Land of Confusion – Tom Alter Questions the State of the Nation and World on ‘Dispatch From the Lesser Middle’ Album

For Tom Alter, life has become quite the head-scratcher.

The current social and political state of the nation and the world leaves him questioning the present, yet remaining hopeful for the future.

“I turned 65 this year, and there’s so much in this world that leaves me shaking my head,” said Alter, a Fraser, Michigan singer-songwriter and guitarist. “I really never thought things would be like this … and as I was writing, somewhere in the middle of the process, I wrote the song, ‘A Wilderness.’”

The insightful opener from Alter’s latest indie-folk album, Dispatch From the Lesser Middle, features a dream in which he speaks to his younger self about being resilient in life.

Backed by wise acoustic guitar, electric guitar, and bass, he sings, “Young man buckle up / Living takes a lot of trust / If this sounds cliché / Don’t know another way I can instruct you / If I only had / A wise old man / Tell me what he’d come to know when I was young.”

“It’s saying, ‘Well, what did you expect?’ It’s kind of always been like this.’ Some of it is just trying to understand some of these changes that are going on in the world, but also realizing that they may not be permanent,” Alter said.

“When we’re young, we think everything’s gonna go along swimmingly, and we can set goals, and they’ll be achieved. The line I like in this song is, ‘You better buckle up,’ and I was setting myself straight.”

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Heal Up – Lucas Powell Overcomes Heartbreak and Finds Closure on ‘Lose You on My Own’ Single

lucas-powell-2024 — Lucas Powell finds renewal and clarity on his new single, “Lose You on My Own.” Photo courtesy of Lucas Powell

Three years ago, Lucas Powell embarked on a pathway to self-healing.

The Royal Oak, Michigan singer-songwriter and multi-instrumentalist found closure from a past relationship after writing a new song about it.

“I often write to tell stories about myself and my experience and to process my feelings. This one was a song I wrote to say all the things I couldn’t say directly to a former partner,” Powell said.

“Going through heartbreak without explanation leads to a lot of self-gaslighting and blame and was one of the loneliest periods of my life.”

What resulted is Powell’s cathartic new single, “Lose You on My Own,” which openly explores that heartbreak and disbelief alongside emotive indie-rock instrumentation.

Backed by intrepid electric guitar, synth, bass, and drums, Powell sings, “Now, I’m pulling at the steering wheel / And I’m not sure how I’m supposed to feel / Looking in the rearview mirror because forever didn’t last / Asking, “How can this be real?”

“I hope people who hear this song will be given words for what they feel and know they aren’t alone in their experiences,” he said. “Three years later, I couldn’t be more thankful in every way for the changes I’ve endured via the specific hardship mentioned in this song.”

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Dearly Departed – Emily Rose Honors Late Singer-Songwriters Through ‘Ghost Night at Ghost Light’ Monthly Concert Series

001979270031_750 — Emily Rose performs with Dan “Ozzie” Andrews during a “Ghost Night at Ghost Light” show. Photo – Jeff Spisak

Six years ago, Emily Rose tested out a new concept for a live show.

The Detroit indie-folk singer-songwriter hosted a tribute night honoring a late artist at Ghost Light Bar in Hamtramck, Michigan.

“One of the bartenders at Ghost Light is a close friend and he said, ‘Emily, you could have a regular show here if you wanted.’ He planted that seed, and I did a Jim Croce tribute night in 2017 because he’s a songwriter that I love,” Rose said.

“It was a great show and it was so much fun. In the back of my head, I thought, ‘Well, maybe someday I’ll do a monthly show where I learn a bunch of songs by a different artist.’”

At the time, Rose laid the foundation for what would become “Ghost Night at Ghost Light,” a monthly tribute show featuring local artists performing the music of departed singer-songwriters as well as sharing their own material.

“Last year I was in a position where I realized I needed something to focus my energy on,” said Rose, who launched the concert series last June. “I needed a project to throw myself into … and a lot of my favorite songwriters are dead. The idea to do a different departed songwriter every month just made sense.”

Continue reading “Dearly Departed – Emily Rose Honors Late Singer-Songwriters Through ‘Ghost Night at Ghost Light’ Monthly Concert Series” →

Surge Protector – Hollow Head Faces Emotional Vampires on ‘I Can See You’ Single

hollow-head-1a — Hollow Head tackles toxic relationships on “I Can See You.” Photo – Paul Gerrard

Surging with adrenaline and emotion, Hollow Head boldly confronts emotional vampires on “I Can See You.”

That fearless act prompts the Denver indie-rock quartet to drive a stake in problematic relationships on their grungy new single.

“When I was writing lyrics for it, I didn’t go into it intentionally thinking this was what this song was gonna be about. I started writing and I think something on my mind at the time was just about emotional vampires,” said Jim Adame, the band’s vocalist-guitarist, who wrote the track last summer.

“We were going through [things] with specific friends at that time, and I’ve always had specific friends that have kinda been in that realm and also relationships. A lot of that was in my mind subconsciously.”

Backed by impulsive electric guitar, energetic bass and thunderous drums, Adame’s honest thoughts quickly rise to the surface as he sings, “All your words are parasitic / You just talk and watch me bleed / I bet you wanted me to be / Another version of what you see / No, no.”

“It touches on a little bit of guilt where you understand someone is trying hard to be a part of your life, and I was going through that a lot at the time with friends and in romantic situations, too,” he said.

“You have this one person trying very hard to be important to you, and you can very easily let that happen, but you also have to recognize this person is just gonna bring you down.”

Continue reading “Surge Protector – Hollow Head Faces Emotional Vampires on ‘I Can See You’ Single” →

Natural Tendencies – Chris DuPont Shares Honest and Vulnerable Stories on ‘Fragile Things’ EP

chris-dupont-1 — Chris DuPont explores the trajectory of relationships and the vulnerability, honesty, and wisdom that comes with them on “Fragile Things.” Photo – Robby Fisher of Dogtown Studio

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Chris DuPont didn’t go into making his new EP with a plan.

Instead, the Ypsilanti indie-folk singer-songwriter opted to write and record what came to him naturally.

“I just thought, ‘These songs are close to me.’ I didn’t have as much of an elevator pitch this time. It felt like a relief because sometimes I hide behind the elevator pitch. Sometimes I hide behind [this idea of], ‘Oh, this is what I’m about as an artist, and this is what I’m trying to say,’” said DuPont about Fragile Things.

“And instead, I just decided I’m gonna cut the crap and let people have it, and I hope they respond to it. If they don’t, then I will still know that those stories needed to get out of me for me to be OK.”

What resulted are five intimate songs about the trajectory of relationships and the vulnerability, honesty, and wisdom that come with them. On Fragile Things, DuPont shares those tales through emotive vocals, atmospheric folk-pop instrumentation, and ambient soundscapes.

“When I play them and share them, the consensus tends to be like, ‘Someone’s going to get something out of this,’” he said.

“When I play them live, they connect quickly—usually better than I expect. One thing I’m learning is that I think it’s just my job to create and not treat them like they belong to me as much.”

I recently spoke to DuPont about writing songs for his new EP, creating videos for the title track, recording the EP at multiple studios, preparing for a Nov. 17 EP release show, and collaborating with Kylee Phillips on a duet EP.

Continue reading “Natural Tendencies – Chris DuPont Shares Honest and Vulnerable Stories on ‘Fragile Things’ EP” →

Nonlinear Tales – Eliza Thorp’s ‘Stories We Told Along the Way’ Album Ebbs and Flows With Life Experiences

eliza-thorp-750 — Eliza Thorp shares wise tales of contemplation, strength and growth on “Stories We Told Along the Way.” Photo courtesy of Eliza Thorp

For Eliza Thorp, life doesn’t always travel in a straight line.

The Petoskey, Michigan indie-folk singer-songwriter and pianist’s personal experiences ebb and flow with the passage of time on Stories We Told Along the Way.

“It’s 99 percent autobiographical, and I never really set out to write for other people,” said Thorp about her latest album.

“Songwriting has always been this thing for helping me to make sense of things in my life. It also puts a different lens on it to understand it a little bit better or to hold it in a different way.”

Those different perspectives allow Thorp to process and share wise tales of contemplation, strength and growth across a dozen cathartic tracks.

“It’s definitely cathartic, and it’s really interesting as a songwriter to see which themes keep coming back to you. It’s like, ‘Well, maybe I haven’t really fully unearthed that, whether it be an emotion or that theme yet,’” she said.

“That was the idea or that concept with the title Stories We Told Along the Way, and with it being about life experiences that some people might be able to relate to.”

Thorp’s intimate “stories” feature vulnerable lyrics, soft vocals and earnest acoustic instrumentation set against a backdrop of northern Michigan imagery.

Vivid references to seasons, landscapes, creatures, the cosmos and weather patterns allow listeners to better visualize Thorp’s picturesque world in their mind’s eye.

“Nature has such a huge impact on everything in my life, particularly my overall well-being. I often find comfort in nature, and I feel like it’s where I can slow down a little bit,” she said. “And then I feel like lyrics might come to me in those quieter moments while I’m out on the trail somewhere.”

Continue reading “Nonlinear Tales – Eliza Thorp’s ‘Stories We Told Along the Way’ Album Ebbs and Flows With Life Experiences” →

In Hindsight – Ohly Recounts Memorable Tales of the Past on ‘Miracle’ Album

ohly-750-landscape — Christian Ohly weaves vivid recollections of people, places and experiences on “Miracle.” Photo – Alexis Backus

For Ohly, life’s most impactful moments are more visible in hindsight.

Through that lens, the Detroit indie-folk singer-songwriter recounts memorable tales of loss, love and growth on his latest album, Miracle.

“There’s a lot of introspection on different relationships—family, friends and some romance in there. A lot of it covers loss and the songs poured out of me after I experienced that loss. There are also some more playful and happier songs that were crafted,” said Christian Ohly about his third release via Bird Fight Records.

“Somebody asked me if the songs were more recent or if they cover most of my life, and I realized some of those songs talk about when I was five and six, then 12 and 13 and stuff that happened last year.”

Each track on Miracle transcends space and time as Ohly weaves vivid recollections of people, places and experiences. Whether it’s spending time with Annie, Julia or a sibling or venturing to Paris, Colorado or California, the album functions as an emotive travelogue that instantly connects with listeners.

“The last few years, I’ve really wanted to travel, and I thought about being able to do it when I was in high school … and then having a job and having some time off and also wanting to play music in some different places,” said Ohly, who’s inspired by James Taylor and Christian Lee Hutson.

“So many of the songwriters that I listen to and have been inspired by use very specific places, details and people. While listening to the whole thing and doing more introspection on the final project I was like, ‘Man, there sure are a lot of names and places in here I did not realize when I was recording [it].’”

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The Soundcheck – Adam Liles, Bourgeoisie Paper Jam, Lilly MacPhee, Jeff Socia, Nicholas Arthur Powers

This month’s edition of “The Soundcheck” deciphers a range of relationships, whether they’re fleeting or everlasting. Some pull the “Ripcord” to break a scary free fall while others cherish “Every Heartbeat” and say a belated “Thank You for Breaking My Heart.” It also reveals the wisdom that comes with age and experience—I Know a Thing and Ronronner—and the potential for future growth.

Adam Liles, “Ripcord”

The Indigo Curve guitarist shares an instant headrush of emotion and energy on his debut solo single “Ripcord.” Produced by Anton Pastoria, the track’s swirling, indie-rock array of pounding drums, glistening electric guitar and humming bass propel Detroit’s Adam Liles into a brief infatuation until the “ripcord” of reality takes over. In raspy, reverb-filled vocals, he sings, “And I’m feeling it all / As far as feeling it goes / She came in like a star / Oh, but she left like a ghost.”

Liles also released a new video for “Ripcord,” which features him strumming a cream Fender Stratocaster on a pedestrian bridge at sunset over an interstate. He teamed up with Love Streams Films’ director Andrew Brumfield and Craigen Z Oster to film the introspective take on his single. Liles and Brumfield also collaborated on The Indigo Curve’s kaleidoscopic video for “But I Wanna Write Love Songs” last summer.

Continue reading “The Soundcheck – Adam Liles, Bourgeoisie Paper Jam, Lilly MacPhee, Jeff Socia, Nicholas Arthur Powers” →

The Soundcheck – Soundslikeotto, Ohly, Tom Alter

c-d-x-PDX_a_82obo-unsplash — “The Soundcheck” celebrates newly released singles, EPs and albums each month. Photo – C D-X

It’s been nearly eight years since I started The Stratton Setlist, and I’ve heard a barrage of wonderful new music from independent artists during that time. While I’ve written hundreds of features on different artists across multiple genres, I wanted to find a way to showcase more people through a new monthly series called “The Soundcheck.”

And welcome to “The Soundcheck.” Each month, I’ll compile a roundup of newly released singles, EPs and albums from local artists inside (and outside) Michigan. I’m proud to share the inaugural edition, which features electropop from Soundslikeotto and indie-folk from Ohly and Tom Alter. Plus, this edition celebrates my favorite season of spring.

Sit back, breathe in the spring air and enjoy these refreshing sounds.

Soundslikeotto, “So High”

Soundslikeotto delivers an infectious helping of ‘80s electropop on their latest single, “So High.” The Detroit indie-pop sextet of Chesney Walters (vocals), Jonny Walker (guitar), Nate Dornfried (keys), Ryan Freitas (bass), Connor Maggio (guitar) and Austin Howard (drums) dropped their addictive new single in March after releasing their debut EP Still Picture You last summer. (It’s especially effervescent on cassette.)

On “So High,” the band fuses hyperactive synth, electric guitar, bass and drums with a bold storyline about being in an intoxicating relationship. Walters sings, “No control / You tighten your chemical hold / So hot and so cold / And I can’t get enough, get enough, get enough.”

Honestly, I can’t get enough of this single and its instant adrenaline rush each time I play it. Soundslikeotto’s confessional single belongs on a clear Memorex mixtape alongside Phil Collins’ “Sussudio” and “Don’t Lose My Number.” Dust off that boombox, insert mixtape and let the addiction begin!

Continue reading “The Soundcheck – Soundslikeotto, Ohly, Tom Alter” →

Heal Over – Cameron Blake Explores Forgiveness and Finds Renewal on ‘Mercy for the Gentle Kind’ EP

Cameron-Blake-Press-Photo-Eric-Bouwens-photographer-copy — Cameron Blake embarks on healing journey of self-discovery on “Mercy for the Gentle Kind.” Photo – Eric Bouwens

For Cameron Blake, time and tenderness heal deeply buried wounds on Mercy for the Gentle Kind.

The Grand Rapids, Michigan chamber-pop vocalist, composer and multi-instrumentalist embarks on a cathartic journey to explore forgiveness and find renewal on his latest EP.

“That’s when the process began, and I thought, ‘OK, what are these three songs, ‘Blue Note,’ ‘Mercy for the Gentle Kind’ and ‘Cricket’s Waltz,’ about?’ I had to go back and piece it all together, but I was doing that simultaneously while preparing for my Return to the Violin recital,” said Blake, who’s also a classically trained violinist.

“Then I realized it was a very subconscious thing that I was making this record about the healing process and how the only way to heal something is not to harden up, but to show tenderness.”

Blake thoughtfully examines that concept throughout Mercy for the Gentle Kind’s six poignant tracks, which feature poetic lyrics and cinematic instrumentation mixed with indie-folk, chamber-pop and classical music sensibilities.

“And then I found the John Berger audio, which was in an interview with him talking about how we can judge systems and we can judge actions, but we can’t judge the human soul,” he said.

“I said to myself, ‘Wow, what a profoundly beautiful and incredibly difficult idea,’ but it sort of struck me because that’s exactly what I did with that past teacher of mine and that’s what healed me. It simply brought together the whole project.”

To learn more about Blake’s journey, I chatted with him about his background, a past traumatic experience that impacted his ability to play the violin, his “debut” album and latest EP, the Music in the Heights concert series and his upcoming plans.

Continue reading “Heal Over – Cameron Blake Explores Forgiveness and Finds Renewal on ‘Mercy for the Gentle Kind’ EP” →

The Stratton Setlist

Catch the opener. Stay for the encore.

Tag: Indie folk