Month: June 2026

Sinking Feeling — Checkered Lilies Process a Breakup and Its Aftermath on “Abandon Ship” Single

Kayla, Cesca, and Trie of Checkered Lilies. Photo – John Garrod

Checkered Lilies understand the sinking feeling that comes with a breakup.

The Southwest Michigan band processes that disappointment, uncertainty, and frustration on their latest alt-pop single, “Abandon Ship.”

“It was very autobiographical just because of stuff that has happened very recently,” said Kayla, vocalist, bassist, and keyboardist for Checkered Lilies.

“I tried to reframe it into more of a relationship because relationships are super complicated, no matter the nature of the relationship.”

Backed by somber piano, electric guitar, and drums, Kayla sings, “I’m tossed by the current / Buried by the waves / I hope you got that escape you craved / So now you can go / And sail through your bright, clear skies / I’ll be where you left me behind.”

“I think that was my favorite part of the writing process: trying to take this situation, which I don’t think is very easily relatable, and extending it into something that’s more applicable to people wherever they are,” she said.

“Regardless of the type of relationship, any relationship has [its] ups and downs, so people can take it and apply it to their own lives.”

“Abandon Ship” also serves as the debut single for Checkered Lilies, which features oldest sister Kayla, 20, and her two younger sisters, drummer-vocalist Trie, 18, and guitarist-vocalist Cesca, 12.

“Personally, I think one of the biggest things that’s coming up for us is the release of Checkered Lilies in and of itself,” Trie said.

“We’ve done a few originals before, but Checkered Lilies is a whole new big project where we’re really writing songs that we connect with and songs that mean something to us. We’ve got a ton of them lined up starting [this] month and continuing on through the summer, and we’re all very excited about that.”

I recently spoke with the band about their background and latest single ahead of a June 27 show at The Stray in Grand Rapids.

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Seize the Moment — “Lost in the Woods” Album Features Boisen | Öhman | Rogers Embarking on an Experimental Music Journey

“Lost in the Woods” album artwork courtesy of the artist.

Last summer, three friends got lost in a musical moment.

That moment featured musicians Myles Boisen, Martin Öhman, and Jill Rogers gathering together for a single studio session in Yrde, Sweden, to collaborate and see where their imagination would take them.

“The three of us had agreed to meet at Martin’s recording studio, [Skogen Studios], … but there was no plan, no agenda,” said Boisen, a guitarist, composer, improvisor, and recording engineer based in Oakland, California.

“We didn’t even know we were about to make a record. In a sense, we agreed to wander together, but that was really the extent of our preparation. Along the way, we challenged and revealed ourselves to each other in surprising ways, a real ‘getting-to-know-you’ thing.”

What resulted from that session is an experimental music album by the new U.S.-Sweden trio, Boisen | Öhman | Rogers.

Released on Mellanrum Records, Lost in the Woods, or Vilse i Skogen in Swedish, features three long-form improvisational tracks and one short vocal track.

“There was no discussion at all about what to play,” said Rogers, a musician, educator, and record label founder based in San Francisco.

“I was noodling around with … a song [that] my band, Ex-Juncos, had abandoned, and we were off! When that improvisation reached its end, we relaxed for a moment and started in again—no discussion or planning, just listening, playing, conversing.”

Sonically, Lost in the Woods provides a contemplative soundtrack for embarking on a journey of self-discovery and processing the emotions, changes, and challenges that accompany it.

“The woods and nature are a big part of our lives as Swedes,” said Öhman, a drummer, an electronics and multidisciplinary artist, and studio owner based in Yrde, Sweden.

“Roaming in the woods is something most Swedish kids do as a part of everyday life, especially in the more rural parts. Perhaps that’s what makes us a bit introverted, or in other, more positive words, thoughtful, or ‘eftertänksamma’ in Swedish. I think nature does that to you.”

To learn more, I did an email interview with the trio about their latest album.

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One Track Mind — Annie and Rod Capps, “Pardon My Dust”

Rod and Annie Capps. Photo – Jen Prouty.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

One Track Mind features a Washtenaw County-associated artist or band discussing a single song.

Standout Track: No. 2, “Pardon My Dust,” from Annie and Rod Capps. The Chelsea couple’s latest folk album, Never Done, is about self-improvement and the lessons they’ve learned on their journey of personal growth.

On “Pardon My Dust,” Annie Capps sings about self-reinvention and uses construction-based metaphors to show that her work is never done. Those references come from driving back and forth to Chicago over the years. “I think this song in particular is more about how we need to be kinder to ourselves and others who are struggling with life and all the challenges and curve balls it throws us along the way,” Annie Capps wrote in an email interview. “Also, those who have done any kind of therapy will understand that you have to tear down stuff to rebuild something better. Thus, the self-destruction reference. Not all self-destruction is necessarily bad if it reveals what needs fixing.”

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