Homegrown – Tom Alter Returns to Old Stomping Grounds Friday for Hamtramck Music Fest

image2
Tom Alter will perform an assortment of tracks Friday at Hamtramck Music Fest. Courtesy photo

For Tom Alter, this weekend’s Hamtramck Music Fest provides a welcome homecoming.

The Fraser folk rock singer-songwriter and guitarist will return to his family’s old stomping grounds to perform Friday night at the Polish Village Café.

“It feels pretty nostalgic to be playing in Hamtramck since my mother was raised there. She graduated from St. Florian High School. My grandparents lived in Hamtramck until they reached their 80s, and I have memories of visiting there when I was a child,” Alter said.

“Some of those memories are captured in my song, ‘Hamtramck.’ I grew up in suburban East Detroit, which was a very different environment. When visiting Hamtramck, my siblings and I were exposed to a very different culture, even with my grandparents speaking another language through much of our visit.”

Alter quickly revisits his childhood on 2018’s “Hamtramck” as sentimental acoustic strums, sunny electric guitars and ruminative bass repaint loving scenes from the past. He reflects, “Visit from suburbia/Dropped into this urban dream/It’s a new diversity/In the streets with rising steam/I feel this city claiming me.”

“I think that experience gave me an appreciation for the many cultures that make up our nation. I released the song, ‘Hamtramck,’ on Bandcamp a few years ago. Since then, I have played it as an acoustic piece, and I plan to release a new version similar to my live performance on a new album I’m working on now,” said Alter, who also performs as part of the soul-jazz-rock duo After Blue with Katie Williamson.

For Friday’s Hamtramck Music Fest set, Alter will share tracks from his thought-provoking 2020 EP, Songs for an American Hero, which pays tribute to the late U.S. Rep. and civil rights activist John Lewis.

“It’s been just about a year since John Lewis passed. I think the impact of the equal justice protests of 2020 still resonate today, but unfortunately at a somewhat lower volume. I want to continue to put a light on John Lewis’ life and that cause in my own way,” he said.

Continue reading “Homegrown – Tom Alter Returns to Old Stomping Grounds Friday for Hamtramck Music Fest”

Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video

Jeremy Porter and The Tucos elegantly bring grit and glam to their stylish new video for Candy Coated Cannonball’sPut You on Hold” single.

The Detroit rock trio of Jeremy Porter (guitar, vocals), Gabriel Doman (drums, vocals) and Bob Moulton (bass, vocals) seamlessly fuse energetic live performance footage with colorful animation to illustrate “Put You on Hold’s” storyline about a girl becoming captivated with city life.

“I wanted to go for a bit of a throwback to the Aerosmith videos with Alicia Silverstone – sort of a very loose plot about a party girl that maybe worked with the song, but didn’t necessarily follow the song’s lyrics to a tee,” said Porter, who worked with director-photographer David Kellogg on the video.

“There are nods to the lyrics here and there, and in general, like the song, it’s about a crazy night out for a not-so-crazy girl, but the concept and its tie-in to the lyrics aren’t overthought. We glammed the look of the band up a bit for shits ‘n giggles to do something different, get out of our comfort zone and have some fun.”

Porter and The Tucos demonstrate that glamorous fun while dressing head-to-toe in white or black and adorning sunglasses and scarves, thanks to stylist Alessandra Lipman. They proudly sport those hip stage fashions in a darkened gym located at the Plymouth Arts & Recreation Complex (PARC).

“PARC is an old high school here in Plymouth that’s been converted into an art space with studios that local artists can rent and stuff like that. I wanted something big like a high school gym, and it just seemed perfect,” said Porter, who’s partnering with Ghettoblaster Magazine to premiere the video today.

“I also like to keep my money in my community when possible and support the arts when I can. David and I met the manager there, and she showed us around, and we agreed it was our spot. The gym has the feel of the ‘Smells Like Teen Spirit’ video a bit, which I liked.”

In tandem with the band’s live performance footage, the “Put You on Hold” video includes compelling animated characters and background scenery by Jones William. It explores the main character’s social outings with friends as well as her dating life and city adventures.

“(Jones) answered a Craigslist ad and was honestly one of the very few worth following up with. We never talked, just through email, a language barrier was an issue, and I wasn’t sure what I was gonna get. In the end, he delivered, and I was pleased with the work he did,” Porter said.

The band’s “Put You on Hold” video ultimately came together with Kellogg, who brought a “youthful, enthusiastic energy” to the camera.

“I met David through Instagram when we were recording. His work caught my eye, and he ended up doing all of the photography, including the cover, for the record. And even though he’s younger, he still gets the ‘70s/‘80s references we were throwing out – he’s well-traveled, so to speak,” Porter said.

“He didn’t have much to do with the concept or animation part, but he was very involved in scouting and choosing the location and everything that went into the performance part – lighting, setup, direction and all that. He and I also edited it together.”

Continue reading “Grit ‘N Glam – Jeremy Porter and The Tucos Release New ‘Put You on Hold’ Video”

Suburban Stories – Matthew Milia Revisits Metro Detroit Memories on ‘Keego Harbor’

Keego+Harbor 2
Matthew Milia’s “Keego Harbor” captures a beautiful legacy of life unchanged in the metro Detroit suburbs. Photo – John Hanson

For Matthew Milia, Keego Harbor represents a nostalgic, metro Detroit road trip from youth to adulthood and back again.

The Detroit indie folk singer-songwriter and Frontier Ruckus frontman eloquently drifts through deep childhood recollections, gritty suburban landmarks and dichotomous neighborhood adventures on his well-crafted second solo album.

“This has been a lifelong obsession, especially with the suburban world. It’s inspired by the fact that the suburban experience is not monolithic. It’s all these mingling beautiful dualities and contradictions of the human experience that live in this space,” said Milia, who grew up in Keego Harbor.

“I’m juxtaposing Pontiac and Bloomfield Hills because those places are contiguous, and they couldn’t be more different. That’s a hard thing for people that don’t live in this area to understand. My endless personal quest is to give as much vivid description and detail of these contradictions that I’ve experienced.”

Throughout Keego Harbor, Milia intricately constructs snapshots of mundane Michigan experiences – junk mail, rotten mulch and phone chargers – and static places – party stores, drive-thru lanes and nail salons – across 10 introspective tracks to capture a beautiful legacy of life unchanged.

“I think this record is a bit more about generational inheritance. My parents met in Keego Harbor at a place called the Back Seat Saloon that’s no longer there, and the first placed they lived together was in a little loft above a house. The age I am now is when they were doing all that. It’s a bit of time travel while seeing myself as my parents and all the things that entails,” he said.

While much of Keego Harbor remains in the rear-view mirror of the mind’s eye, another portion welcomes the uncertain future with outstretched arms. It’s a matter of looking toward the past to better understand who you’ve become and where you’re headed, whether that’s in a city or a suburb.

“I’m also thinking on another level about my experience in the music industry. It’s such a weird commerce to toil in, and my life since 2006 has been writing these songs and making these records with my friends and putting them out into the world and seeing where they take me,” Milia said.

“I think that a major trope of this record is the recalibration of one’s dreams and expectations. And knowing that immense beauty and surprise can be hiding there. Once you recalibrate what you think you wanted or were working toward, you might just find something even more rewarding.”

Continue reading “Suburban Stories – Matthew Milia Revisits Metro Detroit Memories on ‘Keego Harbor’”

Beacon of Hope – The Legal Matters Bring Power Pop Shine to ‘Chapter Three’

The Legal Matters 2
The Legal Matters’ Andy Reed, Chris Richards and Keith Klingensmith chronicle the pandemic, politics and personal struggles on “Chapter Three.” Courtesy photo

The Legal Matters brilliantly shine a light during a lingering time of uncertainty.

The mid-Michigan and metro Detroit power pop trio of Andy Reed, Chris Richards and Keith Klingensmith combines sunny melodies, lush harmonies and spirited instrumentation over a dozen contemplative tracks chronicling the pandemic, politics and personal struggles on Chapter Three.

“Music lovers value music even more now than they did before the pandemic. We hope people enjoy this record, and that it’s another decent thing that’s come out of this crappy time. We want people to put their ears on it and give it a chance, and we think there’s a little bit of something there for everybody,” Reed said.

Now available via Klingensmith’s Futureman Records, Chapter Three serves as The Legal Matters’ third infectious, compelling release since 2014. Each track provides an intimate, thoughtful perspective about moving forward in today’s ambivalent, precarious world.

“This record was mentally one of the most helpful things through all of this because it gave the three of us a chance to work on something that we really enjoy doing. We’re ridiculously pleased with the results,” Reed said.

Continue reading “Beacon of Hope – The Legal Matters Bring Power Pop Shine to ‘Chapter Three’”

Symphonic Tsunami – Skywerth Turns Pandemic Tide with Refreshing ‘Waves’ Single

Skywerth
Skywerth blends metal, psych rock, industrial, prog and hip-hop on “Waves.” Courtesy photo

Last spring, Skywerth watched a bewildered nation quickly unravel before his stunned eyes.

The Detroit multi-instrumentalist, producer and songwriter felt overwhelmed by the social, economic and political upheaval arising from the COVID-19 pandemic.

“I had just watched Ahmaud Arbery getting shot down in his own neighborhood and the music industry crumbling overnight all while looking at the incredible divide and conspiracy theories being pushed on social media,” he said.

That lingering frustration, disappointment and anger prompted Skywerth to pen his latest striking multi-genre, emotional-fueled single, “Waves,” featuring Hamtramck indie folk duo Jackamo.

“It was so apocalyptic, so I just wrote exactly what I was observing. Social media is tailored for you, so if anything pops up on your feed that is outside of your belief system, it’s going to stick out like a sore thumb, and your friends are going to say it’s wrong, too. No matter what it is, you are constantly being told that you’re right.” he said.

Now available on all streaming platforms, “Waves” elegantly rises with the genre-bending tides of metal, psych rock, industrial, prog and hip-hop into a symphonic tsunami. Thumping drums, tingling cymbals, swirling electric guitars, crawling bass and expansive synths quickly engulf listeners in a welcoming sense of relief and escape.

Skywerth reflects, “Alone in the waves with your eyes open wide, living in a paradise/Stare into the light/Hands upon the shore, eyes are getting sore/Here we are, caught in the eye of the storm/As the rain starts to fall, as the rain starts.”

“Lyrically, it’s a bit of a pessimistic song. If the song can make two people put their phones down and reconnect with one another in real life for two days, then it would make the year for me,” he said.

Skywerth also forges a beautiful musical connection with Jackamo’s Alison and Tessa Wiercioch, who provide somber, thoughtful harmonies on “Waves.”

“I fell in love with Jackamo the moment I heard them. We have mutual friends, and they also work with Steve (Lehane) at Rustbelt Studios. After writing the lyrics, I knew Ali, Tessa and I could do something pretty cool,” he said.

Along with Jackamo, Skywerth collaborated with Eric Hoegemeyer (soundscapes, synths), Matt Voss (drums) and co-producer Steve Lehane (bass, drum machines, production) on “Waves,” which initially started as an instrumental track.

“After the pandemic hit and I wrote the lyrics, I had this sort of organized chaos. Instead of being consumed by this confusion surrounding me, I had all my thoughts and observations laid out on something that was familiar and felt like home to me,” said Skywerth, who recorded the track at Royal Oak’s Rustbelt Studios and credited Lehane with transforming “Waves” into a vocal track.

“It wasn’t a conscious decision to weave all of these (multi-genre) elements together. I’ve got a bit of ADD, so when something sounds the same for several minutes I get bored. I need to change things a bit to keep me interested. I think the dynamics of the tune help outline the emotions felt from the pandemic.”

Skywerth brings those heavy emotions to life in his wistful new video for “Waves” as he ponders the pandemic’s ongoing impact with Alison Wiercioch in Hamtramck. Filmed and edited by Sara Showers and Cheyenne Comerford, the video also features footage of Skywerth performing live inside a vacant Magic Bag in Ferndale.  

“We started tossing around ideas for a video in late 2020, and we shot at The Magic Bag in February. It was quite unsettling being in the venue during the pandemic. We also shot in Hamtramck back in the spring, and it was a group of friends running around with a camera,” he said.

Continue reading “Symphonic Tsunami – Skywerth Turns Pandemic Tide with Refreshing ‘Waves’ Single”

Pathfinder – Athens Creek Discovers Strength, Inspiration on ‘The Road Home’

Athens Creek EP cover
Athens Creek’s Taylor Haring and Nate Jones address growth, divorce, nostalgia and sobriety on their debut EP, “The Road Home.”

For Athens Creek, The Road Home represents a poignant, personal mile-marker in a lifelong journey to overcome adversity and find redemption.

The metro Detroit Americana duo of Taylor Haring (vocals) and Nate Jones (vocals, guitar) proudly reflects on that introspective odyssey nearly a year after releasing their debut EP.

“Our original plan was to write a full album, and we wrote down on paper the ideas we had for it. The ideas that were there mostly came from that paper, which captured what we wanted to write over the next year. Unknowingly, we didn’t realize other things were going to come up,” Jones said.

“Right now, we still have a sense of pride about it. We’re glad we got through it and did it, despite the fact that it took a year and half for us to release it. It was worth it.”

Released last August, The Road Home beautifully documents Athens Creek’s original destinations of professional and spiritual growth, yet refreshingly chronicles the unexpected detours of divorce, nostalgia and sobriety across six tracks. It’s a realistic, relatable portrayal of life’s ups and downs zigzagging from one point of uncertainty to the next, especially in a pandemic.

“When everything first started to happen, we didn’t know how long it was going to last. First, it was only going to be a couple of weeks, and now it’s been nearly a year and a half later. We all had our own struggles and learning curves, but it allowed us to create and share in ways that we didn’t before as far as recording and having live meetings with each other,” Haring said.

Continue reading “Pathfinder – Athens Creek Discovers Strength, Inspiration on ‘The Road Home’”

Confidence Boost – FROSTisRAD Smashes Lingering Insecurities on ‘McLovin/The Ugly One’

DSC09922
FROSTisRAD embodies a bold and brash mindset on “McLovin/The Ugly One.” Photo – Myron “TheMrMr” Watkins

Backed by hip-hop swagger and emo pop-punk tenacity, FROSTisRAD provides the ultimate confidence boost for angsty listeners.

The Detroit alternative rapper infuses courage, strength and authenticity into his latest insecurity-smashing single, “McLovin/The Ugly One,” now available on all streaming platforms. FROSTisRAD’s fearless multi-genre anthem delightfully draws inspiration from “Superbad’s” much-adored McLovin character.

“He was the man in that movie, like a lot of people overlook that. He was the realest one. He wanted to tell the homeboy, ‘Like Yo, we’re going to be roommates together. You just need to tell him,’” said Jeremy Ian Doneghy-Horrington, aka FROSTisRAD.

“He’s the only one who ended up with the girl at the end. He was rolling with the cops shooting the guns, like he was the man. He was overshadowed; he needed more props.”

Throughout “McLovin/The Ugly One,” FROSTisRAD instantly adds a sonic backbone as vivid, ascending electric guitars, booming bass, light cymbal taps and intermittent electric drums push listeners into unfamiliar territory.

In tandem, AV CLUB bandmates Armando De Jesus III (guitar, audio engineer), Antonio De Jesus (drums, film), VA (bass, multi-instrumentalist) and Myron “TheMrMr” Watkins (film/DJ) help FROSTisRAD solidify his bold and brash mindset.

FROSTisRAD reveals, “Pops told me right/Keep ’em at a distance/And everything is tight/I’m mostly talking shit/Yo/I don’t believe the hype/Lambo for the weekend/They can’t believe my life/I don’t give a fuck/This is nothing/Bitch I’m super bad/I’m McLovin/Yea/Got two on me/You the one I’m fucking/Bitch I’m super bad/I’m McLovin/Yea.”

That newfound “McLovin” self-assurance also prompts FROSTisRAD to accept his true self and look past others’ shortcomings and hang-ups. He developed the initial reflective concept for the track while recording it in his home studio.

“I know I’m gonna be friends and forgive people when they do shit. Because that’s just my nature, it’s the kinda guy that I am. It’s just a battle in my head if I’m gonna stay mad at people,” said Doneghy-Horrington.

“I feel everyone doesn’t do things purposely or intentionally to hurt each other. It’s just based on how they’re feeling that day, and they don’t know how to fucking manage the way that they feel or treat people sometimes.”

Continue reading “Confidence Boost – FROSTisRAD Smashes Lingering Insecurities on ‘McLovin/The Ugly One’”

Barebones Music Festival – Old Main Records Hosts Two-Day Virtual Showcase for Detroit Artists

Old Main Records Barebones
The Barebones Music Festival will feature two nights of virtual recorded performances from Emma Guzman, ATMIG, Jackamo and others. Courtesy photo – Old Main Records

For Wayne State University’s Old Main Records label, this week’s Barebones Music Festival will showcase the creativity and ingenuity of emerging Detroit artists from the other side of the screen.

The two-day virtual music festival will spotlight a compilation of smartphone-recorded video performances from 23 artists on Wednesday and Thursday starting at 7 p.m. via Old Main Records’ Facebook page and YouTube channel.

Featured festival artists will include Emma Guzman, ATMIG, Jackamo, Of House, Ohly, C3, Darcy Moran, Weeknight Motion and 14 other rising local acts.

“We decided to create the Barebones Music Festival with the intention of leveling the playing field for local artists. The pandemic has put a hold on in-person events, and we have been trying to come up with new ways to virtually bring artists together,” said Joseph Corless, Old Main Records’ incoming president.

“A common problem we came across was that many artists did not possess the recording equipment necessary to perform virtually. We decided to embrace this and set the criteria for submissions to utilize only a cell phone with audio and video recording capabilities.”

In response, interested artists submitted individual performance videos for consideration regardless of genre. Next, the Old Main Records team assembled artist submissions into two cohesive virtual music showcases.

“This allows the songs themselves to shine and not be filtered by editing techniques and mixing. Artists had to be creative in their spacing to have a sonic balance between instruments. These limitations forced artists to think outside the box when choosing the song’s instrumentation and performance location,” Corless said.

“We chose artists whose songs could easily flow into one another while still utilizing various genres. Their choices of lighting and filming locations added to the ambiance of their individual styles.”

The Barebones Music Festival is one of several recent virtual events hosted by Old Main Records since the pandemic hit last year. With the shutdown of in-person live music events, the WSU student-run record label has flourished with a series of online artist shows and conversations, music industry panels, songwriter summits, and jazz and dance performances.

“It’s a nice way to bring together many of our past collaborators in a platform showcasing them all individually. I would personally love to see this festival grow into an in-person event in the future, but some changes may need to be made to its format,” said Corless, a WSU business management and music technology student and drummer for Detroit metal band Passing Thought.

“With venues and in-person events opening back up, I would love to start setting up more live shows. I also would like to see us branching out into different genres. Detroit has some phenomenal punk, hardcore and metal scenes that we have barely tapped into.”

Old Main Records hasn’t hosted an in-person live event since their multimedia launch party in January 2020. The party showcased a series of local artists who expressed interest in signing with the label, which is named after the iconic 19th century WSU academic building at Cass and Warren avenues.

“Chris Simpson, our departing president, has taken the lead in getting Old Main Records back up and running despite the pandemic. Darcy Moran, Calder Laidlaw, Anna George and several others have taken the lead in various other projects for the label,” Corless said.

“Wayne State is also slowly opening up again, and it would be great to utilize our recording studio. Old Main Records has been recruiting new members, and their enthusiasm to be more involved in our organization has truly been inspiring.”

Show details:

Barebones Music Festival | 7 p.m. Wednesday, June 16 and 7 p.m. Thursday, June 17

Old Main Records Facebook page & YouTube channel

Sand Down – Easy Beach Uncovers Personal Losses, Struggles on ‘Selena Gomez/Blurry’

Selena Gomez Blurry
Easy Beach’s new single “Selena Gomez” is a two-minute, rage-filled banger in response to losing a best friend. Photo – Sean Tarolli

Easy Beach didn’t intend to share a song title with Selena Gomez.

The Detroit emo-punk rock trio of Ian Cruz (guitar, vocals), Bradley “Beau” Stone (bass, backing vocals) and Sean Tarolli (drums, backing vocals) originally called their latest single “Forget Forever,” but quickly learned the track duplicated the name of the pop singer’s 2013 song.

“It became a joke at practice to call the song ‘Selena Gomez,’ and it stuck. The song took a couple practices to finish; it’s probably the only song we have that took less than a month to write. The song is about giving up my dog for someone who didn’t love me,” Cruz said.

Officially called “Selena Gomez (Took the Name of This Song),” the Easy Beach track fuses buzzy, roaring guitars, clobbering drums and propulsive bass into a two-minute, rage-filled banger in response to losing a best friend. Cruz sadly reflects, “You left last holiday/Without you I’m all dead/Now I can’t see my friend/Without him ever again.”

“I was doing some workshopping with Dylan Baldi of Cloud Nothings when I was writing this song, and he had a few ideas for the guitar parts that I used – particularly the lead guitar in the second chorus,” said Cruz, who co-produced the track with Tyler Floyd.

Selena Gomez” also features a dark, gritty basement jam video filmed by Mark Larsen of Static Screen Productions. Easy Beach cathartically processes their frustration while rehearsing, hanging out and eating pizza together.

“When I saw Mark’s video for ERODERS’Lose My Mind,’ I knew I wanted to do a video with him. Originally, the video was going to be us playing at a house party, but that’s exactly what the ERODERS video was, and Mark didn’t want to make the same video again,” Cruz said.

“He came to us with the idea of doing a video reminiscent of old emo/punk videos where the band is playing in a basement and just hanging out doing weird stuff. The video is just a peak into a regular practice for us, except we don’t usually eat pizza. It was shot in April at Bradley’s house/practice space.”

Continue reading “Sand Down – Easy Beach Uncovers Personal Losses, Struggles on ‘Selena Gomez/Blurry’”

Fired Up – Kevin B. Klein Fuels Classic Rock Anthems on ‘They Call It Rock-N-Roll’

87793622_2902285266497604_1098711428124114944_o
Kevin B. Klein blazes a rock-fueled pathway through life lessons, personal growth and future dreams on “They Call It Rock-N-Roll.”

Backed by turbocharged guitar riffs, fierce vocals and candid lyrics, Kevin B. Klein reignites a fiery passion into classic rock.

The Capac singer-songwriter and guitarist blazes a scorching 13-track, rock-fueled pathway through life lessons, personal growth and future dreams on his latest explosive album, They Call It Rock -N- Roll.

“I’ve been listening to a ton of music, and I see a ton of artists, and everybody says, ‘Oh, that’s rock and roll, or this is rock and roll.’ People are saying punk rock is rock and roll, and I’m thinking, ‘You guys are the farthest thing from rock and roll.’ To me, rock and roll is good, old-fashioned classic rock,” Klein said.

“For me, life got in the way for a long time, and it was a good thing because it gave me a lot of life experiences. All the songs that I write have a great energy and great storylines because I lived them, and they’re relatable to a lot of people.”

Klein earnestly reflects on those eye-opening experiences on the album’s dynamic, hopeful Led Zeppelin-esque opener, “The Wrong from Right,” as roaring electric guitars, bold acoustic strums, clicking cymbals, throbbing bass and pounding drums charge into your soul.

He proudly sings, “Speak up and don’t you back down/You gotta make the rules, you gotta stand your ground/Be careful what you say, be careful what you do/You gotta have some hope if you’re gonna make your dreams come true/Save your soul, you gotta know the wrong from right/If you lose control, then you’re gonna lose the fight.”

“It was this dark song at first, and I changed it up and wanted it to be really positive. ‘The Wrong from Right’ is about making great life choices despite all the chaos in the world. It’s got a darkish vibe, and it’s very rhythmic, and that’s why it ended up being the first song on the album. I’m coming out full power, and it just gets in your blood instantly,” said Klein, aka KBK.

Continue reading “Fired Up – Kevin B. Klein Fuels Classic Rock Anthems on ‘They Call It Rock-N-Roll’”