Remnose to Open for Josiah Johnson at Detroit’s Creaky House Sunday

Marlon Morton and Remnose will open for Josiah Johnson at Detroit’s Creaky House Sunday.

Remnose will share their haunting indie folk with an intimate Detroit crowd Sunday night.

The Motor City indie folk-rock quartet will perform an opening set for Josiah Johnson, co-founder and former member of The Head and the Heart, at Creaky House, a Woodbridge neighborhood do-it-yourself (DIY) music space.

“It’s a really cool old house with a beautiful backyard and an old fireplace. We played a release show there when we put out our EP, ‘What We See in Our Sleep,’ so it’s been one of our favorite DIY venues in Detroit,” said Marlon Morton, Remnose’s vocalist and rhythm guitarist. “It’s really nice for Sunday nights because you don’t have to ask everybody to go out to a bar.”

During their Sunday night set, Remnose will include introspective tracks from their latest album, “Waiting on the Wind,” which dropped in June, as well as past gems from previous releases.

“We’ll do a full band show because the majority of our sets are pretty laid back, and they suit that sort of setting like a backyard show. There will be a sound system there, too,” Morton said. “They bring over a pretty nice sound system, at least they have for shows we’ve played there in the past. It gives it a real venue sound in a backyard, so you get the best of both worlds.”

Remnose has played a growing roster of local, regional and national shows since forming in 2013. Led by Morton and his older brother Carson Morton (drums, banjo, backup vocals), the band includes Sam Sparling (lap steel guitar, synth, keys) and Alex Wildner (bass, cello, violin, piano) and features a breathtaking sound built around inspirational melodies and highly-personal lyrics.

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Danika & The Jeb Bring Fresh Americana Tonight to Ann Arbor’s Black Crystal Cafe

Danika Holmes and Jeb Hart will perform tonight at Ann Arbor’s Black Crystal Cafe.

Editor’s Note: This is repost of an earlier interview with Danika Holmes and Jeb Hart of Danika & The Jeb. Tonight, they’ll be performing at Ann Arbor’s Black Crystal Cafe.

A Nashville acoustic pop and Americana duo, Danika Holmes and Jeb Hart, aka Danika & The Jeb, bring a dynamic, uplifting and fun sound that includes a combination of artfully written songs and powerful musical phrasing.

Together, Danika & The Jeb have performed more than 1,200 shows in the U.S., U.K. and Europe since forming in 2010. They’ve also opened for Lyle Lovett, Dierks Bentley, Phil Vassar and Tracy Lawrence.

Holmes believes that a well-written song can embody all emotions of the human existence, and she articulates that beautifully with her slightly raspy, yet warm voice and truthful lyrics.

“I learned how to play the guitar from Jeb. It’s been so fun playing together all these years now because our musical style has grown together,” said Holmes, who grew up listening to church music. “As a vocalist, every artist wishes they had a guitar player like Jeb, someone who knows when to hang back and knows when to step up to the front of the stage and give a killer solo as well.”

Grand-nephew to country artist Clyde Moody, Hart can craft a story with six strings. Despite a car accident that left him unable to play for several years, Hart’s determination to overcome prevailed.

“I started on sax when I was nine and then on guitar at 14. When I was young, I’d go to work with my mom and was told to be quiet,” Hart said. “I’d hang out next to her desk with a pair of headphones on and record mixed tapes from the radio onto this little boombox she bought me.”

The duo’s latest project, “Day #2349, Danika & The Jeb – Live at Campbell Steele Gallery,” is a live double album that was recorded in Marion, Iowa last year. They recorded it 2,349 days after the release of their first album, “Second Chances,” in 2010. Their latest studio album, “Balance, Vol. 1” was released in 2014.

“Our goal was to capture one of our 1,200 live performances in a way that made people feel like they were right there listening to it,” Holmes said. “We didn’t want it to be a ‘best of’ album where you get the best version of 20 live shows. Our double-disc album is a complete show, beginning to end.”

Danika & The Jeb will capture that same live spirit during their performance tonight at Ann Arbor’s Black Crystal Cafe.

“We never tell exactly what we are preparing, but we choose our set from about six hours of rehearsed material,” Holmes said. “We like to read our audience and the other writers we’ll be playing for and with.”

Later this year, Danika & The Jeb will launch a Patreon page to share more live adventures with their fans. Each month, they will release two pieces of content that will include audio or live video projects. Danika & The Jeb also will be playing 80 more shows throughout the U.S. and Europe this year.

Equinox Party – Grove Studios Hosts Fall-Themed Celebration for Ypsilanti Creative Community

Grove Studios provides a 24/7/365 rehearsal and recording space for local artists and musicians. Photo courtesy of Grove Studios

For Grove Studios, fall’s arrival calls for an annual celebration of music, creativity and community.

The Ypsilanti rehearsal and recording space will host an “Equinox Party” Saturday to bring artists, musicians, creatives and community leaders together for an evening of networking and performances.

“We had a similar event last year, and it’s like an anniversary party for us. It’s also a back-to-school event celebrating the fall intermixed with networking and performances,” said Erich Friebel, Grove Studios partner and director of operations and community. “We’re going to have people from different support organizations and service providers and feature performances from a variety of rock bands, hip-hop artists and DJs.”

The “Equinox Party” will feature presentations from Grove Studios, Alexis Ford from the Music and Arts Guild, Ypsilanti Mayor Beth Bashert, Dan McPherson from Leaders Must Lead, Leo Casares with Issa Wrap Productions, E-Man Bates with Beats and Brews podcast, Rod Wallace from Double Negative People and RW Consulting, and Taylor Greenshields of Fundamental Sound Co.

“I just want people to take away how welcoming and opening the vibe is and how it’s a place where artists can come and they can create, and it’s not just about coming into a studio space with 55 racks on the wall that are never being used,” said Wallace, who serves as the studio’s lead engineer.

“It’s really a place where true collaboration and true artistic freedom can happen, and there’s a great deal of trust that the owners have in allowing people to come into this space 24/7/365.”

The “Equinox Party” also will include performances from Steve Somers and Friends, Painted Friends, Still in Denial, DJ Nitro, Graham Rockwood and Rockwell Music Therapy artists, Louis Picasso and The Gallery, and Wallace as well as live painting from Doradiaspora and Holly Schoenfield.

“These presentations and performances are from people who use our space and patronize our growth. We’re about a year and a half in at the current location, and prior to that, we had been doing events at Riverside Arts Center,” Friebel said. “Before that, when we were at the Michigan Avenue location, Alexis Ford from the Music and Arts Guild was doing a lot of the booking for us for events there.”

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Tom Birchler, Bobby G Launch ‘Friday Night Live’ Fall Season at Farmington Civic Theater

Tom Birchler will headline Friday Night Live at the Farmington Civic Theater this Friday.

This Friday, Tom Birchler will take center stage at the Farmington Civic Theater.

The metro Detroit singer-songwriter will headline his first show for “Friday Night Live,” a fall and winter concert series he’s curated, produced and emceed for nearly three years.

“I get to play some of my own stuff and go through my catalog to see what might connect with the audience. I’ll also do some covers, so you might hear The Beatles, Carole King or an Eagles tune,” Birchler said. “The trick is to weave the covers and originals in such a way that the show has a flow and make it entertaining from front to back.”

Birchler will perform an acoustic set with his brother David Birchler and include special guest Bobby G, a Livonia blues rock singer-songwriter and guitarist.

“I have some stuff in the set that has to do with family, I’m going to do a song called ‘That’s My Mom,’” he said. “I’ve also got some songs about love, and I’m going to do a tribute to my fallen ‘brother’ Tommy Anderson.”

A Farmington music mainstay, Birchler launched the “Friday Night Live” concert series in January 2017 after discovering the theater’s potential as a live music venue. He approached theater general manager Scott Freeman about hosting the concert series in the upstairs 130-seat theater, which now doubles as one of southeast Michigan’s premier listening rooms.

Together, Birchler and Freeman, who met each other while working at Farmington’s Rhythms in Riley Park summer concert series in 2014, wanted to offer a live music experience on Friday nights and expand the theater’s offering beyond movies in downtown Farmington.

For the “Friday Night Live” series, they opted for three shows in the fall and four in the winter. To prepare for each show, Birchler books performances and handles sound while Freeman oversees promotion and venue needs.

“I knew it was a good room, and the size was right,” said Birchler, who also books and produces several Michigan-based shows through Go2Guy Productions and performs regularly for seniors. “I thought this would be an awesome venue for live music. I’m really lucky to be able to do stuff in that venue. Going forward, I hope that it’s something we can do more often.”

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Detroit’s Guitar Hero – Kyle Mikolajczyk Reigns as Musical Mastermind Behind Motor City Rock Bands

Kyle Mikolajczyk, left, performs with Michael Kalb of Swizzille Trip.

For Kyle Mikolajczyk, “Psychedelic Friday” will serve as the ultimate end-of-summer sonic head trip.

The Detroit bassist and vocalist will share that groovy musical ride tonight at The Blind Pig with his Swizzille Trip bandmates as well as Detroit Trouble, The Kenny Hill Group, Frame 42 and XLR8.

“When I was first offered the opportunity to be in Swizzille Trip, I thought, ‘Psych rock and jam rock, that must be like rock and roll, right?’ The deeper I dig into it I realize the structure, philosophy and approach are totally different,” said Mikolajczyk, who also plays guitar and bass for several Detroit bands.

“Right now, I’m still studying it very deeply and getting into The Grateful Dead, Phish and Dead & Company. It’s very much a learning process I’m going through with Swizzille Trip. The entire project is very open-minded. We just let it flow, and it’s natural.”

Mikolajczyk recently added psychedelic rock to his extensive repertoire when he joined Swizzille Trip last year. He teamed up with Michael Kalb (guitar, vocals) and Preston Preiss (drums, vocals) after they performed at a release party for Detroit alt rock band Black Feather (another Mikolajczyk project).

“They were in search of a new bassist, and I’m always open-minded to new endeavors,” he said. “I very much see eye-to-eye with Michael Kalb.”

That strong musical partnership has manifested into a series of far-out singles from Swizzille Trip’s latest album, “Interstellar Wonderlove,” which carries themes of peace and unity. The band’s latest single, “Water,” serves as a heartfelt acoustic rock anthem while “Sand” provides an intergalactic, bass-fueled cover of the 2000 Phish classic.

Swizzille Trip will continue to record and release tracks from “Interstellar Wonderlove” in the coming months. In September, they’ll return to Tempermill Studio in Ferndale to hammer out additional songs, including the holiday-tinged “Zombie Snowman” for a November release.

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Sonic Storytellers – 4 Michigan Artists Host Singer-Songwriter Show Tonight at Detroit’s Cadieux Cafe

Four Michigan artists will share the stories, successes and secrets behind their music tonight in the Motor City.

Brian Perrone, Shawn Butzin, Mike Gentry and Mark Jewett will host a “Singer-Songwriter Night” today at Detroit’s historic Cadieux Café, 4300 Cadieux Road, from 7 p.m. to 9 p.m.

For the artists, it’s a rare chance to share their eclectic, timeless music in a live, intimate acoustic setting on the city’s east side. Perrone, a Livonia singer-songwriter, relishes any opportunity to bring talented local artists together.

“I try to find artists who are somewhat similar, but still different enough for the audience,” said Perrone, who’s organizing tonight’s show.  “I like to set it up where we either all take the stage at the same time and take turns rotating songs, or we each go up, play two songs and do a round like that. That way, it’s not just one act for four or five songs.”

During tonight’s show, each artist will reveal past and present tunes from their musical catalogs and introduce their favorite covers. They also might surprise the audience with a new song.

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Signing Off – After Hours Radio Announces Split, Performs Final Shows This Week

After Hours Radio’s Greg Hughes and Nate Erickson perform at Ann Arbor’s Club Above in January.

Ypsilanti’s After Hours Radio will officially sign off this week.

After five years, the progressive groove-heavy indie rock trio of Nate Erickson (guitar, vocals), Greg Hughes (bass) and Mark Dunne (drums) will call it quits and perform their final shows tomorrow in Ypsi and Friday in Bowling Green, Ohio.

“We had a lot to celebrate this year with our five-year anniversary and the brief return of our original lead singer, Calum Galt. No matter how successful a band can be with longevity, ultimately, there are going to be some challenges on an interpersonal level between people,” said Hughes, co-founder of After Hours Radio.

“There have been a lot of changes in our lives as well as ideas about how we want to approach being in the band and writing songs. We’re just trying to end things so we can explore opportunities that better align with our interests, goals and preferences.”

Hughes co-founded After Hours Radio with Erickson in 2014 after performing at the Nakamura and Luther Buchele co-ops while attending the University of Michigan. Together, they cut their musical teeth  at co-op open mic nights and introduced a freeform musical approach that incorporated several genres.

That freeform musical approach resulted in the band’s self-titled debut EP in 2015 and their follow-up EP, “What Happened?,” in 2017. With Hughes and Erickson at the helm, After Hours Radio went through some lineup changes, including several drummers and the recent departure of keyboardist and synth player Jordan Compton, and expanded their sound to include more electronic effects.

Last year, After Hours Radio launched their own do-it-yourself (DIY) music venue, The Late Station, in Ypsi to showcase local emerging artists and musicians across a variety of genres. Bandmates and friends helped promote events, run the door and assist with gear at The Late Station.

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Adventures with Vultures Embraces Duality on Latest Single, ‘Youth & Danger’

Adventures with Vultures latest single, “Youth & Danger,” seamlessly blends two songs into one.

Adventures with Vultures wishes he could thank Freddie Mercury.

The Plymouth indie folk-rock singer-songwriter credits the late Queen frontman with inspiring his new single, “Youth & Danger,” which blows past the traditional 3.5-minute mark.

“I recently watched the ‘Bohemian Rhapsody’ movie, and they were telling Freddie Mercury how the song, ‘Bohemian Rhapsody,’ was way too long to be a single,” said Matt Sauter, aka Adventures with Vultures. “He’s like, ‘Fuck you, if I want a 15-minute single, then I’m going to put a 15-minute single out.’ Then, I was thinking about ‘Youth & Danger,’ and I said I’m just going to make it one long song.”

Adventures with Vultures’ latest single, the alt rock, indie folk-tinged “Youth & Danger,” clocks in at 7.5 minutes and originally started as two separate songs. During live shows, Sauter and his bandmates brother Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar) would merge both songs since they’re in the same key.

“The first part of the song, ‘Youth,’ is about my grandma. I wrote that song about a week after she passed away, and it was one of those songs that took me not even 30 minutes to write,” Sauter said. “I also decided to write a song, ‘Danger,’ about how I was growing up with drinking, smoking, partying and girls. My brother is in the band, and he was like, ‘Blend the two together, man,’ and the name stuck.”

A gorgeous track, “Youth & Danger” opens with a quiet acoustic guitar solo while a slide guitar echoes in the background. This complementary guitar work sets the stage for a quiet, reflective tune as Sauter sings in a raspy voice, “Well, heaven’s gates won’t let me in/When I die I’ll guarantee they’ll sing so they can come down.”

A set of quiet, delicate cymbals crash in response to Sauter’s solemn tone – “They married young and they raised their kin/They had two young daughters and my mother Kim/And a son named Joseph/But oh I cry every time I sing this song.”

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Behind the Mask – Throwaway Unveils Debut Album ‘WHAT?,’ Hosts Release Show Tonight at Detroit’s El Club

Throwaway will celebrate the release of “WHAT?” tonight at El Club in Detroit. Photo by the Ottolab

Throwaway knows how to easily extract the spirit of “Evil Cooper.”

The Detroit art rock/no wave vocalist-guitarist musically summons the demonic alter ego of Dale Cooper from “Twin Peaks” in “Julep,” a brilliant six-minute track filled with raw guitars, deep distortions and dark feedback.

“I’ve always had this affinity for it because it has a very dramatic arc itself, and it’s oblique, enigmatic and strange. The affinity for that particular recording came out because I wanted to bring some guitar feedback to the end of the track, and we were recording it right in the middle of ‘Twin Peaks: The Return,’” said Kirsten Carey, aka Throwaway.

“You know those scenes where it’s just Evil Cooper driving in the car, the camera is focused on his face and you hear all these uncomfortable bumpy drones? When I was recording that feedback, I thought, ‘Oh my God, it sounds like Evil Coop.’”

In a sense, Evil Coop is the artistic and musical spirit animal of Throwaway, Carey’s alter ego who dons a paper bag. “Julep” is one of eight standout experimental rock tracks featured on Throwaway’s debut album “WHAT?” out tomorrow.

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The National, Courtney Barnett Deliver Memorable First Performances at Ann Arbor’s Hill Auditorium

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The National knows how to make an indelible first impression in Tree Town.

The indie rock quintet enthralled a crowd of nearly 3,500 fans during their first headlining show June 25 at Ann Arbor’s Hill Auditorium with Courtney Barnett.

It was their first appearance in Tree Town while supporting their latest and eighth studio release, “I Am Easy to Find,” which features memorable collaborations with notable female artists and musicians.

Bathed in brightly colored lights and flanked by two large screens displaying Impressionist-inspired artwork, The National opened their nearly two-hour set with “You Had Your Soul with You” and featured Dianne Berkun Menaker, founder and director of the Brooklyn Youth Choir, as a brilliant guest vocalist.

Lead vocalist Matt Berninger sipped a beverage from a red plastic Solo cup and joked with the audience throughout their set as twin brothers Aaron Dessner (guitar, bass piano) and Bryce Dessner (guitar, piano) cued up the band before each song.

The band performed several introspective masterpieces from their latest album, including “Quiet Light,” “The Pull of You,” “Hey Rosey,” “Oblivions,” “Light Years,” “I Am Easy to Find” and “Rylan,” while Berkun Menaker provided lush harmonies and background vocals that meshed beautifully with Berninger’s.

About halfway through their set, Berninger and drummer Bryan Devendorf engaged in friendly onstage banter. The introverted Devendorf spoke fondly about spending time in Ann Arbor before the band’s show. In response, Berninger joked with his quiet bandmate about finally speaking to the crowd.

“Are you going to say something, Bryan?” Berninger asked laughingly. “Let me give you my microphone … Bryan barely speaks, you guys.”

Devendorf proudly responded, “I visited a pool today called the Fuller Park Pool, it was fantastic, and right across the street is U-M hospital, am I correct? I was born there in 1975, so I’ve come full circle.”

The National also came full circle musically while performing past fan favorites ranging from “Bloodbuzz Ohio” to “Graceless” to “Fake Empire.” No National live show is complete without at least one or two timeless tracks from “High Violet” and “Boxer.”

The band closed the show with a four-song encore and featured Berninger jumping into the crowd and interacting with fans during “Mr. November.” It’s a highly anticipated moment from any longtime fan of The National.

A fan also presented Berninger with his own U-M baseball cap to wear toward the end of the night.

“Thank you for making this for me. I will wear this forever,” Berninger said. “You want me to sign it? I’m not giving this back to you.”

Hopefully, Berninger’s new cap will make it easy for fans to find The National in Ann Arbor again soon.

Continue reading “The National, Courtney Barnett Deliver Memorable First Performances at Ann Arbor’s Hill Auditorium”