Category: Concerts

Speaking Up — Amrit Kohli Advocates for Resistance and Survival on “Mama! I Can’t Breathe” Album

Amrit Kohli confronts sociopolitical issues on “Mama! I Can’t Breathe.” Courtesy photo

One year ago, Amrit Kohli released a sociopolitical album reflecting on resistance and survival.

Known as Mama! I Can’t Breathe, the album’s dozen tracks span almost three decades of songwriting and explore oppression, resilience, Black liberation, and queer identity.

“It’s more than just an album,” said Kohli, a queer folk singer-songwriter and activist from Ferndale, Michigan. “At a time when the world still grapples with the repercussions of George Floyd’s tragic death, I transform pain into art, using music as both a tribute and call-to-action.”

Kohli examines those themes through improvisational lyrics, emotive vocals, and atmospheric instrumentation. On a deeper level, the album helps Kohli confront identity politics and find refuge in authenticity.

“I feel like an imposter in almost every community that I’m in because I’m outside [almost] all of them,” said Kohli, who has Kenyan and Indian heritage.

“I’m either an immigrant or I’m this or that. The queer community is pretty diverse and different, and the queer community I feel like I belong to. I think culturally, ethnically, and all of those things, there’s a lot of fragmentation in my identity that way.”

I recently spoke with Kohli about their latest album ahead of a Stop Starving Gaza benefit show on June 20 at the Ghost Light in Hamtramck, Michigan.

Continue reading “Speaking Up — Amrit Kohli Advocates for Resistance and Survival on “Mama! I Can’t Breathe” Album” →

Far and Away — Custard Flux Embraces New Worlds on “Enter Xenon” Album

Custard Flux’s Gregory Curvey, Timothy Prettyman, Nick Pruett, Andy Thompson, and Vito Greco. Courtesy photo

Custard Flux braves the elements and visits new worlds on Enter Xenon.

The Detroit band ventures to Arctic locales and distant fantasy realms on its latest prog-rock album.

“That’s what I like to create with my art,” said Gregory Curvey, Custard Flux’s vocalist, guitarist, and multi-instrumentalist. “I like everyone to look at it and see something different. I didn’t have anything in mind like that … but it all does flow that way artistically.”

Enter Xenon seamlessly flows through 10 tracks, which feature intriguing tales about aspiration, uncertainty, and loss alongside cinematic instrumentals.

“I’m not trying to guide anyone anywhere, but I’m working with themes,” Curvey said. “I’m putting together things that are cohesive. I’m not necessarily making a concept album with a thought-out story. I’ve always loved how Richard Butler and The Psychedelic Furs use the same lyrics in different songs, so I’m kinda doing that.”

For its sixth studio album, Custard Flux also seeks inspiration from the element xenon and the 1980 sci-fi pinball game Xenon.

“All of the albums, except for Echo, have been named after elements,” Curvey said. “I was gonna use xenon because I thought it was cool. In the pinball game, a female voice says, ‘Enter Xenon.’ Back then, my friends and I would go to the arcade and blow all of our money. I wanted to make it my own thing.”

To learn more, I spoke with Curvey about his background and the inspiration behind the album.

Continue reading “Far and Away — Custard Flux Embraces New Worlds on “Enter Xenon” Album” →

True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single

Jon-Mikal Bartee of The Idiot Kids. Courtesy photo

Jon-Mikal Bartee refuses to adopt a dichotomous mindset.

The Detroit vocalist, multi-instrumentalist, and producer dismisses society’s “us-versus-them” ideology and embraces their authentic self on “Zeroes & Ones.”

“I think there are people who can relate to this feeling,” said Bartee, who performs as The Idiot Kids, about their new garage-punk single. “I mean, releasing it during Pride Month definitely was not an accident. I know many other queer people who feel similar. Ultimately, I hope this track might act as a conduit for others to express how they may be feeling.”

While it’s an empowering queer anthem, “Zeroes & Ones” also takes inspiration from binary code and features defiant vocals and fiery instrumentation.

Bartee sings, “I’m not the either or / Not neither nor / Rigid dichotomy’s a bore / Or in other words / I’m not the this or that / I am a winding path / I write my odyssey / My score.”

“I liked the imagery of binary code and the fact that we use it every day in our digital lives,” they said. “Without realizing that we need both to communicate anything, I’ve always been frustrated by the lack of nuance in modern-day discourse. People seem to pick sides, stick to their guns, and do not want to engage with anything that may challenge what they already believe. Whether that’s politically, socially, or dealing with our own identities.”

I recently spoke with Bartee about The Idiot Kids’ single ahead of a June 7 show at Bell’s Back Room Kalamazoo, Michigan.

Continue reading “True Identity — The Idiot Kids Reject Dichotomy, Embrace Authenticity on “Zeroes & Ones” Single” →

Songbird — Dave & Kristi Embrace the Spirit of the Chickadee on Their New Folk Album

Dave Boutette and Kristi Davis in the studio at Ann Arbor’s Big Sky Recording. Photo by Misty Lyn Photography.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Dave & Kristi feel a special connection to the chickadee.

The Dexter duo embraces the songbird as a symbol of joy and hope on their new folk album, The Chickadees.

“The chickadee reference is about the spiritual part of you that lives on,” said Kristi Davis about her latest release with husband and musical partner Dave Boutette.

“That’s the hopeful part, and they represent good luck, happiness, knowledge, truth, and adaptability. That’s exactly the stuff that we need right now.”

Davis and Boutette channel the chickadee’s positive spirit as they reflect on love, loss, and aging across the album’s 13 tracks.

“As far as things that are on the record, we’ve experienced a lot of loss in the last two or three years,” Boutette said. “And also this summer we’re both turning 60. It’s everything from family members and friends passing.”

The duo unexpectedly lost three family members and a pet during the last few years.

“Our dog passed very unexpectedly and a week later my dad passed,” said Davis, who sings and plays percussion on the album. “Dave lost his mom and his brother. There’s a little memorial to them on [the album], but it’s been an inspiration for the music.”

Some songs from The Chickadees also reference Dave & Kristi’s growing concerns about the nation’s changing political climate and its impact on our future.

“There are different parts of our foundation that we’ve been walking on for a long time and counting on for a long time that have shifted and are slipping,” said Boutette, the duo’s co-lead vocalist and guitarist.

“We’re OK, we have a roof over our head, and there’s food in the cupboard. It’s just that we’re older now—things are different underneath us now. We’re in uncharted territory, and we’re just trying to make our way through it.”

Dave & Kristi explore those themes and reflections through singable lyrics, rich harmonies, and emotive instrumentation.

To learn more, I spoke with the duo ahead of their June 1 album release show at Ann Arbor’s Old Town Tavern.

Continue reading “Songbird — Dave & Kristi Embrace the Spirit of the Chickadee on Their New Folk Album” →

Construction Time Again — Crossword Smiles Build a New Album, “Consequences & Detours,” Out of Grief and Goodbyes

Tom Curless and Chip Saam of Crossword Smiles. Photo by Madeline Curless.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Tom Curless and Chip Saam anticipate life’s twists and turns and adjust their plans and perspectives accordingly on Consequences & Detours, the new album by their band, Crossword Smiles.

“At this point in our lives, we start to have a different perspective on life,” said Curless, who lives south of Flint in the town of Grand Blanc.

“You start to see things a little higher at a 30,000-foot view. I’ve lost people, I’ve lost my parents, and all of a sudden, you say, ‘Wow, life seems a little bit different now.’”

That wise perspective permeates Crossword Smiles’ songwriting on its sophomore release, which features 11 tracks about anticipation, disappointment, and discovery.

“I don’t think you can get away from it,” said Saam, who previously lived in Dexter and now resides in the West Michigan town of Dimondale. “If you’re making music and writing songs, some of your life is going to seep into it. There are some specific references to things like in ‘Typical Waving Goodbye.’ I lost a buddy … and I didn’t know when I was saying goodbye to him that I was saying goodbye for good.”

Those relatable experiences on Consequences & Detours quickly connect with listeners, thanks to the duo’s memorable lyrics, infectious harmonies, vivid electric guitars, and melodic instrumentation.

“We really both contributed a lot of things to each song,” said Saam, also a University of Michigan alumnus and host of the internet show Indie Pop Takeout. “It was very fulfilling for me as a musician.”

The musicianship extends to the arrangements, too, which feature violin, mandolin, trumpet, and accordion to augment the core of guitar, bass, and drums.

“We purposely went after different sonic touches on every song if we could,” Curless said.

I recently spoke with Curless and Sam about the album ahead of a May 31 show at Trinity House Theatre in Livonia.

Continue reading “Construction Time Again — Crossword Smiles Build a New Album, “Consequences & Detours,” Out of Grief and Goodbyes” →

Beyond the Limits — Widetrack Tests Emotional Boundaries on “Galatea” Concept Album

Widetrack features suspenseful lyrics and haunting instrumentation on “Galatea.” Courtesy photo

Widetrack explores the emotional limits of an evil man and his heroine redeemer on Galatea.

The father-son duo combines elements of horror movies, psychological thrillers, and Greek mythology to create a compelling narrative for its latest concept album.

“We love all the classic books and movies, like Red Dragon, Psycho, and The Silence of the Lambs,” said Ron Tippin, Widetrack’s vocalist and drummer. “It’s not so much about the shock and gore, but more about the psychological aspect of it.”

On Galatea, a man is caught in a destructive cycle while searching for the perfect woman to love and possess.

“What I started seeing with a lot of these books and movies that I was reading and watching is this person who overcompensates for feeling uncomfortable in his own skin,” Tippin said. “He desires these women, but he knows he doesn’t stand a chance with them.”

After dating and discarding many women, the man finally meets his match in Galatea. Inspired by Pygmalion’s ivory statue and Madeline Miller’s short story, Galatea sees beyond the man’s controlling nature and falls in love with him.

“The actual album is about this woman who doesn’t give into his control and ends up making him see himself for who he really is,” said Tippin, who’s based in Waterford, Michigan.

“It’s a composite of all these movies [and books] we’ve liked and talked about. It’s a tribute to horror movies, a tribute to strong women, a tribute to the power of redemption, or the question, ‘If you can’t be redeemed, then what’s the next best thing?’”

Tippin and his son, Zach Tippin (guitar, bass, keys), examine that question across eight tracks on Galatea, which features suspenseful lyrics and haunting alt-rock/prog-rock instrumentation.

I spoke with Widetrack about Galatea ahead of a May 23 show at Detroit’s Outer Limits Lounge.

Continue reading “Beyond the Limits — Widetrack Tests Emotional Boundaries on “Galatea” Concept Album” →

Over Time — Tom Alter Contemplates Past Lessons and Future Challenges on “Under the Firmament” Album

Tom Alter explores the passage of time on “Under the Firmament.” Photo – Jay Jylkka

The passage of time weighs heavily on Tom Alter’s mind.

The Fraser, Michigan, singer-songwriter examines lessons from the past while addressing challenges of the present and future on Under the Firmament.

“When I write, I usually write songs about things that are staying in my mind for a while,” said Alter about his latest indie-folk-rock album.

“It can be issues or life events that are sticking with me, and I can’t let go. Time is an aspect of it, and I think it is just living and the common experiences that we all have.”

Alter chronicles those experiences through nine perceptive tracks, which feature contemplative lyrics, haunting guitars, and atmospheric instrumentation.

“At my age, I’m even writing more about time now on the songs I’ve been writing since then,” he said. “I think the theme will continue into my next album and project. I think it’s … trying to grapple with life and how it impacts us as individuals and as a community.”

I spoke with Alter about Under the Firmament and the inspiration behind it.

Continue reading “Over Time — Tom Alter Contemplates Past Lessons and Future Challenges on “Under the Firmament” Album” →

Inside Story — Jess Merritt Displays a Bold and Transformative Mindset on “Wild in Me” EP

Jess Merritt sings about self-discovery, growth, and freedom on Wild in Me. Photo – c

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Jess Merritt no longer silences her inner voice.

The Ann Arbor singer-songwriter follows her instincts and unleashes her authentic self on Wild in Me.

“It’s been a big journey,” said Merritt, aka Jess Oberholtzer, about her new folk-rock-soul EP.

“Over the past five years or so … I went through a divorce, the pandemic, and coming out. It’s been a real transformative time. I look back, and I’m so grateful that I took those steps because I feel so much closer to my true self now. Even though things are a little bit scary as far as what the future holds, I just feel solid in myself.”

Merritt embraces that bold mindset through an honest and inspirational collection of songs about self-discovery, growth, and freedom. The four tracks on Wild in Me come to life through soulful vocals, cathartic lyrics, and soaring instrumentation.

“I tend to write about things that are closely held and deeply felt,” said Merritt, who previously performed as Jess McCumons.

“I feel happier after I feel something intensely, even if it’s challenging. To me, revisiting and sitting in those feelings, even if they’re not sunshiny all the time, actually does feel very healing, cleansing, and empowering.”

Continue reading “Inside Story — Jess Merritt Displays a Bold and Transformative Mindset on “Wild in Me” EP” →

Finding Yourself — Taylor DeRousse Traces Her Personal Evolution on “Running Back to Me” Album

Taylor DeRousse features vulnerable lyrics, heartfelt vocals, and cathartic instrumentation on “Running Back to Me. Courtesy photo

Taylor DeRousse welcomes herself with open arms.

The Metro Detroit singer-songwriter and multi-instrumentalist embraces her holistic self—both past and present—and the wisdom she’s gained on Running Back to Me.

“It’s a coming of age [tale] where I’m growing up and growing into myself,” said DeRousse about her debut album, which includes elements of indie rock, atmospheric folk, and guitar-driven pop.

“But that’s something that I hold very close to me. I think this record is the experience of trying to find your way through the world, figuring out who you are, and then coming back to yourself after everything and through the noise.”

What emerges are 13 compelling tracks about the evolution of youth to adulthood and back again. Collectively, the songs explore working through self-doubt and heartbreak to find relief and renewal.

“I continue to tell myself those messages and hold them true to myself,” said DeRousse, who released the album via Bird Fight Records. “The oldest song, I was probably 18 when I wrote it, and there’s a line in the song, [‘Outsider’], that says, ‘18 to 27.’ I’m 29 now, it just shows you how long it’s been taking me.”

DeRousse brings those experiences to life through vulnerable lyrics, heartfelt vocals, and cathartic instrumentation.

“I use songwriting as a way to process my experiences, emotions, and thoughts, so it’s super personal,” she said. “I hope listeners can relate to it and take that [away] from it.”

To learn more, I spoke with DeRousse about Running Back to Me ahead of a May 10 album release show at The Loving Touch in Ferndale, Michigan.

Continue reading “Finding Yourself — Taylor DeRousse Traces Her Personal Evolution on “Running Back to Me” Album” →

All “Heart” — Ann Arbor’s Bill Edwards Finds Hope and Purpose on New Country Album

Bill Edwards has a positive outlook on “A Home in My Heart.” Photo – Chasing Light Photos

Bill Edwards isn’t afraid to follow his heart.

The Ann Arbor, Michigan singer-songwriter and multi-instrumentalist searches for clarity and purpose on his new country album, A Home in My Heart.

“It’s not all autobiographical, but I like to think that it’s all feelings I have had,” Edwards said. “I think the idea of hope is important, even if it’s hard to find in these times right now, but it’s something that you have to hold yourself to.”

He shares that sentiment over 10 introspective tracks, which explore taking risks, overcoming obstacles, and having a positive attitude.

“It’s been 18 months since I’ve released anything, so that seems like a decent interval,” said Edwards, who last released So Far in October 2023.

“It’s not like right on the heels of the last one. It’s only 10 songs—this record. I tried to constraint myself; I actually said, ‘I’m gonna do 10 tracks,’ and then I kept writing and recording. I switched in and out a couple, and I played it for my wife and got her input. I played it for some other people and got some input, so this is where I ended up.”

Edwards landed nicely with A Home in My Heart due to its seamless storytelling, infectious lyrics, and upbeat instrumentation. Sonically, the album includes timeless elements of country wrapped in heartland rock, blues, and folk.

“It’s a limited palette compared to some [previous albums],” said Edwards, who plays all the instruments on the album. “That was another intentional thing. I really wanted the record to have a sound rather than going off in all kinds of different directions.”

I recently spoke with Edwards about the inspiration and creative process behind the album.

Continue reading “All “Heart” — Ann Arbor’s Bill Edwards Finds Hope and Purpose on New Country Album” →