The Getaway – Adventures with Vultures Brings Cinematic Feel to New ‘Speaking French’ Single

Adventures with Vultures escapes the doldrums of everyday working life on “Speaking French.”

Adventures with Vultures makes the perfect musical getaway.

The Plymouth indie folk-rock singer-songwriter quickly escapes the doldrums of everyday working life on his latest audacious single, “Speaking French,” which dropped today via all streaming platforms.

“This is one of the first songs I’ve ever co-written. I usually write everything alone, but I went over to Jimmy Showers’ house one night for band practice, and I said, ‘I’ve got this little new tune.’ This was in December maybe, and I had the hook already done. The verses were empty, but I had a melody, and we were spitballing random stuff,” said Matt Sauter, aka Adventures with Vultures.

“It was gonna be about a drunk dude who got everything ripped away from him, and then once the girl started chiming in, it became more of a love song about two people down on their luck, but together they can get through it.”

For the cinema-inspired track, Sauter collaborated with Jackamo’s Ali Wiercioch and Tess Wiercioch (harmony vocals), Dalton Thomas (drums), brother Dan Sauter (bass) and Showers (guitar) at Plymouth Rock Recording Company. As a 3.5-minute sonic road trip, “Speaking French” beautifully blends swift acoustic strums, deep electric guitar, pounding kick drum and rattling cymbals.

In turn, Sauter gravelly sings in Springsteen-esque vocals, “We joined the circus, and we both changed our names/Sold that ’57 Chevy, starting jumping trains/And we flew to Paris and started speaking French/Till she found a corner out there to help pay the rent.”

Throughout “Speaking French,” Sauter chronicles the high-flying adventures of working-class fictional couple who follow the open road. Together, they represent a spontaneous road-trip relationship akin to Christian Slater and Patricia Arquette (minus the violence) in 1993’s “True Romance.” The track also references several pop culture gems, including “Billie Jean,” “River Jordan” and Credence Clearwater Revival’s 1971 Top 10 single, “Have You Ever Seen the Rain?”

“I was strumming that riff over at their house, and while we were taking a break, I was picking at it, and Ali kept going, ‘I wanna know have you ever seen the rain?’ We thought it would be cool to tie that into the bridge without stealing it. We made it sound like the girl in her bare feet saying that little part,” Sauter said.

“When I write songs, I don’t really have any structure. I just started humming, and I kept humming ‘River Jordan’ and ‘Billie Jean.’ I was just saying that in the hook, and I’m like, ‘Oh, OK.’”

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The Basement Tapes – Angelo Coppola Releases Alt Rock-Fueled EP ‘The Quarantine Sessions, Vol. 1’

Angelo Coppola performs live with The Lows, a Detroit hard rock quintet.

For Angelo Coppola, Michigan’s coronavirus quarantine feels more like a creative sabbatical.

The Detroit alt rock singer-songwriter and multi-instrumentalist dropped a new banger six-track EP, The Quarantine Sessions, Vol. 1, last week to satisfy growing Motor City cravings for additional releases in world currently without “traditional” live music.

“I’m kind of like a songwriting machine, I just can’t stop, and I have way more songs written than I’m able to put out, or I’m able to play with The Lows. I have this back catalog of 30 to 40 finished songs. All six of these are from the past year or so, but they’ve all been developed over time,” said Coppola, who’s also the frontman for The Lows.

“I thought these were the best of the bunch and didn’t know if The Lows would ever play them, but I just wanted to get something out. I’ve had the time now being home with my dad because he helps produce and mix it, and I can finally get a lot of these songs recorded and out that I didn’t have time for before.”

Throughout The Quarantine Sessions, Coppola seeks tantalizing ‘90s alt rock inspiration from genre-heavy royalty, including Foo Fighters, Nirvana, Alice in Chains, Stone Temple Pilots and Oasis. A seamless head-banging fusion of aggressive vocals, distorted electric guitars, charging bass and pounding drums immerse listeners in a grungy underworld.

“All six are a wide variety of genres within the rock genre, and I wanted to spread out the styles on the album. It was kind of random the ones we decided to start, and we have eight more that we started, and that I’m going to put out,” Coppola said.

“We’re going to do The Quarantine Sessions, Vol. 2 for sure in the next couple of weeks. It only took us a week to get all six of these done. It was basically like a song a day working down there, and we’re gonna grind out some more, too.”

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Sonic Jungle – Grass Bat’s Noel Herbert Swoops Up ‘80s Synth Pop, Electro Rock for ‘Mistake’

Mistake single artwork

With thumping bass lines, catchy drumbeats and bright synths, Grass Bat is swooping up a new era of ‘80s-fueled indie pop through his latest single, “Mistake.”

Released in November, the glistening four-minute track explodes with refreshing synth pop sensibilities reminiscent of The Human League mixed with the experimental psychedelic electro rock of MGMT and Animal Collective.

“For some time now, even in my previous band, the reviews I had gotten were ‘You sound very ‘80s,’ and I didn’t grow up listening to a lot of ‘80s music,” said Noel Herbert, aka Grass Bat. “It was something was that never really piqued my interest at the time, and I kept on getting this review. I was like, ‘If this is what I’m going to sound like, then I might as well go all out.’”

While writing and recording “Mistake,” Herbert quickly absorbed ‘80s pop rock and adapted the song’s melodies, structure and synths to recreate the era’s sound with a modern flair. It also features Adventures with Vultures’ Matt Sauter on guitar and Kayo Musiq on bass.

“Part of it being modern is the structure of the song, there’s an intro, verse, chorus, verse, chorus, bridge and a double chorus at the end,” said Herbert, who grew up playing piano and guitar and was inspired by Simon & Garfunkel, The Beatles, Joan Baez and Celtic folk music. “Part of the reason I did that was for sync licensing, it makes it easier if the song is ever going to get played in a commercial or on a TV show.”

For Herbert, the song’s lyrics take on a personal meaning about a past failed relationship and allow him to process the whole situation. They’re written through self-awareness and his internal experience of the outside world.

“I wasn’t sure what the song was about when I first wrote it. It wasn’t until probably a month ago that I was listening to it, and it finally clicked in my head where it came from,” he said. “It can be interpreted in so many different ways. It’s so important that each person interprets it in their own way, and that they can have their own feelings toward it.”

Continue reading “Sonic Jungle – Grass Bat’s Noel Herbert Swoops Up ‘80s Synth Pop, Electro Rock for ‘Mistake’”

Strength in Numbers – Stephanie Belcher Launches New Online ‘Business Management for Musicians’ Course

Stephanie Belcher prepares for her new online course, “Business Management for Musicians.”

With an incredible knack for numbers, Stephanie Belcher is one of the music industry’s premier economic and financial educators.

She has an innate ability to interpret and define the complex world of financial management, economics, and tax accounting for emerging and established creatives.

Belcher became fluent in the language of financial management after spending nearly two decades working in artist management, booking, promotions, and marketing. She’s also served as an accomplished business manager, marketing and economics entrepreneur, and tax accountant for 10 years.

“After moving to Michigan and regularly attending concerts, I started to hear there were musicians who needed their taxes done,” said Belcher, who’s based in Livonia, Mich. “More and more people kept coming to me for advice, and I absolutely loved helping them.”

Now, she’s ready to share her music, financial management, and economic expertise with artists, musicians, and creatives through a new online course and mastermind group.

Through the online course, interested participants can subscribe to Belcher’s content, which includes videos, chat sessions, online workshops, and other tools for those wanting to sharpen their financial, economic, and business knowledge while working in the music industry.

“I’ve come to embrace my role as an educator for financial information to creative people, and I enjoy it because it allows me to combine emerging music, financial management, and economics while connecting with people,” she said.

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Riding High — The Lows Perform Saturday at Inaugural Motor City Muscle Festival

 

The Lows will play Motor City Muscle on Saturday.
The Lows will be riding high this weekend with a coveted slot at the inaugural Motor City Muscle festival.

The Detroit-based hard rock band will join more than 120 artists, including Ace Frehley, The Dead Kennedys, Belinda Carlisle and Sponge, during the free festival, which includes seven stages of music and a muscle car showcase today through Sunday in downtown Detroit.

The Lows will take the stage in Detroit’s Hart Plaza at 3:15 p.m. Saturday for their hour-long, 15-song set. Fans can expect original Lows’ tunes and covers from Detroit music legends, including Alice Cooper and The Stooges, as well as ‘90s grunge classics.

For Angelo Coppola and his Lows bandmates, the festival is an incredible chance to help revive the rock music scene in the Motor City.

“Basically, I think there’s not enough of the straight-up rock sound going on anymore,” said Coppola, frontman for The Lows. “There are some great bands like Greta Van Fleet and some others from Detroit doing it. I think the world needs more of it, and I think tons of people personally want something to change with mainstream music. We’re just trying to hopefully be part of it carrying the torch and bringing it back around.”

The Lows EP
Coppola learned his band would join the all-star rock music festival lineup after he submitted “Road Trippin’,” a track from The Lows’ 2017 self-titled debut EP for a 12-song Motor City Muscle compilation album.

“The criteria for that was the song had to be about cars, and it had to mention Detroit in the song,” he said. “I went back into the studio where I recorded the EP, and I just changed one line of the first verse with producer Chuck (Alkazian) to include a reference to Detroit in there, then I submitted it, and they picked it for the album.”

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Jena Irene Asciutto Ascends to New Musical Heights with ‘Cold Fame’

Jena Irene Asciutto

With her rich, soulful voice, Jena Irene Asciutto sings of a life lived well beyond her 22 years.

The Ann Arbor, Mich., singer-songwriter shares tales of personal growth and self-reflection in her debut album, “Cold Fame.”

Released in June 2017 on Detroit’s Original 1265 Recordings, “Cold Fame” solidifies Asciutto as a powerhouse vocalist and composer who mixes elements of pop, rock and alternative against a cinematic backdrop.

“I wanted it to be a little bit of a story, like a complete chapter of my life,” she said. “A lot of those songs were written in the same period of time so I wanted to take the listener on a little bit of a journey when they listen to it from start to finish.”

Deconstructing ‘Cold Fame’

Hearing “Cold Fame” from start to finish allows fans to delve into Asciutto’s artistic metamorphosis from American Idol runner-up to burgeoning songstress.

“I just want to make people feel something when they listen to my music,” she said. “Some of (the lyrics) are super close-knit because you know exactly what I’m talking about, and some of it’s a little bit more generalized.”

“Cold Fame’s” 14 raw, emotional tracks propel listeners on a sonic journey through self-exploration in “Song of Myself” to the dark side of life in “Black Magic” to peppy “no f*cks given” in “White Girl Wasted.”

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Science for Sociopaths — Detroit’s Maggie Cocco Gets Personal on Upcoming ‘Love & Life’ Double EP

 

 

 

 

 

 

 

DETROIT – For Science for Sociopaths, writing and singing about romance and growth is a labor of love.

The Motor City indie pop-rock singer-songwriter, aka Maggie Cocco, digs deep and gets personal on her new nine-song double EP, “Love & Life,” which drops June 1.

On “Love & Life,” Cocco’s inspirational lyrics and soulful, powerhouse voice are reminiscent of Carole King, Patti Smith, Kelly Clarkson and Emmylou Harris rolled into one. Her richly-layered songs unravel relatable situations for fans who have experienced the trials and tribulations of life and love.

Cocco is releasing her first single, “I See You,” today from her upcoming double EP. “I See You” brings an acoustic foot-stompin’, finger-snappin’ tale of an unexpected love facing personal triumph despite life’s ongoing challenges.

“‘Love’s four heartfelt songs explore infatuation, confidence, insecurity, frustration, anger and loss as it pertains to romantic love. I was inspired to draw personally from my own love life and pulled a ‘Taylor Swift’ of sorts,” said Maggie Cocco, who formed Science for Sociopaths in 2016. With ‘Life,’ I dealt with the deep stuff bordering on existential. Everything from self-love and being our best selves to life’s toughest questions and big decisions. It’s real, and so sometimes it’s dark, but it’s always hopeful.”

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Folk Implosion — Adventures with Vultures’ Matt Sauter Gets Introspective on New ‘Junction’ EP

Matt Sauter, aka Adventures with Vultures

Matt Sauter found his folk after a painful breakup.

The 25-year-old folk rock singer-songwriter, who’s known as Adventures with Vultures, switched from making hip-hop music after his then girlfriend told family and friends that he played guitar and sang.

“She wasn’t a big fan of me making rap music,” Sauter said. “She would always tell her family and parents that ‘He’s a singer, he plays guitar and sings.’ When she broke up with me, it really hurt, so I said if she wants to tell everybody that I play guitar and sing, then I’m going to play guitar and sing.”

Two years later, Sauter officially entered the folk rock world with the release of his new Adventures with Vultures EP, “Junction,” in October on Original 1265 Recordings. Named after a street in Plymouth, Mich., “Junction” represents a rite of passage for Sauter as an individual and a musician.

“There’s like a handful of us, me and my buddies, we all actually have JCT tattooed on us, so there’s a little brotherhood with these kids that I grew up with, and they’re still my great friends,” he said. “I wanted to make this project for these kids who had been around me since we were 6.”

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Detroit’s New Musical Evolution — DIME Sessions Volume 3 Album Spotlights Rising Motor City Artists

DIME Sessions Volume 3 showcases some of Detroit’s best musical talent.
DETROIT — For 13 aspiring artists, a new Motor City compilation album captures their musical passion and growth.

Known as Detroit Institute of Music Education: DIME Sessions Volume 3, the album features 11 original tracks written by DIME students and weaves themes of political frustration, Motor City pride, personal struggle, relationships and musical tributes.

“This is the crème de la crème of our student body who are in a position to write and record at the time or who may have songs even if they’re in the simplest form,” said Sabrina Underwood, label manager for Original 1265 Recordings at DIME. “This is their opportunity to know what it feels like to have a record released internationally on a major label. They can use this as a calling card to open up other doors.”

DIME released its third annual album Aug. 25 on Original 1265 Recordings, which is an independent label owned by CND America, DIME’s parent company, and distributed by Caroline Distribution.

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