Category: Concerts

Audiotree Music Festival Brings Emerging Indie Rock to Kalamazoo Today, Sunday

Local Natives will headline the Audiotree Music Festival in Kalamazoo today.

Indie music lovers will rejoice today with the start of Kalamazoo’s Audiotree Music Festival.

The two-day music festival kicks off at noon in Arcadia Creek Festival Place and features nearly 30 artists on two stages.

Denver psychedelic pop group Flaural will open the festival on the WIDR Discovery Stage while Los Angeles indie rock quintet Local Natives will perform a headlining set on the Main Stage.

New Jersey indie pop quintet Real Estate and Los Angeles indie folk rocker Father John Misty (aka Josh Tillman) will headline on Sunday.

Founded in 2013 by Kalamazoo natives Michael Johnston and Adam Thurston, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

In 2015, Audiotree purchased two Chicago venues, Schubas Tavern and Lincoln Hall, adding a live concert booking, promoting and streaming division to the company. Since 2011, Audiotree’s online following has grown to include more than 350,000 YouTube subscribers. Now, the Audiotree Music Festival is expanding the match the scale of the entire company.

“While this year’s festival is very guitar-driven, we’re really excited about the variety we’ve still been able to cover,” said Patrick Van Wagoner, a talent buyer for the Audiotree Music Festival and Lincoln Hall, in a festival press release. “Attendees will find elements of rock ’n roll, punk, folk, pop, funk and more, while seeing plenty of acts with Audiotree history.”

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Kalamazoo’s Moss Jaw Cultivates First Festival Experience at Audiotree on Saturday

Kayley Kerastas, Russ Wagner, Max Murray and Evan Asher of Moss Jaw

Editor’s Note: This is the third installment in a multi-part series this week previewing the Audiotree Music Festival and profiling artists from the lineup.

Last year, four Kalamazoo pals decided to cultivate their own musical experience.

Together, Kayley Kerastas, Russ Wagner, Evan Asher and Max Murray planted the artistic seeds for Moss Jaw, a dark, dreamy post-rock project, and watched it flourish throughout the DITKalamazoo scene.

A year later, that musical sapling grew into an opening slot at this weekend’s Audiotree Music Festival. The Kalamazoo quartet will take root with a 12:25 p.m. set Saturday on the WIDR-FM Discovery Stage in Arcadia Creek Festival Place.

Moss Jaw will join nearly 30 other artists, including Father John Misty, Local Natives, Khruangbin, Basement and Real Estate.

They’re also one of several West Michigan-based artists featured in the Audiotree Music Festival lineup along with Michigander, Lushh, Jake Simmons & The Little Ghosts and Major Murphy.

Founded in 2013, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

This year, Audiotree has joined forces with WIDR (89.1 FM), Western Michigan University’s college radio station, to plant the festival’s new Discovery Stage and feature 12 additional bands throughout the weekend.

WIDR invited Moss Jaw to perform at Audiotree after they won second place in a local Battle of the Bands contest earlier this year.

“Wonderfully enough, they wanted us on behalf of Audiotree, and we are just so stoked,” said Kerastas, Moss Jaw vocalist and guitarist. “We’ve been eyeballing that (Audiotree Live) session for a while, and we’ve been trying to reach that someday, and thankfully enough, we get to play the festival.”

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Grand Rapids’ Major Murphy to Enlist New Fan Base at Audiotree Music Festival on Sunday

Major Murphy’s Jacki Warren, Jacob Bullard and Brian “Bud” Voortman

Editor’s Note: This is the second installment in a multi-part series this week previewing the Audiotree Music Festival and profiling artists from the lineup.

Major Murphy will enlist a battalion of new recruits at Kalamazoo’s Audiotree Music Festival this weekend.

The Grand Rapids nostalgic rock trio will conquer the crowd Sunday with a 12:50 p.m. set on the main stage at the two-day festival in Arcadia Creek Festival Place. Major Murphy will join nearly 30 other acts, including Father John Misty, Local Natives, Real Estate, Diet Cig and Blitzen Trapper.

They’re one of five West Michigan-based artists featured in the Audiotree Music Festival lineup along with Michigander, Lushh, Jake Simmons & The Little Ghosts and Moss Jaw.

Founded in 2013, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

Major Murphy’s Jacob Bullard (vocals, guitar), Jacki Warren (vocals, bass) and Brian “Bud” Voortman (drums) will share their 1970s-inspired radio rock with Audiotree festivalgoers during a much-anticipated set.

They’ll be performing laid-back, catchy songs from their full-length debut album, “No. 1,” which dropped in March on Winspear. Those new to Major Murphy will hear jangly guitars, shimmering riffs, synth-sheened grooves and dreamy, commanding vocals.

“When we perform as a trio, there is a more immediate sound and energy that I think we all enjoy. It boils down and reveals the really important parts of the songs,” Bullard said. “When you’re in a festival setting, there’s generally a big stage with a big PA so you can push the crowd a little bit, and it’s super fun. Live music is powerful, and it’s important to let loose sometimes.”

Continue reading “Grand Rapids’ Major Murphy to Enlist New Fan Base at Audiotree Music Festival on Sunday” →

Montréal’s Common Holly Branches Out to Kalamazoo’s Audiotree Music Festival This Weekend

Common Holly, aka Brigitte Naggar, will perform at Kalamazoo’s Audiotree Music Festival on Sunday.

Editor’s Note: This is the first installment in a multi-part series this week previewing the Audiotree Music Festival and profiling artists from the lineup.

Common Holly will grow her West Michigan following with a first-time appearance at Kalamazoo’s Audiotree Music Festival this weekend.

The dark indie folk singer-songwriter will perform a noon Sunday set on the main stage at the two-day festival in Arcadia Creek Festival Place. She will join nearly 30 other acts, including Father John Misty, Local Natives, Real Estate, Khruangbin and Chicano Batman.

Founded in 2013, the Chicago-based, Michigan-born Audiotree Music Festival celebrates new and emerging artists and is curated by the popular web music series Audiotree Live.

Common Holly – otherwise known as Brigitte Naggar – will share her hauntingly intimate songs with Audiotree festivalgoers during a highly-anticipated 50-minute set.

She’ll be playing tracks from her 2017 critically-acclaimed debut album, “Playing House,” on Solitaire Recordings. Naggar also re-recorded six of her tracks for an “Audiotree Live” session last December.

“I’m bringing a band with me this time. And yes, we’re going to do new songs – three or four, I think,” said Naggar, who hails from Montréal. “I like them much better than the old songs. I hope fans will, too.”

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‘Acoustic Introduction’ – Trey Simon Celebrates Latest EP with Friday Release Show at 20 Front Street

Trey Simon knows how to make an introduction – an acoustic one, that is.

The Rochester, Mich., soulful singer-songwriter will introduce his latest EP, “The Acoustic Introduction of Trey Simon,” to fans at 8 p.m. Friday during a special release show at Lake Orion’s 20 Front Street.

Simon will play tracks from his current EP, debut songs from his upcoming full-length album and perform with special guests Kenny Watson and Stephie James.

“We’ll have physical copies of ‘The Acoustic Introduction of Trey Simon,’ which will have bonus tracks from the full-length that’s coming out,” Simon said. “If people buy the CD, then they get the four acoustic songs, but they also get one-minute clips of these full-production songs that are coming out.”

Simon released the four-song “The Acoustic Introduction of Trey Simon” EP in July as a follow-up to his 2014 debut EP “What the Future Holds.” With “Acoustic Introduction,” Simon and Grammy Award-winning engineer and producer Quentin “QueWeezy” Dennard II opted for a simple, stripped-down sound with upbeat pop songs and romantic, soulful tunes.

“My whole vision for the EP is that I really want to build a relationship with people. I’m not looking to get rich quick, I’m not looking to become some big overnight thing,” Simon said. “I really want to build a community and movement around my music and with people. I want people to fall in love again, I want to blend cultures together, and I think the best thing to do is just give people an unfiltered, un-jazzed, unpretentious, just right-to-the-core introduction of me.”

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Musical Feast – Pond Jam Festivalgoers Experience First Taste of Mercury Salad Sandwich’s Savory Acoustic Funk over Labor Day Weekend

Mercury Salad Sandwich’s Kyle Kipp, Dan “Ozzie” Andrews, Kurt Bonnell and Brooke Ratliff

 

Rapid City, Mich. – Pond Jam festivalgoers will feast on Mercury Salad Sandwich this Labor Day weekend.

They’ll heavily ingest the tasty “acoustic funk” tunes of the burgeoning folk rock and Americana quartet from Ypsilanti, Mich., during their 4:30 p.m. Sunday set on the Pond Jam Second Stage.

It’s also the first time northern Michiganders will sink their teeth into Mercury Salad Sandwich’s delectable music, said Brooke Ratliff, the band’s vocalist, guitarist and percussionist.

“Some of our fave local bands, like Dragon Wagon and Fangs and Twang, are regulars at Pond Jam. There’s a notorious video from Pond Jam of Fangs and Twang playing their jamming song, ‘Big Foot,’ while people in Yeti costumes dance,” she said. “It just seemed like a great time, so we sent them some music, and they let us in.”

A private event, the fifth annual Pond Jam will boast more than 60 bands on four stages today through Sunday at a family’s Rapid City wilderness getaway located about 20 miles east of Traverse City, Mich.

Pond Jam festivalgoers will see an eclectic set from Ratliff and her three Mercury Salad Sandwich bandmates, Kurt Bonnell (acoustic and electric guitar), Dan “Ozzie” Andrews (acoustic and electric bass) and Kyle Kipp (drums and guitar).

“We are playing our folk rock and acoustic funk tunes and debuting one mellow original called ‘The Road,’” Ratliff said. “We are Mazzy Star fans, and the song is our tribute to them.”

Continue reading “Musical Feast – Pond Jam Festivalgoers Experience First Taste of Mercury Salad Sandwich’s Savory Acoustic Funk over Labor Day Weekend” →

A Cut Above – Detroit’s Allye Gaietto Hosts Saturday Freight Yard Show, Brings Smart Jazzy Pop to Motor City

Allye Gaietto by Patty Rooney/Rooney and Company

For Allye Gaietto, the Dequindre Cut Freight Yard serves as the quintessential outdoor music venue for burgeoning artists.

The Detroit jazz pop singer-songwriter decided to host Saturday’s live show at the freight yard after biking through the former Grand Trunk Railroad line.

“Having a car-free greenway in Detroit is great. It’s fun to see so many people out walking, running, biking and just hanging out on any given weeknight,” Gaietto said. “When I saw the post asking for musicians to play at the Freight Yard, it felt perfect. Detroiters never have enough summer, so the chance to play outside on a Saturday afternoon is a no-brainer, and with the BUILD Market, food trucks, beer and games, it looked too fun to pass up.”

Gaietto will play her first freight yard show Saturday from 1 p.m. to 4 p.m., and perform her newest song, “Normal Stuff” as well as tracks from her 2016 debut EP, “Some Kind of Heaven,” a few covers and some deep tracks for her headlining set.

Neo-soul singer-songwriter White Bee, also known as Shannon Barnes, and pop singer-songwriter Ally Evenson will join Gaietto to round out the freight yard show.

Earlier this month, White Bee released a new video for her single, “Beat State,” while Evenson’s latest single, “All My Days and Nights,” is featured on the Detroit Institute of Music Education (DIME) Sessions Vol. 4 album, which drops today.

“I’m excited to have White Bee in the lineup for her vocal talents, guitar chops and songwriting skills. I feel lucky that she was able to hop on the bill at the last minute and bring her talents to the show,” Gaietto said.

“Ally is a student at DIME, where I work. I’ve heard her play a few times for student shows and other events, and kept thinking that she needed more attention from the Detroit music scene at large. I think all three of the songwriters on this show make music that is interesting and often challenges the listener to go a little deeper, while still being accessible ‘smart pop.’”

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Travelers’ Rest Day 2 – The Decemberists Give Exquisite Full Performance of ‘The Crane Wife’

Jenny Conlee performs “The Crane Wife” with The Decemberists at Travelers’ Rest.

There’s something transformative about hearing a band perform an entire album live.

It’s a slightly different interpretation than what’s heard on a turntable, in the car or through a phone.

Some songs become livelier, longer and more emotive while others take on a new identity for fans.

That’s what hit me Sunday night at Travelers’ Rest.

I started photographing The Decemberists when the opening chords of “The Crane Wife 3” rang out from the stage in front of me.

While I tried to concentrate on my shots, I heard the crowd roar with contagious excitement and turned around the see a long line of fans jumping up and down at the barricade at Big Sky Brewing Company in Missoula, Mont. In that moment, I connected with their energy and enthusiasm.

That energy and enthusiasm stemmed from the Portland, Ore., indie rock band’s special performance of their 2006 concept album, “The Crane Wife.”

A special musical treat for those of us who love The Decemberists and cherish the opportunity to hear an entire album front to back LIVE.

In “The Crane Wife,” the album’s storyline focuses on an old Japanese folktale of a poor man who finds an injured crane on his doorstep and nurses it back to health. Once the crane is released, a woman appears on the man’s doorstep, and he instantly falls for her. They quickly marry.

The woman offers to weave beautiful clothes out of silk to help earn money for the couple. At first, the man agrees to never watch his wife make clothes, but forces her weave more as their income grows and becomes oblivious to her declining health.

With a growing income, the man’s greed increases, and one fateful day, he catches a glimpse of her weaving and discovers his wife is an actual crane plucking feathers from her own body and weaving them into the loom. She sees him, flies away and never returns.

“This is only the second time we’ve done one of these full albums through other than ‘Hazards of Love,’ or ‘The Tain,’” said Colin Meloy, frontman for The Decemberists. “I never know whether just to not talk through it just to give you the full album experience or just to ruin the whole experience would be chattering in between, so I’m obviously doing both and neither.”

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The Decemberists, Death Cab for Cutie Deliver Memorable Travelers’ Rest Day 1

Colin Meloy plays with The Decemberists during the first night of Travelers’ Rest.

Travelers’ Rest may be the best festival for any indie music rock fan – period.

First off, it’s an artist-curated event with The Decemberists at the helm. Who knows how to select a festival lineup better than the artists themselves? No one, I say.

Next, it’s the perfect overall length and amount of music. With two days and start and end times of 3:30 p.m. and 11:15 p.m. each day, respectively, you get to see nine acts and not have to stay up all night. At times, the three- and four-day festivals are fun, but a bit long in the tooth on hot summer days.

As a bonus, you also get to see ALL the acts if you want. No overlapping artists and schedule conflicts. A music festival goer’s dream!

Thirdly, the festival location and size. Missoula, Mont., is idyllic with its big blue sky and majestic mountains in the distance, yet remote enough to not draw overwhelming crowds compared to festivals in large cities, such as Chicago, New York City, Los Angeles and Detroit. The Big Sky Brewing Company Amphitheater has the right-size feel for an outdoor venue that holds up to 5,000 people.

Finally, who wouldn’t want to spend two musically, fun-filled days with The Decemberists and their friends? For me, it’s a bounty of exquisite musicianship and artistry.

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Travelers’ Rest — The Decemberists Host 2-Day Music Festival in Missoula, Mont.

Colin Meloy performs with The Decemberists during the “Your Girl/Your Ghost” tour at Ann Arbor’s Hill Auditorium in May. My friend Rachel provides cowbell support.

Nine years ago, I put in a copy of “The Hazards of Love” by The Decemberists in my Volkswagen Beetle’s five-disc CD changer and raised an eyebrow.

It wasn’t quite what I expected.

After listening to the entire album, I looked over at Brian and shook my head.

He replied to me, “This isn’t our style.”

At that time, we weren’t focused on rock operas and concept albums. We were the curmudgeons of pop, classic rock and power metal.

The Decemberists’ 2009 rock opera album pushed us out of our comfort zones musically, courtesy of my brother Steve. He included the album in a care package of music to hear before attending Bonnaroo and Lollapalooza.

The album’s storyline centers on a woman named Margaret who falls in love with a forest dweller named William. Throughout the album, William’s mother and a villain named the Rake bring conflict to the story.

Back then, “Hazards” was one of the first concept albums I had ever heard. While I didn’t appreciate it at the time, I sure do today.

I greatly appreciate the album and The Decemberists because they’re part of a special group of artists and music that inspired my initial love of concertgoing, vinyl and CD collecting, musical festival-ing (I know, it’s not a real word) and blogging.

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