Tag: Detroit

Carpe Diem — Absentees Emit Powerhouse Punk Sound on “All the Hertz: Volume 1” EP

Brandon Manoyian, Tony Dunn, Matt Gawne, and John Quillen of Absentees. Courtesy photo.

Absentees pack a large sonic punch on All the Hertz: Volume 1.

The Detroit band features turbocharged instrumentation and explosive vocals on its latest EP.

“We just left it at that,” said Matt Gawne, a vocalist-guitarist for Absentees.

“We did it live. We recorded a second guitar, and then we recorded the vocals. [Engineer-producer] Jon-Mikal [Bartee] came over to my place with a bunch of microphones, and he just set up where we were. It was awesome for him and awesome for us.”

All the Hertz: Volume 1 is an awesome experience for listeners as well. While it’s only 16 minutes long, the punk EP’s scorching electric guitars, thumping bass, and thunderous drums energize fans across seven tracks.

“It all came out great, thanks to Jon-Mikal [Bartee], too,” said John Quillen, the band’s drummer. “He put a nice touch on it, and he knew what we wanted to go with. He gave us a sound with a more modern recording.”

In addition to its edgy sound, All the Hertz: Volume 1 covers a variety of themes, ranging from trauma to toxic jobs to new relationships.

“The most emotional song I’ve ever written is ‘Sensational,’ said Tony Dunn, a vocalist-guitarist for Absentees.

“It’s about somebody close to me who tried taking their own life, and fortunately, is still here. I’ve never written anything that personal … and I think it really shows on that song. Usually, I make up stories, but every now and then, I give a little piece of [me].

Now, Absentees continue to evolve their punk sound with Brandon Manoyian, the band’s new bassist.

“I play on a five-string bass, and I come from another band that plays in a lower tuning,” he said. “Playing with John and playing with everybody else, it’s been a different, but phenomenal experience, and everything flows and goes together.”

I recently spoke with Absentees about their latest EP ahead of a December 6 show at The Rex Theater in Morenci, Michigan.

Continue reading “Carpe Diem — Absentees Emit Powerhouse Punk Sound on “All the Hertz: Volume 1” EP” →

Nostalgic Christmas — Olivia Van Goor Celebrates Holiday Music Past and Present on “Waiting for Santa” Album

Olivia Van Goor with her family’s dog, Murphy. Photo – Matt Ryan

This holiday season, Olivia Van Goor is stepping back in time.

The jazz vocalist-composer reimagines Christmas songs from TV specials and movies she loved as a child on her latest album, Waiting for Santa.

“I thought it would be fun to pick some of those songs that you forget about, that aren’t overplayed, or that aren’t overdone,” said Van Goor, who’s based in Royal Oak, Michigan.

“And speaking of Santa Claus Is Comin’ to Town, if you listen to the full version of ‘Put One Foot in Front of the Other’ at the very end, they go into a section that’s in seven instead of in four. That’s what I did in my recording at the end. I thought, ‘This is so hip [that it’s in] an odd meter. I don’t even remember that when I was a kid.’”

Waiting for Santa also includes Van Goor’s soaring renditions of “Silver and Gold” and “There’s Always Tomorrow” from Rudolph the Red-Nosed Reindeer and “Believe” from The Polar Express.

“It was really fun to think about those songs, and they just so easily are turned into a very standard feel in the jazz world,” she said.

“And then going from that, it was really fun to reimagine more stories from those things and write the song, ‘Hermey’s Blues,’ with Mike [Harrison]. Hermey the Elf [from Rudolph the Red-Nosed Reindeer] didn’t ever get a song. I loved playing along with those ideas and feeling like I was accessing that part of my childhood.”

While the album’s six covers sparkle, Van Goor truly shines on the seven originals, which include a combination of songs she composed or co-composed with others. There’s also a track composed by bandmate Mike Harrison called “Mrs. Mistletoe.”

“I started coming up with ideas, and I had a bunch of ideas for songs that I thought were missing from the Christmas repertoire,” Van Goor said. “And then I was thinking, ‘I don’t have to do this all alone; I can co-compose with some of my friends,’ and that’s how the album came to be.”

Along with bandmates Reuben Stump (bass, vocals), Dave Zwolinski (drums), and Mike Harrison (piano), Van Goor presents a refreshing Christmas album featuring soulful vocals, nostalgic and festive lyrics, and enchanting instrumentation.

I recently spoke with Van Goor about Waiting for Santa ahead of several live shows in December.

Continue reading “Nostalgic Christmas — Olivia Van Goor Celebrates Holiday Music Past and Present on “Waiting for Santa” Album” →

Roar On — Adaboy! Salutes the Detroit Lions on “Uncaged” Single

Vince Modern, Steve Nyquist, Mike Richards, and Joe Balbaugh of Adaboy!. Courtesy photo.

Adaboy! embodies the pride and spirit of the Detroit Lions on “Uncaged.”

The Bay City, Michigan band pays tribute to the team’s resilience and success on its latest rock single.

“Have you ever listened to Dan Campbell, the coach?” said Mike Richards, lead vocalist and guitarist for Adaboy!.

“Have you ever heard him speak about his team and the mentality he wants his football team to have? He doesn’t necessarily speak on mental health, but it’s all the nitty-gritty of what it takes to be focused on your mental health.”

Along with Adaboy! bandmates Joe Balbaugh (vocals, bass), Vince Modern (vocals, guitar), and Steve Nyquist (drums), Richards celebrates that mindset through motivational lyrics and fiery instrumentation on “Uncaged.”

He sings, “Take your place / There’s something going on in here / Grit and glory / We’ve been waiting for all these years / Can’t stop, won’t stop / Come on people, get on your feet / It’s electric in the air / We’re the real America’s team.”

“Dan Campbell is putting all of these analogies out there about what his team is gonna be like,” Richards said. “It felt like he was talking to us because Adaboy! has that mentality of saying, ‘You can’t stop us, and we’re gonna fail. We’ve already made our peace with failing. We’re expecting the fail, but it’s how we’ve made up our mind and how we’re going to respond to the failure.’

“We latched onto his messaging of the Lions, and we’ve adopted it. It just aligns with the mission and messaging of Adaboy!.”

To learn more, I spoke with Richards and Modern about the band’s background and music ahead of a November 21 show at JJ’s Roadhouse in Saginaw.

Continue reading “Roar On — Adaboy! Salutes the Detroit Lions on “Uncaged” Single” →

Forever Young — Issac Burgess and Friends Pay Tribute to Sam Carroll and Matt Szakal at “Samstock” Memorial Concert

Issac Burgess. Courtesy photo.

Issac Burgess wants to pay tribute to two dearly missed friends.

The Detroit singer-songwriter and multi-instrumentalist is hosting Samstock, a memorial concert for Sam Carroll and Matt Szakal, on November 2 at Outer Limits Lounge.

Both Carroll and Szakal passed away unexpectedly this summer.

“A group of about eight to 10 of us have kept in close contact since the boys left us,” said Burgess, who’s also curating the event. “We all wanted to put a show together of some sort because we know that Sam and Matt would have honored us the same way.”

Samstock will feature a lineup of Hamtramck and Detroit-based acts, including Burgess and his band, Boy Blue, Mars and the Satellites, Electric Bug, Josh Lutey and Friends, Rose St. Germaine, Sancho, Fishfly’s Nick Vasseur, and Cinquex.

“We reached out to all of the bands the guys had liked, and those that were available are ecstatic to participate,” Burgess said. “We booked who we could, and then I spoke to John [Szymanski] at Outer Limits about the idea. He was very supportive.”

The show will include a mixture of live music and speeches to honor the lives and contributions of Carroll and Szakal.

“We are planning a straightforward show,” Burgess said. “We’ve all got a few tunes we’re going to play for everyone, and we will probably say a few words. Our friend Mir is making bracelets for everyone. We’re going to keep it simple.”

I recently spoke with Burgess about Carroll and Szakal, as well as his latest music releases, ahead of Samstock.

Continue reading “Forever Young — Issac Burgess and Friends Pay Tribute to Sam Carroll and Matt Szakal at “Samstock” Memorial Concert” →

The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album

Discipline’s Chris Herin, Mathew Kennedy, Henry Parmenter, and Matthew Parmenter. Photo – Bryant Stuckey

Discipline understands the struggles of navigating the online world.

The prog-rock band weighs the permanency of having a digital footprint with the instant gratification of using new technology on “Breadcrumbs.”

“In my mind, the origin of it was also this notion that when we look at ourselves, we change during our lifetimes,” said Matthew Parmenter, Discipline’s frontman and multi-instrumentalist, about the title track from Breadcrumbs.

“And here we are in this age where so much of what we do is captured, and now, how do we each get to have that luxury that I had as a person growing up, which is to make mistakes and to learn a little from them and to change as we grow. How do we do that when everything we do or utter is recorded forever online?”

Discipline explores that thought as Parmenter sings, “Should we have known / Might we have chosen for ourselves / Now it’s the platform decides / What survives archives our lives.”

“I fear that it leads us to having to become like extreme versions of ourselves, because once you say it, you gotta live up to it,” said Parmenter, who’s based in Metro Detroit. “You can’t let it go. You can’t wake up the next day and say, ‘I probably shouldn’t have said that.’ It’s gone, it’s there. So these were some of the thoughts that generated that particular song.”

In addition to the title track, Parmenter and his Discipline bandmates—guitarist Chris Herin, bassist Mathew Kennedy, and drummer Henry Parmenter—shine on their latest album, Breadcrumbs.

Parmenter’s haunting vocals and philosophical lyrics, along with the band’s spellbinding instrumentation, take listeners on a contemplative journey across five tracks.

To learn more, I spoke with Parmenter about his background, the band, and the album.

Continue reading “The Navigator — Discipline Explores Life in the Digital and Physical Worlds on “Breadcrumbs” Album” →

Fun Fest Gears Up for Fifth Edition at Ypsilanti’s Frog Island Park on August 9

Dani Darling performs at the inaugural Fun Fest in 2021. Photo – Tim Blackman II

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Taylor Greenshields didn’t anticipate he’d be doing Fun Fest this long.

The Ypsilanti audio engineer, producer, and drummer started the annual event in 2021 after envisioning Frog Island Park’s amphitheater as the ideal space for an outdoor music festival.

“Yeah, it’s crazy that it’s the fifth year,” said Greenshields, who’s curating and hosting the event on August 9. “The first year was like a test run, and then seeing people enjoy the fest so much the next couple years, I had to keep it going.”

Since then, he’s featured an eclectic group of local artists performing at Fun Fest, including Travis Auckerman, Stormy Chromer, Ki5, The Macpodz, Thornetta Davis, and others.

“It’s almost like the festival is its own organism at this point,” said Greenshields, also the owner and operator of Fundamental Sound Co., an Ypsilanti-based recording studio.

“The festival has grown in many ways over the years by having different activities for kids [and] all sorts of different vendors, bands, and artists. Just the word getting around about the festival has really evolved over the last few years [as well].”

Now, he’s gearing up for the fifth edition of Fun Fest, which includes returning acts Al Bettis, Dani Darling, Ma Baker, and Violet Sol. It also features the new additions of Marcus Elliot, Peter Madcat Ruth’s C.A.R.Ma Quartet, and Jacuzzi Beach to the festival’s lineup.

“I want to keep the lineup different every year, but wanted to bring back some of the staples from the first couple Fun Fests,” he said. “I like how Marcus represents Detroit and Madcat represents Ann Arbor, and we are bringing them together in the middle in Ypsi.”

I recently did an email interview with Greenshields ahead of the festival.

Continue reading “Fun Fest Gears Up for Fifth Edition at Ypsilanti’s Frog Island Park on August 9” →

Fresh Start — Arct1c Finds Hope and Resilience on “Blip in Time” EP

Arc1c is future-oriented on “Blip in Time.” Photo – Brandon Russell

William Carey is ready to leave the past behind.

The Detroit producer, composer, and multi-instrumentalist feels relieved after recovering from a recent bout of Crohn’s disease.

“When you’re finally out of it, it feels so incredibly freeing, and that’s where this EP came from,” said Carey, who performs and records as Arct1c—pronounced Arctic—about Blip in Time.

“It feels freeing to create and freeing to write, knowing that I’m on the other side of this and that everything’s gonna be good. I’m gonna be good for a while, and it felt good to write like that.”

On Blip in Time, Carey provides a cathartic and spiritual electronic journey about experiencing a temporary setback and acquiring newfound strength for the future.

“Because a year ago, I was in a hospital, and I had to get a blood transfusion,” he said. “I finally got past that little final portion, and I’m not gonna let those last couple of years hold me back from anything now.”

The EP’s five electronic instrumentals sonically reflect Carey’s shifting mindset during his health struggle. While going through the tracks, he quickly trades disappointment and self-doubt for hope and resilience.

“All that is just a blip in time,” he said. “It’s in the past, and now I have to transfer all of my energy towards the present and the future.”

To learn more, I spoke with Carey about his background and latest release.

Continue reading “Fresh Start — Arct1c Finds Hope and Resilience on “Blip in Time” EP” →

Music Mavens — Katherine Yeske Taylor’s “She’s a Badass” Book Features Conversations with 20 Women Rockers About Feminism and the Music Industry

Katherine Yeske Taylor. Photo – Karen Stackpole

When I was a kid, I used to watch Happy Days.

I remember coming home from elementary school and watching reruns of the show, which featured several episodes of Suzi Quatro playing a musician named Leather Tuscadero.

There was something cool about Leather and the way she carried herself. I liked the idea of a woman fronting her own band, and in this case, it was Leather and the Suedes.

By the time I was nine, I started fronting my own imaginary band called Lori and The Red Hearts. It was inspired by women rockers like Suzi Quatro and Joan Jett.

While Lori and The Red Hearts never came to fruition, I learned later on that Quatro grew up in Detroit and is proud to be from there.

“It’s just a special city. You’ve got your Black and white completely coming together. Musically, it’s joined somehow. You’ve got your energy level. You’ve got your edge. You’ve got this almost desperation. It’s one of the best music cities, if not the best music city, in the world,” said Quatro in an interview with author-music journalist Katherine Yeske Taylor for the book, She’s a Badass: Women in Rock Shaping Feminism.

While she appreciates her hometown, Quatro also said she’s always been a square peg in a round hole and has forged her own musical path in life.

“From the time I started to play bass in a band, I was aware that I didn’t have my own niche in which to fit. It did not exist, so I created my own,” she said.

Quatro is one of 20 women rockers featured in Yeske Taylor’s book, which takes an in-depth look at the talent, determination, and humor they needed to succeed in their music careers. She’s a Badass also profiles Heart’s Ann Wilson, X’s Exene Cervenka, The Go-Go’s Gina Shock, Suzanne Vega, L7’s Donita Sparks, Indigo Girls’ Amy Ray, Paula Cole, and more.

“As I interviewed the women for this book, many of them proudly proclaimed themselves to be feminists—but several others had various reasons to reject that label. In either case, the way these artists have led their lives has turned them into role models (whether they actually intended to be or not), thereby promoting gender equality in the music business—and, arguably, in society overall,” writes Yeske Taylor in the book’s introduction.

To learn more, I spoke to Yeske Taylor about her background, music journalism career, and latest book.

Continue reading “Music Mavens — Katherine Yeske Taylor’s “She’s a Badass” Book Features Conversations with 20 Women Rockers About Feminism and the Music Industry” →

From Lyric to Lore — Metro Detroit’s Nick Juno Finds His Folk Through Timeless Stories and Songs

Nick Juno stands in front of a Wayne Kramer mural at Detroit’s Lager House. Mural by Eric Patrick Kelly. 

Nick Juno knows how to tell a powerful story.

The folk singer-songwriter, historian, and storyteller is driven by curiosity and a desire to understand, express, and connect with listeners.

“I want to know something,” said Juno, who lives in Metro Detroit. “I want to say something; I want to feel something. And I want the listener to feel something, too.”

Whether he’s writing and singing about women working in cigar factories or calling for the release of a wrongly imprisoned activist, Juno’s songs hit an emotional and thoughtful mark.

“I’m a topical folk singer with songs often inspired by front-page headlines, historical events, museums, or personal stories shared by everyday people,” he said.

“My music, whether personal or historical, aims to honor the power of storytelling and connect people to both the past and present.”

His engaging stories and songs are best heard in intimate settings, like coffeehouses, taverns, small theaters, and house concerts.

“House concerts are a favorite setting at this stage of my career,” said Juno, who hails from Flint and has been writing and performing since the early ‘80s.

“Intimate and conversational spaces allow me to set up songs, tell their stories, and create memorable, meaningful events with listeners up close.”

I recently spoke with Juno about select songs from his catalog and his upcoming plans.

Continue reading “From Lyric to Lore — Metro Detroit’s Nick Juno Finds His Folk Through Timeless Stories and Songs” →