Active Duty – Major Murphy Plays Easter Weekend Shows to Grow Eastside Musical Troops

Major Murphy’s Jacki Warren, Jacob Bullard and Brian “Bud” Voortman will play shows Friday and Sunday in Hamtramck and Lansing.

For Major Murphy, Easter weekend means active duty on Michigan’s east side.

The Grand Rapids nostalgic rock trio will perform eastside shows Friday and Sunday to grow their musical troops in Hamtramck and Lansing.

Friday’s show will take place at Ghost Light Hamtramck with Carriers and Katy Kirby while Sunday’s show will occur as part of the Capital City Film Festival at Mac’s Bar with Lily Talmers & Monte Pride and Composetheway.

“We haven’t played at Ghost Light before, but we’re excited to play there and in Hamtramck for the first time. We’ll be able to get some new ‘Lafayette’ EP stuff into our set as well as songs from our ‘No. 1’ album,” said Jacob Bullard, Major Murphy’s vocalist and guitarist. “In Lansing, there’s going to be bands playing all weekend, and it’s in conjunction with the film fest.”

Bullard will join bandmates Jacki Warren (bass) and Brian “Bud” Voortman (drums) to share their 1970s-inspired radio rock with Hamtramck and Lansing crowds. They’ll perform hypnotic, mellow tracks from their latest EP, “Lafayette,” which dropped in February on Winspear, and last year’s full-length debut, “No. 1” as well as a cover of The Beatles “Revolver” classic, “She Said She Said.”

Recorded as demos in Bullard’s Grand Rapids-based house on Lafayette Avenue, the “Lafayette” EP features six songs that chronicle the creative evolution of Major Murphy from a stripped-down solo project to a three-piece rock band.

“I think it’s an extension or a companion to ‘No. 1,’ and we wanted to share stuff that we felt was interesting,” said Bullard, who formed Major Murphy with Warren and Voortman in 2015. “If people listened to ‘No. 1,’ then they might find ‘Lafayette’ extra fun because it’s where the songs started, and it gives them a behind-the-scenes perspective.”

Lafayette EP

For three tracks on “Lafayette,” each band member plants a promising sonic seed for the growth of “No. 1.” Bullard writes about an open-hearted expression that’s nostalgic and forward-thinking on “Come By Sunday” while Warren provides enchanting harmonies on “When I Go Out.” Meanwhile, Voortman jams for the first time on the initial demo for “No. 1.”

“They were recorded well before we went to Russian Recording, and they were mostly for my own benefit of being able to sketch the songs out,” said Bullard, who’s inspired by The Beatles, Paul McCartney and Wings, and Patti Smith. “I anticipated being able to record them again since they were very lo-fi, and the production was done in my bedroom.”

By 2017, Major Murphy ventured to Russian Recording in Bloomington, Ind., to record 10 nostalgic tracks for “No. 1.” The album’s jangly guitars, shimmering riffs, synth grooves, and dreamy, commanding vocals gently hook and draw listeners into a vintage, yacht rock world.

Together, Major Murphy hones a retro sound filled with harmonic structures, melodic progressions and emotional shifts that rely heavily on concert-like, energetic recordings. A year after “No 1.’s” release, the album stills sounds as refreshing and inspiring as its initial spin.

“I feel really proud of that record, and that’s never happened before. When I’ve made music in the past, I think about how we could have done this differently,” Bullard said. “I think this album is different because we were collaborative by working with Mike Bridavsky at Russian, and we brought in Ben and Aaron in addition to Bud and Jackie.”

With “No. 1” and “Lafayette” under their belt, Major Murphy will return to Russian Recording in July to record their next album. They also plan to release a new single soon.

“I’m super excited to put this next record together and share it with people,” Bullard said. “I’ve written the new songs precisely with all of us in mind and with the knowledge of what a dynamic life is like along with the strengths and weaknesses of that. It feels like it’s been a long time since we’ve been able to put out some new music.”

Show Details:

Major Murphy with Carriers and Katy Kirby

9 p.m. Friday

Ghost Light Hamtramck

2314 Caniff in Hamtramck

Tickets: $8

Major Murphy with Lily Talmers & Monte Pride and Composetheway

7 p.m. Sunday

Mac’s Bar

2700 E. Michigan Ave. in Lansing

Tickets: $10

Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today

The Sneeks have released their fun-filled “Sneekin’ Out the Back Door” EP today.

For The Sneeks, opportunity knocks with a new five-song EP.

The East Lansing alt rock quartet has delivered their latest release, “Sneekin’ Out the Back Door,” today via streaming services as a fun, breezy follow-up to their eight-track 2017 debut album, “Sneek Attack.”

Through “Sneekin’ Out the Back Door,” Niko Matsamakis (vocals, guitar), Kevin Neumann (vocals, bass), Alex Olivero (vocals, guitar) and Houston Smith (drums) create a laid-back summer sound filled with shimmery Mac DeMarco-inspired guitars and wrapped in personal tales of fleeting relationships.

It’s the musical alter ego to “Sneek Attack,” which follows a “rad rock and troll” sound born out of the band’s Michigan State University (MSU) party days and garage punk rock shows with Twin Peaks at The Loft in Lansing.

“The different approach for ‘Sneekin’ Out the Back Door’ is definitely the songwriting and recording style,” Matsamakis said. “We recorded it in my house upstairs in four different rooms at the same time, and we tracked it all together. Houston was in one bedroom, I was in another, Kevin was in the other bedroom and Alex was in the bathroom.”

Neumann and Olivero also contributed tracks to the “Sneekin’ Out the Back Door” while Matsamakis wrote the material for “Sneek Attack” – his personal journey through post-breakup single life.

“We used some different effects on our guitars that we don’t normally use, and some of those ‘Sneek Attack’ sounds are harder in general, but ‘Sneekin’ Out the Back Door’ is definitely a softer sound,” Matsamakis said. “I wrote a few of the songs, showed them to Kevin, and Kevin put his touch on them, and then vice versa. I would say Kevin’s songs are definitely the softer ones.”

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