Tag: Ann Arbor District Library

Wintry Enchantment – Michael Skib Chronicles a Spiritual Quest for Truth on ‘This Bewitching Season’ Album

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Michael Skib features the hypnotic sounds of progressive rock, heavy metal, and shoegaze on “This Bewitching Season.” Photo – Alex Hancock

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Michael Skib, winter brings a sense of enchantment.

The Ann Arbor singer-songwriter, multi-instrumentalist, and producer feels most creative during the darkest and quietest time of the year.

“It’s the best time for reflection, introspection, and creation because I’m not going to be out and about,” said Skib, who’s also half of the electronic-experimental duo Mirror Monster.

“I do find myself wanting to try and capture the melancholy that I feel because snow and darkness are beautiful. Those are the reasons why I’m drawn toward this type of music.”

That beautiful melancholy is woven throughout Skib’s latest album, This Bewitching Season, which features the hypnotic sounds of progressive rock, heavy metal, and shoegaze.

“I’m a seasonal person in the sense that there are different types of music that I listen to in different types of seasons,” he said. “I’m very sensitive to the way my environment impacts [my writing].”

Alongside those seasonal influences, Skib chronicles a spiritual quest for truth, peace, redemption, and salvation across the album’s nine tracks. His candid lyrics, ethereal vocals, and fearless instrumentation entice listeners to vicariously accompany him on his journey.

“One of my goals with this album was to reconnect with myself … and honor the experiences and where I came from and how I became the person that I am today,” said Skib, who’s inspired by Opeth and Devin Townsend.

“I’ve done a lot of therapy, and one of the therapeutic practices that I found to be very helpful is to go back to your younger years and see situations you were put in.”

I recently spoke to Skib about his background, previous projects, the album’s religious themes, select tracks, his creative process for the album, and upcoming plans for new material.

Continue reading “Wintry Enchantment – Michael Skib Chronicles a Spiritual Quest for Truth on ‘This Bewitching Season’ Album” →

Little Victories – Jim Cherewick Finds Cathartic Moments in Everyday Life on ‘Good News’ Album

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Jim Cherewick shares honest and insightful tales on Good News. Photo – Bryan Lackner of Lucky Penny Media

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Jim Cherewick admits he recently went through a breakup.

But it’s not the kind of breakup that immediately comes to mind.

“A lot of it is about leaving that terrible retail [job],” said Cherewick, who previously worked at a big-box store. “It was such a burden—it was sad and it was scary. Getting out of that was so important and needed.”

Cherewick addresses that professional split on “Frosting on Fire,” the melancholic opener from the Ypsilanti, Michigan singer-songwriter/visual artist’s latest indie-country-folk album Good News.

Backed by somber acoustic guitar and keys, he sings, “Questions stick to my bones / Like how much longer do we get another try here? / Making every single day a treasure cause I’m awake / And I won’t complain, no I won’t complain / I work at one of those stores.”

“As much as I didn’t want to write about it, I did because I wrote it during [the pandemic],” Cherewick said. “The job sucked, and it was soul-crushing. It was so bad, and then they would cut hours, and then they’d be hiring new people.”

Despite that soul-crushing experience, Cherewick finds fleeting moments of catharsis and gratitude on Good News. The album’s eight tracks reflect on the harsh realities of everyday life and yearn for an escape from drudgery, disappointment, and uncertainty.

Continue reading “Little Victories – Jim Cherewick Finds Cathartic Moments in Everyday Life on ‘Good News’ Album” →

Sonic Journey – Gastón Reggio Ventures From ‘Michigan’ to North Carolina on New Jazz-Fusion Album

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Gastón Reggio chronicles an inspirational sonic journey on his new jazz-fusion album, “Michigan.” Photo courtesy of Gastón Reggio

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Gastón Reggio, Michigan represents the ideal name for his second full-length album.

The Uruguayan jazz composer and multi-instrumentalist penned most of the album’s tracks while living in Ann Arbor and wanted to capture those experiences from 2019 to 2021.

“Each song has and [strives] to tell a story about things that happened during that time. Particularly, I was looking for an [album] name that worked well in English and Spanish,” said Reggio, who previously drummed with Chirp and is now based in Durham, North Carolina.

“My producer Rodrigo [Cotelo] … mentioned naming the album after the song ‘Michigan’ because it summarized my [time] here and served as the basis for some of the stories that are [sonically] told through my songs.”

On Michigan, Reggio chronicles an inspirational sonic journey filled with jazz, prog rock, and world music influences. The album starts in the Great Lakes state and whisks listeners across the Appalachians to find new musical adventures in North Carolina.

“I just let the ideas for the songs come without any restrictions, and I like to combine all of my influences to create a [personal] way to express myself through music,” he said. “I hope listeners realize the depth and honesty of this music; it’s a part of me, and if you listen to it, you will get to know me a little bit more.”

To learn more about Reggio, I recently spoke with him about growing up in Uruguay, studying music and jazz drums in Brazil, coming to Ann Arbor and joining Chirp, relocating to North Carolina, working on Michigan, and preparing for several upcoming live shows.

Continue reading “Sonic Journey – Gastón Reggio Ventures From ‘Michigan’ to North Carolina on New Jazz-Fusion Album” →

Everyday Monsters – Fangs and Twang Shares the Horrors and Delights of Michigan and Out-of-State Creatures on Latest Album

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Fangs and Twang’s Joe Bertoletti, Billy LaLonde, and Andy Benes uncover a new group of beasts on You Monster. Photo courtesy of Fangs and Twang

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

After years of writing about monsters, Fangs and Twang didn’t expect to find them in human form.

The country-rock trio of Billy LaLonde (drums, vocals), Andy Benes (guitar, vocals), and Joe Bertoletti (bass, vocals) discovered some people started spreading monstrous misinformation at the height of the pandemic.

In response, Benes channeled that disbelief and frustration into the Ypsilanti, Michigan band’s opening track, “You Monster,” from its fourth album of the same name.

Alongside explosive electric guitar, organ, and fiddle, he sings, “It’s hard to be you and me / When we can’t tell what’s true / It seems to me that we can’t agree / Even that the sky is blue.”

“That song came to me … and it was done in 20 minutes,” Benes said. “All of the lyrics and all of the music just came out, and that was what was on my mind. [It’s about] not having a common set of facts or a common language that we’re speaking anymore as people and how horrible that is.”

The title track also lays the groundwork thematically for the horrors and delights Fangs and Twang uncovers on You Monster.

Continue reading “Everyday Monsters – Fangs and Twang Shares the Horrors and Delights of Michigan and Out-of-State Creatures on Latest Album” →

The Voice Within – Mike Green Follows His Instincts on ‘Listening for the Bell’ Album

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Mike Green sings about life choices and lessons on Listening for the Bell. Photo courtesy of Mike Green

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Mike Green listened to his inner voice but wasn’t sure where it would take him.

The folk singer-songwriter, guitarist, and booking agent ruminated for years about how to share his life experiences.

“I always thought as a younger adult that I wanted to write a book of my personal philosophy, but I never had anything to say,” said Green, who resides in Ann Arbor, Michigan. “Then when I started writing these songs [during the pandemic] … and all these things I’ve always thought about, they just sort of came out in poetic ways.”

What resulted were 12 insightful tales for his debut album, Listening for the Bell, which explores the ups and downs of following your instincts.

“There’s a bunch of those songs that were written that way, and I just trusted it,” said Green, who started as a touring musician in 1978. “And then what I realized early on—after studying all of this—is that I had been in songwriting school for nearly 40 years.”

That schooling came from representing artists like Utah Phillips, Carrie Newcomer, Jesse Winchester, and John McCutcheon as a booking agent and listening to singer-songwriters like Greg Brown, Kenny White, Chris Smither, and Stephen Fearing.

“Chris Smither, probably more than anybody, is the gold standard to me on how you marry lyrics and words and have them come out … to be that way,” said Green, who started as a booking agent in 1986 and opened his own agency in 2004. “There’s no other way you can say it, and if you don’t say it just the right way, it doesn’t fit.”

Continue reading “The Voice Within – Mike Green Follows His Instincts on ‘Listening for the Bell’ Album” →

The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album

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Evan Haywood features a compelling juxtaposition of sound and genre on his latest live album, “Canterbury Tales.” Photo – Doug Coombe

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Evan Haywood remembers his first live solo show at Canterbury House in 2014.

The producer, musician, songwriter, rapper, visual artist, filmmaker, and digital archivist recalled feeling nervous about sharing vulnerable folk songs and playing a nylon-string guitar at the Ann Arbor venue.

“It was such a jarring experience almost to go from performing in sweaty clubs and bars where everybody’s dancing … and having a good time to this very stark, acoustic performance where I’m baring my soul,” said Haywood, a University of Michigan alumnus who had previously performed live with the local hip-hop group Tree City.

“I feel like that performance was some sort of watershed moment for me because I had to prove to myself that I could do it. I had never done a performance like that with just an acoustic guitar and myself.”

Fortunately, Haywood’s intimate performance was recorded on cassette by Fred Thomas and initially released on limited-edition tape through Thomas’ Life Like label in 2015. Today, part of that performance now appears on Haywood’s latest live album, Canterbury Tales.

“I spent the past 10 years or so honing them and working on the mixes and cleaning up some of the noise and things like that to get them to the point they’re at now,” Haywood said.

“When you’re dealing with tape, you have fewer options, so you really have to work in a detailed way to be able to massage those recordings and get the good stuff out and take some of the noise down. That’s something I’ve been tinkering with—those Canterbury House recordings—and I feel like now my tinkering is done.”

Continue reading “The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album” →

The Amplify Project and Spin Inc. Bring the Detroit Electronic Music Conference to Washtenaw Community College on March 2

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Detroit Electronic Music Conference promotional poster detail

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

After the Detroit Electronic Music Conference was put on hold last year due to a lack of venue, Rod Wallace and Ron “DJ Jungle” Johnson decided to bring the music production and DJ education event to Washtenaw County.

The heads of music nonprofits the Amplify Project and Spin Inc. will co-host the Detroit Electronic Music Conference (or “D Mack”) on March 2 at Washtenaw Community College’s Morris Lawrence Building.

“I first met DJ Jungle, who’s the executive director of Spin Inc., at a meeting with Grove [Studios], and they were looking for some opportunities to partner. Spin Inc. came and participated in our TAP IN event in 2023 and we talked about how we could collaborate,” said Wallace. about the free conference, which takes place March 2 and last occurred at the now-defunct Detroit Institute of Music Education in 2022.

“We had a conversation about his interest in bringing back the ‘D Mack,’ and I said, ‘Well, listen, we have a great partner in WCC … and [we can] tie it in with the arts management coursework that we’re teaching.’”

As part of D Mack’s preparations, the Amplify Project and Spin Inc. have enlisted WCC arts management students to help run the conference since their capstone class is built around event creation, collaboration, and execution.

Continue reading “The Amplify Project and Spin Inc. Bring the Detroit Electronic Music Conference to Washtenaw Community College on March 2” →

Clear and Present – Darrin James Looks at Marriage, Family and Loss on ‘See Right Through’

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Darrin James explores a gamut of emotions on “See Right Through.” Photo – Doug Coombe

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

When it comes to writing about love and loss, Darrin James believes in being crystal clear.

The Ann Arbor, Michigan singer-songwriter and producer shares honest and vulnerable stories about marriage, family, death, and uncertainty on his latest album, See Right Through.

“A lot of people say it’s heart-on-your-sleeve. I think that’s true and it’s always how I’ve kinda written. This album came from the more reflective side of things, and you have to embrace the vulnerability to write an honest song,” said James, who plays guitar, piano, organ, and synth on his fourth full-length release.

“Sometimes those tropes can express really true feelings … and sometimes when you’re being honest, a song is easier to write. It comes out more like a diary … and you’re staring at it thinking, ‘Now that it came out of me, that’s the song—it’s done.’”

On See Right Through, James reveals a gamut of emotions ranging from gratitude to joy to grief to hopelessness across seven tracks. Those raw feelings come to life through the album’s personal lyrics, heartfelt roots-rock instrumentation, and dreamy synth and horn textures.

“Those were personal songs that I waited until I had [them], and it made more sense after I had the love songs to counter the sad songs. I thought, ‘Now the whole album can have an arc of not just being a sad story,’” he said.

“Because [the songs] are more personal, they’re also more universal and timeless … Those themes I’m trying to deal with are ones that everyone [experiences].”

Continue reading “Clear and Present – Darrin James Looks at Marriage, Family and Loss on ‘See Right Through’” →

All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album

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David Jones, Matthew Milia, and Zachary Nichols of Frontier Ruckus. Photo – John Mark Hanson.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Frontier Ruckus, aging represents a mixture of nostalgia, fear, and hope.

The Detroit-Ypsilanti folk-rock trio of Matthew Milia, David Jones, and Zachary Nichols explores those feelings alongside the passage of time on its new album, On the Northline.

“The main soundbite that Matt has been saying about the record is that half of the songs were written before he met his wife, Lauren,” said Nichols, who plays trumpet, musical saw, melodica, and air organ on the album.

“He said half of the songs are angsty and half of them are happy. I hear a lot in the lyrics about getting older, looking back, and thinking about the future. I think we all feel a little bit middle-aged now.”

As part of that reflection, Frontier Ruckus engages in deep soul-searching across On the Northline’s dozen tracks. Contemplative lyrics, vivid suburban imagery, and wistful Americana, country, and jazz-inspired instrumentation encourage listeners to ponder their life trajectories.

“The feelings and the ruminations on aging and getting to the point that we’re at in our lives … they’re probably a little conflicted because it’s conflicting for all of us,” said Jones, the band’s banjoist-vocalist. “To a certain extent in Matt’s songs, there’s always a lot of nostalgia in a way that’s positive, but sad as well.”

Despite those conflicting thoughts, Frontier Ruckus forges ahead and finds some solace while revisiting hometown landmarks, adapting to everyday surroundings, and welcoming unexpected changes.

“There’s a certain amount of happiness to be where we are now and be past the turbulent days of our youth when we were in the van all the time,” Jones said. “There’s a level of contentment with being in this place that we’ve all settled in that feels good and more comfortable.”

I recently spoke with Jones and Nichols about waiting seven years between releases, dissecting the album’s introspective themes and tracks, writing and recording the album, preparing for two celebratory shows, and going back out on the road.

Continue reading “All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album” →

Weatherproof – Annie and Rod Capps Celebrate Life’s Highs and Lows on ‘Love and Rain’ Album

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Rod and Annie Capps explore the importance of gratitude on “Love and Rain.” Photo by Jen Prouty.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Annie and Rod Capps weather life’s sunny and stormy moments together on Love and Rain.

Those moments also serve as lighthearted and serious reminders about gratitude on the married duo’s latest album.

“There’s an overarching theme of love and rain being that contrast and balance of life,” said Annie Capps, the duo’s vocalist-guitarist, who’s based in Chelsea, Michigan with her husband Rod Capps. “It’s about not taking the rough stuff too seriously, yet it’s also about being grateful for the good stuff and not taking things for granted.”

The Capps demonstrate that mindset personally and professionally on Love and Rain, which features 10 tracks filled with perceptive lyrics, vibrant Americana instrumentation, and rich harmonies.

“Annie is fortunate because she has an outlet to write songs about these things,” said Rod Capps, the duo’s guitarist-violinist-violist, who will celebrate 30 years of marriage to Annie Capps in June. “My role in the songwriting is to color around the edges. Annie builds these structures, and I help flesh them in and put filigree in.”

I recently spoke to the Capps about celebrating their anniversary, working with their bandmates, exploring different themes on the album, writing and recording tracks for Love and Rain, preparing for their annual Valentine’s Day show at The Ark, and planning for other performances and projects.

Continue reading “Weatherproof – Annie and Rod Capps Celebrate Life’s Highs and Lows on ‘Love and Rain’ Album” →