Tag: Detroit

Magic Wand – Carolyn Striho Recaptures Stirring Emotions on ‘Blue Ridiculous Love’ Single

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Carolyn Striho features poetic lyrics and heartfelt rock instrumentation on “Blue Ridiculous Love.”

Carolyn Striho cherishes the magical moments in life.

In those fleeting moments, the Detroit singer-songwriter feels grateful and inspired while spending time with others.

However, that magic often dissipates as people move on or pass away, but the love and appreciation from those interactions remain with Striho.

She beautifully shares that sentiment and a longing to recapture it in her new single, “Blue Ridiculous Love,” which features poetic lyrics and heartfelt rock instrumentation.

“I saw this song more as a painting, and with a painting, you’re interpreting it your way,” said Striho, who co-wrote the track with husband-guitarist Scott Dailey. “I’m talking about the ‘green grass of gold dirt,’ and it reminds me of one of the Beatnik poets, and you get these images.”

Surrounded by eager acoustic guitar, electric guitar, and drums, Striho sings, “I had this magic / It’s right on my side / Then everybody took a ride / The evening shadows / The tiny voice in my head / Starts talking louder / It’s an evil eye.”

“It’s a romantic song with an angst about the future and missing people, but it’s also about how falling in love can feel ridiculous,” she said.

”The lyric, ‘Everybody took a ride,’ could mean different things: They just left your life or they could have died. I had this magic, and I thought, ‘Wait, where did everybody go?’ It prompts you to look back and say, ‘Wait a minute, those people are gone.’”

Continue reading “Magic Wand – Carolyn Striho Recaptures Stirring Emotions on ‘Blue Ridiculous Love’ Single” →

Detroit’s Mike Ward Brings His Inspirational Folk Songs to AADL April 28

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Detroit folk singer-songwriter Mike Ward. Photo by Danny Ward.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

The state of the world weighs heavily on Mike Ward’s mind.

That concern prompted the Detroit singer-songwriter to pen a new folk song called “Why Not,” which sends an encouraging message to help others.

“When I have played it, people get how the song starts out small, gets broader as it goes on, and ends at a point where it’s up to us on a personal level,” said Ward, who’s also a University of Michigan alumnus.

“One of the things I have to work hard at is trying not to be too preachy, especially when I’m writing about things on a political level. It’s one of the areas where I try to find a balance.”

Backed by hopeful acoustic guitar and cello, he sings, “Why not do some good today with the time that we’ve got / Start with something simple / A lesson learned or to be taught / Plant a seed or lend a hand / A little helps a lot.”

“I’ve also been looking at not only how that affects the world in general, but also how it’s affecting people’s relationships,” Ward said. “It goes as broad as the country, but as narrow as some relationships and the struggles that people are having.”

“Why Not” is one of several songs Ward will be performing with Sara Gibson (cello) and Annie Bacon (vocals) at an April 28 show at the Downtown branch of the Ann Arbor District Library.

Ahead of the show, I spoke with Ward about his current state, his career transition from advertising to music, past albums, his latest songwriting efforts, his setlist for the AADL show, and plans for new material.

Continue reading “Detroit’s Mike Ward Brings His Inspirational Folk Songs to AADL April 28” →

Looking Ahead – Painted Friends Finds Peace and Forgiveness on New ‘Gomnia: Volume 2 (Indimindi) Album’

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Painted Friends features philosophical lyrics and emotive indie-pop and pop-rock instrumentation on “Gomnia: Volume 2 (Indimindi).” Photo – Hannah McWhorter

Painted Friends boldly embarks on a path to spiritual enlightenment.

Along the way, the Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) finds peace and forgiveness on “Better Bones,” the honest opener from their latest album, Gomnia: Volume 2 (Indimindi).

“This song has been on my mind for a very long time—longer than any others I’ve written,” McWhorter said. “I have changed the lyrics a few times throughout the whole process, but the message of it has pretty much stayed the same. It’s the same message that is expressed throughout all of Gomnia—the idea to love our enemies or Sermon-on-the-Mount-type-stuff.”

Surrounded by hopeful synth, pounding drums, and thoughtful electric guitar, McWhorter sings, “I heard a pretty word / And fell to my knees / I took time to pray for a way / To have a better life / And now I’ve no one to hate / No reason to shake / The truth is the light / That gives me a better life.”

“Love—by definition—must be freely given; it’s a choice,” McWhorter said. “I’m not referring to romantic feelings. I’m talking about choosing not to attack someone you disagree with out of love for them and their humanity.”

That plea for love, humanity, and truth flows throughout the 10 tracks on Gomnia: Volume 2 (Indimindi). Painted Friends deeply examines those notions through philosophical lyrics and emotive indie-pop and pop-rock instrumentation.

To learn more, I spoke to McWhorter about the Gomnia album series, select tracks, a recent album release show, and plans for releasing new material.

Continue reading “Looking Ahead – Painted Friends Finds Peace and Forgiveness on New ‘Gomnia: Volume 2 (Indimindi) Album’” →

Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single

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Carolyn Striho and Scott Dailey focus on the journey ahead on their latest single.

For Carolyn Striho, the road of life is full of unexpected twists and turns.

But those challenges don’t prevent the Detroit singer-songwriter from moving forward.

That perseverance fuels some of the inspiration behind her latest blues-rock single, “14 Miles of Bad Road,” with husband/guitarist Scott Dailey.

“If you say you’ve been on 14 miles of bad road, it sounds far. When I wrote it, I was thinking more of being up north with roads all over the place,” Striho said. “When you think about it, it could be anywhere—a city or a town.”

Determined to reach their next destination, she sings alongside propulsive electric guitar, bass, organ, and drums, “I wish all the world could see you and me again / I wish all the world could feel like a friend again / I wish all the world could be like a kid again / I wish all the world … / I tried, my friend / You lied again / I tried again / You lied …”

“Scott came up with the lyrics, ‘I tried, my friend / You lied again,’ and it makes sense, meaning, ‘You thought there was a rosy picture of life, and when you’re young, everything seems so good,’” said Striho, who shares counterpoint vocals with Dailey on the track’s chorus.

“You also might think someone’s going to swoop in and make everything better if life’s not going well. That doesn’t always happen, though.”

Continue reading “Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single” →

The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album

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Evan Haywood features a compelling juxtaposition of sound and genre on his latest live album, “Canterbury Tales.” Photo – Doug Coombe

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Evan Haywood remembers his first live solo show at Canterbury House in 2014.

The producer, musician, songwriter, rapper, visual artist, filmmaker, and digital archivist recalled feeling nervous about sharing vulnerable folk songs and playing a nylon-string guitar at the Ann Arbor venue.

“It was such a jarring experience almost to go from performing in sweaty clubs and bars where everybody’s dancing … and having a good time to this very stark, acoustic performance where I’m baring my soul,” said Haywood, a University of Michigan alumnus who had previously performed live with the local hip-hop group Tree City.

“I feel like that performance was some sort of watershed moment for me because I had to prove to myself that I could do it. I had never done a performance like that with just an acoustic guitar and myself.”

Fortunately, Haywood’s intimate performance was recorded on cassette by Fred Thomas and initially released on limited-edition tape through Thomas’ Life Like label in 2015. Today, part of that performance now appears on Haywood’s latest live album, Canterbury Tales.

“I spent the past 10 years or so honing them and working on the mixes and cleaning up some of the noise and things like that to get them to the point they’re at now,” Haywood said.

“When you’re dealing with tape, you have fewer options, so you really have to work in a detailed way to be able to massage those recordings and get the good stuff out and take some of the noise down. That’s something I’ve been tinkering with—those Canterbury House recordings—and I feel like now my tinkering is done.”

Continue reading “The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album” →

Virtual Airwaves – Brian Maloney Features Michigan Artists and Music on The Sonic Coast

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Brian Maloney runs The Sonic Coast, an online radio station that plays Americana, roots and rock music by national and local artists. Photo courtesy of Brian Maloney

In 2014, Brian Maloney instantly reconnected with his hometown and its musical legacy.

The Sonic Coast founder and chief music curator visited the Motor City to attend a Crain’s Detroit Homecoming and started pondering his next life chapter.

“I was in downtown Detroit for a couple of days with the event, and everywhere I looked, I was reminded of what a remarkable place this city and state are in the music industry,” said Maloney, who spent 40 years working in radio and now resides in Raleigh, North Carolina.

“The following ‘revelation’ about what to do in retirement happened in February of 2020 when I brought The Gasoline Gypsies down to North Carolina for a couple of shows and a media tour.”

The band sold out two shows 700 miles from Port Huron, Michigan and reminded Maloney about the draw of Michigan-made music.

“It became clear I was going to focus everything I had learned over the past 40 years on my two favorite things: Michigan and local music,” Maloney said. “So when I retired, The Sonic Coast was born.”

Today, Maloney oversees the burgeoning online radio station, which plays Americana, rock, folk, country, roots, soul and funk from national and Michigan artists.

“I saw a tremendous opportunity in the state to play local artists (abundant!) on a meaningful platform to give them exposure next to national acts that were getting limited exposure in Michigan. Unfortunately, traditional commercial radio doesn’t invest in/support local artists much anymore,” he said.

“It’s honestly more important than ever for a band to get played and promoted on a platform. Spotify, Pandora and others are simply a database of music for consumers. Sonic Coast plays, promotes and interacts with the artists.”

To learn more about The Sonic Coast, I chatted with Maloney about becoming a DJ, working in radio, taking leadership roles with several stations, growing his new online radio platform, celebrating Michigan artists and music, adding curators and supporting live music.

Continue reading “Virtual Airwaves – Brian Maloney Features Michigan Artists and Music on The Sonic Coast” →

All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album

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David Jones, Matthew Milia, and Zachary Nichols of Frontier Ruckus. Photo – John Mark Hanson.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Frontier Ruckus, aging represents a mixture of nostalgia, fear, and hope.

The Detroit-Ypsilanti folk-rock trio of Matthew Milia, David Jones, and Zachary Nichols explores those feelings alongside the passage of time on its new album, On the Northline.

“The main soundbite that Matt has been saying about the record is that half of the songs were written before he met his wife, Lauren,” said Nichols, who plays trumpet, musical saw, melodica, and air organ on the album.

“He said half of the songs are angsty and half of them are happy. I hear a lot in the lyrics about getting older, looking back, and thinking about the future. I think we all feel a little bit middle-aged now.”

As part of that reflection, Frontier Ruckus engages in deep soul-searching across On the Northline’s dozen tracks. Contemplative lyrics, vivid suburban imagery, and wistful Americana, country, and jazz-inspired instrumentation encourage listeners to ponder their life trajectories.

“The feelings and the ruminations on aging and getting to the point that we’re at in our lives … they’re probably a little conflicted because it’s conflicting for all of us,” said Jones, the band’s banjoist-vocalist. “To a certain extent in Matt’s songs, there’s always a lot of nostalgia in a way that’s positive, but sad as well.”

Despite those conflicting thoughts, Frontier Ruckus forges ahead and finds some solace while revisiting hometown landmarks, adapting to everyday surroundings, and welcoming unexpected changes.

“There’s a certain amount of happiness to be where we are now and be past the turbulent days of our youth when we were in the van all the time,” Jones said. “There’s a level of contentment with being in this place that we’ve all settled in that feels good and more comfortable.”

I recently spoke with Jones and Nichols about waiting seven years between releases, dissecting the album’s introspective themes and tracks, writing and recording the album, preparing for two celebratory shows, and going back out on the road.

Continue reading “All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album” →

Dearly Departed – Emily Rose Honors Late Singer-Songwriters Through ‘Ghost Night at Ghost Light’ Monthly Concert Series

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Emily Rose performs with Dan “Ozzie” Andrews during a “Ghost Night at Ghost Light” show. Photo – Jeff Spisak

Six years ago, Emily Rose tested out a new concept for a live show.

The Detroit indie-folk singer-songwriter hosted a tribute night honoring a late artist at Ghost Light Bar in Hamtramck, Michigan.

“One of the bartenders at Ghost Light is a close friend and he said, ‘Emily, you could have a regular show here if you wanted.’ He planted that seed, and I did a Jim Croce tribute night in 2017 because he’s a songwriter that I love,” Rose said.

“It was a great show and it was so much fun. In the back of my head, I thought, ‘Well, maybe someday I’ll do a monthly show where I learn a bunch of songs by a different artist.’”

At the time, Rose laid the foundation for what would become “Ghost Night at Ghost Light,” a monthly tribute show featuring local artists performing the music of departed singer-songwriters as well as sharing their own material.

“Last year I was in a position where I realized I needed something to focus my energy on,” said Rose, who launched the concert series last June. “I needed a project to throw myself into … and a lot of my favorite songwriters are dead. The idea to do a different departed songwriter every month just made sense.”

Continue reading “Dearly Departed – Emily Rose Honors Late Singer-Songwriters Through ‘Ghost Night at Ghost Light’ Monthly Concert Series” →

The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single

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Painted Friends’ Jeremiah McWhorter and Mitch Crosby examine the power of negative emotions on “Cain Complex.” Photo – Hannah McWhorter

Painted Friends vicariously explores the powerful, destructive forces of jealousy and envy on “Cain Complex.”

The Detroit indie-rock duo of Jeremiah McWhorter (vocals, guitar, bass) and Mitch Crosby (drums) examines those fierce emotions through the biblical perspective of Cain on their dark new single.

“The Cain and Abel story is one of the deepest stories in all of literature, no matter what belief system you hold. Putting myself in Cain’s shoes for a song made me realize how easy it was, especially in the music scene today,” McWhorter said.

“It is very easy to feel jealous toward other musicians who appear to have ‘made it’ and here I am still struggling to make a dime with my songs, yet I put so much work and passion toward it.”

That passion comes alive as McWhorter sings alongside fiery electric guitar, bass and drums, “I was the first man / The oldest of sons / What I give away is much better than blood / The envy that filled me was sent from above / And the reason I’m standing is not due to love.”

“Jealousy and envy are similar to drugs in my opinion. They almost become like an addiction that once it takes hold, [it] can literally bring you to the point of murdering another person,” he said.

“It is a song that is toeing the line between being appropriate and inappropriate, but I wanted to allow myself to do that for at least one song. It felt and still feels necessary.”

I recently spoke to McWhorter and Crosby about their backgrounds, previous releases, passionate new single, Feb. 9 live show in Detroit and plans for 2024.

Continue reading “The Dark Side – Painted Friends Explores Jealousy and Envy on ‘Cain Complex’ Single” →

Going Stateside – New Zealand’s Maggie Cocco Returns to Michigan for Science for Sociopaths Show and Girls Rock Detroit Benefit Concert

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Maggie Cocco performs at Aretha’s Jazz Cafe in Detroit on Dec. 12. Photo – Micky Nogher Photography

After four years of living out of state and abroad, Maggie Cocco is back in Metro Detroit making some new musical memories.

The pop singer-songwriter is visiting her home state during the holidays and playing two live shows: Dec. 18 at The Ark in Ann Arbor with Joanna Sterling and Dec. 22 at Tin Roof Detroit for the Music Mavens of Michigan, a fundraising concert to benefit Girls Rock Detroit featuring a lineup of local femme artists.

“The Ark will be a very special show for me. It’s my only show on the Michigan leg of the Analog tour where I’ll play through the entire song cycle as it is on [my new] album, [Like a Moth],” said Cocco, who now resides in Whangārei, New Zealand and performs under the moniker Science for Sociopaths.

“I’m [also] ridiculously stoked about this [Music Mavens of Michigan] lineup. Tin Roof Detroit has a capacity of 400 people, and we’re hoping to reach it! With a lineup like this, I think we can. We’ll be holding what’s called round robins with each artist offering two self-accompanied songs and sharing the stage with three to four artists at a time.”

For the Music Mavens of Michigan show, Cocco will be performing alongside Audra Kubat, Carolyn Striho, Julianne Ankley, Coko Buttafli, Fay Burns, Gwenyth Hayes, Julia Rose Pagac, Jacki Daniels and others.

“Even if you’ve seen any or all of these artists live, this will be a truly unique and collaborative experience,” said Cocco, who grew up in Sterling Heights. “We’ll also have a couple of youth performers to open the show and a finale featuring all participating artists, plus an open jam to end.”

I recently spoke to Cocco about living in New Zealand, visiting the U.S., working with Girls Rock Detroit, preparing for The Ark and Music Mavens of Michigan shows, writing and recording her Like a Moth album and looking ahead to 2024.

Continue reading “Going Stateside – New Zealand’s Maggie Cocco Returns to Michigan for Science for Sociopaths Show and Girls Rock Detroit Benefit Concert” →