Deep Cuts – ASNT Heals Internal Wounds on ‘Bleed Like Us: Evolution of Sorrow’ Album

Front of BLU 1
ASNT’s “Bleed Like Us: Evolution of Sorrow” embarks on an emotive journey to release negative feelings of the past.

Backed by propulsive electric guitars, melodic vocals and gritty soundscapes, ASNT beautifully unearths the tender, vulnerable side of deep-seated pain.

The Irvine, California dark hard rock and husband-wife duo of Christina Baldwin (vocals) and Bruce Baldwin (guitar, drums, bass, piano) embarks on an emotive journey to release the guilt, shame and despair of the past on their latest album, Bleed Like Us: Evolution of Sorrow.

“‘Bleed Like Us’ is about ‘Westworld,’ and it’s about machines that look and bleed like us. That ended up being the name of the album on Bruce’s urging because it captures the theme of the whole thing. There is a certain bleeding happening in one way or another, but then there’s a positive resolution in some,” said Christina Baldwin.

Together, the Baldwins slowly slice through tightly sealed internal wounds to provide long-term relief and acceptance across 15 haunting, ruminative Bleed Like Us tracks. For ASNT (pronounced as “Ascent”), it’s an intense, therapeutic path for tackling mental health struggles, destructive relationships and regrettable actions.

“It depends where I am, the kind of writing that I do. I tend to go toward the dark side; it comes easier to me, and I have more words for dark things than I do for light. It’s a dark album, but it’s the evolution of sorrow, which means there is an end,” said Christina Baldwin, who’s inspired by Melissa Etheridge and Ann Wilson.

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State of Mind – VK Lynne Smashes Self-Doubt on New Upbeat ‘Brain Waves’ Single

VK Lynne’s latest single, “Brain Waves,” encourages listeners to overcome self-doubt and anxiety.

For VK Lynne, it’s simply a case of mind over matter.

The Los Angeles alt rock singer-songwriter triumphantly tackles lingering self-doubt and paralyzing anxiety on her uplifting new pop-fueled anthem, “Brain Waves,” out now via all streaming platforms.

“I wrote this song several years ago, and finally, this seemed to be the time for it. There are perceptions, expectations and stereotypes about ourselves that we sometimes unknowingly give into and allow ourselves to be held down by other people’s rules. When you finally work out that realization in your mind, your ‘brain waves’ goodbye to the ideas that don’t serve us. There is hope in that departure and freedom,” she said.

Throughout “Brain Waves,” Lynne proudly shares her personal sense of freedom as intermittent vibrant piano, rhythmic finger snaps, humming synths, fuzzy electric guitars, bouncy bass and pounding drums bolster her growing confidence. She soulfully sings, “As it always is/Ain’t how it’s gotta be/Crumpling the page and I’m aiming/For the basket next to me/I’m as empty as the can/Baby can you deal with the drama/Can you fill me up again/And we’ll hold our fire.”

“I usually write my songs in a huge heart-vomiting purge, and this one was no exception. I attempted to put together a production; I played bass, guitar and programmed drums and made the world’s worst mix right after I wrote it. But when I pulled it out this year, I decided that it deserved better,” said Lynne, who plans to release a new video for “Brain Waves” soon.

“My idea was to try something totally different. I’ve done blues, rock, metal and prog, but this had a feel that was decidedly unique to my catalog. I contacted my friends Alexx Calise and Dennis Morehouse of Batfarm. They came on to produce, and we gave this song an upbeat, pop-rock treatment that it seemed to want.”

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