claires’ “Troix” festival guide. “We’re doing this because it provides the ability to devote more attention to one-of-a-kind projects that make this festival unique. We’re refocusing in order to do even more to merge the audience and the artist.”

Throughout today’s lineup, festival goers will see several Wilco side projects, including The Autumn Defense, Tweedy, Cup and S. Carey and Glenn Kotche. They also will see Vernon and Bon Iver pay tribute to Prine as part of The American Songbook.

For electronic and chamber music fans, a collaboration called Music for The Long Emergency will premiere today at the festival. It’s the product of a yearlong virtual residency between Minneapolis electronic and drum-and-bass quartet Poliça and European-based chamber ensemble, s-t-a-r-g-a-z-e, led by conductor André de Ridder.

Finally, Artists-In-Residence will collaborate with featured performers throughout the festival. Many Artists-In-Residence include past performers from the first two Eaux Claires festivals – Jenny Lewis, The Staves, Phil Cook and others.

‘Troix’ – Justin Vernon, Aaron Dessner Announce Eclectic Lineup for Third Installment of Eaux Claires

Justin Vernon, left, and Aaron Dessner perform during a Day of the Dead celebration at the second Eaux Claires festival in August 2016.

It’s time to return to the river in June.

The Stratton Setlist will attend the third installment of Eaux Claires, a two-day music festival curated by Bon Iver’s Justin Vernon and The National’s Aaron Dessner.

Known as “Troix,” the Eau Claire, Wisc.-based music festival announced its eclectic lineup of musical legends, indie rockers and emerging artists Thursday for the June 16-17 event at Foster Farms along the Chippewa River.

The lineup includes Bon Iver presenting John Prine & The American Songbook, which will feature several special guests paying tribute to country/folk singer-songwriter.

Another festival highlight will include Paul Simon collaborating with chamber ensemble yMusic to reinterpret his iconic songs with contemporary classical music.

The lineup also features Feist, Sylvan Esso, Wilco, Tweedy, Chance The Rapper, Danny Brown, Perfume Genius, This Is The Kit and more.

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Stratton Setlist Snapshot: Eaux Claires Day 1 Brings Eclectic Music Mix to Wisconsin

Eau Claire, Wis. — Friday’s summer drizzle didn’t dampen the spirits of festival goers during the first day of Eaux Claires.

Instead, indie rockers and musical legends uplifted attendees at Foster Farms with pop-fueled anthems, folk rock tunes, ’80s classic hits and experimental rock.

The festival’s main highlight included the live premiere of Bon Iver’s first new album in five years — 22, A Million.