Deep beneath Jonathan Something’s vintage-inspired rock lies the complexity and beauty of the human psyche.
The Brooklyn, Conn., singer-songwriter, multi-instrumentalist and producer explores the dichotomy between a person’s emotionally turbulent interior and their serene façade on his latest release, “Outlandish Poetica,” which dropped last week via Solitaire Recordings.
Throughout “Outlandish Poetica’s” honest, eclectic and thought-provoking nine tracks, Something, aka Jon Searles, purposefully mixes upbeat, electrified ‘60s-fueled music with ironic, contemplative lyrics. It’s a clever and humorous way to musically and lyrically characterize the growing conflict most people experience when they mask their true self.
“I think I’m sort of a self-deprecating human being as a whole, and I think it’s an interesting vibe. I think a lot of people take themselves a little too seriously when it comes to music,” Searles said. “I like stuff that I can get a good laugh out of, especially stuff with dry humor, and on the surface level, wouldn’t necessarily be funny, but when you take it into the context of how they’re saying and what they’re saying, it packs a little punch.”
DoogaTron’s Stevie Tee and Kyle will perform together and host separate DJ sets while two of Yspilanti’s finest producers and DJs, Jason Hogans aka :brownstudy and Sleezy Hamilton, and DJ Sean Brocash will round out the release party.
Tonight’s release party serves as the ideal environment for hearing and experiencing Doogatron’s debut album live through a robust sound system built on a mix of analog and digital synthesizers and technology. Their techno sound encompasses heady machine-funk combined with synth freak-outs.
“We’re getting to a point where we can open up the idea of what we’re doing with DJing and playing our stuff. We can do a whole night like that,” Tee said. “We’re going to do the first couple of hours, and then we’re going to turn it over to our friends and have fun and party with people afterward.”
Today’s album drop and release party have been nearly four years in the making. Together, Tee (bass synths, additional textures, samples and occasional vocals) and Kyle (drum machines/samples) DJed as Doogatron for about two years before switching to a live PA setup. At the same time, Tee recorded techno music with Mike (lead/synth pads) as part of a separate project called Chill Spector.
The Auburn Hills indie folk singer-songwriter will play for 400 people at The Chapel, a historic theater located inside the Detroit Masonic Temple that’s designed as a smaller scale replica of Westminster Abbey.
It’s symbolic of the original abbey where the knights of the round table likely gathered before they went to battle. “They actually have a stained-glass window, and they’ve had it blocked off because it was for knighting, but they just broke down the blocked off part, and now you can see the light,” said Millerschin, who teamed up with Fusion Shows to select the iconic theater for Saturday’s show. “The stones in the chapel room are rounded on the edges because they wanted it to look like knights had been walking on them.”
During Saturday’s show, Millerschin will breathe new life into the historic venue and perform a set of timeless heartfelt songs from her critically-acclaimed 2016 album, “Look Both Ways.” She’ll also debut seven or eight new songs and feature special guest performances from Ann Arbor folk singer-songwriter Chris DuPont and Nashville pop singer-songwriter Jilian Linklater.
“I’ve got tons of new music, and I’ve been so focused on the children’s book that I haven’t recorded it. It will be cool to debut it live in front of people and see what they think of it,” said Millerschin, who grew up in Rochester as a classically trained opera singer and started writing songs at age 13.
“Chris is one of my favorites, and he’s an incredible artist. As for Jilian, I played a show in Nashville with her the last time I was there, so I decided to throw her on this gig. I think people are going to like both of them.”
Three Michigan bands will go undercover to perform classic tunes Wednesday during a Halloween show at one of Ypsilanti’s burgeoning DIY underground music venues.
“All these bands chose their own covers, and they’ll be doing complete 30-minute cover sets,” said Greg Hughes, the After Hours Radio bassist who co-runs The Late Station with his three bandmates. “I started recruiting bands a little over a month before the show, which is a lot to learn in a short amount of time for a true Halloween costume cover set.”
To get in the Halloween spirit, some bands will wear costumes to impersonate artists while others will come as they are. With costumes and holiday-themed wear, Strange Flavors, The Sneeks and Liquid Thickness will ensure the crowd grooves to spooktacular cover sets.
“We will be encouraging the crowd to wear costumes, that’s kind of the whole idea,” said Hughes, who’s been booking shows at The Late Station since February. “It’s an informal welcoming space that serves as a platform for different kinds of artists and genres.”
With their vibrant debut single, “The Color Yellow,” From Elsewhere is illuminating the Indianapolis indie rock scene.
The newly formed indie rock trio dropped the first track from their forthcoming EP, “Just Like the Sun,” last week, and it’s an eclectic mix of shoegaze and alternative rock – think remnants of Smashing Pumpkins, Slowdive, Snail Mail and Death Cab for Cutie rolled into one.
With its shimmering guitars, solid bass lines and pulsating drumbeats, “The Color Yellow” provides a gorgeous splatter of upbeat rhythms, but includes a dark lyrical layer hidden below.
“It’s about Vincent Van Gogh, and the whole idea of the troubled artist. He tried to eat yellow paint because he was ready to do anything to make himself happy,” said Nikhil Ramani, the From Elsewhere frontman and guitarist who originally hails from Chennai, India. “We see mental health awareness becoming a big thing now, but we still see so many suicides. The song is also about how we can bring that number down.”
As a senior studying psychology at the University of Indianapolis, Ramani wrote the band’s debut single after trying to understand the correlation between successful artists and their depression. “The Color Yellow” serves as a budding piece of musical research to further address and explore the issue.
“Is art just an escape, or is the gene the same?” asked Ramani, who learned how to play guitar at age eight and counts Red Hot Chili Peppers, Pink Floyd and Death Cab among his major influences. “Yellow is such a happy color, but it has a bit of melancholy feel to it in this song.”
Despite the delicate subject matter, Ramani and his bandmates, Travis Lee (bass) and Luke Duckworth (drums), are eager to see where their new musical journey is headed. Together, the trio formed From Elsewhere in June after meeting up with Ramani.
“Back in the summer, I was just working at the front desk at school, and there were a lot of hours where I didn’t have much to do, so I would go on Craigslist, and I made this ad for an indie rock band,” Ramani said. “I had these songs, so I wanted to see if anyone was out there.”
After forming the band, Ramani, Lee and Duckworth recorded six songs, including “The Color Yellow,” at Russian Recording in Bloomington, Ind., for “Just Like the Sun,” which will drop in December. They also plan to release a follow-up single to “The Color Yellow” soon.
Since August, From Elsewhere has played several Indy shows to growing audiences with Ongoing Story, The Latin for Maple and Dopplepopolis. They’ll play next with Heart Attack Man and Juice Nov. 4 at the Hoosier Dome, 1627 Prospect St., in Indy.
“We really want to go on tour and play out-of-town shows,” Ramani said. “When we do go on tour, it will be cool to say, ‘Hey, we’re From Elsewhere.’”
With “The Landing,” No Alarms soars hopefully above the indie pop stratosphere before enthusiastically hitting the ground running with both musical feet.
The Detroit indie pop quintet released their new four-minute, uplifting synth-fueled single last week as a follow-up to their vibrant, self-titled debut EP, which dropped in March.
“‘The Landing’ is about taking a leap of faith and having it work out. I had just watched the ‘Black Mirror’ episode, ‘Hang the DJ,’ and was riding high off of optimistic inspiration, and felt compelled to make something purely joyful, purely hopeful,” said Andrew Boles, No Alarms frontman.
“I wrote the verses to climb and climb, leading to a chorus that just exuded optimism, and that made you want to move. Overall, I wanted to capture the feeling of landing on your feet after taking a leap of faith.”
One listen to “The Landing,” and it’s optimistic, inspirational lyrics and spacious indie pop grooves are infectious. It’s the perfect song to help you take flight after long day.
“I hope fans are imbued with the same positive energy that I put into the song,” Boles said. “I think it’s distilled hope and elation captured in song form, and when it comes down to it, makes you want to move.”
POWER co-owners Kelly Adolph, far left, and Donna Kassab, fourth from right, gather with members of SIAS and Quantum Split during the April 20 launch party at CLUBHAUS Detroit. Photo by Brian Stratton
A new talent and events agency is powering up Detroit’s arts and entertainment scene.
Known as POWER Events | Entertainment, the Detroit-based agency hosted a launch party April 20 at CLUBHAUS Detroit to showcase emerging music, modeling, acting and athletic talent in the Motor City.
About 200 guests attended the launch party hosted by POWER co-owners Donna Kassab and Kelly Adolph and watched a fashion show featuring models wearing casual, modern styles with a bohemian flair from UnitedFront. Draped in hues of gold, cream and light blue, models sashayed down the runway to dance and hip-hop tunes spun by Detroit-based DJ Kobra Kinney.
“We received positive feedback about our plans to bring more events and entertainment to the city,” Kassab said. “I kept hearing, ‘thank you, this is so fun.’ There was a lot of excitement in the room.”
Amir “Lady Heat” Young, center, hosts The Poppin’ College Tour at the University of Michigan.
For Amir “Lady Heat” Young, each day begins with a series of small decisions.
Those small decisions result in larger choices that ultimately shape the future.
“When you wake up, you have a choice. When you do your homework, you have a choice. When you don’t, those things add up,” she said. “At the end of the day, I try to illustrate that your everyday choices take you down a path that leads either closer to or further from your dreams.”
Lady Heat is ready to ask that question to 68 Ypsilanti, Mich. high school students during the third installment of The Poppin’ College Tour at the University of Michigan’s East Hall on Friday.
Launched by Lady Heat in 2014, The Poppin’ College Tour is an educational program designed to encourage disadvantaged and at-risk youth ages 13-19 to attend college and make positive life choices.
Kelcey Ayer performs with Local Natives at Royal Oak Music Theatre on March 31.
Local Natives know how to properly channel the primal energy of Fleetwood’s Mac “Tusk.”
The Los Angeles-based indie rock band recently covered “Tusk” as part of Spotify’s “Music Happens Here” video series, which highlights how “local culture has inspired music throughout history” and kicks off with an inaugural 26-minute episode about Los Angeles.
“To say Fleetwood Mac has a huge influence on our music is a bit of an understatement,” the band wrote March 21 on their Facebook page. “As part of a new Spotify series called Music Happens Here, we covered Tusk in the same room, same studio as Fleetwood Mac covered it.”
I was elated the moment I read those words on Local Natives’ Facebook page. If you’re a Fleetwood Mac fan, then it’s not stretch to like Local Natives’ music, which features lush harmonies, adventurous percussion and multiple singer-songwriters.
While growing up, their name popped every time I read about my favorite artists’ musical influences, listened to “best of” musical countdowns on the radio or watched a documentary about the history of rock and roll on TV.
My parents raved about The Beatles during their early college days at Ohio University in 1964-1965. The songs “I Want to Hold Your Hand,” “Can’t Buy Me Love,” “A Hard Day’s Night” and “Eight Days a Week” served as the soundtrack of their transition from youth to adulthood.
Anytime The Beatles were mentioned, my parents fondly recalled dancing to their songs at college mixers, watching them play on “The Ed Sullivan Show” and getting excited about the British Invasion.
Over the years, my dad and I would have this recurring conversation:
“Dad, Were The Beatles really that big of a deal?” I asked.
“L, They were a big deal. Everything changed overnight here when they played ‘The Ed Sullivan Show.’ Before The Beatles came here, all that boring folk music was popular. That stuff put me to sleep,” he said.
“I still don’t get it,” I said while shaking my head in disbelief. “I guess I had to be there.”
