Travelers’ Rest Day 2 – The Decemberists Give Exquisite Full Performance of ‘The Crane Wife’

Jenny Conlee performs “The Crane Wife” with The Decemberists at Travelers’ Rest.

There’s something transformative about hearing a band perform an entire album live.

It’s a slightly different interpretation than what’s heard on a turntable, in the car or through a phone.

Some songs become livelier, longer and more emotive while others take on a new identity for fans.

That’s what hit me Sunday night at Travelers’ Rest.

I started photographing The Decemberists when the opening chords of “The Crane Wife 3” rang out from the stage in front of me.

While I tried to concentrate on my shots, I heard the crowd roar with contagious excitement and turned around the see a long line of fans jumping up and down at the barricade at Big Sky Brewing Company in Missoula, Mont. In that moment, I connected with their energy and enthusiasm.

That energy and enthusiasm stemmed from the Portland, Ore., indie rock band’s special performance of their 2006 concept album, “The Crane Wife.”

A special musical treat for those of us who love The Decemberists and cherish the opportunity to hear an entire album front to back LIVE.

In “The Crane Wife,” the album’s storyline focuses on an old Japanese folktale of a poor man who finds an injured crane on his doorstep and nurses it back to health. Once the crane is released, a woman appears on the man’s doorstep, and he instantly falls for her. They quickly marry.

The woman offers to weave beautiful clothes out of silk to help earn money for the couple. At first, the man agrees to never watch his wife make clothes, but forces her weave more as their income grows and becomes oblivious to her declining health.

With a growing income, the man’s greed increases, and one fateful day, he catches a glimpse of her weaving and discovers his wife is an actual crane plucking feathers from her own body and weaving them into the loom. She sees him, flies away and never returns.

“This is only the second time we’ve done one of these full albums through other than ‘Hazards of Love,’ or ‘The Tain,’” said Colin Meloy, frontman for The Decemberists. “I never know whether just to not talk through it just to give you the full album experience or just to ruin the whole experience would be chattering in between, so I’m obviously doing both and neither.”

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The Decemberists, Death Cab for Cutie Deliver Memorable Travelers’ Rest Day 1

Colin Meloy plays with The Decemberists during the first night of Travelers’ Rest.

Travelers’ Rest may be the best festival for any indie music rock fan – period.

First off, it’s an artist-curated event with The Decemberists at the helm. Who knows how to select a festival lineup better than the artists themselves? No one, I say.

Next, it’s the perfect overall length and amount of music. With two days and start and end times of 3:30 p.m. and 11:15 p.m. each day, respectively, you get to see nine acts and not have to stay up all night. At times, the three- and four-day festivals are fun, but a bit long in the tooth on hot summer days.

As a bonus, you also get to see ALL the acts if you want. No overlapping artists and schedule conflicts. A music festival goer’s dream!

Thirdly, the festival location and size. Missoula, Mont., is idyllic with its big blue sky and majestic mountains in the distance, yet remote enough to not draw overwhelming crowds compared to festivals in large cities, such as Chicago, New York City, Los Angeles and Detroit. The Big Sky Brewing Company Amphitheater has the right-size feel for an outdoor venue that holds up to 5,000 people.

Finally, who wouldn’t want to spend two musically, fun-filled days with The Decemberists and their friends? For me, it’s a bounty of exquisite musicianship and artistry.

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Travelers’ Rest — The Decemberists Host 2-Day Music Festival in Missoula, Mont.

Colin Meloy performs with The Decemberists during the “Your Girl/Your Ghost” tour at Ann Arbor’s Hill Auditorium in May. My friend Rachel provides cowbell support.

Nine years ago, I put in a copy of “The Hazards of Love” by The Decemberists in my Volkswagen Beetle’s five-disc CD changer and raised an eyebrow.

It wasn’t quite what I expected.

After listening to the entire album, I looked over at Brian and shook my head.

He replied to me, “This isn’t our style.”

At that time, we weren’t focused on rock operas and concept albums. We were the curmudgeons of pop, classic rock and power metal.

The Decemberists’ 2009 rock opera album pushed us out of our comfort zones musically, courtesy of my brother Steve. He included the album in a care package of music to hear before attending Bonnaroo and Lollapalooza.

The album’s storyline centers on a woman named Margaret who falls in love with a forest dweller named William. Throughout the album, William’s mother and a villain named the Rake bring conflict to the story.

Back then, “Hazards” was one of the first concept albums I had ever heard. While I didn’t appreciate it at the time, I sure do today.

I greatly appreciate the album and The Decemberists because they’re part of a special group of artists and music that inspired my initial love of concertgoing, vinyl and CD collecting, musical festival-ing (I know, it’s not a real word) and blogging.

Continue reading “Travelers’ Rest — The Decemberists Host 2-Day Music Festival in Missoula, Mont.”

Jena Irene Asciutto Ascends to New Musical Heights with ‘Cold Fame’

Jena Irene Asciutto

With her rich, soulful voice, Jena Irene Asciutto sings of a life lived well beyond her 22 years.

The Ann Arbor, Mich., singer-songwriter shares tales of personal growth and self-reflection in her debut album, “Cold Fame.”

Released in June 2017 on Detroit’s Original 1265 Recordings, “Cold Fame” solidifies Asciutto as a powerhouse vocalist and composer who mixes elements of pop, rock and alternative against a cinematic backdrop.

“I wanted it to be a little bit of a story, like a complete chapter of my life,” she said. “A lot of those songs were written in the same period of time so I wanted to take the listener on a little bit of a journey when they listen to it from start to finish.”

Deconstructing ‘Cold Fame’

Hearing “Cold Fame” from start to finish allows fans to delve into Asciutto’s artistic metamorphosis from American Idol runner-up to burgeoning songstress.

“I just want to make people feel something when they listen to my music,” she said. “Some of (the lyrics) are super close-knit because you know exactly what I’m talking about, and some of it’s a little bit more generalized.”

“Cold Fame’s” 14 raw, emotional tracks propel listeners on a sonic journey through self-exploration in “Song of Myself” to the dark side of life in “Black Magic” to peppy “no f*cks given” in “White Girl Wasted.”

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Ypsilanti’s After Hours Radio to Play Homecoming Show Saturday at The Late Station

After Hours Radio knows Ypsilanti, Mich., is the perfect place to end a summer tour.

The progressive, groove-heavy indie rock quartet will end their current 12-date Midwest and East Coast tour with a homecoming show at The Late Station Saturday at 8 p.m.

After starting their tour June 22, band members Nate Erickson (vocals and guitar), Greg Hughes (bass and cello), Jordan Compton (keys and synths) and Mark Dunne (drums) are ready to deliver local fans a memorable and energetic wrap-up show at their own venue.

“We have a fan base out there, and I think that by us going out on tour and coming back by playing a show in our hometown builds a lot of anticipation and excitement in the community,” Dunne said. “We’re well-seasoned by this time, and we’re playing really well together. We want everyone to come out and have a good time.”


After Hours Radio will share their homecoming show with three other artists, including EDM and video game music extraordinaire Vest and Tyler, psychedelic funk rock jam band Trifocal and jazz singer-songwriter Dani Darling. A special “mystery artist” also will be announced the day of the show.

“It’s nice to have it at the tail end versus the beginning because we’ve been sleeping on floors and couches for two weeks straight,” Erickson said. “We want to be able to have a big bash where we can party out late with our friends to really celebrate wrapping it up and just walk nearby to our own beds.”

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Musical Matrimony – FeRn Whale Husband, Wife Duo Bring Meditative Folk Rock to Metro Detroit

Tom and Angela Sheppard of FeRn Whale — photo by Rose Catherine Hohl

As FeRn Whale, Tom and Angela Sheppard are married to the music – and each other.

The Ypsilanti, Mich., husband and wife indie “meditative” folk rock duo started playing together seven years ago in the metro Detroit area and have built a lasting musical and personal partnership.

“We just have totally different roles when we play together so there’s not much of any conflict,” said Tom Sheppard. “Angela does all the writing. I support her writing by coming up with parts to go with it, but she does the singing. I set everything up and carry all the stuff, which I like to do.”

Together, they carry equal parts of FeRn Whale’s musicianship, which includes writing, recording and performing their own material and playing regular gigs at local venues, including Plymouth Rock in Plymouth and Northville Winery and Brewing Company in Northville.

Musical Metamorphosis

Earlier this year, FeRn Whale released their latest single, “Cocoon,” a soothing indie folk rock anthem focused on a personal transformation coinciding with spring’s arrival. They recorded the single on reel-to-reel tape at Royal Grand Studios in Redford last year with producer and friend Mike Bush.

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Thank you, ann arbor’s 107one and John Bommarito

Local radio station, DJ inspire my decade-long musical journey

John Bommarito — Photo by Benjamin Weatherston

Thirteen years ago, I flipped the radio dial to 107.1 (WQKL-FM) in my car and haven’t stopped listening to the Ann Arbor-based station that helped lay the initial foundation for my musical journey.

Listening to the station was a nice distraction while driving to and from my MBA classes at Eastern Michigan University. For a few minutes, I could forget about exams, papers and group projects that temporarily consumed my life and focus on hearing new music instead.

Known as “ann arbor’s 107one,” the station introduced me to Death Cab for Cutie, Snow Patrol, Gomez, Spoon, Ray LaMontagne, Nickel Creek, The Alternate Routes, Colbie Caillat, My Morning Jacket, The Shins, Scars on 45 and others. I slowly built up my CD collection and my musical knowledge because of that station.

By 2008, I had finished grad school and started commuting to Jackson for work five days a week. That allowed me to listen to ann arbor’s 107one about two hours a day. Each day, I looked forward to hearing Martin Bandyke and John Bommarito share their thoughts about different artists between songs.

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Family Ties – Detroit’s Brother Elsey Forges Strong Sibling Bond for Roots-oriented Rock

Brother Elsey’s Brady Stablein performs at The Blind Pig in January.
Brother Elsey’s indie folk rock roots run deep within their musical family tree.

The Detroit-based band of brothers credit their family with planting a love of music from one generation to the next.

Together, twins Brady Stablein (vocals, guitar) and Beau Stablein (harmonies, bass), both 21, and their 23-year-old older brother, Jack Stablein (harmonies, guitar), changed their band name from Fifth and Main to Brother Elsey last year to pay homage to their great-grandparents, Elsey and Mary Prater. They also thought the new moniker would resonate more with fans.

“Everyone in that family respected Mary and Elsey on a very deep level, and they really loved who they were,” Brady Stablein said. “Our grandfather, Elsey’s son, he got us into music. He was in a country band for a long time, and growing up around him, he always had us playing guitar, singing old country songs and stuff like that.”

The Stablein brothers’ love of music also grew while spending time with their father. Known for his eclectic music taste, the senior Stablein played everything from America to Enrique Iglesias to 50 Cent to musical theater for his sons.

“There were more genres such as folk or stuff that I don’t think a lot people got into as kids like we did,” Beau Stablein said. “That kinda pointed us in the direction that we’re in now.”

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Homecoming — The National Hosts Inaugural 2-day Music Festival in Cincinnati

CINCINNATI — Indie rock giants The National returned to their stomping grounds to host the inaugural two-day Homecoming music festival this weekend at Smale Park with Feist, Big Thief, Father John Misty as well as other emerging rock and alternative artists.

Along with Wilco, Bon Iver and The Decemberists, The National is part of a growing wave of indie rock artists who are curating their own music festivals for fans. It’s a way to provide music lovers with a more intimate experience in comparison to the larger likes of Coachella, Bonnaroo and Lollapalooza.

Homecoming truly felt like The National had returned to their roots with two special performances each night. Saturday’s set featured selections from “Sleep Well Beast,” “Trouble Will Find Me,” “High Violet” and “Alligator.” Sunday’s set featured 2007’s “Boxer” in its entirety and the debut of the band’s newest song, “Light Years.”

Bryce and Aaron Dessner also treated fans to a special performance at the Cincinnati Masonic Center Friday night to demonstrate their guitar prowess as part of Red Bird Hollow and celebrate the release of German electronic duo Mouse on Mars’ latest album, “Dimensional People.”

Lisa Hannigan, Spank Rock, Sam Amidon and Kristin Anna joined the Dessner twins and Mouse on Mars to kick off the first night of the festival.

Fans also enjoyed riveting performances by Lord Huron, Julien Baker, Future Islands, Moses Sumney, Alvvays and other talented artists.

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Science for Sociopaths — Detroit’s Maggie Cocco Gets Personal on Upcoming ‘Love & Life’ Double EP

 

 

 

 

 

 

 

DETROIT – For Science for Sociopaths, writing and singing about romance and growth is a labor of love.

The Motor City indie pop-rock singer-songwriter, aka Maggie Cocco, digs deep and gets personal on her new nine-song double EP, “Love & Life,” which drops June 1.

On “Love & Life,” Cocco’s inspirational lyrics and soulful, powerhouse voice are reminiscent of Carole King, Patti Smith, Kelly Clarkson and Emmylou Harris rolled into one. Her richly-layered songs unravel relatable situations for fans who have experienced the trials and tribulations of life and love.

Cocco is releasing her first single, “I See You,” today from her upcoming double EP. “I See You” brings an acoustic foot-stompin’, finger-snappin’ tale of an unexpected love facing personal triumph despite life’s ongoing challenges.

“‘Love’s four heartfelt songs explore infatuation, confidence, insecurity, frustration, anger and loss as it pertains to romantic love. I was inspired to draw personally from my own love life and pulled a ‘Taylor Swift’ of sorts,” said Maggie Cocco, who formed Science for Sociopaths in 2016. With ‘Life,’ I dealt with the deep stuff bordering on existential. Everything from self-love and being our best selves to life’s toughest questions and big decisions. It’s real, and so sometimes it’s dark, but it’s always hopeful.”

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