The National, Courtney Barnett Deliver Memorable First Performances at Ann Arbor’s Hill Auditorium

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The National knows how to make an indelible first impression in Tree Town.

The indie rock quintet enthralled a crowd of nearly 3,500 fans during their first headlining show June 25 at Ann Arbor’s Hill Auditorium with Courtney Barnett.

It was their first appearance in Tree Town while supporting their latest and eighth studio release, “I Am Easy to Find,” which features memorable collaborations with notable female artists and musicians.

Bathed in brightly colored lights and flanked by two large screens displaying Impressionist-inspired artwork, The National opened their nearly two-hour set with “You Had Your Soul with You” and featured Dianne Berkun Menaker, founder and director of the Brooklyn Youth Choir, as a brilliant guest vocalist.

Lead vocalist Matt Berninger sipped a beverage from a red plastic Solo cup and joked with the audience throughout their set as twin brothers Aaron Dessner (guitar, bass piano) and Bryce Dessner (guitar, piano) cued up the band before each song.

The band performed several introspective masterpieces from their latest album, including “Quiet Light,” “The Pull of You,” “Hey Rosey,” “Oblivions,” “Light Years,” “I Am Easy to Find” and “Rylan,” while Berkun Menaker provided lush harmonies and background vocals that meshed beautifully with Berninger’s.

About halfway through their set, Berninger and drummer Bryan Devendorf engaged in friendly onstage banter. The introverted Devendorf spoke fondly about spending time in Ann Arbor before the band’s show. In response, Berninger joked with his quiet bandmate about finally speaking to the crowd.

“Are you going to say something, Bryan?” Berninger asked laughingly. “Let me give you my microphone … Bryan barely speaks, you guys.”

Devendorf proudly responded, “I visited a pool today called the Fuller Park Pool, it was fantastic, and right across the street is U-M hospital, am I correct? I was born there in 1975, so I’ve come full circle.”

The National also came full circle musically while performing past fan favorites ranging from “Bloodbuzz Ohio” to “Graceless” to “Fake Empire.” No National live show is complete without at least one or two timeless tracks from “High Violet” and “Boxer.”

The band closed the show with a four-song encore and featured Berninger jumping into the crowd and interacting with fans during “Mr. November.” It’s a highly anticipated moment from any longtime fan of The National.

A fan also presented Berninger with his own U-M baseball cap to wear toward the end of the night.

“Thank you for making this for me. I will wear this forever,” Berninger said. “You want me to sign it? I’m not giving this back to you.”

Hopefully, Berninger’s new cap will make it easy for fans to find The National in Ann Arbor again soon.

Continue reading “The National, Courtney Barnett Deliver Memorable First Performances at Ann Arbor’s Hill Auditorium”

The National, Courtney Barnett to Play First Ann Arbor Show Tuesday Night at U-M’s Hill Auditorium

The National will perform Tuesday night at Ann Arbor’s Hill Auditorium in support of  their latest album, “I Am Easy to Find.” Photo by Graham MacIndoe

The National will be easy to find Tuesday night at Ann Arbor’s Hill Auditorium.

The indie rock quintet will perform their first headlining show at the University of Michigan’s 106-year-old, 3,500-seat auditorium in support of their latest and eighth studio release, “I Am Easy to Find.”

Presented by AEG and The Ark, it’s the latest stop on The National’s current 20-date North American tour with special guest Australian indie rock singer-songwriter and multi-instrumentalist Courtney Barnett. The band last performed in Michigan at Detroit’s Mo Pop Festival in July 2018.

The National’s Matt Berninger (vocals) along with twin brothers Aaron Dessner (guitar, bass, piano) and Bryce Dessner (guitar, piano) and brothers Scott Devendorf (bass) and Bryan Devendorf (drums) will showcase new introspective songs tinged with dark, melancholy lyrics from their critically-acclaimed 16-track album, which dropped May 17 on 4AD.

The follow-up to 2017’s GRAMMY-award winning release, “Sleep Well Beast,” “I Am Easy to Find” features The National’s latest singles, “You Had Your Soul with You,” “Light Years” and “Hairpin Turns,” and harnesses their signature indie rock sound filled with driving guitars, eloquent pianos and pulsating bass and drum lines.

Interestingly, the album includes a short companion film with the same name and music by The National. Inspired by “I Am Easy to Find,” the film was directed by Academy Award-nominated director Mike Mills (“20th Century Women,” “Beginners”) and stars Academy Award Winner Alicia Vikander, who’s also featured on the album’s cover.

Along with the band, Mills co-produced “I Am Easy to Find,” which was mostly recorded at Long Pond, Aaron Dessner’s residential studio in upstate New York along with additional sessions in Paris, Berlin, Cincinnati, Austin, Dublin, Brooklyn and other far-flung locations.

The album also features beautiful collaborations with several notable female vocalists, including Sharon Van Etten, Lisa Hannigan, Gail Ann Dorsey, Mina Tindle and Kate Stables.

Both individually and collectively, The National’s members have been involved in countless artistic, charitable and socio-political pursuits. The group released “A Lot of Sorrow” documenting their collaboration with installation artists Ragnar Kjartansson that took place at MOMA’s PS1 and saw the band play their song “Sorrow” for six hours in front of a live audience.

The National are also behind the Red Hot benefit albums, “Dark Was The Night” and “Day Of The Dead,” and the compilation boxed set titled “7-Inches for Planned Parenthood.”

In 2013, the band saw the theatrical release of their documentary, “Mistaken for Strangers,” set to the backdrop of their 2010 release, “High Violet.” During their 16-year career, The National has sold more than 2 million albums in the U.S. alone.

Courtney Barnett

Australian indie rock singer-songwriter Courtney Barnett will open for The National at Ann Arbor’s Hill Auditorium Tuesday night. Photo by Pooneh Ghana

As for The National’s special guest, Barnett will make her first Ann Arbor appearance in support of her second album, 2018’s “Tell Me How You Really Feel,” which “takes your vulnerabilities and everything that scares you and twists them until they fit into someone else’s hands.”

For her latest album and follow-up to 2015’s “Sometimes I Sit and Think, and Sometimes I Just Sit,” Barnett’s writing is focused on the internal. She’s turned her gaze inward to study how the world and people in it are affecting her.

Listening to “Tell Me How You Really Feel,” it’s easy to imagine Barnett figuring out, song by song, how to orient herself and remain steady in a place that’s rapidly shifting around her.

Last month, Barnett released a new single and video for “Everybody Here Hates You.” Recorded in late 2018 during a break in her “Tell Me How You Really Feel” world tour, “Everybody Here Hates You” is the closest Barnett has ever come to capturing the extraordinary weight and swagger of her live performance on a recording. The track is a blues-tinged behemoth with squalling guitars, organs and tambourines.

Following the release of her latest album, Barnett went on to play sold-out rooms and packed festivals worldwide. Over the course of just a few years, Barnett has become internationally renowned for her witty, ironic and distinctive song lyrics.

She’s won the Australian Music Prize, J Award for Album of the Year, APRA’s Songwriter of the Year and four ARIA Awards. Barnett has worked on music with Jack White, The Breeders and Jen Cloher as well as releasing the 2017 masterful collaboration, “Lotta Sea Lice,” with indie rock singer-songwriter Kurt Vile.

Show details:

The National with special guest Courtney Barnett

8 p.m. Tuesday

University of Michigan’s Hill Auditorium, 825 N. University Ave. in Ann Arbor

Tickets: $59.99 for main floor and mezzanine, $45 for balcony

‘Traveling Lady’ – Ann Arbor’s Judy Banker Honors Folk Music Hero Rosalie Sorrels in Idaho This Weekend

Ann Arbor’s Judy Banker will celebrate the musical legacy of folk icon Rosalie Sorrels in Idaho this weekend.

Judy Banker is ready to embark on a folk music pilgrimage of sorts.

The Ann Arbor Americana singer-songwriter will travel nearly 2,000 miles to perform at the Rosalie Sorrels First Annual Music Festival near Boise, Idaho this weekend.

As part of the inaugural festival’s lineup featuring Sista Sarah & Pocket of Bones and nearly a dozen other artists, Banker will celebrate the musical legacy of Sorrels at Julius M. Kleiner Memorial Park in Meridian, Idaho.

A beloved folk singer-songwriter who passed away in 2017, Sorrels has inspired Banker and a growing generation of folk, country and roots artists with her iconic music, storytelling and social activism. During her nearly half-century career, Sorrels recorded more than 20 albums, including the 2005 Grammy-nominated “My Last Go ‘Round.”

“I saw a post that her son Kevin had put on Facebook about how they were going to have a festival, and he was thinking of having it around his mother’s birthday, which was June 24,” Banker said. “She’s one of my heroes, so I thought, ‘How could it hurt? I’ll message him the link to my music, and I said if you’re opening it up for people to play, I’d love to play.’ At midnight or one in the morning that night, I got a ding on my phone, and he said, ‘Yes.’”

Flabbergasted, Banker immediately joined the lineup to support Kevin Sorrels and his family in honoring his mother’s memory and music. During the festival, Banker will perform a Saturday night closing set and cover several Rosalie Sorrels favorites, including “Baby Rocking Medley,” “If I Could Be the Rain” and “Traveling Lady.”

“I feel just this debt of gratitude and closing the show that night will be a real tribute to her. It just feels like I’m going to Mecca,” said Banker, who originally met Sorrels after one of her performances at The Ark more than 30 years ago. “I also would really love for Kevin to play guitar on one of her songs during my set.”

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Space Jam – Four EDM Artists Host ‘Welcome, Visitors’ Show Friday at Ann Arbor’s Club Above

The Welcome, Visitors show will showcase for emerging EDM artists at Ann Arbor’s Club Above.

Four EDM artists will launch an intergalactic music odyssey late Friday night.

Vest and Tyler, Allium, Cheska and Hizen will host “Welcome, Visitors,” a space-themed EDM show at Ann Arbor’s Club Above. The show will feature an out-of-this-world mix of live performances and DJ sets from all four artists.

“All four of us just wanted to get together and make something really magnificent as far as the electronic music scene, and we wanted to bring that more to light, especially with talent that’s been in and around the area,” said Tyler Denig, aka Vest and Tyler, who organized the show.

“The ‘Welcome, Visitors,’ show gives an opportunity to welcome those kinds of people to come out and enjoy electronic music, even in a place like Ann Arbor, where it might not be the first thing you think of in terms of the music scene.”

For the “Welcome, Visitors” show, each artist will assume a different interstellar identity during their set. Dubbed “Digital Satellite Base,” Denig will emerge as a digitized form from late 20th century Earth technology and materialize through a series of beeps and boops with a GameBoy Color in hand.

Meanwhile, Allium, aka Electric Junkyard Moon, will shapeshift into a cyber space priestess and galactic traveler who emits a cyberpunk sound to Earth. Their two companions, Cheska, aka Interstellar Bass Colony, and Hizen, aka Beach Party Planet, will bring raging bass and thumping house music via a beachy vibe to all alien life forms, including an intergalactic bunny.

“Even though we all come from different places, we’re all effectively trying to do the same thing, and we’re all trying to meet the same goal. When I was writing up some of those bios for the event page, I wanted to make sure that people’s individual styles and stories were represented,” Denig said. “Even if we were from just far off and distant planets, we’re all coming to the same place, which is to make music and enjoy it.”

The Stratton Setlist recently traveled to several dimensions to learn more about each artist and their interstellar identity.

Continue reading “Space Jam – Four EDM Artists Host ‘Welcome, Visitors’ Show Friday at Ann Arbor’s Club Above”

After Hours Radio Reunites with Original Vocalist Calum Galt for Saturday’s Club Above Show

Greg Hughes and Nate Erickson perform with Calum Galt, center, during the early days of After Hours Radio.

For Calum Galt, Ann Arbor represents a bittersweet homecoming.

The former After Hours Radio vocalist will reunite with his old bandmates for Saturday’s show at Club Above. It will be his first appearance with the Ypsilanti progressive groove-heavy indie rock trio of Greg Hughes (bass), Nate Erickson (vocals, guitar) and Mark Dunne (drums) in nearly three years.

“It was actually Greg’s idea to have a reunion show. He reached out to me when he found out I was returning home for the first time in years to see if I was interested, and I agreed right away,” said Galt, who moved from Ann Arbor to Japan in 2014. “I’m really looking forward to having the opportunity to play with the band again after so long, and I hope we can recreate some of the same energy our shows had back then.”

Calum Galt

Along with Hughes and Erickson, Galt honed his musicianship while attending open mic nights at the University of Michigan’s Nakamura and Luther Buchele co-ops. Together, they formed After Hours Radio and became synonymous with Ann Arbor’s burgeoning underground, do-it-yourself (DIY) music community.

“Forming the band was equal parts exciting and nerve-wracking – I had never really written or performed my own music, which I think is an inherently intimate and scary thing to do,” said Galt, who’s inspired by of Montreal, The Strokes and Radiohead. “I was lucky to be surrounded by supportive friends and be involved in the co-op community, which has always been a fertile environment for budding musicians.”

As After Hours Radio, they recorded their self-titled, six-track debut EP in 2015 before Galt moved to Japan. Four years later, Galt is ready to revisit the EP with his old bandmates through an older, wiser and fresher perspective.

“There are a lot of memories tied up in those songs so revisiting them has been an interesting experience,” said Galt, who graduated from U-M with a bachelor’s degree in East Asian languages and cultures. “I’ve changed a lot in the intervening time so it’s strange to hear those songs, which really encapsulate the weird head-space I was in at the time.”

Continue reading “After Hours Radio Reunites with Original Vocalist Calum Galt for Saturday’s Club Above Show”

High Times – Stormy Chromer Celebrates ‘420’ Blind Pig Show with Pajamas, Earth Radio

Stormy Chromer performs at The Blind Pig during a New Year’s Eve 2018 show in Ann Arbor. Photo by Evan Greig

Ann Arbor area music fans will inhale good tunes and times Saturday night at The Blind Pig.

Ypsilanti’s Stormy Chromer will host a “420” show with Pajamas and Earth Radio to celebrate a fluid night of live music on the infamous Mary Jane-centric holiday.

“We have a fun lineup, and we haven’t played with Pajamas in Ann Arbor in a couple of years. We’re really happy with how they’ve been progressing as well, and every time we see them, we want to share a bill with them,” said Amin Lanseur, Stormy Chromer’s drummer and vocalist.

“As for Earth Radio, we found them through Purchase Productions, who manage our friends Chirp. They brought Earth Radio to Club Above six months ago, and they really made an impression on some friends of mine.”

It will be the homegrown progressive jam band’s first appearance at The Blind Pig since their New Year’s Eve show. Together, Stormy Chromer will mix elements of rock, jazz, heavy metal, ska and hip hop to perform a danceable set with Pajamas, a Tree Town improvisational rock, funk and fusion trio, and Earth Radio, a Grand Rapids future soul quintet.

“The energy in the room is very loving and fun, and we’re blessed to have the people who come out and see us,” Lanseur said. “We’re striving for that same type of energy for ‘420’ as well, so obviously it will be the whole pot thing.”

Continue reading “High Times – Stormy Chromer Celebrates ‘420’ Blind Pig Show with Pajamas, Earth Radio”

Spring Migration – Chirp Moves from Stage to Studio for Self-titled Debut Album, Hosts Release Party Tonight at The Blind Pig

Chirp has released their self-titled, full-length studio debut album today.

On their melodic self-titled, full-length debut studio album, Chirp knows how to magically capture and beautifully deliver the sweet, groovy sounds of spring.

Today’s release of “Chirp” celebrates the Ann Arbor funk, prog rock and jazz fusion quartet’s creative migration from improvising on the stage to nesting in the studio.

“Those songs turned out how we really envisioned them because we were able to take a long time to plan everything out as well as record and mix,” said John Gorine, Chirp’s drummer. “When we play those songs live, we know what we want to do, but it’s different when we have a lot more time to plan certain things out and just get what we want out of those songs.”

As a follow-up to last year’s “Live at Ann Arbor Summer Festival” release, the new studio album’s nine genre-hopping tracks take listeners on fleeting sonic journey filled with upbeat, danceable mind trips to “Dickerville,” “Greener,” “Planet Groove,” “Cozy,” “Pig Beach” and other joyful auditory destinations.

Chirp does their share of genre-hopping by blending catching progressive rock, funk and jazz originals with majestic reinterpretations during their high-energy, dynamic shows. Though their music incorporates many technical, well-crafted elements, they’re committed to grooving with a solid, dedicated fan base.

For dedicated Chirp fans, the album is a direct sonic flight through their eclectic catalog without any layovers or turbulence. While hearing “Chirp,” listeners travel smoothly through a series of glistening grooves, riffs and beats eloquently condensed into a brilliant studio package.

“You want to trim the fat a little bit, even though most of the songs are on the longer side of what people are used to hearing. I’d say the average song length on the album is five and a half minutes while our average live song length is between eight and 10 minutes,” said Jay Frydenlund, Chirp’s guitarist and vocalist. “As a songwriter, for me, it’s always difficult figuring out what we want to cut down and how we want to cut down the length of a solo section or maybe take parts out.”

Continue reading “Spring Migration – Chirp Moves from Stage to Studio for Self-titled Debut Album, Hosts Release Party Tonight at The Blind Pig”

Adventures with Vultures Explores Alt Rock Sound on New ‘Back to Normal’ Single

Adventures with Vultures has released their latest single, “Back to Normal,” which features a new alt rock sound.

Adventures with Vultures is bringing a new normalcy to acoustic indie folk rock.

The Plymouth singer-songwriter, aka Matt Sauter, combines his down-to-earth indie folk rock roots with lush new alt-rock growth on his latest single, “Back to Normal,” which drops today.

Akin to Kings of Leon and Mumford and Sons, Sauter’s catchy 4.5-minute single features his signature raspy vocals backed by brightly-toned guitars and pulsating drum beats. “Back to Normal’s” clever lyrics include an infectious play on words ranging from “cooking dishes” to “growing lawns” to “breaking fences” to “painting songs.”

“It’s a concept song, first it was kind of like a joke, I was writing it and trying to sing everything backwards,” said Sauter, who wrote the track while attending the Detroit Institute of Music Education (DIME). “The chord progressions are churchy and powerful, and once we got a full band with it, it became this super, big and powerful song, and we’ve been playing it live for a year now, and it’s one of our fan favorites.”

That live fan favorite also features the talents of Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar), who now serve as official band members for Adventures with Vultures. He also worked with Jake Rye of Social Recording Company in Adrian to produce and mix the track.

“We go in there with Jake, we plug in, and we play our shit loud,” said Sauter, who originally started as a hip-hop artist and honed his drumming skills while growing up in Plymouth. “We’re going for an early 2000s indie alt rock sound with these new songs.”

Adventures with Vultures’ Matt Sauter

Originally, Adventures with Vultures started as an emerging indie folk solo act for Sauter, who released his brilliant, introspective four-song debut EP, “Junction,” in 2017 through Original 1265 Recordings, an independent label owned by CND America, DIME’s parent company.

Sauter expanded the project into a full band after playing a growing roster of live dates in Michigan and going on his first national headlining tour last year. He’s also transitioned from being part of Original 1265 Recordings to becoming an independent, do-it-yourself (DIY) artist.

As a DIY artist, Sauter recently launched a GoFundMe campaign to help support releasing new music as well as an upcoming tour. To date, he’s raised nearly $2,000, thanks to his burgeoning fan base, and sponsoring additional casino bus and golf outing fundraisers.

“Being a DIY artist is more community-based, and it feels more organic,” he said. “With the support of our fans, we’re going to release a new single every three months for the next year.”

As a next step, the band will release a new video soon for “Back to Normal” and return to the studio in April to record their next single.

Adventures with Vultures also will perform a series of upcoming live shows, including April 13 at The Blind Pig in Ann Arbor with LVRS and Jackamo, April 26 at New Way Bar as part of Ferndale Spring Fever and May 24 at Mac’s Bar in Lansing with Joshua Powell.

“We’re going to keep course, we’re going to do our thing, but we want to be part of SXSW’s Michigan House next year,” Sauter said. “We’re going to keep the name growing, and people keep telling us to come back down to Nashville and Milwaukee. Every year, more and more keeps happening, and as long as we stay on our path, we’ll be pretty fucking happy.”

Three Times A Lady – Angela Predhomme, Kathy Wieland and Judy Banker Host Songwriters in the Round Show Saturday Night at Crazy Wisdom

Angela Predhomme, Kathy Wieland and Judy Banker will perform a “Songwriters in the Round” show Saturday night at Crazy Wisdom in Ann Arbor.

Three singer-songwriters will share two hours of acoustic tunes, tales and triumphs Saturday night at Ann Arbor’s Crazy Wisdom Bookstore and Tearoom.

Angela Predhomme, Kathy Wieland and Judy Banker will perform as part of the “Songwriters in the Round” series and take listeners on an intimate musical journey filled with creative lyrics, catchy melodies and compelling stories.

“It’s a really cool venue because it’s a listening room, almost like a mini Ark, where people come and pay attention,” Predhomme said. “It’s very appropriate for us to tell stories about the songs, talk between the songs and really interact with the people.”

As part of the show, each singer-songwriter will perform her own material, provide insights into her music and collaborate with one another. Together, they’ll offer an invigorating blend of Americana, country, folk, soft rock and pop to uplift the musical spirit on a warm winter’s night.

“It’s fun to be able to share the stories behind our songs with people who care about them,” said Predhomme, who performs regularly at Crazy Wisdom. “I’ll be doing a lot of newer songs, and we may do a song together at the end.”

Continue reading “Three Times A Lady – Angela Predhomme, Kathy Wieland and Judy Banker Host Songwriters in the Round Show Saturday Night at Crazy Wisdom”

Five Alive – After Hours Radio Reflects on Band Anniversary, Hosts Show Tonight at Club Above

Five years ago, the University of Michigan’s co-op scene led to the formation of an emerging Ypsilanti band.

U-M’s Nakamura and Luther Buchele co-ops introduced Greg Hughes and Nate Erickson, co-founders of After Hours Radio, to a burgeoning underground, do-it-yourself (DIY) music community in the heart of downtown Ann Arbor.

Together, Hughes and Erickson cut their growing musical teeth performing at co-op open mic nights and formed After Hours Radio, a progressive, groove-heavy indie rock band, in 2014.

“The high energy and large crowds at co-op parties drove the band to write catchy grooves and riffs that co-oppers could dance to,” said Hughes, bassist for After Hours Radio. “This funk-inspired element flavored our initial indie-alternative style, which was influenced by open mic nights during the band’s infancy.”

Hughes also sought inspiration for the band while working as a late-night college DJ at WCBN-FM (88.3), a U-M student-run radio station. He used a “freeform” approach for the station’s programming and believed a similar philosophy could be applied to After Hours Radio’s musical approach.

After Hours Radio co-founders Greg Hughes (left) and Nate Erickson (center)

“‘Freeform’ describes a perspective that doesn’t conform to a traditional setlist structure restricted by genre and embraces mixing different musical styles,” he said. “We’ve gained a strong sense of improvisation that has translated to the way we find influences for our original songs.”

That fluid musical approach resulted in the band’s self-titled debut EP in 2015 and the “What Happened?” EP in 2017. With Hughes and Erickson (vocals, guitar) at the helm, After Hours Radio went through several lineup changes, including several drummers, and expanded their sound to encompass keys, synths and other electronic effects.

Last year, the band launched their own DIY music venue, The Late Station, in Ypsilanti to showcase local emerging artists and musicians across a variety of genres. Bandmates and friends help promote events, run the door and assist with gear at The Late Station.

“I got acquainted with the whole DIY culture in Chicago, and I was so enamored with the scene there that I wanted to become more involved in it,” Hughes said. “That’s where the direct inspiration for The Late Station came, and we all decided we were going to move to the same location and start our own space.”

Today, Hughes and Erickson will celebrate the band’s evolution with a five-year anniversary show at Club Above, 215 N. Main St. in Ann Arbor, and feature special guests Stop Watch, Approachable Minorities and Summer Like The Season.

“We decided to celebrate the band’s anniversary with a special show because we thought five years for any band was a big milestone,” Hughes said. “Almost none of the local bands existing when we started are around anymore, and most lasted just one or two years.”

For the show, After Hours Radio will play an extended setlist that encompasses the band’s entire career and feature visuals from GSW Art & Design, a southeast Michigan-based visual art, web and graphic design firm. It’s also a valuable opportunity for After Hours Radio fans to embrace the artistry and musicianship of the show’s three special guests.

Continue reading “Five Alive – After Hours Radio Reflects on Band Anniversary, Hosts Show Tonight at Club Above”