Backed by turbocharged guitar riffs, fierce vocals and candid lyrics, Kevin B. Klein reignites a fiery passion into classic rock.
The Capac singer-songwriter and guitarist blazes a scorching 13-track, rock-fueled pathway through life lessons, personal growth and future dreams on his latest explosive album, They Call It Rock -N- Roll.
“I’ve been listening to a ton of music, and I see a ton of artists, and everybody says, ‘Oh, that’s rock and roll, or this is rock and roll.’ People are saying punk rock is rock and roll, and I’m thinking, ‘You guys are the farthest thing from rock and roll.’ To me, rock and roll is good, old-fashioned classic rock,” Klein said.
“For me, life got in the way for a long time, and it was a good thing because it gave me a lot of life experiences. All the songs that I write have a great energy and great storylines because I lived them, and they’re relatable to a lot of people.”
Klein earnestly reflects on those eye-opening experiences on the album’s dynamic, hopeful Led Zeppelin-esque opener, “The Wrong from Right,” as roaring electric guitars, bold acoustic strums, clicking cymbals, throbbing bass and pounding drums charge into your soul.
He proudly sings, “Speak up and don’t you back down/You gotta make the rules, you gotta stand your ground/Be careful what you say, be careful what you do/You gotta have some hope if you’re gonna make your dreams come true/Save your soul, you gotta know the wrong from right/If you lose control, then you’re gonna lose the fight.”
“It was this dark song at first, and I changed it up and wanted it to be really positive. ‘The Wrong from Right’ is about making great life choices despite all the chaos in the world. It’s got a darkish vibe, and it’s very rhythmic, and that’s why it ended up being the first song on the album. I’m coming out full power, and it just gets in your blood instantly,” said Klein, aka KBK.
As its first ever in-studio livestream performance, Grove Studios will share three hours of heavy-duty rock for fans to enjoy at home. Broadcast live from the newly renovated Deluxe Studio, viewers will experience a searing show filled with shredding guitars, pulsating drums and thumping bass.
“We’ve had a variety of themed shows over the years and thought it was time to have a collection of heavy rockers this time around. I’m personally looking forward to feeling pounding drums and bass in my chest while wild guitar riffs and vocal runs fill the ether,” said Erich Friebel, Grove Studios co-founder and Director of Community Engagement.
Ann Arbor power trio Electric Huldra will launch the show’s heavy-duty night with new tracks from their upcoming self-titled album. It will be the band’s first new material since releasing their latest thunderous single, “Letting Go,” in 2019 and their blazing five-track debut EP,Roadburner, in 2018.
“We will be playing every song except for the one cover song that we put on the record, and we won’t say what that song is to keep the surprise for people listening to the new record. We just hope to go in and show people that rock and roll is alive and well and give them a taste of what to expect when we can hopefully be playing live again soon,” said Bobby Marks, the band’s vocalist and guitarist.
Viewers can purchase $10 tickets for Saturday’s livestream show via Grove Studios’ website and Facebook page. Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, last March. The sessions spotlight a range of emerging and established artists and bands in Washtenaw County and metro Detroit.
“By presenting in-studio livestream performances, we’re not only giving artists a platform to express themselves and maintain a music livelihood, but we also want to share what Grove actually is with the broader community. We’re more than just simply a performance venue or rehearsal and music production space,” said Friebel.
Grove Studios Livestream with Electric Huldra, Edison Hollow & V*A*S*E
The Los Angeles heavy metal singer-songwriter and guitar virtuoso slowly exhales after getting through another manic Monday.
“I’ve found that most people are tired and angry on a Monday. By Tuesday, they seem lost and ready to procrastinate again. I make it a point each Tuesday to escape a bit and visit a local hiking spot to get through the rest of the week,” said Ania Thomas, aka Ania.
Ania appropriately celebrates her favorite workday and weekly nature jaunt through a thrash-tastic new single, “Tuesdays,” now available on all streaming platforms.
Boisterous Black Sabbath-esque electric guitars, galvanic bass, propulsive drums, crashing cymbals, fuzzy synths and delicate strings instantly release inner workplace tensions and rejuvenate weary minds throughout the 4.5-minute therapeutic banger.
Ania calmly sings, “And the road, and you climb some more/To find that one path about you/Still shines down on you/Are you forgetting it?/Climb, climb to get to the road you once knew/Where it shines down on you/Stairs are up the way, you know.”
“I think ‘Tuesdays’ bring a sense of relief by sharing a positive message, especially through the lyric, ‘You’re gonna find a way.’ It’s all about wanting to see a light at the end of the tunnel and staying positive while living through our current times. For me, nature has always brought a sense of healing both physically and mentally,” Ania said.
“Romantic and transcendentalist poets created a movement in which freedom and emotion were favored over intellectual growth. True inspiration is beyond our human reasoning and intelligence can only take us so far as people. There is more to life than just intelligence, including freedom of self-expression, intuition, inspiration and the pursuit of truth. It’s really a matter of taking care of ourselves in a spiritual way.”
Along with director Joseph Cordova, Ania beautifully conveys the spiritual power of nature in a compelling video for “Tuesdays,” which features breathtaking overhead shots of Los Angeles’ Runyon Canyon Park against a hazy city backdrop. A gold pocket watch slowly dangles in the video’s opening sequence to symbolize the gradual passage of time in an isolated world.
“Joseph and I went to one of my favorite places that I regularly visit whenever I feel down or need a break from the world. It’s my favorite hiking spot in Los Angeles,” said Ania, who climbs throughout the hills while shredding her green Ibanez.
“We used a pocket watch because I wanted to show the concept of time and how it’s always running away from us as creative people. At the same time, it’s also a social construct. It took us a year and a half to finish the video due to complications from the pandemic, but finishing this project proved to me that you have to keep going in spite of what else is happening around you.”
Michaela DeBenedictis glistens in vivid southern California sun.
The Los Angeles blues rock singer-songwriter and guitarist radiates strength, positivity and growth on her debut sun-drenched album, Resilient, with The Sea Tease.
“All the songs are super personal, and I was diagnosed with PTSD five years ago. This album was, ‘Here’s everything that I had to process and all the people I had to process it with.’ ‘Resilient,’ the title track, really came out of that,” said DeBenedictis, frontwoman for The Sea Tease.
“My mother-in-law actually said to me when I was a couple of years into my recovery, ‘Baby girl, you’re resilient. No matter what happens to you, when you get knocked down, you just pick yourself right back up.’ That just really stuck with me, and I ended up writing ‘Resilient’ off of that.”
Released May 1, Resilient includes poignant lyrics beautifully draped in DeBenedictis’ soulful vocals and illustrious bluesy guitar solos alongside vibrant piano, rhythmic bass, soft percussion and tender acoustic guitar. Together, the lyrics, vocals and instrumentation unearth a “desert magic” vulnerability that emits courage and authenticity throughout The Sea Tease’s seven tracks.
Part of that vulnerability shines on “Gold,” a majestic track beaming with echoey sitars, bluesy electric guitars, light cymbal taps, bouncy percussion and bright acoustic guitar.
In a sense, DeBenedictis has become a “Gold Dust Woman” of the southern California desert weathered and worn as she sings, “There’s a hole in the bottom of the sea/And that’s where you should be/You can only drain so much life out of my bones/Before they fossilize and turn to gold.”
“It’s been so long now, and I’ve noticed a part of the healing journey is allowing yourself to be vulnerable. I used to think that hiding yourself, being tough and not letting anybody in, I thought that was strength. But I realized strength is when you allow yourself to be vulnerable and share your story with other people,” she said.
For Widetrack’s Ron Tippin, a new type of “mirror” reveals our hidden truths in a vast technological world.
That “mirror” doesn’t reflect our human faces, but instead displays our evolving digital personas on social media and the Interweb through multiple computer, tablet and phone screens. In a sense, we’re residing in a parallel world while interacting with one another in a dream-like state.
“The idea of The Unwakening is how we immerse ourselves in this digital landscape, and it just makes all our worst tendencies come out, and we just wallow in it. All of our wisdom just goes out the window and so does our better nature,” said Ron Tippin, Widetrack’s vocalist, guitarist and drummer.
Ron Tippin explores this haunting concept throughout Widetrack’s new otherworldly 12-track, alt-prog album, The Unwakening, which dropped yesterday. As part of a Waterford father-son duo with 16-year-old bassist-guitarist Zach Tippin, he travels through a dozen digital tales to uncover the conflicting dualities of our personal and online identities.
“I look at a show like ‘Black Mirror,’ and I’ve read the reviews, and people say, ‘Oh, I get it, digital media is bad.’ Well, it’s not that simple. It’s a fantastically great tool, it can connect us in ways it never could, and it’s the stuff of my childhood imagination,” said Ron Tippin, who released the album to coincide with his son’s 16th birthday.
Together, father and son plunge headfirst into a ‘Black Mirror-esque’ realm filled with an angry online influencer who trolls social media, online forums and discussion threads to create a polarizing digital culture. Each haunting track on The Unwakening chronicles the influencer’s rapid rise to power and eventual decline in a fickle virtual universe.
For Angelo Coppola, Michigan’s coronavirus quarantine feels more like a creative sabbatical.
The Detroit alt rock singer-songwriter and multi-instrumentalist dropped a new banger six-track EP, The Quarantine Sessions, Vol. 1, last week to satisfy growing Motor City cravings for additional releases in world currently without “traditional” live music.
“I’m kind of like a songwriting machine, I just can’t stop, and I have way more songs written than I’m able to put out, or I’m able to play with The Lows. I have this back catalog of 30 to 40 finished songs. All six of these are from the past year or so, but they’ve all been developed over time,” said Coppola, who’s also the frontman for The Lows.
“I thought these were the best of the bunch and didn’t know if The Lows would ever play them, but I just wanted to get something out. I’ve had the time now being home with my dad because he helps produce and mix it, and I can finally get a lot of these songs recorded and out that I didn’t have time for before.”
Throughout The Quarantine Sessions, Coppola seeks tantalizing ‘90s alt rock inspiration from genre-heavy royalty, including Foo Fighters, Nirvana, Alice in Chains, Stone Temple Pilots and Oasis. A seamless head-banging fusion of aggressive vocals, distorted electric guitars, charging bass and pounding drums immerse listeners in a grungy underworld.
“All six are a wide variety of genres within the rock genre, and I wanted to spread out the styles on the album. It was kind of random the ones we decided to start, and we have eight more that we started, and that I’m going to put out,” Coppola said.
“We’re going to do The Quarantine Sessions, Vol. 2 for sure in the next couple of weeks. It only took us a week to get all six of these done. It was basically like a song a day working down there, and we’re gonna grind out some more, too.”
“The bassist/singer/founder Chip Z’Nuff is a major inspiration to very much of what I do. His style, approach, couth and constant love for his audience is astounding to me,” said Kyle Mikolajczyk, the band’s bassist who named the act after the legendary West Hollywood rock club.
“I cherish learning as much as I can from the legends in rock and roll that have already been where I wish to be. He is a fountain of knowledge and that alone gives me a lot to forward to on Friday.”
Along with infamous Detroit legend Guy Williams (vocals), Brandon Fields (guitar) and Garrett Ramsden (drums), Mikolajczyk will shred his way through collection of timeless hard rock hits. In a sense, the tribute quartet brings the look, feel and sound of the late ‘80s Sunset Boulevard rock and roll lifestyle to the Motor City.
“Individually, each member embodies and fits the style we’re attempting to pay tribute to perfectly. We’re all major ‘80s sleaze rock fanatics, so we take a lot of pride in the small details within each song to properly display them to our audience,” said Mikolajczyk, who also will celebrate Ramsden’s birthday with the band Friday.
“Some call it a blast from the past, but we’re just paying homage to our favorite artists and era, and we’re having a fun time recreating the atmosphere of one of the greatest eras in live entertainment history.”
After discovering their shared love of the music and era, Mikolajczyk and Williams formed Whiskey A Go Go five years ago and later brought Fields and Ramsden into the fold. Mikolajczyk and Fields also share a mutual admiration for Izzy Stradlin and Slash as members of Pretty Tied Up, a Guns N’ Roses tribute band that performs regularly in Michigan, Kentucky and Tennessee.
“I built the backing band that has evolved over the years, and we recently put Brandon in the lead guitar position,” Mikolajczyk said. “It’s really helped take us to the next level.”
As a prominent fixture in Detroit’s hard rock and metal scene, Mikolajczyk developed a deep appreciation for the genre while growing up in Canton. At age 12, he picked up his first axe, a Guitar Hero game controller, and later sold merch and volunteered as a roadie for the Motor City metal band Kro-Magnon as a teenager.
After becoming Kro-Magnon’s bassist, Mikolajczyk quickly became a well-respected musical mainstay in Detroit and later formed HazardHead, a band influenced by ‘80s hard rock and GNR, in 2011.
He also performs as a solo artist and books, manages and promotes local and national pop, rock and blues acts through MetalAfro Management & Promotions. Mikolajczyk books acts regularly through the Diesel Concert Lounge in New Baltimore, including the Jan. 25 Ultimate Tribute Fest!, and other hard rock and metal shows.
With a myriad of projects, Mikolajczyk relishes sharing The Token Lounge stage with an impressive roster ‘80s hard rock icons, including Winger, Slaughter, Faster Pussycat and Enuff Z’Nuff.
“Enuff Z’Nuff might not be the biggest chart-topping act, but their music is very cutting-edge. Their last album, ‘Diamond Boy,’ has many musical masterpieces on it for being released only a year or two ago as well as the rest of their discography. They are definitely one of my favorite bands that’s still touring,” Mikolajczyk said.
Wilson will take their final bow of fuckery Saturday night in Pontiac.
The Detroit multi-genre quartet will host three farewell banger shows filled with debauchery and shenanigans for longtime, hardcore fans at The Crofoot.
“The shows will be closure for us and everyone who’s been involved. It will be emotional, but relieving at the same time,” said Jason Spencer, Wilson’s co-founder and guitarist. “We’ve always been transparent with our fans, that’s always been important to me, but all in all, the fans have been polite and supportive.”
Along with bandmates Chad Nicefield (vocals), James Lascu (bass) and Matt Puhy (drums), Spencer announced Wilson’s indefinite hiatus and “Thank You, Goodnight” farewell shows Nov. 6 via the band’s Facebook page. After a decade filled with in-your-face rock, hip-hop and all things ‘90s, the band will celebrate an explosive era three different ways:
1. A “Wilson’s House of Fuckery” 4:30 p.m. pre-party in The Crofoot’s Vernors Room with band conversations and a past, present and future walk-through as well as a silent auction with proceeds benefiting the Lighthouse of Oakland County and MusiCares.
2. A 6 p.m. performance of “Tasty Nasty” and “Right to Rise” in their entirety on The Crofoot Ballroom stage. The Messenger Birds, Red Stone Souls and Ladysse will provide support.
3. A 10 p.m. performance of “Full Blast Fuckery” in its entirety on The Pike Room stage. Strange Magic will provide support.
Each show will encompass part of Wilson’s history at their “hometown” venue and allow devoted fans to engage one last time with these genre-bending titans. In a sense, it will be like viewing the exhilarating and exhausting journey through each band member’s eyes.
“The Vernors Room pre-party will consist of props/outfits from old videos, stage props and a bunch of visual aspects. Our fans have always loved the gimmicky parts of the band, so we figured this could be a fun way to obtain items for their Wilson collections … no joke, we have fans who have made entire rooms out of Wilson items,” Spencer said.
“The Ballroom will be a standard Wilson headliner with some visual aspects. But the final show in The Pike Room will be the most intense show because it’s the type of room that has played a big part in our history. You know, punk-rock club style … just wild.”
“Let’s just say everything from ‘Live ?!*@ Like a Suicide’ up until ‘Spaghetti Incident’ is going to be on the table,” said Brandon Fields, aka Slash. “That’s the good thing about being in a tribute to Guns is that they’ve got such a deep catalog. We might have some special guests jamming with us as well.”
Fields will jam with bandmates Kevin Shannon (Axl Rose), Kyle Mikolajczyk (Izzy Stradlin), Dustin Witt (Duff McKagan) and Garrett Ramsden (Matt Sorum) for one of their final 2019 appearances in metro Detroit.
He formed the project earlier this year with Mikolajczyk and Ramsden after their previous GNR tribute band, Uzi Suicide, went on hiatus.
“Guns N’ Roses is my favorite band of all time. These are songs I’ve always wanted to play live and couldn’t necessarily pull off in my other projects,” Fields said. “I made the Facebook page before the band lineup was even finished, and Kyle instantly shot me a message asking what was up with it.”
After teaming up with Mikolajczyk and Ramsden, Fields invited longtime best friend and multi-instrumentalist Witt to join the lineup as well as hard rock vocalist Shannon. The quintet quickly blew up the hard rock music scene in Michigan, Kentucky and Tennessee with growing roster of live dates.
“Obviously, whoever is doing Axl’s job is going to have the main attraction in my opinion, so you’ve got to have somebody who’s going to put on a show. Kevin does a good job. Kyle, Dustin and Garrett do an awesome job of holding the rhythm section down as well. Garrett is an absolute monster behind the kit, and I don’t think there’s anybody who would be a better fit for us,” said Fields, who lives in Lexington, Ky., and named the band after a GNR “Use Your Illusion II” track.
“Dustin’s a very smart musician and has been my partner in crime for a few years since he joined my solo band. You never have to worry about him messing up. Kyle plays everything he needs at the right time. He’s in like 10 different bands, and you definitely don’t get to a point like that being an amateur.”
“When I was first offered the opportunity to be in Swizzille Trip, I thought, ‘Psych rock and jam rock, that must be like rock and roll, right?’ The deeper I dig into it I realize the structure, philosophy and approach are totally different,” said Mikolajczyk, who also plays guitar and bass for several Detroit bands.
“Right now, I’m still studying it very deeply and getting into The Grateful Dead, Phish and Dead & Company. It’s very much a learning process I’m going through with Swizzille Trip. The entire project is very open-minded. We just let it flow, and it’s natural.”
Mikolajczyk recently added psychedelic rock to his extensive repertoire when he joined Swizzille Trip last year. He teamed up with Michael Kalb (guitar, vocals) and Preston Preiss (drums, vocals) after they performed at a release party for Detroit alt rock band Black Feather (another Mikolajczyk project).
“They were in search of a new bassist, and I’m always open-minded to new endeavors,” he said. “I very much see eye-to-eye with Michael Kalb.”
That strong musical partnership has manifested into a series of far-out singles from Swizzille Trip’s latest album, “Interstellar Wonderlove,” which carries themes of peace and unity. The band’s latest single, “Water,” serves as a heartfelt acoustic rock anthem while “Sand” provides an intergalactic, bass-fueled cover of the 2000 Phish classic.
Swizzille Trip will continue to record and release tracks from “Interstellar Wonderlove” in the coming months. In September, they’ll return to Tempermill Studio in Ferndale to hammer out additional songs, including the holiday-tinged “Zombie Snowman” for a November release.